With the passing years, I’ve come to recognize that this was Ballard’s true calling—not as a writer of imaginative works, but as a genuine futurist. This is even evident in his novels.
~ Ted Gioia, from How Did a Censored Writer from the 1970s Predict the Future with Such Uncanny Accuracy?
slip:4uhopo1.
This is where I admit that I’m not sure if I’ve ever read any of Ballard’s works—although it seems that if I had read them I’d surely remember them?
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To-do lists tend to be long; Success lists are short. One pulls you in all directions; The other aims you in a specific direction. One is a disorganized directory and the other is an organized directive. If a list isn’t built around success, then that’s not where it takes you. If your to-do list contains everything, then it’s probably taking you everywhere but where you really want to go.
~ Gary Keller
slip:4a1441.
I’m trying to sort out a problem concerning my slipbox: It’s not quite working the way everyone else claims it should. I’ve written a lot about my slipbox. Over the past 2+ years it’s grown to be about 1,000 slips (aka 3×5 cards) Plus the 1,200+ slips containing my collection of quotes.
I occasionally get a flash of inspiration and I sense the awesome power . . . and then it doesn’t happen again regularly. The problem has to do with how I’m putting things into the slipbox. This is a crucial point and (as far as I can find) it’s not often mentioned nor clearly explained. Everyone—including me—goes off into the weeds talking about how slips each get a unique address, how the addresses are fractal, etc. That’s classic systems-building nerd digression.
No the problem I have is, holding a slip with some idea on it, where do I put it? Literally, where is the specific spot in the collection of slips? …between which two existing slips do I place it?
What’s happened to me, is my slipbox is like a lawn: It has a wide collection of short blades of grass. It has few tall plants. There’s an amazing index of people, but each person usually has just one connection to something else in the slipbox. (For example: A podcast guest is usually only connected to the one slip for that conversation’s recording.) While I have hundreds of slips for my recorded conversations, they have almost no connections leading off from them. Again, I’ve a collection of ~100 slips for essays, books and other things I’ve put “into” the slipbox, and those cards have no other connections.
What I’ve built is what I build best: A large categorical archive. A library organized by thinking like a librarian. I’ve organized by topic or category. Here again, there’s a systems-building nerd digression into how you do that. But alas, it’s all just navel gazing structure for structure’s sake. Building a library is not sufficient. A good slipbox can be my library and enable me to find specific things. But a good slipbox is supposed to also let me do more. (It’s supposed to let me have a conversation with my previous thinking. It’s supposed to let my brain have ideas, while the slipbox let’s me explore all the ideas I’ve had.)
Instead of organizing by topic and subtopic, it is much more effective to organize by context. Specifically, the context in which it will be used. The primary question when deciding where to put something becomes “In which context will I want to stumble upon this again?”
In other words, instead of filing things away according to where they came from, you file them according to where they’re going. This is the essential difference between organizing like a librarian and organizing like a writer.
[…]
A writer asks “In which circumstances will I want to stumble upon this note?” They will file it under a paper they are writing, a conference they are speaking at, or an ongoing collaboration with a colleague. These are concrete, near-term deliverables and not abstract categories.
~ Tiago Forte from, How To Take Smart Notes: 10 Principles to Revolutionize Your Note-Taking and Writing – Forte Labs
slip:4ufobo7.
After much thought—weeks of thinking, finding the above article, reading, more thinking… I’ve decided I have two problems. The second problem is the one I mentioned at the top: Where exactly do I put this specific slip? I’ve been fixated on this problem for a while, and the solution is above.
But the first problem is that I’m not generating enough slips. (Yes, I have 2,000+ slips in the slipbox. Yes, I’m serious about not generating enough slips.) I’m not capturing what slipbox builders call “literature notes” or “reading notes.” I’m not grabbing my pen and writing stuff down, right in the moment, as I’m thinking about something. I believe this started on day one, when I felt like I didn’t know where I would put such a slip (ie, the second problem) and off I went not making enough notes.
So my new focus is to jot stuff down more. Generate more literature or reading notes. At which point I should quickly get comfortable figuring out where to put stuff into the slipbox.
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slip:1b1a.
When you get older, you realize it’s a lot less about your place in the world but your place in you. It’s not how everyone views you, but how you view yourself.
~ Natalie Portman
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Age. Age brings perspective in the fine clarity one gets at midnight, on the tracks, looking into the lights of an oncoming train. It dawns on you rather quickly: There’s only so much time left. Only so many star-filled nights, snowfalls… brisk fall afternoons, rainy midsummer days. So how you conduct yourself and do your work matters. How you treat your friends, your family, your lover. On good days, a blessing falls over you. It wraps its arms around you and you’re free and deeply in and of this world. That’s your reward: Being here.
~ Bruce Springsteen
slip:4a950.
Consider sketching on a page, where various ideas or points are connected by drawing arrows or shapes or groupings. When sketching, you aren’t quite sure how to structure your thoughts before you start. And sketching is, in some way, the act of figuring this out. There is something highly nonlinear about this process where your thoughts backtrack to previous ideas and test the strength of old conclusions.
~ Gytis Daujotas from, Iterating fast: voice dictation as a form of babble — LessWrong
slip:4ulepo17.
Before I begin, I want to point to these general thoughts about Babble, and to this very interesting series of articles advancing the idea that the antagonistic algorithms Babble and Prune can at least partly model how the mind works.
