Craig Constantine

Archeology and music

Simply sound-related things today: An image of a babbling brook and archeology…

It is possible that some 8,000 years ago, in this acoustically resonant haven, people not only hid from passing coastal thunderstorms, they may have used this place to commune with their dead—using music. That’s a possibility hinted at in the work of archaeologist Joshua Kumbani, of the University of the Witwatersrand in Johannesburg, and his colleagues.
~ Sarah Wild, from What Did the Stone Age Sound Like?

Seems obvious that archeology would be interested in sound— but I’d never thought of that aspect of it before.

Having a clear why

7 Days Ago

It’s become cliché to talk about finding our ‘why’. That’s a shame because it’s absolutely, still, critically important, to us as podcasters. I was recently reminded of this point…

Ask yourself, why am I podcasting as a host, or as a guest? You must have a clear why, and it should be bigger than just “me.”
~ Alex Sanfilippo

Tell me your ‘why’.

And if you just hesitated— If you don’t immediately have an answer— Then you do not actually know your ‘why’.

You don’t have to post it! But you better know exactly and clearly what it is. Posting it just puts it out there, ensuring it remains real for you.

Whether or not you post it, you absolutely must have a ready-to-mind answer for your ‘why’.

For the longest running of my shows, Movers Mindset, my why is…

Each conversation feeds my insatiable curiosity, but I share them to turn on a light for someone else, to inspire them, or to give them their next question.

When I started that show, I did not have a clear ‘why’. It wasn’t until I took the Akimbo podcasting course in 2019, that I took the time to reimagine a lot of the two-year-old Movers Mindset podcast, and prompting from the course material and the coaches turned me onto asking myself, “uh, yeah, why?!”

What’s your best self-introduction?

11 Days Ago

Introductions are not hard— …we’re just not prepared.

Whenever I’m on a podcast, I dread one inevitable question: “I know who you are, but tell everyone listening who you are!”

This is a moment when I feel painfully insecure, first-day-of-sixth-grade only-kid-with-braces level.

The things I like about myself don’t matter in this scenario; my task is to answer, essentially, “What is interesting, valuable, or remarkable about me to strangers?”
~ Mari Andrew, from It doesn’t have to make sense

This is doubly related to people around here. Mari goes on to talk about David Nebinski and it’s worth a read.

But also, just yesterday I was in a little session presented by Andrea Wojnicki where she gave (among much more) a tidy little framework for introducing yourself. She pointed out that her framework is a place to begin. Once you get comfy introducing yourself you can expand and modify and do what you like.

So, what’s your current self-introduction?

…then read Andrea’s ideas, and then what’s your new, better self-introduction?

PS: Technically, it’s triply related since that’s a photo of some of Steve Heatherington‘s alpacas ;)

Show the web some love

14 Days Ago

Web sites!

Our beloved podcasting is built upon technology from the free (as in freedom and money) World Wide Web. We’ve come to take it for granted, so we just call it the web without even a capital-W.

Every podcast creator talks about getting more listeners. There are billions of people using the web. Searching on the web has to lead to a web site.

My challenge to you is:

Type “Your Show Title podcast” into a few search engines…

(You could also search for the title, or some critical words, or a guest name, from a recent episode.)

What did you get?

How far down those results is it to something that you actually control?

Is there even anything you control, anywhere in the results?

The only thing you can actually control on the web, is your own domain name.

…go to https://hover.com/ and find a domain name that you like.

A phrase for 2025

17 Days Ago

2025? Inconceivable! Still, it’s time to settle on my yearly touch phrase for 2025.

SERENITY

In 2012 I began selecting a phrase or word to use as a guide. David Bourne pointed out there’s a word for that: Cynosure.

When I picked the phrase in 2012, I didn’t imagine it would become a yearly ritual. It required significant reading through my journals to realize I even had chosen cynosures for 2012 and 2015. Over the years I’ve used the following:

2012 – Will-power and self-possession
2015 – simplify
2017 – “A dream is just a dream. A goal is a plan and a deadline.” ~ unknown
2018 – hell yes! or, NO.
2019 – NO.
2020 – get less done
2021 – festina lente
2022 – choose wisely
2023 – choose today
2024 – HUMILITY

There are echoes. For example 2022’s is effectively a refinement of 2012’s. And there’s an over-arching story of simplification and increasing self-awareness. What more could I ask for?

