Mary Chan is a skilled hostess with a gift for great conversation. Her show is laser-focused on helping other podcasters grow and excel. She recently invited me to join her— …actually, stop reading. Go listen!
Even if we’re lucky enough to “do what we love,” work tends to have tedious aspects we don’t like. Craig Constantine is a passion podcaster who, through the creation of thousands of episodes and rigorous reflection, has built a workflow that simplifies every step of his method, from prep to publication.
On a whim, I’ve recently being trying to get into canoeing. I’m surprised to discover that I’m quite good at paddling a canoe… but I’m not sure when/how I ever learned. Seriously. This strikes me as very strange.
It’s time to accept that I’m definitely in part two of my life. I’m done pretending that living to 100 is realistic. (Although, I’m open to being surprised.)
Now on my Artist’s Journey I barely drive to the grocery store.
The thought rattling around in my head is: What are the differences between parts one and two? And I think the central thematic difference is activity versus passivity. In part one the hero expended tremendous effort bashing their way towards the objective. In part two the hero has realized it’s time to play a supporting role.
What motivates someone to transition to farming and podcasting, and how do these pursuits interconnect with larger societal and environmental issues?
Discover how personal passion for storytelling evolves into impactful podcasting about regenerative farming.
We sort of got to this point in our careers and we just looked at each other and went, ‘Oh, this is not fulfilling.’
~ Kate Field (7:50)
The discussion explores a transition from urban life and academic careers to a rural farming lifestyle, driven by dissatisfaction with consumer culture and a desire for meaningful, fulfilling work. Kate describes the initial challenges of establishing a farm, including the hard labor and the steep learning curve. She shares how cheesemaking became a practical entry point into farming and an opportunity to align their values with their lifestyle.
The conversation touches on broader themes such as the importance of sustainable farming practices, the environmental impact of agriculture, and the misconceptions surrounding food production. Kate emphasizes the role of agriculture in addressing climate change and how their podcast helps amplify this message. She also discusses the social transformation that comes with rural living, highlighting the strength of local community bonds and how these relationships differ from those in urban settings.
Takeaways
The significance of curiosity and connection — Podcasting is a way to explore ideas and engage with others in meaningful conversations.
The true cost of food — Many people misunderstand how much effort, resources, and environmental considerations go into producing food.
Climate change and agriculture — Sustainable farming has a crucial role in mitigating climate change, contrary to some narratives blaming agriculture.
Rural versus urban social dynamics — Moving to a rural area fosters stronger community bonds compared to urban living.
Challenges of farming — Starting and maintaining a farm requires immense labor, infrastructure investment, and long-term perseverance.
Value of storytelling — Sharing personal experiences through podcasting helps bridge the gap between producers and consumers.
What role does podcasting play in fostering creativity, community, and economic development?
Podcasting emerges as a bridge between personal creativity and broader economic impact.
My business website is art hero dot biz and if you show up there the very first thing it says is making business fun is a rebellious act.
~ Johanna Patrice Hagarty (14:49)
The conversation centers on the intersection of podcasting, creativity, and community building. It highlights podcasting as a platform for storytelling and thought leadership, enabling meaningful conversations and fostering economic development in creative industries. Johanna discusses the value of using podcasting to share diverse stories, especially those of artists and art professionals, and emphasizes the importance of collaboration in sustaining creative projects.
Another key topic is the practicality of podcasting. Tools and strategies, such as batching episodes and leveraging support from teams, are shared to streamline the process. Johanna explains how her work integrates podcasting with broader goals in creative business coaching and economic development, aiming to make business fun and accessible while building community and creating impact.
Takeaways
The significance of thought leadership — Podcasting as a way to lead conversations and drive change in communities and industries.
The diversity of creative voices — Artists, writers, musicians, and professionals share unique perspectives through podcast platforms.
Practical strategies for podcasting — Tips like batching episodes and exploring supportive tools to maintain consistency.
The integration of audio and creativity — How audio formats open up new opportunities for different types of creators.
Collaboration in creative endeavors — Building a supportive network is essential for sustaining long-term projects.
The authenticity of audio platforms — Apps like Clubhouse facilitate genuine, informal interactions.
Economic development through creativity — Leveraging creative projects like podcasts to drive business growth and innovation.
Resources
Art Hero — A business website focusing on making business fun and accessible for artists.
And who can never be hindered? The man who sets his desire on nothing that is not his own. And what are those things that are not our own? Those that are not in our power, either to have or not to have, or to have them of a particular nature, or under specific conditions. Our body, therefore, is not our own, its parts are not our own, and our property is not our own. So if you become attached to any of these as your own, you will be punished, as he deserves to be who sets his desire on what is not his own.
