Creativity

Between the two →

Published June 8  ·  All posts on Jun 8  ·  

Most of us have two lives. The life we live, and the unlived life within us. Between the two stands Resistance.

~ Steven Pressfield, from Writing Wednesdays: The Unlived Life

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For me there’s a huge tension between those two. I see so many things that I want to do—and I don’t mean binge-watch TV shows. I imagine something I’d like to write—for example, a weekly, emailed publication for paying subscribers—and the complexity of creating it overwhelms me. The writing is the easy part; Or, am I deluding myself? The only salve I’ve found is to remind myself over and over and over that I consistently overestimate what I can get done in a day, and underestimate what I can get done in a lifetime.

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The discard pile →

Published May 11  ·  All posts on May 11  ·  

I think part of being a designer is to fail every day, to try things that don’t work out. In a way, every project fails every day until it succeeds! That’s what the iterative process of design is about. The projects that don’t launch, this is sometimes due to the fact that they’re too early but that doesn’t mean they don’t come back a few years later as ideas integrated in different projects. Timing in many ways is key.

~ Yves Béhar, from Yves Béhar – The Talks

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I’m reminded of the idea of one’s discard pile. Béhar’s work can fail (the idea of success versus failure in trading with others is baked into the way we use the word “work”), so he’s aware of “failure” as a salient feature of his creative efforts. Here on the ‘ol blog, this isn’t about “work” so it’s not possible for it to “fail.” But I do often think about the discard pile: I don’t actually create blog posts and then discard them rather than post them. But I do often read and find things, imagine what I could post about them… and then I don’t post it.

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What is the actual thing? →

Published May 8  ·  All posts on May 8  ·  

As someone who writes a lot about knowledge work in the digital age, I’m fascinated by this model of cooking, which I define as follows: a workflow designed to enable someone with a high-return skill to spend most of their time applying that skill, without distraction.

~ Cal Newport, from Let Brandon Cook

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For a decade I’ve been aware of this point. I’m, basically, a one-person creative process. If one leans into this way of thinking, then you immediately want to start figuring out how to not do all the other things. Which is fine if I were a one-person business process. But I am not. I’m not only a creator of valuable (in some sense other than money) work. I’m also the person who is nourished, enabling said creative work, by the random other parts. Whichever way you think of it though, Newport makes interesting points.

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Immersive →

Published April 16  ·  All posts on Apr 16  ·  

You stand back and in a way, the reason it’s interesting is because it stands out, it doesn’t fit in, it doesn’t look like anything you’ve seen. But this is not really my position — generally. There might be moments where such a performance is necessary but we like to find a stronger relationship between the familiar and the unfamiliar. My feeling is that when a building is too self-referential, the audience is distanced; architecture becomes something that you look at. [Like in a cathedral or a monument?] Right, it’s a spectacle — whereas I think for 99% of the time, architecture is something that you should be inside and absorbed by. It’s something which convinces you by experience more than impresses you by image.

~ David Chipperfield, from David Chipperfield – The Talks

I think that tension exists in any creative endeavor. Perhaps, the existence of that tension is what defines something as being creative?

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Don’t stand in the shade →

Published April 3  ·  All posts on Apr 3  ·  , ,

Remember we employed a visual to help us understand this. We said that the Dream is like a tree in the middle of a sunny meadow. The tree casts a shadow.

~ Steven Pressfield, from Writing Wednesdays: Gotta Do It

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I find Pressfield’s metaphor to be striking. The tree in the meadow casts a real shadow. I was struck by the layers in this metaphor: light and darkness, the singular clarity of lone tree in an open space as a symbol of a life’s purpose, the proportional relationship of the larger the tree the larger and darker the shadow, and that one’s ability to avoid or at least escape the shadow is a choice we make.

By extension then, if one attempts to nurture multiple callings, visions or projects, one has multiple big trees. That’s at least a copse of trees whose shadows merge together creating something much more significant to avoid or escape from.

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What makes you unique? →

Published March 13  ·  All posts on Mar 13  ·  

But if you only paid attention to television and social media, you would think that all we’re supposed to do is make as much money as possible, and buy as many retail goods as possible. I’ve found that making a life with one’s hands and spending your time with loved ones pays less dollars but makes your life much more rich. I feel like the American Dream has been a bit hijacked by consumerism… And I learned the hard way that that’s actually quite empty and depressing as a lifestyle.

~ Nick Offerman, from Nick Offerman – The Talks

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Maybe don’t follow Offerman’s path. But I think it’s worth following his advice. Yes, it’s difficult to balance exploring what makes me unique, with simply doing what everyone is doing. The balance you choose is part of the journey of self-creation. That’s a feature, not a flaw.

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Cohorts →

Published March 10  ·  All posts on Mar 10  ·  

You just have to use what you have, and have great cohorts. I have people that I’ve played with a very long time. We are connected by our common understanding of what we’re doing, all the experiences we’ve had over the years… And most of all, there’s a friendship between us which allows us to do it without having to explain everything with a huge long manifesto. It has a lot to do with the trust I’m able to place in them to do our work.

~ Elvis Costello, from Elvis Costello – The Talks

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Time after time I hear creatives talk about that. How they have an inside circle of peers. Of people who are also friends. Creatives need to have a group of people which somehow form a scene; They have access to a place where others like them freely associate.

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The real fear →

Published March 3, 2025  ·  All posts on Mar 3  ·  , ,

These are serious fears. But they’re not the real fear. Not the Master Fear, the Mother of all Fears that’s so close to us that even when we verbalize it we don’t believe it. Fear That We Will Succeed. That we can access the powers we secretly know we possess. That we can become the person we sense in our hearts we truly are.

~ Steven Pressfield

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The creative mind →

Published February 25, 2025  ·  All posts on Feb 25  ·  , ,

The creative mind gets poisoned with the idea that your great work will be the result of getting serious. So many of my good ideas come from what looks like goofing off, wasting time. Art is play. There’s no way to tell what’s deep or shallow until you play with the idea.

~ Austin Kleon

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Oh crap →

Published February 1, 2025  ·  All posts on Feb 1  ·  ,

The Fourth Rule of the Artist’s Journey is: It’s for life.

~ Steven Pressfield, from The Artist’s Journey Is a Lifetime Engagement

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Because that means there’s not going to be an end, so I better get my stuff sorted.

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