Stick to what’s in front of you—idea, action, utterance. This is what you deserve. You could be good today. But instead you choose tomorrow.
~ Marcus Aurelius
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Stick to what’s in front of you—idea, action, utterance. This is what you deserve. You could be good today. But instead you choose tomorrow.
~ Marcus Aurelius
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So meta even this movie?!
Yes, I really should never be watching visual entertainment. But sometimes the day goes so insanely well, that I have to choose what to do with the last hour or so of my day: Start something else, or choose some entertainment. Why I sometimes choose entertainment is left for another day. I digress.
I watched this 10 minute long film called Meridian the other day. Film Noir. Clearly a new movie, but set in 1947 Los Angeles. Hard boiled detective and a green partner. Mysterious woman. Missing people. The ocean, freak storms. It was almost surreal—parts of it definitely were. It has a story, but no resolution. Sometimes you just have to Wikipedia…
oh! Now I get it. It is literally a digital codec test piece. Really, go read the short Wikipedia article on, Meridian (film).
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I assist in an online podcasting workshop where a student recently asked:
Could knowing all these [interviewing] techniques be making us more aware of the style, and […] getting us further away from the natural, inherent style we all have […] ?
I’ve mentioned before that I distinguish between “interview” and “conversation” in what I’m currently recording for podcast publication, (for Movers Mindset and other shows.) Today, I’m just going to gloss over that distinction and riff off this student’s excellent observation. Whether we label it “interview” or “conversation,” there’s a key milestone people go through when they realize that practicing something intentionally, is going to—at least partially—paper over their own innate style. This is a normal step in any journey involving mastery practice. After sufficient practice, you will find you still have an innate style; It’s simply different than the one you started with.
I believe that my role as a conversation partner, (being who my guest needs me to be for us to have a great conversation,) and my role in serving my listeners, (being who the listeners need me to be for them to enjoy and/or learn from a great conversation,) are antagonistic. The better I perform at one of those roles, the worse I perform at the other. That’s the balance I’m trying to work out each time I press record. Techniques which serve well for one role, can be detrimental to the other role.
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Diligence is quick to carry out what intelligence has lingered over. Fools are fond of hurry: They take no heed of obstacles and act incautiously. The wise usually fail through hesitation. Fools stop at nothing, the wise at everything. Sometimes things are judged correctly but go wrong out of inefficiency and neglect. Readiness is the mother of luck. It is a great deed to leave nothing for the morrow. A lofty motto: Make haste slowly.
~ Baltasar Gracián
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If you do not know the cinema-history relevance of the movie, Rashomon—no, not Rushmore—please check out the Wikipedia article. I’m not suggesting you watch the movie; You will not like it. (If you are the sort of person who would enjoy the movie, then you have already seen it!)
The villain in Rashomon is humanity’s craven need to present itself in a positive light, even if it must perjure itself shamelessly to achieve this.
~ Steven Pressfield from, Kurosawa on Villains
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That is the greatest one sentence summary of Rashomon I have ever seen.
Unrelated, that piece by Pressfield talks about how villains may have evolved in the past to become who they are, but that they certainly are no longer changing.
Question: Does that make me a villain if I am no longer changing?
Also, new word [to me], “helpmeet”— No, there is not a missing space there.
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The constant interruptions and distractions of our society are, to me, the opposite of philosophy. Getting caught up in minutiae. Getting caught up in things that don’t matter. Getting caught up in things that are designed to exploit and antagonize us and our emotions.
~ Ryan Holiday from, Seriously, You—Ok, We—Need To Stop Watching The News This Year
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The way out from the chaos is to first convince yourself that you are in chaos, and to then decide you don’t like the current situation.
It will not work for you to try taking a hiatus from all the distractions. If you try, (just some “for examples” here,) to put your phone down during dinner, or to have a no-internet weekend with your partner, or no internet-surfing in the bedroom, etc., these small diversions from your normal existence will be uncomfortable. So of course you won’t want that small discomfort to grow larger! And there you go; that’s the exact opposite of how you would expand the tranquility in your life. If—somehow—you deeply wanted more tranquility, then you would automatically do all those things I mentioned and many, many more.
The other day I drove to my favorite gym only to discover they were closed that day. It happens that this was announced on Facebook. (I’m not on Facebook.) This experience was not the least bit annoying to me. I drove 20 minutes each way. The ride was pleasant; Just like every other time I drive in a car because I long ago resolved the issues with myself which caused driving and riding in cars to be annoying. I did not begrudge that 40 minutes as “wasted,” and I simply went on to the next thing I wanted to do.
