Lately, I’ve been going too fast. Which is odd, because I don’t generally walk fast, or drive fast… and sure, I can talk fast, but not always. But my thoughts go too fast. I go from one thing to the next too quickly. There’s simply too much of: I do this, then I do that, then I can go do that other thing, and then this next thing, and then…
Another thing we can learn from a village postman is to do one thing, and do it well. That village postman didn’t also run the general store and the post office itself and the grocery and the church and …
Humanity has begun to understand that we will all rise or fall together—that we are bound together, as we live together. People are listening more and more to the voice which speaks this inside of us.
The article also has a tidy explanation of irony. Irony (humor, sarcasm and many other linguistic forms) work so well because they are very powerful. A few words said and heard in person can transfer large ideas. The article goes all the way to mentioning our “power to attribute mental states to others.” A subtle and, frankly, amazing power of projection. My mental state, plus your mental state, plus my saying some words, should have gotten you to this other mental state. Heady stuff.
If I wrote, “That was fun.” you’re pretty sure those three words were only part of what the speaker was trying to convey. By default, we have to go with the literal interpretation, but feel we’ve been gypped. We feel the urge to skip back a few lines looking for hints to reveal the rest of the meaning meant to be conveyed. We are accustomed to having to write much more to get the same job done. I have to write: Then, with a wry smile, “That was fun.”
Which is all very interesting. But today, the question I have is: Wait. How did I ever get good at this insanely complex process without ever having anyone explicitly tell me anything about it?
Long story short: I was given a very nice standing desk. I’ve been a long-time ignorer of these things. After a few weeks now, I am officially converting to team standing-desks. Yes, all the reasons you hear are true about them, but there’s one reason I’ve never heard mentioned which is the real reason I’m on board: Convenience.
From a chair, with my obviously finite reach, I am forever rearranging what is within reach. …now I simply half-step to the right—and all my books are at hand. …half-step left—all that office-supply and notes and note-taking stuff is in reach. Start writing—walk to something—walk back and finish writing my paragraph. Walk up, pick off a small task (answer an email)—walk back to mowing my lawn. I never realized how often I was sitting down and standing up, and how often I sat down only to get up to get something.
Remember that to change your mind and to accept correction are free acts too. The action is yours; based on your own will, your own decision—and your own mind.
All this hurrying from place to place won’t bring you any relief, for you’re travelling in the company of your own emotions, followed by your troubles all the way.
This leads me to the point I wish above all to emphasize, namely, that when a person has reached a given stage of unsatisfactory use and functioning, his habit of ‘end-gaining’ will prove to be the impeding factor in his attempts to profit by any teaching method whatsoever. Ordinary teaching methods, in whatever sphere, cannot deal with this impeding factor, indeed, they tend actually to encourage ‘end-gaining.’ The instruction given to the golfer of our illustration to keep his eyes on the ball is typical of the kind of specific instruction given by teachers generally for the purpose of eradicating specific defects in their pupils, and, as we have seen in this case, this instruction was a stimulus to him to try harder than ever to gain his end, and so to misdirect his efforts worse than ever.
~ FM Alexander, The Use of the Self, pp66-67, 1932 (emphasis added)
I think there’s a lot more context necessary for that to make sense. One could go read the book; It’s small. But setting that aside for the moment.
Alexander raises the important point that what feels right may in fact be wrong. So the harder I try to do something correctly, by trying to do what feels right, the more likely I am to reinforce doing what is wrong. This starts to make more sense once I understood that the Brain is a Multi-layer Prediction Model. Once something is modeled incorrectly—when I move this way, it feels right—it’s going to be really difficult to change that model.
Suddenly, a decision I hadn’t even been aware I had made – giving up the thrill of movement for movement’s sake – seemed like a terrible mistake. I felt the same as if I had thrown out my entire music collection by accident.
I completely agree with this sentiment. By the time I realized how much I had given up, it was far too late for me to recover what I had lost. These days everyone says complementary things about how much I’ve changed, or how well I’m doing. All I’m thinking is, “if only I hadn’t . . .”
A stretch of sky, a garden wall overhung by green branches, a strong horse, a handsome dog, a group of children, a beautiful face — why should we be willing to be robbed of all this? Whoever has acquired the knack can in the space of a block see precious things without losing a minute’s time… All things have their vivid aspects, even the uninteresting or ugly; one must only want to see.
What steps can be taken to normalize play and movement for adults in public spaces?
Caitlin Pontrella discusses the Movement Creative, explaining its goals and vision beyond simply teaching parkour. She unpacks her thoughts on the concept of play, how it relates to parkour, and the benefits of both play and risk. Caitlin wraps up by sharing her insights into starting new projects and how to involve your community.
Risk gives you choice, and it gives you opportunity to explore and challenge yourself.
