One big lift?

Have you heard the phrase “a big lift”? It’s the idea of making a concerted effort to accomplish something big, in one steady effort. The idea being that some accomplishments just don’t quite ever get done via small, daily steps.

Each year, in NO!vember I set about weeding. I try to identify every single thing I’m doing, and then assess whether or not I want to keep doing that. This sets me up for December. In December everyone I normally interact with starts to assume everyone else is on holiday. Things generally get more quiet in terms of projects and work.

In December, I identify big things that I’ve either just discovered (perhaps I didn’t even see them until clearing out in NO!vember) or which I’ve been ignoring (which means they’ve been nagging at the back of my brain.) I try to find a big lift that will yield some sort of big benefit in the coming year—a big time savings, or a big force multiplier for me going forward.

In December, I point my efforts at one of those big lifts…

It invariably ends up being a huge effort—bigger than just “big,” several hours, every day! But each year, as I head into the new year, I ride on that bad-ass high of knowing I cleared the decks in NO!vember and picked off that one big lift in December.

Is there a big lift you can imagine that would shift your continents creating new opportunities or capabilities for you in the new year?

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The professional

In my view, the amateur does not love the game enough. If he did, he would not pursue it as a sideline, distinct from his “real” vocation. The professional loves it so much he dedicates his life to it. He commits full-time. That’s what I mean when I say turning Pro. Resistance hates it when we turn Pro.

~ Steven Pressfield

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Between a rock and a hard place

I really enjoyed Curtis Cates’s episode 14, Transformation can be fun…!.

Lately, I’ve been back to my regular walking, and I’ve started getting serious listening time in. I was delighted to get a chance to hear from Curtis.

(Yes, yes, I’m way waay behind on the Hansel & Gretel Code.)

Like you, my to-listen-to podcast cup runeth over! I’m regularly adding newly-released episodes. But I also have a way of systematically looking through shows’ entire back-catalog. So I’m also, regularly adding very-old episodes.

Yikes!

…and I heard one of Curtis’s sound-bites as I typed that.

Anyway, if you’re already familiar with Curtis’s work, drop back into ep14 of H&G, just for fun. If you’re going “Curtis who?” … start below. And, you’re welcome!

art is personal
and what qualifies or disqualifies something as art is all up to you

~ Curtis Cates, from Kristo.art

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PS: I don’t subscribe to shows; I add episodes one-by-one when I see interesting episodes via my daily RSS-feed reading.

The artist-child

Spending time in solitude with your artist child is essential to self-nurturing. A long country walk, a solitary expedition to the beach for a sunrise or sunset, a sortie out to strange church to hear gospel music, to an ethnic neighborhood to taste foreign sights and sounds—your artist might enjoy any of these. Or your artist might like bowling.

~ Julia Cameron

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Social animal

It is all very well to insist that man is a “social animal”—the fact is obvious enough. But that is no justification for making him a mere cog in a totalitarian machine—or in a religious one either, for that matter. In actual fact, society depends for its existence on the inviolable personal solitude of its members. Society, to merit its name, must be made up not of numbers, or mechanical units, but of persons. To be a person implies responsibility and freedom, and both these imply a certain interior solitude, a sense of personal integrity, a sense of one’s own reality and of one’s ability to give himself to society—or to refuse that gift.

~ Thomas Merton

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How things feel

I have written about this before and it is something I wish to emphasize repeatedly: efficiency and clarity are necessary elements, but are not the goal. There needs to be space for how things feel. I wrote this as it relates to cooking and cars and onscreen buttons, and it is still something worth pursuing each and every time we create anything.

~ Nick Heer, from Delicious Wabi-Sabi

Yes, “efficiency and clarity are necessary elements, but are not the goal. There needs to be space for how things feel.” Hear! Hear!

There are at least three reasons to read Heer’s points. Retro-digital photography is really a thing; the Japanese concept of wabi-sabi (appreciating beauty that is imperfect, impermanent, and incomplete); A bit of hist wondering about software.

It’s the wabi-sabi that got me thinking about podcasting. I’m well-known for cutting the corner when it comes to editing the conversations I record. I’ve always looked at that as a necessity: If I tried to raise the level of quality by editing, I’d not be able to put the episodes out (or at least not as many.)

After reading Heer’s thoughts, now I’m wondering if I’m also—perhaps even more so?—drawn to the wabi-sabi of the conversations with all their blemishes, false-starts, uhm-and-ahs in place.

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Really, this book is worth reading

I mentioned this book previously (in, Driveway Moments). As I read more, it became clear this book is stuffed full of useful information for podcasters. At some point, I’ll get around to organizing some sort of “resources” something-or-other over on the Podcaster Community, and Sound Reporting will definitely go in the “must read” books list for podcasters.

Almost nothing in the book is directly usable… but there’s a ton of stuff—far too much for me to quote—that I found made me think.

To be honest, a lot of it felt like, “yes, I agree” and “yes, I learned that the hard way.” But there was also a lot of “that’s a good idea” and “yikes, now I know I don’t want to do that that way.”

These chapters were particularly fertile ground: Writing for Broadcast, Story Editing, Reading on the Air, Hosting, and Booking. They contains tons of information from the professionals.

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