I’m not railing against Facebook. I’m pointing out that if you fix your life, Facebook no longer has an attraction for you.
You are not obligated to be constantly reachable.
You are not obligated to have an opinion on every topic someone might raise in conversation.
You are not obligated to help every other person you physically or virtually encounter.
What obligations do you have?
What do you truly desire?
What is the meaning of life?
Actually… are those even the right questions to ask oneself?
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I was going to put together a little post to geek out about the helicopter that flew successfully on Mars. (Just in case you hadn’t heard about that: I’ll pause here, while you re-read that sentence.)
Anyway, turns out that pretty much everyone else on the Internet has done a better job than I could have. For example, here’re four things you should see:
Nasa’s Ingenuity Helicopter succeeds in Historic First Flight. Yes, they attached a wee bit of the original Wright Flyer to that helicopter.
XKCD is… well… it’s XKCD: Aviation Firsts
And Universe Today, (which you should follow and read every word, forever) has, You Wouldn’t Believe What I Just Saw. I demand that you click through that link to see the selfie tweeted by the Perseverance rover. Selfie. Persey even has it’s own Twitter account.
We are the Creator Species. We create stuff. From learning how to make a fire to painting the Sistine Chapel to putting drones on Mars, that’s our jam.
~ Gaping Void from, «https://www.gapingvoid.com/blog/2021/04/19/human-potential-mars-style/»
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Hey look. I put together a little post to geek out about . . .
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No great thing comes into being all of a sudden; … Now if the fruit of a fig-tree is not brought to perfection suddenly and in a single hour, would you expext to gather the fruit of a man’s mind in so short a time, and so easily? I tell you, expect no such thing.
~ Epictetus
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Exciting times! Facebook is getting into the game of making Yet Another ™ place that podcast creators will have to jump through hoops to get their podcast shows heard.
Isn’t this all so strange? I mean, shouldn’t the content creators have the power? Shouldn’t entities looking to create a business model have to deal fairly with the creators? It’s as if we, the podcast creators, are doing something fundamentally wrong…
https://openpodcastdirectory.org/
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One of my recent acquisitions is this door-stop of a volume, Forty Thousand Quotations Prose and Poetical, published in 1940. Several thoughts spring to mind at this point:
Obviously, this book is 80 years old. Wait, no, that was not obvious to me. I was thinking, “1940… Wow, that’s like 60 years ago,” followed not as quickly as it should have been by, “…no wait, that’s 80 years ago.” So the first thought I’ll share here is that the years pile on like onion-skin pages. Year after year after year after year and before you realize it: Door stop. (Both you have a door stop, and you are a door stop.)
Upon arrival I immediately flipped through it to see what I’d gotten for my $14-plus-shipping. The book says, “prose and poetical,” but I don’t know diddly-squat about this Douglas fellow. There could be forty thousand stinkers better left forgotten. My verdict: The density is low. Perhaps 1 in 4 strike me as even worthy of inclusion in the book. Still, ten thousand quotations prose and poetical are worth 2/10 of one cent each, (in my book.)
It’s said—I’ve heard it said, I’ve said it myself now many times—that our favorite quotations say more about ourselves than of those we’ve quoted.
Is this book a snapshot of 1930’s America? Let this sink in: There’s not a single quote from anyone related in any way to World War II. There isn’t a single modern tech genius in here either. But wait! It was printed in 1940, yes. However the copyrights are 1904, 1914 and 1917. This book is a time machine come to me across more than a century.
I generally give books the page 88 test. That’s laughably near the front of a book which has— (Wait, wat?! This book has exactly 2,000 numbered pages! That’s another tangent I’m not following. Ahem.) Page 88 is laughably near the front of a 2,000 page book. As I carefully flipped towards 88, I was briefly anxious when I thought the entries under “anxiety” might run to page 88, but fortunately, no. The two columns of page 88 cover the tail end of, Apothegm (“a short, pithy and instructive saying or formulation,” honestly, I had to look that up,) then Apparel, and then Apparitions runs onward to page 89.
The first full entry on page 88 is:
A few words worthy to be remembered suffice to give an idea of a great mind. There are single thoughts that contain the essence of a whole volume, single sentences that have the beauties of a large work, a simplicity so finished and so perfect that it equals in merit and in excellence a large and glorious composition.
