The world, for all its failings, is an extraordinary experiment in rampant human imagination. At its best, it exists because there were people who had the courage to follow through on an idea – who resisted the inner voice that said, “You are worthless. Why bother?”
~ Nick Cave, from Did you ever want to give up?
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This small piece by Cave demonstrates such a broad view; awareness of abysmal darkness and blinding brightness held at once in one mind.
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The best arguments in the world won’t change a single person’s mind. The only thign that can do that is a good story.
~ Richard Powers
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The writer’s voice casts a spell. The right voice makes the work accessible; it gives us the tone and point of view that best illuminate the material and make it shine. The magic of Hemingway’s prose is that it describes events the way the human eye sees them. He taught himself this technique as a journalist and he used it very consciously and deliberately.
~ Steven Pressfield, from Writing Wednesdays: The Writer’s Voice
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The question I’m left with, not specifically from this piece from Pressfield but just in general, is: Is it better to simply write what one feels drawn to write, and to then literally discover—as in, “oh, surprise, so that’s my writer’s voice”—or intentionally seek it out through planned discovery? Because it sure seems that different writers find their voices in different ways. Unfortunately, all I have here is the question. I’m not even sure if it’s really a dichotomy. Maybe it only seems to me, to be a choice. I’m on the “I dunno I’ll just try writing” discovery path. Maybe the other path wouldn’t work for me… maybe if I tried to be more intentional about finding my voice . . . maybe I’d just end up realizing that’s not actually a path to finding my voice.
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My definition of wisdom is knowing the long-term consequences of your actions.
~ Naval Ravikant
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As a filmmaker, you have a way of seeing things that is inherent in any telling of a story. You read a book, and images form in your mind, and as a director, you explain those images to the crew members. That’s what directing is, that’s what they mean when they say explaining your vision. So for me, it’s really not about any conscious desire to imprint a style. It’s simply: here’s how I see it. This is my understanding of the material. This is what affected me, here’s when I cried, we need to make sure that this moment is real, we need to make sure that your your heart is broken like I felt when I read the script. It’s about communicating exactly what you feel. And that’s the art of directing.
~ Sam Rami, from Sam Raimi – The Talks
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I find I’m often confused by having too many options. I can get far into the weeds exploring all the possible way to do something. Instead, I truly believe that after enough time practicing some creative endeavor, it’s more important to simply follow your own feeling. Follow your own inspiration. “This is what I feel I want to do,” becomes the correct compass to follow. It’s simply: Here’s how I see it.
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A point of view can be a dangerous luxury when substituted for insight and understanding.
~ Marshall McLuhan
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A period of time set aside to practice mindfulness like this is called meditation. It is the work that gives you access to the Other Incredible Deal and its benefits. The minimum effective dose is perhaps ten minutes daily. More time is better, but the good deal starts about there.
~ David Cain, from The Ancient Art of Turning Walls into Doorsdoors/
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I spent many years studying Aikido. If I had to pick one thing which most helped me—one thing which led to the biggest changes in my life—it would be meditation. Nearly every day we sat on the floor and practice a very specific breathing method; it was literally mindfulness training. To this day, I do the same seated, mindfulness practice. (Only sometimes do I do the specific breathing, as the breathing and the mindfulness are easily separated after enough practice.)
There are many other gifts (not sarcasm) which I received, but there’s no way I can ever fully repay the debt I owe for the gift of becoming at least a bit more mindful, and learning how to intentionally work on it. Forever.
I do not recommend studying a martial art (for decades) but don’t do that just to get the mindfulness gift.
I do wholeheartedly recommend seeking the mindfulness gift through meditation of some sort.
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When I was a child I wanted to be an architect, and now that I am an architect I would sometimes like to be a child again.
~ Federico Babina
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What I’m looking for, in both fiction and documentary, are moments that you weren’t expecting, and which the audience don’t feel prepared for, moments that are candid, like something that just happened in front of the camera, and it’s not going to happen again. Those are the moments you live for as a documentary maker.
~ Kevin Macdonald, from Kevin MacDonald – The Talks
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I’ve lately been on a bender reading many of these really interesting, really short, interviews with countless people. Most of them don’t particularly interest me. “But wait,” you’re thinking, “those two sentences seem contradictory.” I’m glad you asked about that!
You see, once I know that there’s some large body of work and it’s pretty uniform, then I wonder: Why should I think that the ones I like are the really good ones? Since the work is (pretty) uniform, maybe they’re all really good (or pretty good, at least) and the reason I don’t like most of them… is me. If I sift through the work am I identifying the good ones? …or am I reinforcing, via confirmation bias, my narrow view points? If I wanted to grow—growth often being uncomfortable, especially when it comes to shifting one’s own perspectives—maybe I should intentionally read the ones that I think aren’t that good. Maybe I should be seeking out things which I’m misjudging, and that would by definition be the things I think aren’t that good.
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The boldness of asking deep questions may require unforeseen flexibility if we are to accept the answers.
