The machine does not isolate man from the great problems of nature but plunges him more deeply into them.
~ Antoine de Saint-Exupéry
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On this day
June 16thStart the clock
I sometimes talk about “moving forward” as a default mindset I have. For example, all other things being equal, go to the airport and wait in the terminal, not a home. But in the end, it all boils down to my having deeply apprehended the lesson that the first 90% of everything is vastly easier than the second 90%. So I generally tend to do-now, rather than wait.
It struck me that this has become a kind of dividing line between success and failure within my team. Those who haven’t worked out haven’t been able to start the clock or return the ball very quickly. It’s not just my team—it’s a source of frustration that fills the letters and dispatches of just about every great general, admiral, and leader throughout history.
~ Ryan Holiday from, You Can’t Succeed In Life Without This Skill – RyanHoliday.net
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Unfortunately, in my case, do-now can become a millstone upon which one can be ground to oblivion.
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If this isn’t fun
If this isn’t fun, what would be? Because at this point, I don’t have any excuses for doing anything which isn’t simply, directly enjoyable. I don’t mean that I’m going to be petulant, and rage-quite taking out the trash and dealing with drains. I mean that upon careful inspection there isn’t anything which can’t be simply, directly enjoyable in the moment.
One rule of thumb is to ask yourself, “Am I having a good time doing this?” If you’re not enjoying yourself when you’re engaged in what seems important to you, if you can’t find spontaneous pleasure and joy in it, then there’s likely something wrong. When that happens, you have to go back to the beginning and start discarding any extraneous parts or unnatural elements.
~ Haruki Murakami from, ‘I want to open a window in their souls’: Haruki Murakami on the power of writing simply | Haruki Murakami | The Guardian
The other day I spent an entire day stacking firewood. It’s a lot of work; but it’s not really that hard. I’d load the wheelbarrow (which is kneeling, squatting or stooping labor), run it to the stacks, stack stack stack. Repeat. After a few trips, I’d retire to the patio and combine some relaxing with some digital work. The parts where I managed to be aware of what I was doing—the sounds, smells, sights, and visceral sensations of hard work—it was definitely enjoyable. Most likely because I find the results of the effort (a warm fire in cold winter) meaningful. It’s any time the meaning seems to be missing that I find I get into trouble.
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Bias toward the future
The insights from large group methods have a bias toward the future and devote little or no time to negotiating the past or emphasizing those areas where we will never agree anyway. The most organizing conversation starter is “What do we want to create together?”
~ Peter Block
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Collaboration with Sean Mallary
What motivates people to engage with storytelling, both as creators and participants, in different formats like podcasting and lighting?
A lighting designer reflects on the parallels between creating ambiance for theater and producing audio stories.
I joke with people that I still know in that industry and I’m like I did lighting for 20 years and now I’m calling myself a sound guy I don’t know what the heck is going on.
~ Sean Mallary (22:45)
The conversation explores the intersections of storytelling, personal connections, and technical expertise, primarily through the lens of podcasting and lighting design. Sean shares his preference for working behind the scenes, explaining that producing and editing align more closely with his personality. He also recounts transformative experiences as a Lyft driver, discussing the vulnerability of passengers and the inspiration it provided for creative projects.
Another key topic is the balance between personal growth and professional roles. Sean reflects on how interviewing strangers has enhanced his communication skills, contrasting this with his previous career in lighting, where collaboration took center stage. The importance of community emerges as a recurring theme, with the Akimbo workshop highlighted as a space for connection and skill-sharing in the otherwise solitary pursuit of podcasting.
Takeaways
The value of storytelling — stories create connections and reveal universal truths across different mediums.
The draw to behind-the-scenes roles — producing and editing offer unique creative fulfillment.
Personal growth through podcasting — interviewing strangers builds confidence and communication skills.
Connections through driving — interacting with passengers provided inspiration for storytelling formats.
Challenges of isolation in creative work — podcasting often lacks the collaborative spirit of theater.
Influence of storytelling icons — classic shows like This American Life set aspirational benchmarks.
Community as a support system — forums like Akimbo offer vital encouragement and perspective.
Theatrical roots in audio production — parallels between stage lighting and podcasting emerge in storytelling techniques.
Resources
Where Did I Get Like This — A podcast exploring nomadic childhood experiences.
Radiolab — A show blending science and storytelling.
Reply All — A podcast about modern life and technology.
This American Life — Iconic storytelling and narrative journalism.
Akimbo Workshops — A community-driven platform for creative learning.