~ Caitlin Pontrella (5:17)
The conversation centers on the concept of normalizing play for adults and making public spaces more engaging. Caitlin Pontrella discusses her work with the Movement Creative, a social enterprise aimed at fostering creativity, movement, and education. Projects like “movement snacks” provide subtle invitations for play in public spaces, aiming to remove the stigma associated with adult play while promoting accessibility and inclusivity. This shift can lead to a cultural transformation, encouraging adults to view movement as a natural, joyful part of life.
Topics also include the importance of risk in play, the concept of Parkour vision, and how it changes perceptions of urban environments. Caitlin emphasizes the value of partnerships and community engagement when implementing ideas to enhance public spaces. She shares examples of playful initiatives, such as “mice on Main,” which successfully create a sense of wonder and interaction within cities. The conversation underscores the transformative potential of play and movement to enrich personal and communal experiences.
Takeaways
Creating playful invitations in public spaces — Movement snacks subtly encourage people to interact with their environment and rediscover the joy of play.
Normalizing adult play — By modeling playful behavior in public, adults can give others implicit permission to participate.
Balancing perceptions of risk — Understanding that risk is a choice and part of growth can reshape how communities design play-friendly spaces.
Reimagining urban spaces — Concepts like Parkour vision help people view cities as opportunities for exploration and self-expression.
Engaging communities — Collaborating with local groups and governments is crucial for implementing playful, impactful public initiatives.
Play as a universal language — Movement and play transcend cultural and social barriers, fostering connection and belonging.
Small projects, big impact — Low-budget initiatives, like scavenger hunts or playful signage, can inspire significant community engagement.
Shifting cultural mindsets — Encouraging creativity and play challenges the competitive, achievement-driven focus of modern life.
Resources
The Movement Creative — A social enterprise promoting movement, education, and design through playful initiatives.
Love Where You Live by Peter Kageyama — A book about using play to activate and engage communities.
Mice on Main — A playful public art project in Greenville, South Carolina, encouraging exploration and interaction.
Walk Your City — A project using signage to promote walking and community engagement.
About three weeks ago, I over-did it… raking in the yard. :^/ I’m presuming that was just the final straw on top of everything else I’ve been doing.
At that time, I paused all my 10K workouts, but have continued training parkour, running, and even doing some shoulder-intensive quadrapedie conditioning work (shoulder loading modes which don’t cause pain). Watching the calendar tick away to my one-year deadline on the 10K project is the hardest part. Unfortunately, it would be a miraculous come back to make it at this point.
I’ve decided that I’m not giving up on the 10K goal. I’ve never tried (let alone completed) anything of this scale, so I *really* want to finish it. I’ll either pull off a miraculous come back, or I’ll simply be happy with over shooting the date. To that end, after a good two weeks off from the five exercises, I’m going to start back into doing some numbers. I may even start pullups with resistance band assistance to be 100% sure I do no further damage to my shoulder.
I already have a good, morning recovery habit (stretching, and dynamic range of motion stuff) which I am now doubling-down on to do in the evenings too. I had been focusing on hips (hip ROM being something I really need to work on) but I’m reorganizing to be focused on shoulders. I’m rather happy about my (apparent) ability to pause one goal/focus to retool for this shoulder recovery work. In the past, I’m sure I’d have just tried to *add* shoulder recovery to my overflowing pile.
I continue to shave off fractions of pounds. I was “around 223” and am now wobbling around 221, seeing 220 occassionally. (Some quick body-weight strength checks, and performance in parkour, lead me to think I’m not loosing significant strength.) Weight is the best thing for me to work on at this point as it translates immediately to less “strain” and easier next-day recovery. I’m planning my most ambitious parkour trip ever in late-July and August, and it will involve weeks of all-day moving. It’s also (obviously) the go out and play time of year, so my general activity level goes up.
In other news, I bailed out of a possible trip to rock climb in Colorado, partly due to time constraints, but mostly due feeling it was “off-focus” for me at the moment (if that makes sense).
Certainly, our march from one level of gratification to the next has imposed huge costs—most recently in a credit binge that nearly sank the global economy. But the issue here isn’t only one of overindulgence or a wayward consumer culture. Even as the economy slowly recovers, many people still feel out of balance and unsteady.
To last? That old lesson about the brightest flame burning the quickest is particularly true in Parkour. What use is a person who lasts five years and has to stop training due to bad knees and a broken ankle? How useful is a body that can’t move pain free due to years of neglect and abuse? The journey of Parkour was never meant to be a brilliant flash of spectacle and show, it was always intended to be a lifelong pursuit of improvement and one that doesn’t need to end once the body begins to show signs of age.
Ignore the show reels. Ignore the spectacular. Those MAY be inspirational to you, but your journey SHOULD be a long series of small, eminently POSSIBLE steps. Go to your first class and try anything; try SOMETHING. Stop when your body has had enough. Repeat. In a few months, you will have grown so much that you will hardly recognize yourself.