~ Brian Greene
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My title is a play on something Yoda said.
Importantly, affect labelling is also more effective when it involves self-reflecting on and identifying authentic positive emotional experiences. This is different from when people try to trick themselves into feeling better by just stating that they feel good when maybe they don’t. The importance of using affective labelling in an authentic way is consistent with other research showing that people tend to enjoy higher wellbeing when they feel like they are being authentic to themselves and not faking parts of their life.
~ Christian Waugh, from Asking one simple question can entirely change how you feel
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This article picks apart neatly, the big nit I’ve always had with positive thinking: Reality is real. When something has pissed me off. Naming that—literally saying out loud, to myself when I’m alone, “I’m pissed off”—really does help. Positive thinking never works for me, “I’m happy!” when I’ actually mad, just makes me feel stupid for denying the reality of my lived experience.
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People try to do all sorts of clever and difficult things to improve life instead of doing the simplest, easiest thing—refusing to participate in activities that make life bad.
~ Leo Tolstoy
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Calm companies provide meaningful work, healthy interactions, and flexibility for people’s lives. If your kid is home sick, you can set work aside and take care of them. If it’s a beautiful day, you can go for a run on the beach.
~ Justin Jackson, from We need more calm companies
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It was only a little over a year ago (as noted in my Calm Technology post) that first heard of calm tech.
Calm technology is designed to be unobtrusive and blend in with daily life. The opposite is technology that is distracting and disruptive, creating agitation and stress.
And of course, what would one—hopefully—build using calm tech?
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Over time, if you work on developing the power of your word, it will become something you don’t question. And then your word will be like a powerful magic spell you can cast anytime you need to make magic happen.
~ Leo Babauta, from Honoring Your Word to Yourself
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This reminds me of Stephen Covey’s comments about putting first things first.
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I think I’m doing better work than ever, and it is getting noticed, it just doesn’t tip the needle anymore. I’m not suffering for traffic, but “new” traffic is definitely coming from unusual and unpredictable places that are nearly impossible to capitalize on.
~ Brett Terpstra, from Back in my day…
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The root of the problem is simply that the pendulum swings. Back in my day (me saying that, although the “day” is the same as Terpstra’s) it took a bit of technical chops to really be using the internet. Those with the chops, also tended to build things; not necessarily build from scratch, but at least use the tools others built from scratch to build things. The big thing we all built was the Web. Today, people don’t much use the Web, and precious few still build the Web.
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David Lynch has a variety of notions about what it takes to make art, but suffering is not among them. “This is part of the myth, I think […] the more you suffer, the less you want to create. If you’re truly depressed, they say, you can’t even get out of bed, let alone create.”
~ Colin Marshall, from David Lynch Explains Why Depression Is the Enemy of Creativity–and Why Meditation Is the Solution
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The cure for depression? My experience is that the only thing that works to avoid depression, in the long run, is meditation.
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The defenders of our freedom have failed to take into account our infinite appetite for distraction.
~ Aldous Huxley
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[How do you know if something will last or not?] Well, you don’t! That’s a form of arrogance! I think that if you can somehow tell some kind of truth or at least get to some sense of truth… Then it will last. Because then you’ve reached some kind of primal understanding of something that will transport you over time. But I don’t sit here and say, “Is this going to be great and last?” I don’t think so. I just try to make it something that has a sense of something that matters, you know, that makes it of value.
~ Eric Roth, from Eric Roth
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Eric Roth wrote the screenplay for Forrest Gump, an adaptation of the book.
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To-do lists tend to be long; Success lists are short. One pulls you in all directions; The other aims you in a specific direction. One is a disorganized directory and the other is an organized directive. If a list isn’t built around success, then that’s not where it takes you. If your to-do list contains everything, then it’s probably taking you everywhere but where you really want to go.
~ Gary Keller
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‘Dagon’ has all the elements of a classic Lovecraft tale. Here, as in many of his later works – including ‘The Call of Cthulhu’ (written in 1926), The Dream-Quest of Unknown Kadath (1927), and At the Mountains of Madness (1931) – optimistic endeavours for knowledge, even the simple act of seeing what’s on the other side of a hill, are thwarted by incomprehensible terrors and a horrifyingly arbitrary cosmic order. These revelations shatter the minds of Lovecraft’s truth-seeking characters, including doctors, archaeologists, lost sailors, metaphysicians and scientists of all kinds.
~ Sam Woodward, from Terrifying vistas of reality
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Some people must think that reading a bunch of Lovecraft’s work was time I wasted. I loved it. I didn’t find it scary (I’m not sure I’ve ever found any book scary. Movies, on the other hand, can scare the hell out of me.) But I deeply enjoyed Lovecraft… and yet I could never quite express why. After reading Woodward’s thoughts I’m thinking I enjoyed the experience—being myself one of those “doctors, archaeologists, lost sailors, metaphysicians and scientists of all kinds”—of seeing people like me get the hell scared out of them.
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