Books can be dangerous. The best ones should be labeled ‘This could change your life.’
~ Helen Exley
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Books →
Books →
In the case of good books, the point is not to see how many of them you can get through, but rather how many can get through to you.
~ Mortimer J. Adler
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The joy of discovery →
I have always loved book stores. All types. All sizes. All manner of [dis]organization. When I was young, each store represented a hoard of tomes I could not even dream of possessing. How many books would I have bought? …how much money do you have? Literally. The books I did have then became valuable to me. They were precious because I had chosen them for purchase with various allotments I received; Or they were gifted to me making them both surprising and precious. To this day: Mmmmmmmm, bookstores.
Each store has its own way of embracing you, embracing the reader, and creating a sense of the universe expanding. For anybody curious and interested in printed matter, the more bookstores you go into, the more you’ll realize how many different ways there are to be curious. That helps us set a foundation to be more knowledgeable about the world we inhabit. The practical and the sheer joy of it.
~ Paul Yamazaki from, Paul Yamazaki on the Important, Joyous Work of Running an Independent Bookstore
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In more recent years, resources have become available. These days, each time I wander into a bookstore I think: Once—just once—I’m going to clear the rest of my day, and spend it all here in this bookstore, and I’m going to buy every single book that i want. Just to see what that feels like.
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Obliged to respond →
I recently heard a conversation between Brian Koppelman and Steven Pressfield (circa 2019 in Koppelman’s podcast, The Moment) where Pressfield mentioned a few great things for creatives to remember: Being a professional has nothing to do with getting paid. Resistance is real, it’s myself, and is waiting for me to invite it to stop me. The Muse is real.
The muse really does reward me for being found working. I’ve learned, no matter the work, the muse approves when finding me ready with pen and paper close. But if the muse taps me and I fail to treat the gift appropriately—if I think, “I’ll remember that. I don’t need to write that down.”—then I hear the muse scoff, “we shall see.” We shall see if I remember. And we shall see if the muse waits a bit longer before checking on me again.
That, of course, was the reason for the pen all along: it’s a physical reminder that you are not reading merely to consume the words of others passively, but that you have an obligation to respond.
~ Mandy Brown from, Ways of writing
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I’m realizing that books themselves also need room to sprawl. If I keep them shelved upright, or even more simply stacked flat, they still seem to be squished into submission. When I am able to lay a few of them out, with some room for them to wave their invisible tendrils, they seem to taunt me: go ahead, pick me up! If there’s a tablet or some writing scraps at hand, or garish sticky notes for flagging pages, then it begins to feel like its own room with unfolding conversations. In the end, it’s almost a composition just having the books lying about.
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Horror and systematic idiocy →
Have you ever looked at your own writing and wondered: What author’s work might it resemble? And if you haven’t, I hope I didn’t just break writing for you.
All I can remember of these once indispensable arts is the intense boredom by which the practice of them was accompanied. Even today the sight of Dr. Smith’s Shorter Latin Dictionary, or of Liddell’s and Scott’s Greek Lexicon, has power to recall that ancient ennui. What dreary hours I have spent frantically turning those pages in search of a word for “cow” that could be scanned as a dactyl, or to make sure that my memory of the irregular verbs and the Greek accents was not at fault! I hate to think of all that wasted time. And yet, in view of the fact that most human beings are destined to pass most of their lives at jobs in which it is impossible for them to take the slightest interest, this old-fashioned training with the dictionary may have been extremely salutary. At least it taught one to know and expect the worst of life. Whereas the pupil in a progressive school, where everything is made to seem entertaining and significant, lives in a fool’s paradise. As a preparation for life, not as it ought to be, but as it actually is, the horrors of Greek grammar and the systematic idiocy of Latin verses were perfectly appropriate. On the other hand, it must be admitted that they tended to leave their victims with a quite irrational distaste for poor dear Dr. Smith.
~ Aldous Huxley from his essay, Doodles in a Dictionary from, Tomorrow and Tomorrow and Tomorrow and Other Essays
Lest you think that’s an overly long quote, I’ll point out it’s still only about half of the paragraph. Huxley can really unspool a sentence. Some of the writing in that book—Huxley’s, omg no not Smith’s dictionary—are overwrought. But some of them have a delicious tinkling of structure and grammar with an occasional punctuation of solid snark.
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Communication with Vincent Thibault →
What are the connections between movement as a language, mindfulness, and personal development?
Vincent Thibault joins Craig to discuss the dance between movement and mindfulness, and the balance of effort and ease in training Art du Déplacement.
You don’t have to pretend that you’re in top shape. If you’re not in top shape that very day you just do what you can. You can be yourself and the whole notion of ease is actually very profound, and that’s where my personal training connects with meditation […] One of the first things we learn with Buddhist Meditation is to be friends with yourself. I don’t want to confuse the whole discussion and mix our metaphors here, but there’s this notion of learning to be friends with your own mind, and that can translate into the way you approach movement and any kind of training.
~ Vincent Thibault 35:55
Vincent, a dedicated Buddhist practitioner, engages with Craig in a dynamic conversation encompassing spiritual insights merged with movement philosophy. They discuss the balance between effort and ease within training, stressing the importance of adapting to personal circumstances over time. They touch on Buddhist teachings in the context of physical discipline, emphasizing mindfulness, authentic connection, and embracing change as core tenets of their practice.
[Connection] also means that you could be connected to the people who have been practicing this before you. Whether you’ve learned from the Yamakasi or somebody else, you can acknowledge that. You can appreciate what you’ve received from them. And there’s also connection with the people who will come after you. Because—sorry to deliver the news—but you won’t be there forever and you won’t be coaching forever if you’re a coach. And you won’t be moving in the same way forever, and you don’t know when you’re going to see it.