(Written with help from Chat-GPT.)
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Storytelling with Doug Thompson
What strategies and experiences contribute to effective storytelling and meaningful conversation?
Effective storytelling bridges gaps between technical concepts and emotional connections.
Listening is not just on the surface—it’s listening to what they’re telling you, what’s going on, and then doing the number one rule in Improv: yes, and.
~ Doug Thompson (32:58)
The conversation focuses on the art of storytelling, touching on its unconscious development and practical applications in fields like sales and communication. Doug shares his early experiences in radio and technology sales, which helped him refine his ability to craft and adapt stories to connect with diverse audiences. He reflects on storytelling as both a natural inclination and a skill honed through practice.
The discussion also explores tools for storytelling, such as improvisation training and active listening. Doug highlights the importance of understanding an audience’s needs, using relatable language, and adapting narratives to resonate effectively. He discusses the neurological basis for storytelling, emphasizing its role in human connection and memory. The talk concludes with advice on encouraging others to embrace storytelling through interactive activities and social engagement.
Takeaways
Storytelling as a skill — It can be unconsciously developed but refined through deliberate practice.
Improv training — Teaches adaptability, active listening, and the “yes, and” approach.
Neurological basis of storytelling — Stories engage emotions and enhance memory retention.
Adapting stories for audiences — Tailoring language and context to resonate with listeners.
Challenges of modern communication — Technology and brief formats can hinder storytelling skills.
Encouraging storytelling practice — Improv classes, social events, and podcasts as gateways.
Resources
Wired for Story — by Lisa Cron, explores the neurological basis of storytelling and its effectiveness in communication.
Toastmasters International — Provides structured opportunities to practice public speaking and storytelling skills.
Doug Thompson Podcast — Focuses on storytelling and related topics; undergoing rebranding.
Doug Thompson on LinkedIn — Connects with storytelling insights and professional activities.
(Written with help from Chat-GPT.)
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Scorn and censure
He that cometh to seek after knowledge with a mind to scorn and censure shall be sure to find matter for his humor, but none for his instruction.
~ Francis Bacon
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Broke my but
In my journey writing thousands of blog posts I’ve developed certain habits and a style. There have been a precious few points where I’ve intentionally made a significant change. I used to lead with the URL followed by the pull-quote, before changing to a more normal style of a quote with a following attribution. At one point I started adding slip addresses, and at another point I started reigning in my use of exclamation marks.
Recently I asked one of my mentors, Jesse, for feedback on some copy, and he made a comment about his personal rule to be very intentional about using the word, “but”. I didn’t think I was overusing it, but [oh no!] I often used it as a conjunction— I often used it as a way to connect two sentences to create a point and counter-point structure— Dammit, Jesse. Now I cannot unsee every “but” as a weasel word. You suck. Thanks for making me better.
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Storytelling with Linda McLachlan
How can storytelling techniques be used effectively in podcasting to create compelling narratives?
The discussion reveals the power of asking consistent questions to uncover unique stories.
It really depends on the person and their storytelling style— how tangential we get. So some of them, it’s like a chainsaw that you have to go in with— a chainsaw first, and that’s the first edit.
~ Linda McLachlan (6:35)
The conversation explores storytelling as a central element in podcasting, emphasizing its role in creating engaging narratives. Linda discusses using consistent questions to uncover unique stories while following a structured story arc inspired by workshops like Bernadette Jiwa’s Story Skills. She describes how this approach helps craft compelling episodes, balancing predictability and surprise. Editing styles are also addressed, with Linda explaining how some episodes require significant reworking to achieve clarity and impact.
The discussion touches on influences, mentioning podcasts like “On Being” by Krista Tippett and books by Brene Brown as inspirations for exploring human connection and vulnerability. Linda also reflects on the creative freedom podcasting offers, encouraging creators to embrace restrictions as opportunities for innovation while staying true to their personal vision. The conversation concludes with practical advice for aspiring podcasters, underscoring the importance of authenticity and the freedom to experiment.
Takeaways
The importance of storytelling in podcasting — Structured storytelling can create compelling and engaging episodes.
The use of consistent questions — Repeatedly asking similar questions can uncover diverse and unique stories.
The role of editing — Editing styles vary significantly depending on the guest’s storytelling style.
Inspiration from other creators — Works by Krista Tippett and Brene Brown serve as examples of engaging narrative creation.
Creative freedom in podcasting — Podcasting offers flexibility and freedom to experiment with ideas and formats.
