Breath – with Julie Angel

Julie Angel describes her multifaceted approach to movement, breath–work, and life as ‘everything everywhere all at once,’ revealing a seamless blend of creativity, transformation, and minimalism in her practices.

I’m really lazy. I’m a high performance slacker. And so it has to be simple and minimalist in doing it. If there’s any practice where it’s like: You need to buy all of this equipment, and you need to do all of these things, and you need a membership… I’m just like, no no that’ll be a no. All of those things cause friction points for me, and I don’t do them. So I mean there’s a minimalism, a simplicity, a creativity, and an adaptability; which is why to other people it may seem very different that I I wear all these these hats which I’m equally multi-passionate about. But for me I’m like, same same. [ed: It’s all the same.]

~ Julie Angel, 2:50

Julie Angel and Craig dive into the worlds of movement, breath-work, and the emotional landscape of physical practice. Julie shares her holistic view on movement, emphasizing that everything she does—whether it’s filmmaking, practicing parkour, training others, or walking her dog—interconnects through common threads of exploration, transformation, curiosity, and creativity. The absence of division between her various interests, highlights the blending of her professional and personal pursuits that are driven by a consistent creative spark and a quest for simplicity and minimalism in practice.

Julie also introduces the transformative power of breath–work, recounting her journey from being intrigued by MovNat Aquatics courses to exploring the physiological and psychological impacts of breathing techniques. She discusses her discovery of dysfunctional breathing patterns and how addressing these can profoundly affect one’s health, well–being, and movement capabilities.

Julie’s exploration into breath–work is not just a personal quest but also an educational endeavor, as she aims to share this knowledge through her work, showcasing the significant, often under-appreciated role that breathing plays in enhancing movement, reducing anxiety, and improving overall life quality.

Takeaways

Exploring the interconnectedness of activities — how different aspects of life, from professional endeavors to personal hobbies, can intertwine and inform each other, creating a seamless blend of experiences.

The significance of creativity in movement — discussing how a creative element is vital for engagement and passion in practices like parkour and breath–work, emphasizing the role of creativity in sustaining interest and exploration.

Breath-work as a transformative tool — highlighting the journey into breath-work and its profound impact on mental and physical health, from enhancing movement capabilities to reducing anxiety and improving overall well-being.

The emotional aspect of movement — exploring movement not just as a physical activity but as an emotionally charged experience that can influence thoughts, actions, and overall life quality.

Simplicity and minimalism in practice — the importance of adopting a minimalist approach to practices, avoiding over-complication to maintain focus, enjoyment, and consistency in various activities.

The role of breath-work in functional movement — detailing how efficient breathing patterns can significantly enhance movement quality, recovery, and performance, underpinning the foundational role of breath-work in physical practices.

Addressing dysfunctional breathing patterns — uncovering the widespread issue of dysfunctional breathing and its implications, with strategies and insights into how correcting these patterns can lead to significant health and performance benefits.

The impact of mindset and perception on physical health — discussing research on the mind-body connection, emphasizing how one’s mindset and perceptions can tangibly affect physical health and aging.

Resources

https://julieangel.com — Julie Angel’s website offers insights into her work with movement and breath–work, including courses and resources for those interested in exploring these areas further.

Julie Angel — Julie on LinkedIn.

The Mindful Body by Dr. Ellen Langer — A book discussing the power of the mind over the body, including the famous Counterclockwise study, which explores concepts of mindfulness and placebo effects on health and aging.

Environment, ‘natural movement,’ and breathing — Movers Mindset podcast episode with MaryBeth Gangemi.

https://fitomize.ca — Julie Thom, trauma informed movement & life coaching.

