Options

In any situation in life, you only have three options. You always have three options. You can change it, you can accept it, or you can leave it. What is not a good option is to sit around wishing you would change it but not changing it, wishing you would leave it but not leaving it, and not accepting it. It’s that struggle, that aversion, that is responsible for most of our misery.

~ Naval Ravikant

slip:4a1089.

Overlooked truths

Peoples’ desire to have an opinion far exceeds the number of things that need to be opined on. “I don’t know” is a phrase that should be praised for its honesty, not belittled for its detachment.

~ Morgan Housel from, https://www.collaborativefund.com/blog/overlooked-truths-of-business-and-investing-success/

Collaborative Fund is an investment firm so everything there is about investing. Mostly about investing. Well, actually, it turns out that investing is at its core just people doing stuff for reasons. Posts like this one from Housel read like investment (or “financial”) advice, and their lessons directly generalize. I’ve already mentioned that “I don’t know” is how how I avoid making the mistake of trying to have an opinion about everything. There are several other nuggets in there too.

ɕ

Nostalgia

Longing for the past is generally referred to as nostalgia – a gentle, tender feeling that might make these stories seem like nothing more than harmless sentimentality. But it is crucial to distinguish between wistful memories of grandma’s kitchen and belief in a prior state of cultural perfection.

~ Alan Jay Levinovitz from, https://aeon.co/essays/nostalgia-exerts-a-strong-allure-and-extracts-a-steep-price

You may or may not like that particular essay; There are 2,000 others to choose from over on Aeon. I was poking around, found this one, and pinned it for later reading. Figuring out how to pin things for later reading is a huge force multiplier. When I want to read good stuff, I never spend time looking for good stuff. I just go to the pile of good stuff—twitch at the 700+ items, veer back over into “that’s an embarrassment of riches, long live the open Internet—and start reading. Hmmm… nostalgia?

I remember, back in The Day, when I used to really enjoy reading— wait, no. That’s today, and without the 20-minute car ride to the Hall of Books.

ɕ

Restraint

Because that’s all that could restrain us (if anything could)—the only thing that could make us want to stay here: The chance to live with those who share our vision. But now? Look how tiring it is—this cacophony we live in. Enough to make you say to death, “Come quickly. Before I start to forget myself, like them.”

~ Marcus Aurelius, 9.3

slip:4a1063.

Looking at new things

The third reason is that looking at new things, even if they’re just new streetcorners or deer trails, helps me recover a certain uncomplicated way of looking at things that used to be automatic when I was a kid.

~ David Cain from, https://www.raptitude.com/2022/05/how-to-get-the-magic-back/

Just as I read this, it occurred to me that a big part of the “magic” of my experience with Art du Déplacement (aka parkour) came from the effect that Cain is describing. I’ve always felt that when I decide to “just go out” and try to train, there was always some component of magic missing. By myself, it always felt simply as if I was slogging away at “exercise.” When I’m invited by others to join them, quite often somewhere I’ve not previously been, there’s a lot of “looking at new things” that happens automatically. Randonautica (click through to Cain’s article) is clearly one way to force that novelty upon oneself.

ɕ

Sedimentation and erosion

I have this image of our home as a bunch of related-rates problems: There’s inflow and outflow. Energy: In through my electric meter, out through lighting, waste heat and heating/cooling, water heater, etc.. Climate control: Heat flow in from heating/cooling system, the wood stove, the sun, versus losses through the attic, windows, doors, etc.. Mass: The balance of the rates of the flow of all the stuff.

Ever stop to think of that? Think of your home as a sealed balloon which has two, (or more of course,) doors, (garage doors count,) through which everything passes. Everything—no exceptions—passes in first, and then out second. Everything–every single thing, including the people–is only inside temporarily. The people come and go most frequently, (some pets might exceed some people I suppose,) and some things might remain inside for decades. But still, inside only temporarily.

You know that at some point you, (and everyone else if you share your home,) will go out for the last time. You might carry some things with you on your last exit, or you might arrange for someone else to come in, (and go out and in and out and in and out one last time,) to remove things after you go out for the last time. And of course eventually the entire structure will be removed and certainly at that point, everything you brought in—everything that was temporarily still inside—will go out at that point.

Where does everything you carry in from the market and grocery store go? Where does the furniture go? The books? The nick-naks? The packages and packing material from purchases? The clothes? The postal mail? The firewood you carry in is vastly more massive than the ashes you carry out; where does all that mass go?

