Consider: How has your ‘Why’ evolved since you began podcasting?

In your post Having a Clear Why, you highlight the importance of having a reason for podcasting that goes beyond just releasing episodes. Looking back, has your core motivation for podcasting changed over time? Were there moments when your ‘why’ felt unclear, and how did you navigate that?

~ Asked by the LLM(1)

It turns out that my core motivation has never wavered. What has changed drastically over the years is why I thought I was doing it.

My “Why” is that I’m curious. I have always been entirely motivated by simple, selfish reasons: I love conversations— in fact I love listening to people. The people and conversations energize me. Podcasting scratches my curiosity itch. (The cure for boredom is curiosity. There’s no cure for curiosity.)

It turns out that when I’m intentional about how I podcast—who I choose to give a platform to, what I steer us towards discussing, how I craft episode notes, titles, and all the countless details—I end up creating pieces of work that other people really enjoy and learn from. Godin’s phrasing, “make the world better by making better things,” nails it.

What’s changed over the years is that I was confused about my “Why”—not that my “Why” actually changed. At various times in the past I used to think, “people like what I’m creating, maybe I can generate some revenue.” But I’m not in podcasting to generate revenue, and if I wanted to do that I’d need to shift from “what do I want” to being clear about what problem I’m trying to solve for others.

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(1) I’m working with an LLM instance which has access to everything I’ve written about podcasting, and all the episodes I’ve published. It prompts me by asking me these questions.

Anxiety and worry

Much of insomnia and trouble sleeping is ultimately caused by worrying. When you worry, you get anxious, and when you’re anxious, your body gets ready for action, which directly inhibits relaxation and sleepiness. And to make matters worse, routinely worrying in bed – either as you’re trying to fall asleep initially or when you’re awake in the middle of the night – eventually teaches your brain to associate your bed with worry (this is the same classical conditioning process Ivan Pavlov discovered in his experiments with dogs who learned to drool at the sound of a bell previously paired with food). This means that, even if you weren’t worried before night-time, simply being in bed can become a trigger for worries and anxiety!

~ Nick Wignall, from How to sleep when you’re a perfectionist | Psyche Guides

I do recall that I had that problem at one point. The way I solved it was to create other opportunities—for me, it was journaling—to empty that stuff out of mind. These days it’s a three-pronged approach: I’m a wizard at organization so I trust myself and my systems. I regularly reflect on what’s in my control and remind myself of the correct perspective about life in general. I regularly dump out my mind’s various, and endless ideas and possibilities into notebooks. I’ve no idea what would work for you… but you really do need to try a bunch of things to figure out what does work for you.

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Connecting and respecting

The idea of narrowing the number of people we’re intending to serve with our creative efforts is freeing. Kevin Kelly‘s 1000 True Fans is liberating in the sense that it frees us from having to imagine: How am I supposed to create something that excites and engages with millions of people. But even “just” those 1,000 fans is a daunting group to imagine.

It turns out that finding, connecting and respecting a small group of supporters and customers always outperforms the hustle for more. And that if you can create a remarkable story that’s worth spreading, it’ll spread. Not because you need it to, but because your customers do.

~ Seth Godin from, The reluctant spammer

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Unfortunately, I’ve not yet found my people. Yes, certainly, people tell me they love what I create—but I’ve not yet found something that goes beyond being interesting to people. I’ve not yet found something that solves a problem for them… Excites them to action… Enables them to create something of their own…

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That’s a moiré

“You don’t need [machine learning,]” Bryan said. “What you need is inverse Fast Fourier Transform.”

~ “Shift Happens” from, «https://www.getrevue.co/profile/shift-happens/issues/moire-no-more-688319»

I stumbled over a blog post, containing a pull-quote where someone mentioned inverse Fast Fourier Transform. (A mathematician named Fourier invented a fast way to do a certain sort of transformation that comes up a lot in science; It’s called a Fast Fourier Transform. There’s also a way to undo that transformation, called “the inverse”. Thus, Fast Fourier Transformations (FFT) and inverse FFT. Well, FFT/IFFT is the first thing I can recall that I could not understand. It was shocking. Every other thing I’d ever encountered was easy. But there I was, 20-some-years-old, in graduate school, and I encountered something that was beyond me. I think I had it sorted about 6 times and every time, the next morning, upon waking, it had fallen out of my head. Holy inappropriately long parentheticals, Batman!)

Anyway. Blog post. IFFTs. Time machine to the early 90s. Emotional vertigo.

…and then I clicked thru to the magnificent post which is brilliant. And then I realized the by-line was, “Shift Happens.” o_O This entire thing. I’m in nerd heaven.

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PS: Sorry, what? Oh, you read my title, heard the Italian word, “amore,” and wanted a, That’s Amore! pun? Okay, here: When an eel climbs a ramp to eat squid from a clamp… Yes. Really.