Built to Move by Kelly Starrett and Juliet Starrett — This book emphasizes the importance of movement and breathwork as foundational elements for health, detailing practical strategies for improving physical and mental well-being.

https://oxygenadvantage.com — Oxygen Advantage program focused on improving health and performance through specialized breathing techniques that aim to optimize oxygen and carbon dioxide levels in the body.

https://vicverdiercoaching.com — Vic Verdier, a MovNat Aquatics instructor known for his deep cave and wreck diving records, Verdier’s teachings on breath–work highlight the importance of understanding respiratory chemistry for enhanced movement and health.

How to Keep Your Edge as You Get Older — Podcast episode with Vic Verdier, mentioned by Craig in this conversation.

https://www.movnat.com — MovNat is a physical education and fitness system based on natural human movement skills, aiming to improve strength, mobility, and the ability to perform practical tasks.

https://www.wimhofmethod.com — Wim Hof Method is a combination of cold therapy, breathing techniques, and commitment that has been claimed to contribute to physical and mental wellness.

(Written with help from Chat-GPT.)

Breath

I’m gobsmacked. I’ve spent a tremendous amount of time on breath work. In the last few days, something new clicked into place for me. Hopefully, this saves someone somewhere some time on the learning curve:

Ashtanga yoga is about breathing. You may also notice there is some movement involved in Ashtanga; Don’t be distracted by the movement! The movement is irrelevant if you haven’t discovered the importance of the breathing.

I’ve written a lot about my personal restorative practice. Breathing and relaxing into the things I do has been an important part of it for a loong time. I cherish my 15 years of study in a style of Aikido where breath is integral to the physicality. I spent a few years regularly practicing Tai chi, and later a few years with Yinn yoga. But Ashtanga yoga never clicked for me. Sure, it’s always a great workout. But I could never really get into it as a practice. I’d bet I’ve been in hundreds of situations where someone (random warmups, movement and martial artists of every stripe, and proper yoga instructors of countless flavors) has led what has aspired to be Ashtanga yoga. Without exception, it has always been a bashing struggle for me.

Because it’s about breathing. No two people are going to have the same breathing. Absolutely, I can imagine that at advanced physical and mental levels, people could synchronize their breathing and then they could do Ashtanga yoga in sync. But that’s not me. Not me at all.

To be really clear: I’m not bashing on Ashtanga — nonono. I’m freakin’ excited because now I feel like …scratch that! Now I can practice Ashtanga. I look forward to it! I’m looking forward to practicing it for a while, and then finding an instructor and taking a class to get help improving. Rather than my old, “please lead me through the sequence”, I’m looking forward to, “please help me improve my sequence”. Which I’m betting will be instruction on breath, and maybe some instruction on movements too.

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Breathing Room

To abstain from all information about the world at this current moment would be a betrayal of your civic duty. On the other hand, to monitor every developing story in real time, like a breaking news producer, is a betrayal of your sanity.

~ Cal Newport from,
https://www.calnewport.com/blog/2020/08/25/focus-week-give-your-brain-some-breathing-room/

This tension is not only real, it’s necessary. You need to have this tension; it’s a critical component of how you assess the world by choosing what to filter in and what to filter out. The difficult part, of course, is if you don’t intentionally manage this balance.

How many things just pop in front of you each day? Are you happy with that amount?

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Constraints – with Julie Angel

Julie Angel describes herself as multi-passionate. She’s a filmmaker, author, podcaster, movement coach and breath-work expert. Julie joins Craig to share her insights on creativity and the transformative power of movement and breathing.

[…] you got to get out of your own way. And for me the sign of a really great conversation, or recording, is at the end of it I’m like— I always ask myself: Was that really good, or like, ‘meh’. And if it was really good, then it’s just like, ‘it was really good!’ Then if someone says, ‘what did you talk about?’ I’m not sure. I don’t know. I was just in it. […] My kind of deconstruction is how did I feel at the end of it. And that’s it.

~ Julie Angel, 20:40

Julie Angel, a filmmaker and parkour coach, describes the intricacies of her creative process and the challenges she faces in her work. She emphasizes the importance of feedback in creative pursuits, advocating for seeking critical perspectives from those who know and love her. This approach, she argues, is vital for maintaining objectivity and ensuring continuous growth in her craft.