Mostly I use these cynosures in my journaling. I generally end each entry by writing it, followed by memento mori. Here’s the end of 2024…

I’m obviously reminding myself of these ideas. I’m also preparing for my certain death. I will one day write a final journal entry, and it would be fitting to have “memento mori” be my final journaled words.

My choice for 2025 is meant to be aspirational. In some journal entries in December I was writing about themes I might seek more of in the new year; Tranquility, contentment, or perhaps gratitude? Serenity won out because I’d like to maintain my serenity, at all times. Even when active. Even in the midst of chaos.

One big lift?

28 Days Ago

Have you heard the phrase “a big lift”? It’s the idea of making a concerted effort to accomplish something big, in one steady effort. The idea being that some accomplishments just don’t quite ever get done via small, daily steps.

Each year, in NO!vember I set about weeding. I try to identify every single thing I’m doing, and then assess whether or not I want to keep doing that. This sets me up for December. In December everyone I normally interact with starts to assume everyone else is on holiday. Things generally get more quiet in terms of projects and work.

In December, I identify big things that I’ve either just discovered (perhaps I didn’t even see them until clearing out in NO!vember) or which I’ve been ignoring (which means they’ve been nagging at the back of my brain.) I try to find a big lift that will yield some sort of big benefit in the coming year—a big time savings, or a big force multiplier for me going forward.

In December, I point my efforts at one of those big lifts…

It invariably ends up being a huge effort—bigger than just “big,” several hours, every day! But each year, as I head into the new year, I ride on that bad-ass high of knowing I cleared the decks in NO!vember and picked off that one big lift in December.

Is there a big lift you can imagine that would shift your continents creating new opportunities or capabilities for you in the new year?

Between a rock and a hard place

December 16

I really enjoyed Curtis Cates’s episode 14, Transformation can be fun…!.

Lately, I’ve been back to my regular walking, and I’ve started getting serious listening time in. I was delighted to get a chance to hear from Curtis.

(Yes, yes, I’m way waay behind on the Hansel & Gretel Code.)

Like you, my to-listen-to podcast cup runeth over! I’m regularly adding newly-released episodes. But I also have a way of systematically looking through shows’ entire back-catalog. So I’m also, regularly adding very-old episodes.

Yikes!

…and I heard one of Curtis’s sound-bites as I typed that.

Anyway, if you’re already familiar with Curtis’s work, drop back into ep14 of H&G, just for fun. If you’re going “Curtis who?” … start below. And, you’re welcome!

art is personal
and what qualifies or disqualifies something as art is all up to you
~ Curtis Cates, from Kristo.art

PS: I don’t subscribe to shows; I add episodes one-by-one when I see interesting episodes via my daily RSS-feed reading.

How things feel

December 11

I have written about this before and it is something I wish to emphasize repeatedly: efficiency and clarity are necessary elements, but are not the goal. There needs to be space for how things feel. I wrote this as it relates to cooking and cars and onscreen buttons, and it is still something worth pursuing each and every time we create anything.
~ Nick Heer, from Delicious Wabi-Sabi

Yes, “efficiency and clarity are necessary elements, but are not the goal. There needs to be space for how things feel.” Hear! Hear!

There are at least three reasons to read Heer’s points. Retro-digital photography is really a thing; the Japanese concept of wabi-sabi (appreciating beauty that is imperfect, impermanent, and incomplete); A bit of hist wondering about software.

It’s the wabi-sabi that got me thinking about podcasting. I’m well-known for cutting the corner when it comes to editing the conversations I record. I’ve always looked at that as a necessity: If I tried to raise the level of quality by editing, I’d not be able to put the episodes out (or at least not as many.)

After reading Heer’s thoughts, now I’m wondering if I’m also—perhaps even more so?—drawn to the wabi-sabi of the conversations with all their blemishes, false-starts, uhm-and-ahs in place.

Really, this book is worth reading

December 9

I mentioned this book previously (in, Driveway Moments). As I read more, it became clear this book is stuffed full of useful information for podcasters. At some point, I’ll get around to organizing some sort of “resources” something-or-other over on the Podcaster Community, and Sound Reporting will definitely go in the “must read” books list for podcasters.

Almost nothing in the book is directly usable… but there’s a ton of stuff—far too much for me to quote—that I found made me think.

To be honest, a lot of it felt like, “yes, I agree” and “yes, I learned that the hard way.” But there was also a lot of “that’s a good idea” and “yikes, now I know I don’t want to do that that way.”