What will it matter to him if he notices that he is growing old? Has he any reason to envy the young people whom he sees, or wax nostalgic over his own lost youth? What reasons has he to envy a young person? For the possibilities that a young person has, the future which is in store for him? “No, thank you,” he will think. “Instead of possibilities, I have realities in my past, not only the reality of work done, and of love loved, but of sufferings bravely suffered. These sufferings are even the things of which I am most proud, though these are things which cannot inspire envy.”
In theory, we can let go of every single possession. Sure, for practical purposes, we’ll need at least one outfit and shelter and a way to eat and use the bathroom. And even more practically, we’ll need a house and things to wear for a job and so on. But letting go of a possession that you don’t absolutely need for practical purposes is theoretically possible. So what stops us?
This skill—and it is totally a skill that I had to practice and practice and practice—is one I USED to struggle with. Years ago, it was definitely fear that was holding me back from letting go of possessions.
Today is it 100% the guilt that I do not want to incur by throwing things into a land-fill. I have a cubic yard of books… not worth a dime, and I’ve already spent a ton shipping hundred of books all over the world racking up points in bookmooch.com—you want these books? I have TWO Davis Mark 15 marine sextants, …want one? I have a great chain saw that’s probably worth a couple hundred if I had a few hours to waste [I do not] dealing with idiots on Craig’s List. …want an old Jeep that’s fun to play with off road? …how about a perfectly working ink-jet printer? …a swage-fitting tool? …how about a one-hundred-year-old, fully restored billiard table?
I’m serious. Hit reply, or join the mailing list and hit reply tomorrow…
The keys to life are running and reading. When you’re running, there’s a little person that talks to you and says, “Oh I’m tired. My lung’s about to pop. I’m so hurt. There’s no way I can possibly continue.” You want to quit. If you learn how to defeat that person when you’re running, you will know how to not quit when things get hard in your life. For reading: there have been gazillions of people that have lived before all of us. There’s no new problem you could have–with your parents, with school, with a bully. There’s no new problem that someone hasn’t already had and written about it in a book.
Few people have stopped to realize that intermittent electricity isn’t worth very much. It may even have negative value, when the cost of all of the adjustments needed to make it useful are considered.
Energy products are very different in “quality.” Intermittent electricity is of exceptionally low quality. The costs that intermittent electricity impose on the system need to be paid by someone else. This is a huge problem, especially as penetration levels start exceeding the 10% to 15% level that can be handled by operating reserves, and much more costly adjustments must be made to accommodate this energy. Even if wind turbines and solar panels could be produced for $0, it seems likely that the costs of working around the problems caused by intermittent electricity would be greater than the compensation that can be obtained to fix those problems.
Three foot crawl space. Yeup, Craig is detail oriented and checks everywhere. First use of sideways monkey when it was literally the best form of locomotion :)
I can think of no better personal compass than that simple question. I whole-heartedly agree with its sentiment; that exploring your own concept of “greatness” is the single most important thing you can do. Each of us will come to a different answer; potentially very different answers. But, the act of honestly exploring your own conceptions, and the act of self reflection, are what will move you in a positive direction.
I had already begun embracing this idea of seeking the greatest version of myself. As part of that effort, I took up a personal Oath which clearly reflects the idea.
What is Parkour?
Thibault’s section 4 is about seeking personal greatness and striving to constantly improve. That’s clearly a “big picture” goal involving one’s entire self. But we can also use this idea of “closing the gap” to investigate our every-day description of what Parkour is.
When asked, many people say that Parkour is about “efficiency”. They say that Parkour is about “moving efficiently” or “getting from A to B efficiently.” (“Quickly” is also used.) Alternatively, there are many people who dislike the “efficiency” description. Some prefer “personal expression through movement”, “pushing the boundaries of human movement”, or even simply “freedom”. There are many alternatives to the “efficiency” description, but it is undoubtedly one of the most dominant descriptions.
Where did I stand before reading this section?
If you practice Parkour, you will be asked (and often!), “What is Parkour?” I realized I would do well to have a one-sentence answer to that question. I’ve found that people are pleasantly surprised when I have a clear, one-sentence answer. Almost everyone asks further questions and a conversation about Parkour grows naturally from there.
My one-sentence answer is: Parkour is using challenges to improve oneself.
And now?
When I read Thibault’s section 4, it struck me that Parkour is exactly about “getting from point A to point B as efficiently and quickly as possible.”