Through the conversation, Julie reflects on the nature of creativity, highlighting the paradox of freedom in artistic expression. She recounts experiences where limitless options in filmmaking, contrary to expectations, proved to be daunting rather than liberating. This leads to a broader discussion about the necessity of constraints in fostering creativity, where she points out that limitations often spur innovation and novel approaches to storytelling and artistic expression.

Julie also explores the concept of flow state, particularly in the context of engaging dialogues and creative work. She describes this state as a measure of the quality of her interactions and creative output, where being deeply immersed in the process is a key indicator of success. Her insights extend to the realm of parkour coaching, where she draws parallels between physical movement and mental creativity. Julie underscores the transformative power of parkour, not just as a physical discipline, but as a medium for personal growth and self-expression.

She shares anecdotes and lessons from her coaching experiences, illustrating how parkour transcends physical boundaries and becomes a metaphor for overcoming life’s obstacles. This intertwining of physical and creative agility forms a central theme of the conversation, shedding light on Julie’s multifaceted perspective on life and art.

Takeaways

Creative Feedback — Julie Angel emphasizes the importance of seeking critical feedback from trusted individuals to maintain objectivity and foster growth in her creative endeavors.

Limitations in Creativity — She discusses how constraints can paradoxically enhance creativity, arguing that having too many options can be overwhelming and less productive for a creative mind.

Flow State in Conversations — Julie identifies the flow state as a key indicator of a successful conversation or recording, where being deeply immersed signifies quality and fulfillment.

Parkour as a Metaphor — Her experiences as a parkour coach reveal how the discipline serves not just as a physical activity but as a metaphor for overcoming life’s challenges, emphasizing personal growth and resilience.

Artistic Freedom versus Structure — She reflects on the challenges of having complete creative freedom, illustrating how structured limitations can actually spur more innovative and meaningful artistic work.

Interplay of Physical and Mental Agility — The conversation highlights the connection between physical movement in parkour and mental creativity, underscoring the parallel skills required in both realms.

Transformative Power of Movement — Julie delves into how movement, specifically through parkour, can be transformative, offering insights into its impact on personal development and self-expression.

Resources

  • JulieAngel.com — Julie’s website with various free resources, including a movement snacks guide and a crawling quadrupedal movement guide, along with her films, podcasts, and coaching information.
  • The Curious Midlife — Julie Angel’s podcast available as audio wherever you listen, and on YouTube with video.
  • Movement of 3 — Julie’s film made with three of her friends: “A film I made with my friends Annty Marais- parkour coach, mover, athlete; Fizz Hood – movement artist, stunt woman and parkour coach, & Shirley Darlington parkour coach with Parkour Generations. Women see. Women Do. Women Move.”
  • Breaking the Jump — Julie’s book about Parkour: “But more than a sport that most jaw-dropped onlookers can hardly comprehend, Parkour is an exploration of movement and a return to our body’s natural ability to run, jump, hang and move with fluidity.”
  • Ciné Parkour — “A cinematic and theoretical contribution to the understanding of the practice of parkour.”
  • British filmmaker Shane Meadows is mentioned in relation to his work and approach to filmmaking.
  • The 5 Obstructions is noted as a documentary featuring filmmaker Lars von Trier.

(Written with help from Chat-GPT.)

Clueless

I remain only slightly less clueless than as on my birth day. No clue then. After about a trillion seconds of learning, I’ve still not much to go on. Some things have worked— but I’m not sure exactly why. Some things haven’t worked— also not sure why. The only clues I have are very abstract, fortune-cookie sized, clues like: “Work hard. Stay Humble.” (And a few I’ve cribbed from Lao Tsu and Marcus Aurelius come to think of it.)

The following recipe assumes you’re very ambitious.

