There’s also a long list of advertisers who rely on this confusion to abdicate their ethical responsibility in terms of their money winding up in the pockets of bottom-dwelling grifters and bigots. The murkiness makes it easier to pretend it’s not happening, and it’s this accountability gap the group hopes to target
Caution: Depending on your viewpoint, that article will make you cheer, or will enrage you. What I want to focus on is, “murkiness” and I want to split a fine hair.
I believe there’s visibility, (in the sense that it is clear who is accountable for some speech [advertising is speech],) anonymity, and murkiness which obscures the dichotomy of visibility versus anonymity. My position is that murkiness is never a positive thing. The knowledge that something is being said with accountability, (who said it is clear,) versus with anonymity is critical for one to be able to evaluate some speech for oneself. That knowledge is removed when there’s murkiness.
As I was reading those two sentences, my world was just fine… until that very last word. I was ready for death, overdose, addiction, and there are probably a dozen more words that I don’t expect would fit there, but which wouldn’t make me go, “wait wat?” So i started reading…
I quickly realized this article is basically the science behind Breaking Bad. There’s also an enormous amount of “this is not good” information in there. For example, an apparently exponential-function graph of deaths is never a good thing. There’s also a bit of industrial chemistry, and a large scale sewerage treatment plant data collection . . . well, it’s worth the read.
I could probably write a blog post about other interesting math-related puzzles and shapes that come from Hungary… or about the number of Hungarian mathematicians… but instead, I’ll just point you towards this particularly interesting thing.
How does movement influence personal change and adaptability in life?
Movement evolves from a tool for improvement to a means of adapting to life’s challenges.
I think that when I started doing Parkour, the movement was a kind of like— it was constant exploration. […] But as more time has gone, I started to feel that that change isn’t just trying to improve. [It’s] more to adapt on how you can perform? Or how would— How do you see a challenge? Or how do you process a challenge?
~ Janne Laurila (1:47)
The conversation explores how movement intertwines with personal growth, adaptability, and energy management. Starting with parkour as a way of improvement, Janne shares his journey of evolving to see movement as a tool for adaptation rather than mere enhancement. Factors such as physical energy, time management, and life changes, like raising children, shape his relationship with movement.
Living in Finland adds layers to this experience, with long periods of light and dark influencing mood and activity. Balancing responsibilities as a parent, entrepreneur, and student while managing ADHD highlights the challenges of maintaining schedules and finding moments of recharge. The conversation concludes with reflections on compassion, curiosity, and the acceptance of being incomplete as guiding principles.
Takeaways
Change and movement — How parkour shifts from improvement-focused to adaptation-oriented.
Energy and time management — Balancing energy and available time in a demanding schedule.
Impact of light cycles — Navigating the challenges of extreme light and darkness in Finland.
ADHD and scheduling — The difficulty of adhering to schedules despite careful planning.
Family integration — Using Pokémon Go as a way to bond with children and stay active.
Self-compassion — Recognizing the importance of being kind to oneself amid life’s chaos.
Continuous growth — Embracing curiosity and the idea of being incomplete as motivations.
Resources
Daniel Vitalis — A podcaster discussing movement as nutrition.
Pokémon Go — A mobile game blending outdoor exploration with technology.
Anyone can put a challenge in front of themselves that they are unable to do. How well do you know what you are capable of? How well do you know how to make yourself capable of more. I train to know who I am and how I can improve.
there are enough users who understand how it is supposed to work. They expect to be able to listen to any podcast anywhere they want. Most probably don’t understand why they have this ability, about the history and technology design that made it possible, but they understand that they have the ability. And it doesn’t have to be all of them or even most of them, just enough of them, whatever that means. And for right now, at the end of 2021, there are enough. Podcasting has always been and remains an open platform. I can’t say it will be for the future, but so far so good.
I like Winer’s point that the web (websites, web browser, blogs—not asocial media platforms) and podcasting are not dominated by any one large company. He’s pointing out that we’ve two examples of things not centrally controlled—two examples of success (so far, things could always change.) And therefore it’s quite possible that we could build something else, another new media format, which is also free, open, and not centrally controlled.
But I don’t like that Winer has glossed over the fact that podcasting only appears to be open, (in the way that the web is open.) Podcasting appears to be open, and isn’t yet dominated by one large company, because the podcast creators individually go to great lengths to make their shows available everywhere. There are multiple large companies trying to leverage the listeners against the creators. I’ve given up on trying to lead podcasting to be open, the way the web is open; I simply hope that someone else sees what I see and that I live to see podcasting grow to be a first-class, truly open, platform, (the way the web is.)