I’m thinking that one way to have what I’d call a “really good conversation” is when the participants are babbling together. Baby babble is generally incomprehensible, or at least not comprehensible overall. Baby babble has many comprehensible words, but rarely a comprehensible sentence. In conversations which I’d call “good”, the babble has comprehensible sentences, and often comprehensible paragraphs, but may not be comprehensible overall. We’re babbling, and pruning, to see where we end up.
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As an organizer I start from where the world is, as it is, not as I would like it to be. That we accept the world as it is does not in any sense weaken our desire to change it into what we believe it should be—it is necessary to begin where the world is if we are going to change it to what we think it should be.
~ Saul Alinsky
slip:4a393.
Can’t remember the last time I had a beer—not that I quit specifically, and I’d be surprised if it’s been more than a year, but at one time beer was a thing… and now, not so much. I’m not sure if that’s because my life went to shit and I feel I never have time to relax, or if I’m simply no longer interested in beer. Anyway. Also: Mustache.
Quit your yakkin’ and get busy. Quit wasting time obsessing about pimping your ass and checking your stats. Instead, MAKE stuff. Make AMAZING stuff. Make stuff that is so good that people have no choice but to find out about it. Otherwise, you REALLY are just wasting your time. This game is already TOO hard and TOO BIG a time suck to fritter away on what is, for the most part, a big ol’ distraction.
~ Hugh MacLeod
slip:4a947.
At this point, I have left all of the online social networks. I’m busy spending all of my time working on The Work—or at least trying to figure out what The Work is for me— cultivating my mind, writing and spending time with those whose company I enjoy. Unfortunately, that last one is nearly impossible since the vast majority of people are too busy.
I suggest you make a list of what’s important to you. It does not need to be ordered by priority. Simply make a list of things which are important. If that is hard to do, you’ve just learned something important; “Figure out what’s important to me,” would be a good item for your list.
I check my list occasionally to see if what I am doing in some random moment is aligned with my list. I checked recently, and social networks no longer made the cut.
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What are the strategies and philosophies that guide building inclusive, innovative communities and leveraging multidisciplinary skills for growth?
Ryan Ford shares his thoughts on his Parkour EDU program, various coaching methods, and his experience of building a community. He discusses the idea of a talent hotbed, how and why it occurs, and how to apply those ideas, before delving into the world of crypto-currency. Ryan explains what crypto currency is, why he’s so interested in it, its potential for growth, and the similarities he sees between crypto and parkour.
The art of reinventing yourself and learning new skills is essential for the future.
~ Ryan Ford (23:16)
The conversation begins with an exploration of Ryan Ford’s work in developing a Parkour Strength for Adults program, which focuses on physical training as a gateway for adults into parkour. He explains his approach to making training scalable and welcoming, emphasizing community building through inclusive practices and partner interactions. The discussion touches on his inspiration from various movement disciplines and coaching methodologies, such as those by Ido Portal and Christopher Sommer.
Later, the conversation shifts to Ford’s interest in cryptocurrency and blockchain technology. He highlights the parallels between parkour and crypto, such as decentralization, freedom, and global accessibility. Ford shares his experiments with using blockchain for parkour community projects, like decentralized bounties, and reflects on the potential of blockchain to democratize finance. The discussion concludes with reflections on balancing entrepreneurship, training, and innovation.
Takeaways
Parkour Strength for Adults — A program designed to make parkour accessible to a broader demographic by focusing on physical preparation.
Inclusive community-building — Encouraging partner interactions and mixing diverse skill levels in classes to foster engagement.
Parallels with blockchain — Exploring how parkour and crypto share principles of decentralization and freedom.
Scalable training methods — Techniques for adapting parkour training to different age groups and abilities.
Multidisciplinary inspiration — Drawing from varied fields like gymnastics, mobility training, and movement culture for parkour innovation.
Freedom and agency — Using parkour and crypto as tools for personal and financial autonomy.
Creative combinations — Leveraging diverse skill sets to create unique, impactful contributions.
Resources
Apex School of Movement — A parkour gym co-founded by Ryan Ford.
Parkour Strength — Ryan Ford’s book provides insights into parkour training.
The Talent Code — Daniel Coyle’s book exploring how talent hotbeds are cultivated, referenced in the conversation.
Yuval Noah Harari’s Books — Sapiens, Homo Deus, and 21 Lessons for the 21st Century, discussed for their historical and futuristic perspectives.
(Written with help from Chat-GPT.)
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Five meals a day and really -no, really passionate -about coffee. Hard to describe how specual and diff this event is. There are five Americans here and we’re trying to sort it out so we can share/explain it and maybe bring a hint of it home.
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wat day is it? dontcare. Country? dontcare! Run. Jump. PLAY!! What exactly is stopping you??
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Dinner, and some time to unwind
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When you think you can’t go on, force yourself to keep going. Your success is based on persistence, not luck.
~ unknown
slip:4a129.
Just because you are unique does not mean you are useful.
~ unknown
slip:4a332.
For want of a static language the type checker was lost.
~ Dariusz Pasciak from, «http://blog.8thlight.com/dariusz-pasciak/2013/06/26/for-want-of-a-static-language.html»
I don’t write much j/s, but I write enough. Enough that I shouldn’t feel like I’m always struggling to remember how to use an array. An array for crying out loud. “Everything’s an object.” Great. Why?
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