The first step is to decide what to work on. The work you choose needs to have three qualities: it has to be something you have a natural aptitude for, that you have a deep interest in, and that offers scope to do great work.

~ Paul Graham from, http://paulgraham.com/greatwork.html

I’ve often wished there’d been a How to Be Human manual. I’m not sure how one would learn the contents very early on. (How does one learn the first chapters pre-language?) Each year, as one levels up, the next chapter of the manual would become available. Arguably, the entire book reduces to: “Relax. Breath.” But, somewhere around chapter 7 I’d very much liked to have found what Graham wrote. (Even though I’d probably have ignored it until about level 22.)

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Making space

Suppose I wanted to give something up, but I’m completely baffled by how to decide which thing. I’m not talking about needing to give something up. I mean: This is all nice, and I’d like to have less. It turns out I spend a lot of time thinking about what to give up, and how to give it up. And who would I be once that thing that I do ceased. And why am I still making the mistake of identifying who I am as what I do? (I run, but I am not a runner.) Most of the answers I’ve found to, “what to give up and how?” come from visualization exercises. I know in fact that I will eventually give it all up. Suddenly, it’s no longer about “if”, but more simply “when”. If next decade is fine, why not next year? …why not right now?

To change a habit – whether you’re starting a new habit or quitting an old one – you have to let go of something really important to you. This is why most people struggle with habit change – it’s not easy to let go of your sacred cows.

~ Leo Babauta from, https://zenhabits.net/sacred-cows/

As always Babauta’s thoughts and perspective inspire me to pause, breath, relax. We do need space, because without space when are we comfortable simply being? I now often find I do have such space. Although my urge remains to fill the spaces up with doing, not-breathing, grasping— Therefore I continue, slowly. breathing. relaxing. visualizing. being.

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Our experience of time

Sometimes I sit in a chair on the patio in the afternoon sun. If I’m just the right combination of tired, relaxed, and comfortable, and if the wind, sun, temperature, and soundscape are just so, I can drift into a trance. Time passes. After which, I have no clear sense of whether it was a moment, or ten minutes. It doesn’t seem that time had stopped, rather it feels like time had ceased to affect me. Did I breath? Did I move? Did I even think in that time?

It’s not only that our experiences of space are different. Our experiences of time are likely different, too. We think about the passage of time through our terrestrial experience of unidirectional motion through space – our metaphors of time are almost all grounded in the way our bodies move forward through the environment. Given this fact, how would an octopus, who can easily see and move in all directions, conceptualise time?

~ David Borkenhagen from, https://aeon.co/essays/can-the-liquid-motion-of-the-octopus-radicalise-our-ideas-about-time

Sometimes I find things on the Internet and there’s a clear takeaway for me, or a clear new-to-me idea or connection. This isn’t one of those times. Instead, I dipped into this article one day, came out the other end aware that it had to be included in a post.

And, perhaps I just fell asleep?

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Vibrant – with Alison Coates

Vibrant – with Alison Coates

Embracing change, making unconventional choices, and the courage it takes to be your authentic self in a world filled with expectations.

It feels like those connections are now beginning to come together. I was reading a newsletter from the [local forest group.] It must have been published two or three years ago. And when I first read it, I thought: “that’s interesting.” And then I read it recently, and every article and person mentioned in there, I know… I now know who they are, I can put a face to those people, and I know more of their story and who they are. So there’s something brewing about the people in this community.

~ Alison (around 13:30)

Craig Constantine and Alison Coates begin with Alison’s breathtaking view of the Kyles of Bute and the ever-changing weather patterns in a remote Scottish village. She shares how the natural beauty of the area has become an integral part of her daily life and how her move to the village has shaped her perspectives. They touch on the evolving dynamics between locals and newcomers in the community, and Alison’s potential (budding?) interest in capturing the stories of the people she has come to know. Finally, Alison reflects on her youngest child’s non-binary journey, emphasizing the importance of normalizing discussions about personal identity.