Resources
The Arena Podcast — Linda’s podcast exploring human stories through structured storytelling.
On Being — A podcast by Krista Tippett focused on deep conversations about meaning and faith.
A Bit of Optimism — Simon Sinek’s podcast sharing optimistic ideas and conversations.
Wisdom Shared — Carole Blueweiss’ podcast featuring diverse personal stories.
(Written with help from Chat-GPT.)
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101
It’s a small thing, and it was really really difficult. But I did it.
Instead of sticking to my “publish on Wednesday’s at 10am”… like I did for the first 100 episodes. 101 was published Tuesday around 7pm. I know that sounds dumb—but I’m not be sarcastic or hyperbolic. Over the years I’ve gotten really adamant about that publication day-of-the-week and time-of-the-day. Sure we weren’t able to do one every week… but I kept trying to keep things neat and tidy. “Wednesdays at 10am” was that one little bit of structure.
But really, who cares. Any structure you’re clinging to?
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I try to forget my ideas
Keeping track of project ideas, in my experience, is usually a waste of time. I used to fear that if I didn’t capture and review my sparks of brilliance I’d forget them and an opportunity for impact would be lost.
~ Cal Newport from, Deep Habits: Forget Your Project Ideas (Until You Can’t Forget Them) – Cal Newport
The reality, however, is that most people (myself included) have waymore ideas for things to work on than they have time to work. Forgetting ideas is not your problem. Having too many ideas competing for your attention to execute any one well is a more pressing concern.
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In the beginning I didn’t try to do anything with my ideas. Even though—my mom may disagree—I had mastered bathing and dressing, I was still under the false-impression that my mind was for holding ideas. It’s not good at that. Actually it’s terrible at that.
It took me a few decades to figure out— …honestly, I never did figure it out. Rather, I started reading a bunch of stuff about how to get my arse organized, and started to write things down. College helped. 43 Folders helped, a lot. Reading Getting Things Done made the final pieces click into place.
Whereupon I entered the Second Epoch of Craig. At this time I dutifully studied, and earned my title, Wizard of Process and Organization, with a specialization in Internet Dark Arts. Do not meddle in the ways of Process and Organization Wizards; we are quick to anger and you are tasty with ketchup. As you can tell, I completely lost my marbles in the process. Near the end of this Second Epoch I reach the epitome of my list-building, (and project management setups, and universe-domination plans.) I was completely drowning in over-planned, over-committed, over-stressed, over-organization.
Cue, Thus Spoke Zarathustra, and the dawning of the Third Epoch of Craig. Wherein I straight-up deleted most of my lists of ideas and plans. The really important stuff continues to live in my level-37 wizard process-management systems. I know they’re working when I forget they’re working and yet things magically appear when I need them to.
Ideas are worthless. It’s execution, (plus luck, and timing,) that makes them valuable. I’ve a few ideas that I cannot get out of my head. Those are the ones I’m working on in an attempt to make them go away. But it’s a good day any time I can manage to just forget about some idea having blissfully done nothing with it.
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Solar minimum #24
Fun fact: a similar dearth of sunspots was documented during the 1645-1715 period referred to as the Maunder Minimum. During this time, crops failed and the Thames River in London froze, making “frost fairs” along its frozen shores possible. Ironically, the Maunder Minimum also began just a few decades after the dawn of the age of telescopic astronomy. During this time, the idea of “spots on the Sun” was regulated to a controversial, and almost mythical status in mainstream astronomy.
~ Fraser Cain from, Are We Headed Towards Another Deep Solar Minimum? – Universe Today
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Does anyone else know the meme of the sound of a needle being pulled off of a record? …that “low screeching tearing rrrr r r r r rRRRRR RRRRRRRRRRRRRIP sound”?
Yeah, that’s what my brain did when I realized there was a modern era Dr Who episode about them investigating a mystery during a frost fair ON the frozen Thames.
Wait, that was actually a thing…
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A just cause? A just war?
We’re supposed to be thinking people. We’re supposed to be able to question everything.
There are things that happen in the world that are bad, and you want to do something about them. You have a just cause. But our culture is so war prone that we immediately jump from “This is a good cause” to “This deserves a war.”
You need to be very, very comfortable in making that jump.
~ Howard Zinn from, «http://www.progressive.org/zinnjuly09.html»
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I ask myself the same question
I always wonder why birds stay in the same place when they can fly anywhere on Earth. Then I ask myself the same question.
~ Harun Yahya
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