Reflection: Day 59

FESTINA LENTE — Make haste, slowly. Or, unrestrained moderation. — “The worker must be stronger than his project; loads larger than the bearer must necessarily crush him. Certain careers, moreover, are not so demanding in themselves as they are prolific in begetting a mass of other activities. Enterprises which give rise to new and multifarious activities should be avoided; you must not commit yourself to a task from which there is no free egress. Put your hand to one you can finish or at least hope to finish; leave alone those that expand as you work at them and do not stop where you intended they should.” ~ Seneca, On Tranquility


Last week we began looking beyond this small, introductory journey and talking about ways you could continue on your own.

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Like architecture?

Most importantly, I think we need more software that’s done—not allof it, just more of it. Just like we’re always going to have prefab buildings to serve a particular function at a particular time, software that continues to change and improve pushes us forward and is absolutely necessary. But maybe it’s ok for that app you’re working on to be done. And by going into it with a realization that it’s going to be done some day, you might even make something that lasts for decades.

~ Rian van der Merwe, from The Analog Revolution

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It’s taken me a long time–like, maybe, right up until about ten minutes ago… It’s taken me a long time to realize just how much I enjoy creating physical artifacts. I built a bunch of universes worth of stuff with Legos as a kid, lots of model airplanes, and a scratch-built glider that I flew untold hours. With the help of various others, I built a complex shed from plans I purchased, and a small retaining wall that solved a fundamental problem with how our home was built 60 years ago.

The internet and computers clicked right into my obsession for understanding things and for making things work. The ephemeral nature of the digital things I’ve built, or been involved with, over the years is a big positive; it enables one to take big swings with vastly reduced down-sides. On the other hand, it’s ephemeral.

I know exactly where and when I became inspired to start this, my web site. The inspiration arose from within me. At the time it was because I felt I had something to say—something to share. At the time I already had a long established personal website which I tossed in the trash bin and started anew. It turns out, I now see, that what I really had was the ongoing urge to think and learn and to build something as permanent as is possible on the internet.

Today, it may well be that I do have something unique and interesting to share. (…or it may be I don’t.) But I’m quite certain that the thinking and learning I lured myself into, day after day as I built this site one post at a time, was without exaggeration the smartest thing I have ever done (and will continue to do.)

Are you too called to create?

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Kinesthetic Literacy

Dr. Hans Selye called it the General Adaption Syndrome. You are going to try to adapt to the new situation that is presented to you. If you don’t, your body goes through first alarm, “How do I make this work?!” and then resistence.

You realize you’re not going to bridge that gap and you resist that fact. “It’s ok!”, “It’s ok that I’m in an unhappy marriage!”, “I’m gonna make it work!”, “It’s ok that I’m in a bad job!”, or “I’ve still got seven hours to drive to new york!”, or whatever it is…

That’s the resistence phase. Then your body goes into exhaustion. And I meet more and more of my clients, more and more people in the world, are facing this exhaustion. They’re showing up with what we would call diseases of the autonomic nervous system– that I think include lupus, arthritus, fibromyalgia… Very many of the autoimmune diseases are the body turning on itself because it has reached a stage of exhaustion because we cannot make the gap between how they’re supposed to be in the world and how they are in the world.

~ Tom Myers from, Are you Kinesthetically Literate? – Tom Myers #101

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This is a wide-ranging podcast (you may want to skip over a bit of Daniel-specific Q-and-A up front) with the creator of the Anatomy Trains system of looking at anatomy as an integrated whole. They start on the basics and origin of Anatomony Trains but their dicussion travels VERY far afield discussing human domestication, parkour, birth, death and the future of our species. Two and a half hours well-spent in my book.

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Scaf 101: Build 6, Taller A-frame

(Part 11 of 13 in series, Scaf 101)

There are some non-obvious ways to use clamps to build unusual things. Early on, in the first “cube” build, I mentioned you could do pullups and work climb-ups. But this build is way better for building a stable, nearly 7-foot high bar.

There’s no layout shot per se, but here’s a pair of assembled 45° apex A-frames. (Note that the unused outlets in the middle both face up.)

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There are two 90° two outlet tees in the middle of the photo, 45° tees on the left and right and 3-foot brace pipes. This looks totally asymmetric, right? Here’s a close up of the tops of the A-frames:

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(I know, right? Does this work?)

Here’s a detail of how you put the top cross bar into the clamps; do not over-insert the ends because we need the width to be correct.

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Wait, this is a thing? It totally is…

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Very tall, very stable for climbing/hanging and you can swing a bit (if you like sketchy swing sets).

We have 5-foot pipes and tees left, so let’s add some more side pipes:

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I love how the outlets on those tees we used early on, suddenly are just perfect for a cross bar. Obviously, that lower one could go anywhere on the set. If you have extra 45°s, you can add some 1-foot diagonals on any (not the top – won’t work up there) of the cross pipes. I’d put two diagonal doing down from the mid-height cross-pipe; that would give a huge stability gain without being in your way.