Embrace Change: Alison’s openness to new experiences and perspectives has led to personal growth and a deeper connection with her community.

Normalize Identity Conversations: Alison’s willingness to discuss her child’s identity and her community’s reactions demonstrates the importance of normalizing conversations about personal identity.

Impact of Authenticity: By being true to oneself, individuals can find happiness and inspire others to do the same.

Build Meaningful Connections: Alison’s interactions in her village highlight the value of building meaningful connections.

Community Resilience: Alison’s observations of her village’s changing dynamics demonstrate the resilience of communities in the face of change.

(Written with help from Chat-GPT.)

Why ever stop?

Every day, the Little Box of Quotes podcast publishes a super-short recording of a quotation. For over 3 years—1,247 times and counting—I’ve said, “Hello, Craig here! Today from my little box of quotes…”

Why do all this work? It’s fun! I love sharing quotes (and in podcast form is just one way.) The total listens is north of 60,000 and some have been heard many hundreds of times. I like to imagine all the people who smiled, or went “hunh“. Each episode is only downloaded a dozen–or–so times when published. But then each episode slowly gets heard, as people randomly stumble upon them (I know not how.)

Which episodes are popular? Here are the top 10…

  1. Habit ~ Jim Rohn
  2. Ignorance ~ Vincent Thibault
  3. Fear ~ Cus D’Amato
  4. Motivation ~ (unknown)
  5. Freedom ~ Michael Diamond
  6. Struggle ~ James Terry White
  7. Revenge ~ Marcus Aurelius
  8. Positive ~ (unknown)
  9. Stand ~ Marcus Aurelius
  10. Torment ~ Seneca

What do I think of that top-10 list? Listening to them—especially the number-1 “Habit” quote—makes me squirm. I can hear so much about them that I’d do differently now. Maybe that’s a good thing? And they all seem so silly… it’s just… Craig reading quotes. But there’s definitely something to this, about the resistance and making art.

How do I record them? They’re pretty raw. I say the entirety of what you hear in one pass. If I make a horrible mistake, I just do it over. There’s no editing—I simply have some basic export settings to set the overall level. The point of the entire thing (when I started) was to practice doing the thing. Talk to the mic. Don’t clean it up in post-production… rather, figure out how to not make mouth-noises, how to breath more quietly, how to sound comfortable, etc.

Where do I still struggle? Saying people’s names! (Pronunciation is difficult too, but that’s not what I mean.) The specifics of how I say the name carries a tremendous amount of information. The tiniest change has a huge affect. Do I sound incredulous that that person ever said something that clever? Do I sound overly reverential? Dismissive? And how long do I pause before saying their name? Faced with endless options, I just do my best and then ship it.

What’s my favorite part? (I have a rapid process: record, replay, save/export, schedule podcast episode. I can do one episode in a few minutes.) Sometimes, maybe 1 in 10, when I play it I get chills. Sometimes, the quote itself, combined with countless other details, makes something I just love.

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Anxiously panicking

A couple of weeks ago I started obliterating processes. I’ve often talked about how everything is a process, and I still believe that. However I’d reached a point where I simply had too many processes (I won’t bore you with unbelievable examples) and a couple of weeks ago I decided enough was enough. I spent several days doing nothing but thinking about everything I was doing, and wanted to be doing but wasn’t “getting around to.”

We’re overwhelmed by it all: all the things we have on our plates, all the interruptions and messages and emails, all the things online and on social media, all the news and chaos of the world, all the things going on in our relationships.

~ Leo Babauta from, https://zenhabits.net/onebreath/

Some things I do can feel like a chore but when I was honest, they are actually things I enjoy doing. Furthermore, they pay off outsized benefits for the time they require. What then made them feel like chores? I think it was the anxiety of the other things I felt I should be doing—after all, I put those other things on a list or made a process so I could chip away at them in sane-sized chunks. I went through everything, and then started deleting things from that “everything else” space.