These chapters were particularly fertile ground: Writing for Broadcast, Story Editing, Reading on the Air, Hosting, and Booking. They contains tons of information from the professionals.

Wait, that’s absolutely backwards

December 4

“Do you have any ideas in mind?”

I was talking with someone recently, and they asked me what ideas I had in mind. I described a visual that had recently come to mind for me, and I then, as a followup to that visual, I added a few ideas as single words.

(I’m very intentionally, not being specific here…)

When I finished—it all took but a few moments—it struck me…

Dude, those single words really are the ideas I want to convey…

But that imagery? It’s exactly the opposite of those ideas. That visual is a terrible idea…

Let’s set aside the confusion I may have caused to my friend. (Although, I did point out that I saw the contradiction.)

It seems to me it’s really rare to have a moment of such clarity around something important: If I hadn’t been explaining it to another person, I might have hung onto that visual imagery.

Where are you hanging on to the wrong details?

Where’s the scene?

December 2

Where is the space where you hang out with other people doing whatever it is you do? I’ve mentioned this idea before, for example, Setting and scene. This is something I come back to often because it is really important to me.

And by “space” I mean a physical space, like the proverbial 19th century café with writers talking and drinking coffee. Third places are clear candidates for our scene.

What about virtual third places? All of us know each other virtually, including through various video calls over the years. But a virtual space has to be very special to be a true “scene.” In fact, I’m not sure just how special, and I’m not sure what exactly the features it needs to have…

That’s what I’m thinking about this morning:

What are the special feature of a virtual space that make it into a scene?

Here’s a few I’ve come up with so far…

People :) obviously. We need to know others are there (I see “likes” or a head-count in the video call).
Engagement. We (me, you, the person seeking the scene) need to soak up energy from other people. Yes, even introverts need at least a little bit of interaction, particular in the realm of one’s creative endeavor.
Questions. Questions don’t have to be about getting an answer! “Revealing your questions in such a way points to the shape of the knowledge you are seeking.”
Mistakes. …not sure about this one. “Mistakes” isn’t quite the right word. I’m trying to point at the idea that seeing other people attempt things, and not succeed, shows that the scene is a space safe for experimentation and challenging ourselves.

What else comes to mind?

I don’t often laugh out loud

December 2

But when I do, it usually because of some deeply nerdy, cutting snark. Like this:

As someone who has read thousands of academic papers, I’ll answer those questions as calmly as possible.

NO.
~ “dynomight“, from Please show lots of digits

…and then it goes on, CAPSLOCKed, for several paragraphs. The only thing better than math-nerds, is when a math-nerd who is also a reason-nerd stomps on the vanilla-variety math-nerds. This stuff? This stuff makes the world a better place.

Well, if you’re going to put a fine point on it

December 1

Songs arise out of suffering, by which I mean they are predicated upon the complex, internal human struggle of creation and, well, as far as I know, algorithms don’t feel. Data doesn’t suffer. ChatGPT has no inner being, it has been nowhere, it has endured nothing, it has not had the audacity to reach beyond its limitations, and hence it doesn’t have the capacity for a shared transcendent experience, as it has no limitations from which to transcend.
~ Nick Cave, from Issue 218

Sometimes I read things which are so clear, and right, that I nearly weep on my keyboard. (Yes, oldster, keyboard.) And then… I realize, enduring, suffering, audacity to reach beyond limitations— hey, that’s me! And then, still weeping, but I’m doing it right!

tl;dr: It’s the lack of housing

November 29

So let’s go on a journey in which I will examine the validity of six common claims we hear about homelessness and the solution to our homelessness crisis: housing, housing, and more housing.
~ Noah Smith, from Everything you think you know about homelessness is wrong

“But wait,” I hear you protest, “it’s more nuanced than that!”

Yes, yes, okay, fine. Again, this time with more nuance:

It’s the lack of affordable housing.

And how might we solve that root cause?

Strategy questions

November 27

Seth Godin posted a selection of strategy questions a few weeks back, to coincide with his latest book’s release. I’ve found myself referring to these questions a few times, and wanted to post about it here to be sure everyone had a chance to notice them…

Where will I cause tension? What resistance should I anticipate from others (and myself)?
~ Seth Godin, from Strategy Questions

…just to pick one to quote, to give you a taste.

I’ve been using this list as a primer when I want to think about some project. I’ve found it works in my own head, as well as with other people.

