Spending time in solitude with your artist child is essential to self-nurturing. A long country walk, a solitary expedition to the beach for a sunrise or sunset, a sortie out to strange church to hear gospel music, to an ethnic neighborhood to taste foreign sights and sounds—your artist might enjoy any of these. Or your artist might like bowling.
~ Julia Cameron
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To live a creative life, we must lose our fear of being wrong.
~ Joseph Chilton Pearce
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I have written about this before and it is something I wish to emphasize repeatedly: efficiency and clarity are necessary elements, but are not the goal. There needs to be space for how things feel. I wrote this as it relates to cooking and cars and onscreen buttons, and it is still something worth pursuing each and every time we create anything.
~ Nick Heer, from Delicious Wabi-Sabi
Yes, “efficiency and clarity are necessary elements, but are not the goal. There needs to be space for how things feel.” Hear! Hear!
There are at least three reasons to read Heer’s points. Retro-digital photography is really a thing; the Japanese concept of wabi-sabi (appreciating beauty that is imperfect, impermanent, and incomplete); A bit of hist wondering about software.
It’s the wabi-sabi that got me thinking about podcasting. I’m well-known for cutting the corner when it comes to editing the conversations I record. I’ve always looked at that as a necessity: If I tried to raise the level of quality by editing, I’d not be able to put the episodes out (or at least not as many.)
After reading Heer’s thoughts, now I’m wondering if I’m also—perhaps even more so?—drawn to the wabi-sabi of the conversations with all their blemishes, false-starts, uhm-and-ahs in place.
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The most potent muse of all is our own inner child.
~ Stephen Nachmanovitch
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Creativity is harnessing universality and making it flow through your eyes.
~ Peter Koestenbaum
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[…] fear doesn’t go away. The warrior and the artist live by the same code of necessity, which dictates that the battle must be fought anew every day.
~ Steven Pressfield
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We all struggle with this. No matter what our art is, there are always those bits that everyone sees and those bits that are covered up. And we face the question of how much effort to put into these various parts. It’s easy enough if it’s a hobby and you have all the time in the world. But you need to ship if you’re making a living off your art.
~ David Sparks, from https://www.macsparky.com/blog/2024/10/lessons-from-an-ancient-craftsman/
It’s always good when, as above, I can get any sense of commiseration with other creatives. I had a hard time ever coming to understand I am a creative, and the imposter syndrome for me is eternal. (Also, apparently a shared experience.) Great piece from Sparks about exactly what that quote suggests.
Meanwhile, I’m reminded of something I say often, which comes from my paternal grandfather: When asked his opinion on something, (ala, “How’s that look?”) he’d reply, “A blind man in Idaho would be happy to see it.” This makes no sense, in several dimensions. I have no idea where he got that from. The Idaho bit in particular always made me wonder. He and I were generally in Pennsylvania, so Idaho is a long way away, but oddly specific, while still oddly vague. Where in Idaho? And why Idaho? Maybe Idaho was some Depression-era fake-magical place pushed by con-men and became a stand in for “anyone in Idaho must be really well off.” Because the whole point of the joke is that a blind person would be delighted to see anything. I dunno… maybe it’s a humorous construct because the Idaho part is so extraneous, it feels like it must be important? Really, does that reply mean it looks good, or it’s bad and I don’t want to tell you? I mean, the reply literally does nothing but dodge the question. Or, maybe I’ve just over thought this… for 40 years?
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The sudden flashes of insight we have in states of meditative distraction—showering, pulling weeds in the garden, driving home from work—often elude our conscious mind precisely because they require its disengagement. When we’re too actively engaged in conscious thought—exercising our intelligence, so to speak—our creativity and inspiration suffer. “The great Tao fades away.”
~ Josh Jones, from https://www.openculture.com/2024/07/why-you-do-your-best-thinking-in-the-shower-creativity-the-incubation-period.html
I really dislike Open Culture’s web site—modal dialogs, moving thinguses, distracting whatsits… but then, that’s what Reader Mode is for. :) Meanwhile, this was an interesting read just for the nugget of: It’s the distraction, stupid. As I read the bits about the Tao, I realized that—if I had read the Tao—I would not have read into the Tao sufficiently to get this point. (And of course, I’m presuming that Jones’s interpretation—or his reporting thereof, at least—is correct.)
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The most important work we do is to make decisions. Decisions don’t seem effortful (turn left or right, say yes or no) but the apparent risk and emotional labor is real. Hard decisions are hard because of the story we tell ourselves about repercussions and responsibility.
~ Seth Godin, from https://seths.blog/2024/10/decisions-as-effort/
To make a decision is an act of creation.
I’m not sure when I fully integrated the idea that making decisions is a creative act. But it definitely is a creative act. Making a decision is not simply choosing among options. Making a decision is not simply saying ‘yes’ to something. (And I’m not referring to the obvious corollary that a ‘yes’ to something is a ‘no’ to other things.) Making a decision creates a connection between the before and the after. Those were two things, and through our decision we create a connection; We create something greater than the simple sum of those two “parts.” The connection itself is something wholly new.
