Normally, we think of these difficulties and frustrations as something wrong with us, the other person, or the world. With this kind of view, every failure is another reason to feel bad about ourselves. Every frustration with someone else is a reason to shut down to them or lash out at them. Everything wrong with the world is another reason to feel discouraged.
I recently read a discription of one’s mindset that used the term “expansive.” Having a “growth mindset,” or a “positive attitude,” are other turns of phrase in the same vein. Thinking expansively leads you to find opportunities. For 6+ years I’ve been tinkering on the Movers Mindset project, and a legitimate question comes up: What is the mindset of a mover?
What inspires and informs the practice and teaching of movement, particularly focusing on softness and adaptability, in Parkour?
Training barefoot and the choice of footwear reveal unexpected connections to movement fluidity.
I was always a very power hungry— Very, how far can I jump? How big of a movement can I do? Because that was always what caught the attention. But then […] I watched one of [Minh Vu Ngok’s] videos. And he was just such a beautiful mover, doing everything so elegantly, doing his flips, doing his other tricks. But you know, his video— the audio was just him moving. And it was just so quiet.
~ Josh Nierer (2:19)
The conversation explores the concept of softness in movement and its relevance to Parkour. Josh shares how his initial focus on power transitioned into a fascination with softness after observing a skilled practitioner’s quiet and elegant movements. He discusses biomechanics and how force dissipation through techniques like rolling contributes to more efficient and safer movement. Insights into ground reaction time and muscle memory highlight the technical precision required to master these movements.
Footwear and training methodologies are also discussed, emphasizing the benefits of barefoot training for sensory feedback and movement accuracy. Josh highlights the connection between repetition, strength, and mindfulness in achieving fluidity and quietness in movement. Additionally, he reflects on designing Parkour obstacles and how engineering principles enhance their functionality and versatility.
What unique insights and experiences do practitioners of partner acrobatics and group acrobatics share about their journey, techniques, and community-building?
Partner acrobatics is a very deep discipline where you can get into very, very advanced poses that take a long time. […] I’d say it’s got a very friendly start to the learning curve. And then it gets harder from there.
~ Ben Klein (2:11)
Partner acrobatics offers a unique blend of trust, technique, and teamwork rarely found in solo practices.
The mental game of acrobatics, partner acrobatics specifically, is something that I struggle with because I had a stronger… solo practice when I was younger.
~ Sam Sweet (6:17)
The conversation explores the unique aspects of partner and group acrobatics. The discussion highlights the discipline’s friendly learning curve, allowing beginners to perform seemingly advanced maneuvers quickly. Sam and Ben emphasize the mental challenges, such as overcoming fear and adapting to being upside down or off-balance. The dynamics of partnership require trust, communication, and synchronization between participants.
Another major theme is the difference between solo and group movement practices. Group acrobatics introduces challenges of collaboration and safety, especially when multiple participants form complex structures. Ben and Sam also describe the cultural and community aspects of acrobatics, showcasing the blend of creativity, interpersonal skills, and physical strength required in these practices.
What insights can a photographer share about the collaborative process of capturing movement, particularly when working with athletes?
Discover the intersection of art and athleticism through the lens of a movement-focused photographer.
Having been around so many different athletes, I think what’s really fascinating to me is the process, where you get a front-row seat to the process of them breaking a jump. And working through the challenges. And I can’t get enough of that. That is— I find that so amazing, where someone just gets in a zone. And then they can do this thing.
~ Ben Franke (16:11)
The conversation highlights the intricate collaboration involved in capturing dynamic movement in photography. Ben shares his approach to working closely with athletes, emphasizing the importance of understanding the movement art they practice. This partnership allows him to create compelling images while respecting the athletes’ physical limits. The interaction between artist and subject enriches the process, enabling both to come away with something meaningful.
A significant portion of the discussion revolves around the creative process, from compositional choices made in the moment to post-processing decisions. Ben also reflects on the evolution of their practice, highlighting a preference for collaborative and thoughtful work over impersonal or candid photography. Practical advice is offered to aspiring photographers, encouraging experimentation and active exploration as a path to discovering personal style.
How can movement professionals inspire hope, encourage personal growth, and create spaces that foster inclusivity and collaboration?
‘Peanut butter and chocolate’ perfectly describes Dani Almeyda and Tim Anderson’s working relationship, and why they’ve successfully built a business together. They discuss Original Strength, what it takes to work with someone for 10 years, and why they remain passionate about their work. Dani unpacks her work with the Women’s Movement Collaborative, and Tim shares his process and influences. They explain their beginnings as OS, how they’ve grown, and what motivates each of them personally.
If you walk into our studio on the wall, it says: ‘I am awesomely and wonderfully made.’ That’s the message we want people to get when they come in to learn about themselves.
~ Tim Anderson (22:23)
Tim Anderson is an experienced fitness professional, writer, speaker, and former fire fighter. He has over 20 years of experience as a personal trainer, and is the co-creator of the Original Strength System and Original Strength Institute. In addition to fitness, he has authored and co-authored over 5 books. Tim’s methodology is centered on one key principle; we are meant to feel good and be strong throughout our lives.
Our whole goal has always just been to get people to move— to move and to get back to the very basics and the foundations. And the heart of that has always been that we wanted people to feel the hope that movement can bring into life, and to understand that moving heals the body.