~ Joubert
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Now more than ever, opinions divide us. Meanwhile, our ability to effectively communicate has degraded, fueled by social media algorithms and self-selected information silos that confirm our biases, calcify our world views, and consequently drive us even further apart. As a result we suffer—individually and as a collective.
~ Rich Roll from, Adam Grant: How To Be a Resilient Thinker
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I’ve been cherry-picking episodes of the Rich Roll Podcast, and this is another superlative one. Roll’s discussion—about a half hour in if memory serves—of trying to be a “lighthouse” makes clear an important point about modeling behavior: Be the change you want to see in the world.
Grant and Roll talk a lot about Grant’s new book; That’s a model for a podcast episode which I usually do not like. And they talk almost as much about competitive swimming and diving, which are two more things I’m generally disinterested in. But to my delight, I enjoyed through (contrast with the more usual ‘sat through’) the first half, and currently have the second half awaiting my ears.
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The greatest enjoyment is experienced when there is no concern for its duration.
~ Wu Hsin
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In conversation there must be, as in love and in war, some hazarding, some rattling on; nor need twenty falls affect you, so long as you take cheerfulness and good humor for your guides; but careful and measured conversation is always, though perfectly correct, extremely dull and tedious—a vast blunder from first to last.
~ Arthur Martine from, Martine’s Hand-book of Etiquette and Guide to True Politeness
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“Kid, anyone can fix it with the right tools. It takes a real mechanic to fix it with a peach basket full of junk,” was the punch-line life-lesson from a story my dad used to tell from his first days in the elevator trade.
I’ve mentioned this book by Martine before. Large parts of it are patently ridiculous. But there are parts of it which are solid.
Anyone can learn something from a well-written book. But it takes a first-rate mind, and a lot of practice, to read through a peach-basket full of assorted crap, find the right parts, and find a lesson or three along the way.
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This post from exactly three years ago bears re-reading: Don’t give away details about yourself
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Everything we do matters — whether it’s making smoothies to save up money or studying for the bar — even after we’ve already achieved the success we sought. Everything is a chance to do and be our best. Only self-absorbed assholes think they are too good for whatever their current station requires. Wherever we are, whatever we’re doing and wherever we are going, we owe it to ourselves, to our art, to the world to do it well. That’s our primary duty. And our obligation. When action is our priority, vanity falls away.
~ Ryan Holiday from, How You Do Anything Is How You Do Everything
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I sometimes think back to a summer I spent working on a golf course. As a grounds keeper. These days, I’m still pretty fast with a string trimmer. A job string-trimming a golf course teaches certain skills. Every day that summer I hopped on my trusty red 10-speed bike—I think it was actually originally my mom’s bike—and ride… just for fun I Google’d it… 5 miles to work. I distinctly remember the coolish Pennsylvania mornings.
It just this moment occurs to me that my “the weather today will be…” prognostication skills are generally quite good. Probably something to do with riding a half hour while wondering if I was going to get roasted in the sun, soaked in the rain, or pleasantly browned.
Meanwhile I learned many things. About getting along with other people to greater or lesser degrees of success. About how laughter makes work lighter. And about good healthy, sweat labor. I already mentioned the string trimming. But my favorite was how we used to edge the sand traps. Every day—at least as far as I can remember—there’d be the same work to do; we’d simply advance our way around the course based on our boss’s early-morning directions on a whiteboard. “edge traps 8/9” for example… along with a few more. One guy was the greens keeper. His responsibility was just to mow the putting greens and tend that grass. Move the pins (the tall flags stand inside special metal cups set into the ground) periodically. Another guy—an aged adult, so he was probably like 38 at the time—was the fairway mower. Willie was his name. I remember his last name, but I don’t want anyone hunting him down. He’d drive a large farm-sized tractor pulling gang-mowers like a flock of geese behind him. All the grass was always cut with reel mowers.
Anyway. Sand traps. We used to edge them with a machete. You see, the edge of the trap, where the grass meets the sand, has interesting geometry. The lawn may not be level, it often was sloped or curving like a little hill. So the “cut” is not just, “hey yo, no blade of grass sticking out that way!” but also, a perpendicular (to the plane of the grass bed) curb of sod (the grass, roots carpet part) and dirt. A string trimmer just sort of beats things up into a rounded mess. With a machete—and a crap-ton of stooping, back-breaking, labor—you can cut everything in a perfect plane. It’s as if you made the perfect cut through layer cake, creating a smoothly undulating curb perimeter, angled perfectly. wack wack wack wack …we’d just walk around the trap backwards, walking on the grass. wack wack wack wack… fifty, maybe a hundred swings. Every sand trap is different. Then we’d clean the trap. Weed it, rake it, sift it, then shape the sand. When we moved on, there’d be not a single bit of anything besides sand in the trap. It’d be gorgeous.