Is this simply me oscillating between no-planning, planning, no-planning, planning? Is this a 2/3-life (or, if I pretend I’ll live long, “mid-life”) crisis? Have I said a polite-but-clear “no” to some big things? Have I been having some anxiety-free days? YES, to all of those. I’m currently trying to be vigilant to notice the first thing I get anxious about—because I’m going to delete that next.

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Generous silence

Generous silence provides space for the other person to be with their own self, for you to be with them for presence to show up. It allows them to take a breath. It whispers, “this is an interesting place to be. Let’s hang out here for a moment.” […] Generous silence can allow the delicate insights of a conversation to blossom and bloom.

~ Michael Bungay Stanier

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A glimpse

The best way to get a vivid impression and feeling of a landscape, is to sit down before it and read, or become otherwise absorbed in thought; for then, when your eyes happen to be attracted to the landscape, you seem to catch Nature unawares, and see her before she has time to change her aspect. The effect lasts but for a single instant, and passes away almost as soon as you are conscious of it; but it is real, for that moment. It is as if you could overhear and understand what the trees are whispering to one another; as if you caught a glimpse of a face unveiled, which veils itself from every willful glance. The mystery is revealed, and after a breath or two, becomes just as great a mystery as before.

~ Nathaniel Hawthorne from, https://www.themarginalian.org/2022/08/17/nathaniel-hawthorne-nature/

*sigh* Some people can write.

There’s a practice to reaching that effect. At first, I couldn’t pull it off. After much practice, I can now arrive at this state quite regularly. Alas, at no time have I ever imagined as delightful a description as Hawthorne’s. The interesting part of the effect—at least, the effect I’m experiencing—is that it is quite clearly me that is different. Our brains are powerful filters; salient is how we describe that which our brains admit. In experiencing this effect, it feels like the salience filter is transparent… as if, instead of feeling swamped by sensory input, the window to the world is momentarily perfectly clear.

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My daily reflection prompts

Such as are your habitual thoughts, such also will be the character of your mind.

~ Marcus Aurelius

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I have a series of prompts which are a combination of quotes and small notes I’ve written for myself. I’ve mentioned this a few times in various posts tagged Reflection. As I collect them—pretty rare these days—I record them on slips in the slipbox. In 2019 I posted Daily Reminders describing what I was doing and listed the 42 prompts. Below you will find the current list of 62.

Over the years I’ve taken the time to type them into OmniFocus, the personal productivity software which I use. I carefully created individual “to-dos” for each one, with each scheduled to repeat at just the right number of days, and lined up their initial due dates. Many years later now, every day, one of them comes up digitally as a reflection prompt. While I recognize everyone of them, there are enough of them that I cannot remember which one will be next.

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A cure for hiccups

[It] boils down to a simple breathing exercise. First, exhale completely, then inhale a deep breath. Wait 10 seconds, then—without exhaling—inhale a little more. Wait another five seconds, then top up the breath again. Finally, exhale.

~ Uri Bram from, https://www.theatlantic.com/ideas/archive/2023/02/scientific-hiccup-cures-hiccaway-straw-ssmi-breathing/673151/

Sometimes I straight-up do public service announcements. Here, have a cure for hiccups!

If you’ve thought about how proper breathing works, you’ll quickly realize those instructions involve incrementally, increasingly flexing your diaphragm muscle. (If that isn’t obvious, the Thoracic diaphragm page on Wikipedia has you covered.) The muscle spasm is part of a feedback loop involving two of our nerves, and intentionally activating the muscle breaks that feedback. The trick is that you need to really flex it… flex it much harder than you normally do when breathing.

Note that if you do the “hold your breath” part of the exercise by closing your glottis (what’s that?) and relaxing your diaphragm, you’re doing it wrong. The entire point of the exercise is to flex, flex, flex and hold tension in the diaphragm muscle.