~ Dani Almeyda (23:18)
Danielle Almeyda is a fitness professional with over a decade of experience in the industry. She is a the co-creator of the Original Strength System as well as the Original Strength Institute, and the founder of the Women’s Movement Collaborative. Dani’s passion lies in helping people reclaim their movement and their hope.
The conversation explores the transformative power of movement, highlighting its potential to heal the body and inspire hope. It delves into the foundational principles of the Original Strength system, emphasizing simplicity and accessibility in helping individuals reclaim their innate ability to move well. The speakers discuss their mission to create safe, inclusive spaces where movement becomes a tool for empowerment and personal growth, transcending the traditional fitness lens. They describe their unique partnership, which blends complementary strengths to innovate within the movement education field.
A significant part of the discussion focuses on building connections and fostering collaboration. The speakers share insights from their experiences with the Women’s Movement Collaborative, an initiative designed to create a supportive environment for women to explore movement and build confidence. They reflect on the challenges of maintaining authenticity while scaling their efforts and the importance of being relatable to foster meaningful connections with clients and collaborators. Their shared belief in the power of movement to positively impact lives resonates throughout the dialogue.
How does photography, particularly portraiture and movement photography, influence people’s self-perception and their ability to express authenticity?
Movement photography captures authenticity in ways still photography often cannot.
The idea of a portrait is to crack this mask and get into the persona, so I actually have a genuine persona, rather than their predefined version of how they think they should look.
~ Viktor Andersson (12:07)
The conversation focuses on the intersections of photography, movement, and self-expression. Viktor describes how portraiture aims to break through individuals’ preconceived notions of how they appear, to uncover a more authentic representation of their persona. He explores the idea of “masks” people create based on societal and personal expectations, contrasting this with the rawness of movement photography, where authenticity often shines through physical action.
A key theme is the importance of making subjects comfortable, whether in photography or coaching. Techniques such as relatability and creating a safe environment are highlighted as ways to help individuals overcome the discomfort of being photographed or performing challenging movements. Viktor also shares a personal philosophy tying their movement practice to their photography, emphasizing the values of strength and usefulness in their work.
What insights can be gained about the culture, practice, and academic study of Parkour?
The conversation explores how Parkour evolved into a subject of academic research and its broader cultural implications.
I just got so interested in Parkour that I tried to spin every single project of any kind that I did, towards Parkour. Because I realized there was no— there’s hardly any research written about it at all.
~ Damien Puddle (3:50)
The conversation covers the cultural and academic dimensions of Parkour, including its growth as a global practice. Parkour’s physical techniques are explored, particularly how they contribute to biomechanical understanding and injury prevention. This ties into broader academic efforts to document and analyze Parkour, positioning it as a boundary object uniting diverse interpretations.
Attention is given to the social and philosophical aspects of Parkour. These include its global adoption, differences in regional practices, and how practitioners perceive and engage with the discipline. The conversation concludes with reflections on the broader significance of Parkour as both a personal journey and a collective cultural phenomenon.
How do personal experiences and challenges shape an individual’s approach to movement practices and training?
Exploring the intersection of circus arts, Parkour, and fear-facing techniques reveals unique approaches to movement.
I feel [my rail work] is like somewhere— I think, a middle ground because it connects both what I used to do in the air, and what I do on the floor.
~ AnnSofie Svensson (1:44)
The conversation explores the interplay between different movement disciplines, highlighting how unique environments and personal experiences influence training approaches. Topics include adapting Parkour to locations with limited infrastructure, integrating circus arts with traditional movement practices, and balancing personal challenges like fear and overcommitment.
A strong focus is placed on the social versus individual aspects of training. While some movement is shared socially, other practices stem from isolation, driven by a lack of community or environmental factors. The discussion also touches on broader themes, such as facing fears, redefining consistency, and finding humor in challenges. AnnSofie shares insights into building movement opportunities in remote areas and reflects on the intersection of personal growth and physical exploration.
What connections and influences exist between Parkour, bouldering, and theater?
Combining theater and physical disciplines creates new dimensions for expression and skill development.
Happiness, honesty and exploration.
~ Panda Ilén (19:33)
The conversation explores the intersections of Parkour, bouldering, and theater in shaping movement practices and self-expression. Topics include the influence of environment, seasonal changes, and the impact of community versus solitude on training. Panda reflects on how bouldering introduces new ways of thinking and moving, which also informs their approach to Parkour.
Theater emerges as a complementary discipline, with a unique ability to channel movement skills into creative performances. Seasonal challenges, particularly in Nordic winters, and transitions between locations further frame the discussion, shedding light on the importance of adaptability in both practice and life.
Risk gives you choice, and it gives you opportunity to explore and challenge yourself. Risk is a choice, and you have to learn how to negotiate acceptable and unacceptable risks in our lives. Play is a very safe space to learn how to do that.
I keep trying to rearrange my efforts so I can spend more time re-experiencing the hundreds of terrific conversations I’ve experienced. Every single time I manage to find time to go back in, I find something wonderful. That quote is from episode 4 of the Movers Mindset podcast—it wasn’t even called that back then. It was a wonderful, chaotic, ramble of a conversation long before I realized the magic of conversation.
I keep thinking: Have great conversations and get them recorded. Get those conversations recorded so they can be heard by others is the most important part. I have a million other ideas about how to extract meaning, share the best parts, find threads and themes that run across large scales of people and times and …
My hope is that if I simply keep having great conversations, everything else will take care of itself.