Craftsmanship.
One day, “trim the lake” was on the board. Again. We’d just done that the other day. It was one of the most god-awful horrible jobs. It was basically a very big pond, with not much water flow, particularly mid-summer. The bottom was muck-tastically nasty with geese crap and—wait for it—9 gazillion golf balls making for treacherous footing. The weeds grew in the water. With a string trimmer you can actually trim a bit below the water level if you’re adamant about it. (As we were.) When doing this chore you had a choice: You could stroll into the water and muck to reach the weeds 6 feet out in the pond, or wreck your back, (I don’t care how young you are, this wrecks it,) straining all around the lake to reach out there with the trimmer. Regardless, in the heat of summer, those water-whatever weeds needed a wacking every few days.
On this day, I stood by the artificial rock weir that impounded the pond. I looked at my work boots, being well-shod to deal with the muck, but not so much for standing directly in the water to trim. I looked at the weir. I thought about having to sacrifice my back to reach the weeds. At the weir. I looked at my golf cart—we had the best ones. Special motors for hauling trailers and actual loads and extra batteries. And my we don’t screw around here double-string trimmer and gas can. My face shield. I looked back at the weir.
And I went for it.
I strolled into the stream, moved a bunch of rocks and pierced the maybe 2-foot tall weir… and drained the entire lake. Then I spun up my trimmer and… there are two ways to string trim: One way is a sort of judicious, scalpel wielding, if I twitch it leaves a mark that takes a week to grow away, and I’m going to have to clean up all the mess I make. And the other way is BANSHEE STYLE! I strolled into that disgusting muck and strode around the entire thing with the trimmer throttled wide open… non-stop… at like 6:30am. Muck, geese crap, golf balls, weeds… everything flying every which way… none of it on me of course because, duh, string-trimming guru.
Meanwhile, the sun crept higher.
I don’t know how long it took me. Not long. I don’t think I even had to refill the trimmer’s gas tank. But all the while, the sun started to bake the mud and muck.
Now the area (the general regional area I mean) had a lot of farms and you got used to all sort of smells. Pennsylvania smells (to me) like petrichor, and maybe a dash of cow or horse manure baking on a field. Us Pennsylvanians are all like, *yawn* “whatever bro’.” But baking geese crap and muck, as it turns out, is another thing.
Yes, when I finished trimming I reassembled the weir, but as I mentioned, the little creek’s flow rate was low, and it took all stinking-to-high-heaven day for that thing to fill submerging the muck. I was vindicated amongst the groundskeepers, including my boss who went to bat for me so I could keep my job, because we all freakin’ loved it. It looked awesome and stayed awesome for like TWO WEEKS!
But to my knowledge, no one ever did it again.
That was the first time I effectively closed an entire golf course.
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What is this, fundamentally? What is its nature and substance, its reason for being? What is it doing in the world? How long is it here for?
~ Marcus Aurelius
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white-with-orange, orange
white-with-green, BLUE!
white-with-blue, GREEN!
white-with-brown, brown
I have probably said that sequence—sure, aloud many times, but mostly muttering under my breath, always moving my lips—about 9 gazillion times. If you know what that is, I weep for you; and we have a support group which meets at the bar and the first round is on me.
I’m reading—literally just this moment… I have my arms stretched around the book as I type—On Writing by Stephen King. (Highly recommended by the way. In parts deeply useful, deeply touching, deeply funny, just all-around deeply.)
John Grisham, of course, knows lawyers. What you know makes you unique in some other way. Be brave. Map the enemy’s positions, come back, tell us all you know. And remember that plumbers in space is not such a bad setup for a story.
~ Stephen King from, On Writing
POW! my brain muttered “white-with-orange…” And I was yanked, much in the way I’ve yanked L I T E R A L L Y miles of wire through ceilings… hell, I know what a plenum is and why you can pull that cable through it and not this other cable. POW! “white-with-orange, orange, …” Yanked back to good old, kill-me-now I’d forgotten this and hoped I’d never remember it: T568B.
B. BEE! mind you. omgbecky don’t go all white-with-green on me to start the sequence ‘cuz that’s T568A and if you we do B on this end, but A on the punch-down blocks back in the squirrel closet we won’t even get link lights let alone have the tester [magic box of circuitry] be happy.
