Which reminds me of…

The sud­den flash­es of insight we have in states of med­i­ta­tive distraction—showering, pulling weeds in the gar­den, dri­ving home from work—often elude our con­scious mind pre­cise­ly because they require its dis­en­gage­ment. When we’re too active­ly engaged in con­scious thought—exercising our intel­li­gence, so to speak—our cre­ativ­i­ty and inspi­ra­tion suf­fer. “The great Tao fades away.”

~ Josh Jones, from https://www.openculture.com/2024/07/why-you-do-your-best-thinking-in-the-shower-creativity-the-incubation-period.html

I really dislike Open Culture’s web site—modal dialogs, moving thinguses, distracting whatsits… but then, that’s what Reader Mode is for. :) Meanwhile, this was an interesting read just for the nugget of: It’s the distraction, stupid. As I read the bits about the Tao, I realized that—if I had read the Tao—I would not have read into the Tao sufficiently to get this point. (And of course, I’m presuming that Jones’s interpretation—or his reporting thereof, at least—is correct.)

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To make, as in: Creation

The most important work we do is to make decisions. Decisions don’t seem effortful (turn left or right, say yes or no) but the apparent risk and emotional labor is real. Hard decisions are hard because of the story we tell ourselves about repercussions and responsibility.

~ Seth Godin, from https://seths.blog/2024/10/decisions-as-effort/

To make a decision is an act of creation.

I’m not sure when I fully integrated the idea that making decisions is a creative act. But it definitely is a creative act. Making a decision is not simply choosing among options. Making a decision is not simply saying ‘yes’ to something. (And I’m not referring to the obvious corollary that a ‘yes’ to something is a ‘no’ to other things.) Making a decision creates a connection between the before and the after. Those were two things, and through our decision we create a connection; We create something greater than the simple sum of those two “parts.” The connection itself is something wholly new.

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A way of seeing

As a filmmaker, you have a way of seeing things that is inherent in any telling of a story. You read a book, and images form in your mind, and as a director, you explain those images to the crew members. That’s what directing is, that’s what they mean when they say explaining your vision. So for me, it’s really not about any conscious desire to imprint a style. It’s simply: here’s how I see it. This is my understanding of the material. This is what affected me, here’s when I cried, we need to make sure that this moment is real, we need to make sure that your your heart is broken like I felt when I read the script. It’s about communicating exactly what you feel. And that’s the art of directing.

~ Sam Rami, from https://the-talks.com/interview/sam-raimi

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I find I’m often confused by having too many options. I can get far into the weeds exploring all the possible way to do something. Instead, I truly believe that after enough time practicing some creative endeavor, it’s more important to simply follow your own feeling. Follow your own inspiration. “This is what I feel I want to do,” becomes the correct compass to follow. It’s simply: Here’s how I see it.

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Will it last?

[How do you know if something will last or not?] Well, you don’t! That’s a form of arrogance! I think that if you can somehow tell some kind of truth or at least get to some sense of truth… Then it will last. Because then you’ve reached some kind of primal understanding of something that will transport you over time. But I don’t sit here and say, “Is this going to be great and last?” I don’t think so. I just try to make it something that has a sense of something that matters, you know, that makes it of value.

~ Eric Roth, from Eric Roth

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Eric Roth wrote the screenplay for Forrest Gump, an adaptation of the book.

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Giving

The impulse to keep to yourself what you have learned is not only shameful, it is destructive. Anything you do not give freely and abundantly becomes lost to you. You open your safe and find ashes.

~ Annie Dillard

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The balance of creativity

[But ultimately acting makes you happy?] Yeah, I think. It is also about balance and finding the balance between the very cerebral part of your brain and the much more impulsive creativity that can come from chaos. So for me it is very much about that balance. The cerebral part of acting and the perfectionism can be exhausting, but the spontaneity can be very joyful. So it’s about managing these two sides of the experience. But yes it’s fun. I mean, there is no point in doing a movie if you’re not having fun.

~ Edward Norton from, https://the-talks.com/interview/edward-norton

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Norton isn’t talking at all about podcasting, but the dance of getting the balance right is equally applicable to any field.