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4 things to know

That’s not because Rudin did a bad job. It’s because there ain’t no way to re-write mathematical analysis as a “list”. When you do write a list, you are promising that you’ve figured out a way to cover the subject in that way without losing essential detail. Provided that you deliver on that promise, it’s a powerful thing.

~ “Dynomight” from, https://dynomight.net/lists/

  1. This article makes several (while the article is a list, it’s unnumbered and I’m too lazy to count, you should just be happy I sometimes check my speling) magnificent points about what lists have going for them. There’s a lot. The only problem with lists (generally, on the Internet, These Days™) is that spammers and search–engine–optimizing mouth-breathers have published an insane amount of crap, in list format. It turns out that if you publish great content as a list it’s even better than long–form prose. It turns out that it looks like chapters, sections and sub-sections!
  2. I recently learned a lot about proper use of the three different types of dashes: hyphen (-), en-dash (–), and em-dash (—). Their relative lengths are pretty clear when you see a family portrait like that previous sentence. It turns out that: Compound words, like en-dash and mouth-breathers, are assembled using hyphens. Compound adjectives, like search–engine–optimizing, are assembled with en-dashes. You can use em-dashes—that’s a hyphen in there—to insert gently–parenthetical commentary.
  3. A case can be made—here, I’m making a case—that my weekly email is my way of turning my blog into a list which makes it easier to… oh, just go read the article.

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Statuary

Sculpture is more divine, and more like nature,
that fashions all her works in high relief,
and that is sculpture. This vast ball, the Earth,
was moulded out of clay, and baked in fire;
Men, women, and all animals that breath
are statues, and not paintings.

~ Longfellow

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Inconsistent yet persistent

TK is an all-around mover, a dancer, rock climber, traceusse and earned her degree in athletic training. In addition to her movement practices, TK is a certified authentic Tantra instructor, teaching holistic healing of body, mind, spirit and sex. TK considers herself a sex activist and is the founder of LoveCraft, a sexual coaching and empowerment collective.

Tantra was the obvious place to begin since we were surely going to end up talking about tantric sex. My fear was that most people’s—myself included—knowledge of Tantra would be something to do with the artist, Sting. We immediately agreed that leaving the world only knowing about “men in linen pants” would be a disservice. “Tantra means, literally, to weave light and sound with form, the light being visualizations of your chakras in your body, sound being chants that you’re making, and then the form being your body, your physical body. That’s it, in a nutshell. The way that often looks is meditating. The way a lot of people do that is they’ll meditate and then have sex; they’ll meditate during sex; they’ll meditate on their own without any sex. Yeah, that’s kind of that, which means nothing, right? It’s like a, ‘Cool, and then what?’ which is what got me into having a coach.” — ~ TK from, ~4’40”

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Wait to respond

I have often regretted acting impulsively when I am feeling angry or frustrated. Now, when I feel that familiar urge to respond defensively or say things I don’t really mean or bang out a wounded response via email or text, I wait. I force myself to breath, take a step back, and wait to respond. Just an hour or two or an overnight retreat makes a world of difference. And if all else fails, I try to obey this message I got in a fortune cookie: Avoid compulsively making things worse.

~ Debbie Millman

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In the end

Not just that every day more of our life is used up and less and less of it is left, but this too: If we live longer, can we be sure our mind will still be up to understanding the world—to the contemplation that aims at divine and human knowledge? If our mind starts to wander, we’ll still go on breathing, go on eating, imagining things, feeling urges and so on. But getting the most out of ourselves, calculating where our duty lies, analyzing what we hear and see, deciding whether it’s time to call it quits—all the things you need a healthy mind for… all those are gone.

So we need to hurry.

Not just because we move daily closer to death but also because our understanding—our grasp of the world—may be gone before we get there.

~ Marcus Aurelius

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