The other evidence we have is animals who live in the cold have higher metabolic rates, higher activity levels, yet higher body fat and body mass than those that live in the warmth. This suggests that fluctuations in body fat may be tied to changes in temperature exposure, and not just to protect us from famine. The bottom line is temperature matters.
My pull-quote is from the very end of Pilon’s article. Overall it lays out a delightful overview of the main systems that regulate our body composition. I love this last point—the part I’ve quoted—because it has nothing to do with humans; It’s a nice “and the same thing seems to be true for other mammals” that provides a great reality check on the models he’s presented in the article.
Pilon is the author who made things clear and simple enough for me to try intentionally manipulating the window of time each day when I stuff food in my face. Being intentional about that greatly increased my awareness of subtle signals from my body. At 8:30am, when I’m day-dreaming of blueberry pancakes, am I actually hungry or am I simply having a craving for carbohydrates? And when I wake up at 1am with a massive cramp in my left calf… I should probably have remembered to take my magnesium supplement before bed, and I better eat a banana first thing in the morning.
Please remember I am talking about the world as it is. The men who act without thinking, and the men who both think and act, are the ones who mould the world. The man who thinks and does not act never moulds the world. He may think that he does—but that, too, is only a thought, the thought of a deedless, actionless thinker.
And so we get to the crux of our human predicament — the underbelly of our anxiety about every unanswered email, every unfinished project, and every unbegun dream: Our capacities are limited, our time is finite, and we have no control over how it will unfold or when it will run out. Beyond the lucky fact of being born, life is one great sweep of uncertainty, bookended by the only other lucky certainty we have. It is hardly any wonder that the sweep is dusted with so much worry and we respond with so much obsessive planning, compulsive productivity, and other touching illusions of control.
For years I’ve been finding myself judging my day, each evening as I go to sleep. I lie down, and try as I might, my thoughts go beyond simply reviewing. I tried to stop doing the judging part, to no avail.
There’s a Steve Jobs quote about asking himself a question each morning, and that’s great, (but not something I do.) I realized that I’m asking myself that question at the end of each day after closing my eyes to beckon sleep:
If that was the last day of my life, am I satisfied with what I did?
So I make it really simple. I’d say art is: “That which you have no choice but to do, because your soul demands it”.
Yes, it’s a fairly flawed definition. But it illustrates something that most people don’t get about artists or entrepreneurs. We do it, because if we don’t, life feels empty. The downside being, it doesn’t exactly come with an easy life.
This was a fun read and is mostly not the usual titles one sees suggested to read on writing. Among many things, I am a writer. I enjoy learning what appears—in others’ view—to be the right way to do things. The more I read, write, and read on writing, the more I’m convinced it’s just like any other mastery practice: The only rule is that there really are no real rules. Understand the best, accepted practices, (often labeled “rules” to get the newbies to start in the correct direction,) and then later move on to do whatever you please.
You have two options. You can stay the same and protect the formula that gave you your initial success. They’re going to crucify you for staying the same. If you change, they’re going to crucify you for changing. But staying the same is boring. And change is interesting. So of the two options, I’d rather be crucified for changing.
For me the pattern is now perfectly clear: the later I come at the task, the more time I’ll spend dancing around it before beginning in earnest. If I can make contact at an earlier hour, the urge to dance away from it is diminished, because I only have so many dance moves, and I’ll run out long before lunchtime.
This entire article is jammed full of insights, only one of which did I quote above. I’d say that I have learned those same things. But absolutely I have not learned them in a single year. Where’s my time machine? I need to get this to my 16-year-old self.
How is Parkour evolving as a practice and community in New York City and beyond?
New York City’s architecture naturally creates countless Parkour challenges waiting to be discovered.
The way that these kids will surpass us one day is going to be amazing.
~ Bryce Clarke (8:48)
The conversation explores the evolution of Parkour as both a practice and a community in New York City. Bryce reflects on how the city’s architecture and public spaces, including playgrounds and scaffolding, provide natural challenges for practitioners. He highlights how grassroots initiatives like Parkour NYC aim to foster community engagement, create awareness, and secure dedicated spaces for training. This effort has led to the development of new Parkour parks and increased recognition of the discipline.
