Cohorts

You just have to use what you have, and have great cohorts. I have people that I’ve played with a very long time. We are connected by our common understanding of what we’re doing, all the experiences we’ve had over the years… And most of all, there’s a friendship between us which allows us to do it without having to explain everything with a huge long manifesto. It has a lot to do with the trust I’m able to place in them to do our work.

~ Elvis Costello, from Elvis Costello – The Talks

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Time after time I hear creatives talk about that. How they have an inside circle of peers. Of people who are also friends. Creatives need to have a group of people which somehow form a scene; They have access to a place where others like them freely associate.

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The real fear

These are serious fears. But they’re not the real fear. Not the Master Fear, the Mother of all Fears that’s so close to us that even when we verbalize it we don’t believe it. Fear That We Will Succeed. That we can access the powers we secretly know we possess. That we can become the person we sense in our hearts we truly are.

~ Steven Pressfield

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The creative mind

The creative mind gets poisoned with the idea that your great work will be the result of getting serious. So many of my good ideas come from what looks like goofing off, wasting time. Art is play. There’s no way to tell what’s deep or shallow until you play with the idea.

~ Austin Kleon

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Oh crap

The Fourth Rule of the Artist’s Journey is: It’s for life.

~ Steven Pressfield, from The Artist’s Journey Is a Lifetime Engagement

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Because that means there’s not going to be an end, so I better get my stuff sorted.

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The artist-child

Spending time in solitude with your artist child is essential to self-nurturing. A long country walk, a solitary expedition to the beach for a sunrise or sunset, a sortie out to strange church to hear gospel music, to an ethnic neighborhood to taste foreign sights and sounds—your artist might enjoy any of these. Or your artist might like bowling.

~ Julia Cameron

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A creative life

To live a creative life, we must lose our fear of being wrong.

~ Joseph Chilton Pearce

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How things feel

I have written about this before and it is something I wish to emphasize repeatedly: efficiency and clarity are necessary elements, but are not the goal. There needs to be space for how things feel. I wrote this as it relates to cooking and cars and onscreen buttons, and it is still something worth pursuing each and every time we create anything.

~ Nick Heer, from Delicious Wabi-Sabi

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Yes, “efficiency and clarity are necessary elements, but are not the goal. There needs to be space for how things feel.” Hear! Hear!

There are at least three reasons to read Heer’s points. Retro-digital photography is really a thing; the Japanese concept of wabi-sabi (appreciating beauty that is imperfect, impermanent, and incomplete); A bit of hist wondering about software.

It’s the wabi-sabi that got me thinking about podcasting. I’m well-known for cutting the corner when it comes to editing the conversations I record. I’ve always looked at that as a necessity: If I tried to raise the level of quality by editing, I’d not be able to put the episodes out (or at least not as many.)

After reading Heer’s thoughts, now I’m wondering if I’m also—perhaps even more so?—drawn to the wabi-sabi of the conversations with all their blemishes, false-starts, uhm-and-ahs in place.

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Potent muse

The most potent muse of all is our own inner child.

~ Stephen Nachmanovitch

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Universality

Creativity is harnessing universality and making it flow through your eyes.

~ Peter Koestenbaum

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The warrior and the artist

[…] fear doesn’t go away. The warrior and the artist live by the same code of necessity, which dictates that the battle must be fought anew every day.

~ Steven Pressfield

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