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Onward

Be sure that you’ve first fully assimilated the idea of ‘no’, above. For if you don’t, you risk the mistake I make of reflexively saying ‘yes’ to the next thing that comes up.

We do it because to stop (or pause) after Project number-1 means we are one-hit wonders. We are dabbling. We are amateurs.

To continue, on the other hand, means we are pursuing our calling as a practice.

~ Steven Pressfield from, https://stevenpressfield.com/2023/12/having-a-practice/

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We do, in fact, want to—we must—say ‘yes’ to some next thing.

First, master the wonderful, short, complete sentence: No. Second, immediately say yes to the correct, next thing.

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Always be starting

Am I too often seeking the sense of safety or control? (And it is indeed only a sense-of. It is only an illusion.) What happened to the simple feeling of joy in being?

What this means, as I understand it, is that when we let go of all attachment to the outcome of our novel publication/album release/opening of our Thai Fusion restaurant … we shift the locus of our enterprise from the ego to the Self (or the soul if you prefer.)

The Muse likes this. Heaven likes this.

We are now operating on the plane of the soul, not the plane of the ego.

~ Steven Pressfield from, https://stevenpressfield.com/2023/12/start-the-next-one-today/

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Sometimes an outcome is important; the measurements, the color, the specific dimensions. When the idea began with the intention of trading the outcome with another. But not every waking moment. Too much of that is obviously an imbalance.

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It matters that you start

It matters that I start something. I don’t have to start everything; That’d be tragic. I don’t have to start many things, nor even more than one thing. But it matters that I start something. The knowledge is in the doing of that something. It matters that I go through contemplation (choosing just the right something), then into commitment, and then… that’s where I often struggle.

I’d like to propose a different view: that struggle is the place of growth, learning, curiosity, love, creativity. Struggle is an incredible opportunity for being creative.

~ Leo Babauta from, https://zenhabits.net/struggle-to-creativity/

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I struggle when there’s a huge gap between the know-naught starting point, and my being one of those effortless creatives who get stuff done. Those who get stuff done well and demonstrate craftsmanship and care and pride and joy! (Gazing at the horizon,) there’s the thing. I know what it can be. I see how to begin, but I see hills and I know there will be challenges. Don’t turn away. (Gazing at the horizon,) if there’s somewhere I want to be, I need to start walking.

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Somewhat wacky

At this point I’m resigned to my nature being unchangeable. I need structure to work within, and I cannot suffer long stretches of boredom. I’m comfortable knowing that at least some of what I do makes the world a better place; I’m comfy with my internal validation. I also know that if I start to focus too much on making money I lose my spark. What I’m left wondering is wether there is some thing focused enough that people could dig in and follow (in the sense of deeply understanding the thing, my motivations, and my goal.) I’m certain however, that without that clear thing I must continue to explore and satisfy my curiosity, and not focus overly on monetization.

If you’re thinking about running a membership program, you’re probably a bit wacky. Everything I write about membership programs should be filtered through the lens that: I live a somewhat uncommon, sometimes extremely wacky life. It’s good to keep that in mind. My work is mostly, inherently, non-commercial. Or less commercial than it might be “optimized” for. When people ask me: Who are you? What do you do? And I tell them — I walk, I write, I photograph, I make books, I run a membership program. Their suspicion is plainly visible: No, but what do you do to survive? As if the soul itself wasn’t a thing to be nourished. This is survival, I want to say.

~ Craig Mod from, https://craigmod.com/essays/memberships_year_four/

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I’ve tried several times to create membership systems around passion projects. The core problem I encounter is that bolting on a membership system creates in- and out-groups. Any passion project I’ve had feeds that passion through my connections to the other people who engage. The in-group has always been too small to sustain my passion. If you wish you can support my work. But for the foreseeable future, I’m focusing on the passion and not the monetization.

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Vulnerability

Vulnerable is the only way we can feel when we truly share the art we’ve made. When we share it, when we connect, we have shifted the power and made ourselves naked in front of the person we’ve given the gift of our art to. We have no excuses, no manual to point to, no standard operating procedures to protect us. And that is part of our gift.

~ Seth Godin

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