There are other variations to this build: You could have used 5-foot pipes for the cross-bars when you laid out the A-frames. They’d be much lower down on the sides. You’d still have the fourth 5-foot pipe to make that mid-height cross-bar. And of course in both variations you have 3-foot pipes that can be added as diagonals if you have the extra 45°s. Remember the rail precisions build, with the diagonals that were “off” but still sort-of fit? You could get a 3-foot diagonal up on the top most cross-pipe.

I really like this build. It’s a sort of “sleeper” build where you start feeling like your wasting clamps at the apex of the A-frames and then it turns into this very unusual geometry. Most scaf (except of course Blake’s scaf in Boston) ends up being all 90° and 45° systems.

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Scaf 101: Build 5, A-frame swingset

(Part 10 of 13 in series, Scaf 101)

By now, you should be pretty comfortable with these builds. So for this one, I’m going to start off by making a poor decision, so you can see how it doesn’t work out at the end. Then I’ll make a change and show it rebuilt.

Here’s a layout shot for one A-frame end of a “swing set”. If you look at the apex closely, you’ll see I was considering using a side outlet elbow. (Two 7-foot legs, and a 3-foot cross pipe.)

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At which point I thought this might be an interesting teachable moment. So I swapped in the 90° two outlet tee. This seems like a good idea right? We’re going to use a 5-foot pipe across the top, one end of it has threads, I can slide this clamp further in from the end and it’ll get a much stiffer top corner.

Advanced: If you have the extra 45° single outlet tees you could add awesome little 1-foot braces on two of the corners at the top too. But DON’T – spoiler – we’ll use the 1-foot pieces for something else at the end.

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So I assembled one A-frame side and put in the 5-foot top pipe. You can see the other A-frame side is also assembled on the ground. The 7-foot pipes in this set all have threaded ends, and I’ve left them all facing down so the A-frame top clamps are more stable.

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And here’s the assembled A-frame swing set. It’s about 5 feet high and is surprising stable because of the very wide 90° angle at the top.

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So can we make this more interesting or more stable? Let’s put a 5-foot base across the bottom of one side, just to stiffen it up. (But it can also be a laché precision target too.) Two elbows, a 5-foot pipe, and you’ll see the 5-foot seems long, so bury as much of the pipe’s ends in the clamps as you can. You get this:

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We still have two elbows left, so we could do this on the other side and call it a day. But we also have two more 90° two outlet tees, so maybe we could put a bar, across the other legs, but up higher; just to make it interesting? Here you realize that using the two 90° two outlet tees on the top of the A-frame means the entire thing is too narrow to pull this off. In the photo, I have the far side clamped, and the near side just snugged and resting so I could take the photo; it’s clearly too long. If you slid this down low, you could just stretch/spread the legs, but up at this height, it’s a no-go.

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At this point (if not sooner) you’d realize that you cannot get those top clamps out and swap them. You have to tear the entire thing down; thus my thought that this would be good to show, so you never have to do it. :)

Here’s a do-over layout shot for the clamp change, and the finished do-over (with that low base with elbows installed).

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Now we can add some fun stuff. You can use the two outlet tees (you have four left) to put a base on the other side (note the clamp orientation).

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But we have that on the other side already, so you can flip those clamps and position this 5-foot pipe anywhere. You have a “window” on one side too!

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We really should flip the elbows on the other side, so they “sit” into the feet better. Now we also have a “ground rail” on one side. Perfect to start from before jumping/reaching to swing on the bar, or as a laché landing target:

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Done? …not hardly! We have clamps left over. Grab that last 5-foot pipe and your four 1-foot pieces, two 90° two outlet tees, and you can make a bomber ground rail (because you made all 8 wooden feet way back when).

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Finally, you still have two 3-foot pipes left. If you have the extra four 45° single outlet tees, you could add those pipes in somewhere. As diagonals to the base, or in the window, or something crazy like connecting the free ground rail to the A-frame somehow.

So this build ends up being full of options. Climbing/gap challenges around the side braces; balance/cat-on-a-rail challenges; precisions; swinging. This is one of my favorites that you can build with this set.

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1979 Cruising Permit

In 1979, my mom and dad, and their friends the Hollisters, started a long-time tradition of chartering bare-boat sailboats in the Caribbean.

As I’ve been working my way through things I kept from the house, I recently got to scanning this cruising permit which my father had always kept framed on the wall near his work bench.

To all whom these presents may come
greetings
know all men that by
the powers vested in me by the Government
of the Virgin Islands
Bruce Constantine
Master of the Vessel Kona Kai
with his gallant crew of 4
is entitled peacefully to cruise and enjoy
the waters, beaches and reefs
of these blessed islands
from the 18 day of Nov 1979
to the 25 day of Nov 1979

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