As always, his asking really good questions is a gift; A tremendously empowering gift.

Is there a question in that list which scares you?

What lies ahead?

November 25

For a while, the Movers Mindset podcast’s episodes had opening segments recorded in post-production. They were as you’d expect: Here’s who’s on the show, this is who they are, here are a few things we talk about. This (as you surely know) is a bit of work. In later years—particularly once I was working entirely alone—I simply stopped doing this because, taking the time to do it, stopped me from actually getting the episodes out the door.

LISTENERS CAN’T “SEE” (OR HEAR) WHAT’S AHEAD. When you read a story in a newspaper, your peripheral vision gives you an idea of the stories that surround it. […] On the radio, someone needs to tell you explicitly what’s coming up.
~ Jonathan Kern, from Sound Reporting, p6

NPR has a concept called “billboards” which are short segments, up-front (“58 seconds long, at the top of the hour”) telling you what’s coming.

How do you (if you do) decide what you put on your “billboard” at the front of the show? Do you have goals; list three things, list something for every major turn in the conversation, etc.? Do you use any tools to help you?

Don’t look at that part

November 22

We all struggle with this. No matter what our art is, there are always those bits that everyone sees and those bits that are covered up. And we face the question of how much effort to put into these various parts. It’s easy enough if it’s a hobby and you have all the time in the world. But you need to ship if you’re making a living off your art.
~ David Sparks, from Lessons From an Ancient Craftsman

It’s always good when, as above, I can get any sense of commiseration with other creatives. I had a hard time ever coming to understand I am a creative, and the imposter syndrome for me is eternal. (Also, apparently a shared experience.) Great piece from Sparks about exactly what that quote suggests.

Meanwhile, I’m reminded of something I say often, which comes from my paternal grandfather: When asked his opinion on something, (ala, “How’s that look?”) he’d reply, “A blind man in Idaho would be happy to see it.” This makes no sense, in several dimensions. I have no idea where he got that from. The Idaho bit in particular always made me wonder. He and I were generally in Pennsylvania, so Idaho is a long way away, but oddly specific, while still oddly vague. Where in Idaho? And why Idaho? Maybe Idaho was some Depression-era fake-magical place pushed by con-men and became a stand in for “anyone in Idaho must be really well off.” Because the whole point of the joke is that a blind person would be delighted to see anything. I dunno… maybe it’s a humorous construct because the Idaho part is so extraneous, it feels like it must be important? Really, does that reply mean it looks good, or it’s bad and I don’t want to tell you? I mean, the reply literally does nothing but dodge the question. Or, maybe I’ve just over thought this… for 40 years?

The longest stretch of deserted road?

November 20

What’s the longest stretch you’ve gone, away from your love of podcast creation?

For obvious reasons (in case you missed it) I’ve not been doing much in the way of podcasting this year. The last episode I published was March 28th, 2024— so about 8 months now. I’m at a point now, where I’ve enough health that it would be possible to resume . . .

I miss having the conversations, and I even miss doing the uncelebrated work (which we all know so well!) to get them published. But I don’t miss the grind… that treadmill feeling of always having some next thing that could be done.

What’s stopped you in the past? How did you get back on the bicycle? Why did you get back on the bicycle?

Driveway moments

November 18

The driveway moment: When a report or interview really works, you can tell and we can tell. We can, because the story hits the top of the most emailed list at NPR.org. You can tell, because the story keeps you pinned in your car, in a parking lot, in your driveway, or at the side of the road—as you wait to hear how the story will end. In letters and emails, listeners named these occurrences “driveway moments,” and say they look forward to them, even when it means being late for work or dinner. So that’s your goal: make some driveway moments.
~ Jay Kernis, from Sound Reporting, pg xi

I’m finally heading into NPR’s book, Sound Reporting, and this big of context included by Kernis in the Foreword got me thinking…

What are you doing so that you even know when you’ve put out a “driveway moment?”

It doesn’t matter at all if we feel it’s a driveway moment. It matters if our listeners think so. Are you paying attention to your listeners? Do you have multiple ways for them to connect back to you?

I do think about “driveway moments” when creating episodes. It’s difficult however, given the way that I create my work; They have to simply happen. If one wants to create them, that requires planning, work and editing.

For me, when I encounter a listener (virtually or in real life) the only question I ask them is…

Has any episode grabbed you? …any particular moment or image?

And then I shut up and listen.