The discussion also touches on the generational progression in Parkour, noting that younger practitioners are starting earlier and achieving greater proficiency. There is optimism that normalization will create opportunities, such as coaching careers and safer training environments. Despite commercialization, the essence of Parkour as an exploratory and inclusive activity remains intact, fueled by shared passion and innovation within the community.
Takeaways
Public spaces in NYC — The city’s condensed layout and diverse architecture provide countless Parkour opportunities.
Parkour NYC initiative — Aims to create awareness and promote community-driven growth.
Youth progression — Young practitioners starting earlier are advancing the discipline’s potential.
Normalization of Parkour — Growing acceptance leads to more resources and opportunities.
Community-driven parks — Dedicated spaces signify progress in public perception.
Coaching opportunities — Normalization opens pathways for careers in Parkour instruction.
Cultural authenticity — Despite commercialization, the core spirit of Parkour persists.
Intergenerational growth — Established practitioners continue to inspire and train.
Resources
Lapset Parkour Park — A newly developed Parkour park in the Upper West Side of NYC.
Parkour NYC — A grassroots organization promoting the Parkour community in New York City.
Skill is earned. It’s learned and practiced and hard-won. It’s insulting to call a professional talented. She’s skilled, first and foremost. Many people have talent, but only a few care enough to show up fully, to earn their skill. Skill is rarer than talent. Skill is earned. Skill is available to anyone who cares enough.
The thing about really deep learning is it actually changes the structure of your brain. You are breaking an old pathway and creating a new neurological pathway. […] The three habits I’ve talked about—seeing in systems, taking multiple perspectives and asking different questions. Those are the natural habits of people who are farther along in this adult development path. If we can encourage ourselves to develop some of those patterns in ourselves, and we can be learning those things in ways that create new neural networks, then suddenly, we are living our way into these more advanced forms of development as we are just going about our daily lives.
This episode from Shane Parrish’s, The Knowledge Project, podcast is excellent. About two-thirds of the way through the 90 minutes, they start going really deep into mental habits including specifics of how to change one’s mindset. The title of the episode could well be expanded to, …of Effective People.
I’ve been asked how it is that I do what I do, in podcast conversations. Here Berger and Parrish have explained it; Frankly, I better understand how I do it, now having listened to Berger. These three habits she points out are the magic that I use to power my conversations. I’ve always had the habit—my parents would say, “to a fault”—of asking good questions. About 35 years ago, when I became immersed in engineering, physics, computers, and the Internet I perfected the habit—here I would say, “to a fault”—of thinking in systems. And 10 years ago, as I began my journey rediscovering my personal movement, I realized the magnificent knowledge and experience available to me through others’ perspectives.
What motivates people to engage with storytelling, both as creators and participants, in different formats like podcasting and lighting?
A lighting designer reflects on the parallels between creating ambiance for theater and producing audio stories.
I joke with people that I still know in that industry and I’m like I did lighting for 20 years and now I’m calling myself a sound guy I don’t know what the heck is going on.
~ Sean Mallary (22:45)
The conversation explores the intersections of storytelling, personal connections, and technical expertise, primarily through the lens of podcasting and lighting design. Sean shares his preference for working behind the scenes, explaining that producing and editing align more closely with his personality. He also recounts transformative experiences as a Lyft driver, discussing the vulnerability of passengers and the inspiration it provided for creative projects.
Another key topic is the balance between personal growth and professional roles. Sean reflects on how interviewing strangers has enhanced his communication skills, contrasting this with his previous career in lighting, where collaboration took center stage. The importance of community emerges as a recurring theme, with the Akimbo workshop highlighted as a space for connection and skill-sharing in the otherwise solitary pursuit of podcasting.
Takeaways
The value of storytelling — stories create connections and reveal universal truths across different mediums.
The draw to behind-the-scenes roles — producing and editing offer unique creative fulfillment.
Personal growth through podcasting — interviewing strangers builds confidence and communication skills.
Connections through driving — interacting with passengers provided inspiration for storytelling formats.
Challenges of isolation in creative work — podcasting often lacks the collaborative spirit of theater.
Influence of storytelling icons — classic shows like This American Life set aspirational benchmarks.
Community as a support system — forums like Akimbo offer vital encouragement and perspective.
Theatrical roots in audio production — parallels between stage lighting and podcasting emerge in storytelling techniques.