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Sit at your desk and listen.
~ Franz Kafka
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As a filmmaker, you have a way of seeing things that is inherent in any telling of a story. You read a book, and images form in your mind, and as a director, you explain those images to the crew members. That’s what directing is, that’s what they mean when they say explaining your vision. So for me, it’s really not about any conscious desire to imprint a style. It’s simply: here’s how I see it. This is my understanding of the material. This is what affected me, here’s when I cried, we need to make sure that this moment is real, we need to make sure that your your heart is broken like I felt when I read the script. It’s about communicating exactly what you feel. And that’s the art of directing.
~ Sam Rami, from https://the-talks.com/interview/sam-raimi
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I find I’m often confused by having too many options. I can get far into the weeds exploring all the possible way to do something. Instead, I truly believe that after enough time practicing some creative endeavor, it’s more important to simply follow your own feeling. Follow your own inspiration. “This is what I feel I want to do,” becomes the correct compass to follow. It’s simply: Here’s how I see it.
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[How do you know if something will last or not?] Well, you don’t! That’s a form of arrogance! I think that if you can somehow tell some kind of truth or at least get to some sense of truth… Then it will last. Because then you’ve reached some kind of primal understanding of something that will transport you over time. But I don’t sit here and say, “Is this going to be great and last?” I don’t think so. I just try to make it something that has a sense of something that matters, you know, that makes it of value.
~ Eric Roth, from Eric Roth
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Eric Roth wrote the screenplay for Forrest Gump, an adaptation of the book.
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The impulse to keep to yourself what you have learned is not only shameful, it is destructive. Anything you do not give freely and abundantly becomes lost to you. You open your safe and find ashes.
~ Annie Dillard
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The greater the artist, the greater the doubt. Perfect confidence is granted to the less talented as a consolation prize.
~ Robert Hughes
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[But ultimately acting makes you happy?] Yeah, I think. It is also about balance and finding the balance between the very cerebral part of your brain and the much more impulsive creativity that can come from chaos. So for me it is very much about that balance. The cerebral part of acting and the perfectionism can be exhausting, but the spontaneity can be very joyful. So it’s about managing these two sides of the experience. But yes it’s fun. I mean, there is no point in doing a movie if you’re not having fun.
~ Edward Norton from, https://the-talks.com/interview/edward-norton
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Norton isn’t talking at all about podcasting, but the dance of getting the balance right is equally applicable to any field.
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Be sure that you’ve first fully assimilated the idea of ‘no’, above. For if you don’t, you risk the mistake I make of reflexively saying ‘yes’ to the next thing that comes up.
We do it because to stop (or pause) after Project number-1 means we are one-hit wonders. We are dabbling. We are amateurs.
To continue, on the other hand, means we are pursuing our calling as a practice.
~ Steven Pressfield from, https://stevenpressfield.com/2023/12/having-a-practice/
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We do, in fact, want to—we must—say ‘yes’ to some next thing.
First, master the wonderful, short, complete sentence: No. Second, immediately say yes to the correct, next thing.
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I can do nothing without nature. I do not know how to make things up.
~ Manet
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Am I too often seeking the sense of safety or control? (And it is indeed only a sense-of. It is only an illusion.) What happened to the simple feeling of joy in being?
What this means, as I understand it, is that when we let go of all attachment to the outcome of our novel publication/album release/opening of our Thai Fusion restaurant … we shift the locus of our enterprise from the ego to the Self (or the soul if you prefer.)
The Muse likes this. Heaven likes this.
We are now operating on the plane of the soul, not the plane of the ego.
~ Steven Pressfield from, https://stevenpressfield.com/2023/12/start-the-next-one-today/
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Sometimes an outcome is important; the measurements, the color, the specific dimensions. When the idea began with the intention of trading the outcome with another. But not every waking moment. Too much of that is obviously an imbalance.
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The highest form of creativity is found by improvising within a set of restrictions.
~ Christopher Nolan
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It matters that I start something. I don’t have to start everything; That’d be tragic. I don’t have to start many things, nor even more than one thing. But it matters that I start something. The knowledge is in the doing of that something. It matters that I go through contemplation (choosing just the right something), then into commitment, and then… that’s where I often struggle.
I’d like to propose a different view: that struggle is the place of growth, learning, curiosity, love, creativity. Struggle is an incredible opportunity for being creative.
~ Leo Babauta from, https://zenhabits.net/struggle-to-creativity/
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I struggle when there’s a huge gap between the know-naught starting point, and my being one of those effortless creatives who get stuff done. Those who get stuff done well and demonstrate craftsmanship and care and pride and joy! (Gazing at the horizon,) there’s the thing. I know what it can be. I see how to begin, but I see hills and I know there will be challenges. Don’t turn away. (Gazing at the horizon,) if there’s somewhere I want to be, I need to start walking.
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