Based on how the things around me make me feel, I know I have too much stuff. When I think of our stuff this way—as just a mass of stuff that’s temporarily inside our home—it’s much easier to keep my life under control. Too much stuff? …all I need to do is make sure more goes out than comes in, on average, and the problem will subside.

…and I can have fun with it. If something breaks, is worn out, or I’m done with it, that’s the outbound mass for today! Can I recycle this random thing? Can I FreeCycle this random thing? I no longer feel bad about sending things out, (wether that means landfill, recycle, giveaway, whatever… as appropriate.) Instead, I now find I feel bad about bringing things in. Each time I consider buying something, I think: Do I want to bring that into my life?

ɕ

Learning to see

Most people to this day think of [the sciences and the arts] as so radically different from each other. But I want to posit a different way to look at it. It comes from what I think is a fundamental misunderstanding of art on the part of most people. Because they think of art as learning to draw or learning a certain kind of self-expression. But in fact, what artists do is they learn to see.

~ Ed Catmull

slip:4a1015.

Now

What we miss about our own beloved Good Old Days isn’t so much the material things they remind us of—wholesome 1980s sitcoms, or musty thrift-store sweaters—it’s the particular feelings those days gave us, feelings which are now impossible to experience.

~ David Cain from, https://www.raptitude.com/2022/03/the-good-old-days-are-happening-now/

Cain rightly goes on to point out, that while we can’t feel those exact feelings again, there’s no reason we can’t—right this very instant—enjoy These Good Days. Ten years from now—presuming, of course—I can look back and think with a chuckle: Remember when I spent a couple years going really deep experimenting with knowledge systems. That was a fun exploration.

ɕ

Perspective and awareness

The thing about status dynamics, though, is that they aren’t in one spot. There isn’t a whole world that is being fully and accurately perceived, except for one blank space that’s being glossed over.

~ Duncan Sabien from, https://www.lesswrong.com/posts/7Pq9KwZhG6vejmYpo/the-metaphor-you-want-is-color-blindness-not-blind-spot

This is an interesting unpacking of some metaphors. If one has a blind spot in vision, simply shifting your gaze or moving slightly, will reveal what one is not seeing. This is a key way in which the “blind spot” metaphor is inaccurate and insufficient for systemic differences (in people, culture, society, etc.). The metaphor of red-green color blindness carries more utility because it points out that the things, or the distinctions, which one can’t see are everywhere; they are not literally in one stationary location (the problem is not simply under this X on this map), and no matter what one does—gaze shifting, moving around, thinking a great deal—those invisible thing are not going to appear.

The only way I’ve found to get through such problem is to engage with others whose literal and conceptual perspectives differ from my own. I’ll sum that up as: Discovery.

ɕ

Perspective

Age. Age brings perspective in the fine clarity one gets at midnight, on the tracks, looking into the lights of an oncoming train. It dawns on you rather quickly: There’s only so much time left. Only so many star-filled nights, snowfalls… brisk fall afternoons, rainy midsummer days. So how you conduct yourself and do your work matters. How you treat your friends, your family, your lover. On good days, a blessing falls over you. It wraps its arms around you and you’re free and deeply in and of this world. That’s your reward: Being here.

~ Bruce Springsteen

slip:4a950.

Everything has two handles

Everything has two handles, by one of which it may be carried, and by the other not. If your brother wrongs you, do not take it by this handle, that he is wronging you (for this is the handle that it cannot be carried by), but by the other, that he is your brother, that he was brought up with you, and then you will be taking it by the handle by which it ought to be carried.

~ Epictetus

slip:4a914.

Choose two

Life is about tradeoffs. When we know what to say no to, and we know why, we can say yes with comfort and confidence to the things that matter. To the things that last. Work, family, scene. You can have two if you say no to one. If you can’t, you’ll have none.

~ Ryan Holiday from, https://ryanholiday.net/work-family-scene/

The words “work”, “family”, and “scene” are of course maleable. I’d argue there’s a fourth—”self” or “health” would be the word I’d choose—and the admonition should be expanded to, “choose any three.” None the less, there something that feels to me very true about it being necessary, in the way the gravity is necessary to obey, about picking two of those three. There was a time when I chose work and scene. It was interesting, for a while. It wasn’t what it was cracked up to be. What’s your list, and which are you choosing?

ɕ