Never mind when they started using Category-5 cabling and I stripped off the jacket… Actually, with Cat-5—or was that 5+? or Cat-6… I need a drink—where the jacket is sort of partly heat-shrunk on so you need a special tool just to get the jacket cut before you can pull it off. And then you discover not only are the pairs of wires twisted—bro’ that’s so Cat-3, right? No, now in Cat-5 the pairs are twisted at different rates—the number of twists-per-inch is different on each of the four pairs to reduce the magnetic inductance coupling—no, I’m not making this stuff up; pay attention, kid. Oh, and they’re not only twisted, but the pair is actually in a stuck together jacket—so you need this other little tool that you shove onto the end of the pair and it has a teeny razor blade in it that cuts the wires apart like—sorry for this metaphor—like a razor cutting the skin between your fingers, as you push and spin the tool to separate the wires.
Then you can wrestle the pairs, in the right order (see above!) into the shape, like a whale tail. Eight tiny wires that you VICE-finger-pinch flat, then cut ’em all off in one go. Wizards could shoot those eight tiny wire snips into a little trash catch we had with us so we didn’t leave ’em in the ‘ol office carpet. Then—hey, don’t slip!—slide the plug on the end, and stuff it in this special tool… When you grabbed it, you had to exactly judge where to grab cuz if you’re too far from the end it’s not good, too close to the end and you can’t get the plug on fully, and you can’t move your fingers at all because it takes full-strength to pin 8 tiny wires perfectly in the right place after you cut them off in one go.
Or if you’re making up a wall-jack or a punch-down panel you can just sort of lay the wires in the v-grooves—but don’t untwist them too far, each one is a tiny radio antenna—and “punch” them down with a tool that trimmed the ends—which always managed to ping, pong, bing, bong right into anything that you couldn’t get into to retrieve them. Ever wonder why vents on computers, and everything are on the sides?
One. That’s one. This office has 150 more wall jacks, and the other ends of course, and all the wires have to be labeled cuz the rat nest has to make sense…. and then you have to test it and if one single wire isn’t perfect.
So yeah, that was fun. Holy shit! Where’s the Tylenol?!
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Because they can only show scenes, …
~ Ryan Holiday from, Sorry, An Epiphany Isn’t What’s Going To Change Your Life
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Check the following against your experience: Except for sleep, or fits of unconsciousness, my life is a perfectly seamless and continuous experience. It has no montages, elisions of time, “jump cuts,” nor cross fades. I’ve never experienced a rerun of any moment; every moment is the next moment found directly after that moment that was now, but is now just past.
From my point of view, every other person… every book… every movie… every image painting film story… I experience those in one, compressed form or another. I catch up with a friend over lunch; I get two weeks of their experience compressed into a thirty-second story. Rocky goes from zero to hero in a two-minute (I’m guessing) montage. That person experiences an entire year; I experience their birthday dinner.
Everything out there is a small scene from some real experience. Is it any wonder it’s difficult to understand?
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Some take nothing into account, and others want to take account for everything. They are always talking importance, always taking things too seriously, turning them into debate and mystery. Few bothersome things are important enough to bother with. It is folly to take to heart what you should turn your back on. Not the least of life’s rules is to leave well enough alone.
~ Baltasar Gracián
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Cinematic Portraiture … I try to make a picture that draws elements of a larger scene happening. For me it’s always that challenge of how do you come up with a picture that gets the essence of the person, but also does a little more.
~ Sam Jones starting around 44:50, from How to Cultivate Your Authentic Voice
It’s different depending on the medium, but there are some things that are the same throughout. One of them is, you have to know or define your narrative because you’re always telling a story whether it’s in a single frame or in a two hour documentary. The first thing for me is to know what story I’m telling. With photographs it’s often, I read about the person, I start sketching ideas, and hopefully I can make up a story that I can tell that is true with that person. If it’s a music video, I’ll try to get what I want to say about the song; Whether it’s trying to be very literal or trying to be very opposite, I still have to know the story I want to tell. With doing Off Camera, it really is— You could talk to anyone for 100 hours and not get even close to their whole deal, so the idea is to try to pick the things you really want to look into and develop a little narrative.
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Sam Jones is well-known for his Off-Camera project. Each “episode” is a photoshoot, documentary video, podcast and print magazine. This interview from 2015 on Rich Roll’s podcast covers a wide range of things related to being creative. This podcast episode is a true gem.
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