~ Vincent Thibault 37:30
Throughout their exchange, Vincent and Craig explore the nuances of effort in training, highlighting the significance of finding ease alongside dedication. They go into the broader concept of ‘connection,’ extending beyond physicality to encompass energy levels, environment, and a respectful acknowledgment of both predecessors and successors in the discipline.
They discuss how cultivating internal ease can transcend into disciplined practices, fostering mindfulness and self-acceptance. Vincent underlines the necessity of adaptation, advocating for working with present circumstances rather than fixating on an idealized version of practice.
Takeaways
Effort and Ease — Emphasizing the balance between effort and ease in training, stressing the importance of finding fulfillment in the process rather than solely fixating on results.
Connection Beyond Physicality — The notion of connection expands to encompass various dimensions, including relationships with training partners, acknowledgment of predecessors, and a connection to one’s own energy levels and environment.
Adaptation as Vital — The conversation underscores the significance of adapting to circumstances, encouraging practitioners to work with their current situation rather than against it.
Integration of Buddhist Philosophy — Buddhist principles blend with movement philosophy, highlighting mindfulness, authenticity, and self-acceptance as integral components of disciplined practice.
Authenticity in Practice — Being authentic with oneself and others in training is emphasized, encouraging individuals to be genuine about their abilities, limitations, and present state of being.
Resources
Parkour & Art du déplacement: Lessons in practical wisdom – Leçons de sagesse pratique — Vincent Thibault’s 2015 book discussed in the podcast. The book contains both the French and English text. Don’t confuse it with the similarly named, but completely different book, “Parkour and the Art du déplacement: Strength, Dignity, Community”, published in 2014.
L’Art du déplacement : Quatre-vingt-dix propositions philosophiques sur le franchissement d’obstacles — The 2020, French-language-only, edition of the book discussed in this podcast.
Vincent Thibault on LinkedIn.
Carrefours Azure (French-language site) — Vincent’s book publishing company founded in 2016. Fiction and nonfiction. A small publishing house with an innovative and ecological model: books are printed on demand, in Quebec or in France depending on the customer’s shipping address (no pulping, minimal transportation). For every book sold directly on Carrefours azur’s website, a percentage is given back to a green initiative or a humanitarian cause.
Vincent Thibault (French-language site) — Vincent’s personal web site.
Study inspired by… — A series of blog posts, circa 2015, written by Craig, mentioned in this podcast.
(Written with help from Chat-GPT.)
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Bibliofervor →
I recently cracked open Listening: Interviews, 1970-1989 by Jonathan Cott. The Introduction alone knocked one of my socks off; I leapt out of my reading chair to search the Internet hoping the Introduction might be published publicly so I could share it. Alas, instead I found this:
There ought to be a word in English that describes the nearly uncontrollable urge to leap out of a reading chair, race to find a friend, and press the book you are reading urgently into their hands. When they politely agree to take a look, you say no, no, you have to read this right now. Let me hold your coffee.
~ W. Scott Olsen from, Review
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Which—thank you W. Scott Olsen!—is an altogether different thing, which knocked my other sock off. I took a few moments to noodle it and didn’t have any good ideas. Then I asked Chat-GPT (v3.5 if you’re keeping score)…
Make up a new english word which describes the nearly uncontrollable urge to leap out of a reading chair, race to find a friend, and press the book you are reading urgently into their hands. When they politely agree to take a look, you say no, no, you have to read this right now while I hold your coffee.
How about “bibliofervor”? It combines “biblio,” relating to books or reading, with “fervor,” conveying intense passion or enthusiasm. This word captures the strong, almost irresistible impulse to share a captivating book with a friend, urging them to read it immediately, even going as far as offering to hold their coffee just so they can dive into the story right away. It’s that delightful moment when a book is so enthralling that you can’t help but share it with someone else in real-time.
Oi! That is a superlative answer. NEW WORD: Bibliofervor :)
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Curated and random →
I recall a little sign which was sometimes spotted on desks, back in the before-times when everyone had a desk and papers and ring-binders and books and a telephone that also sat upon that desk. The sign was: “A messy desk is a sign of genius.” (And sometimes it said, “…of a creative mind.” )
I’ve had a lot of desks. In every case, I’ve always swerved repeatedly between messy and organized. I get to a point where—sometimes with a literal scream—I stop working and reorganize everything. For a long time, I hoped that one day I would manage to be just comfortable enough, with just the right amount of clutter and chaos, to be able to reach a steady state.
One detail that drives me bonkers is in the digital realm, computers are perfectly organized. I use a tool (called Reeder) to manage a read-this-later collection. It’s a big collection often reaching 500 different things marked as possibly interesting. (Some are interesting enough to spend a few minutes on, some are interesting enough to spend hours on.) Sometimes I’ll randomly shuffle things in a digital list. But sometimes… the list is just ordered the way you assemble it. And you can look at the list in forward or reverse order. This gets to me. If it’s a big list, neither forwards or backwards is best. So instead, I do both: I read the item off one end (the thing that’s been in the list longest) and then the other (the newest), and I just alternate in a reading session.
Perhaps this seems like a silly or trivial thing to point out. But there’s a bigger lesson: Where do I have some specific structure (organization, ordering, etc.) that I didn’t actually intend? …is that structure holding me back or keeping me from experiencing something I’d prefer?
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Frustration →
Learning to distinguish the map versus the territory is an essential step. It’s critical to learn what a map is, and what maps are good for, in order to proceed with one’s life. Maps enable me to see and do things otherwise impossible; maps reveal unknown unknowns. Maps can also frustrate me endlessly. Sometimes I don’t want to have an opinion; I don’t want to spend the energy to have an opinion. I don’t care how I get from here to there. Just. Tell. Me. how to get there. And of course nothing in this paragraph has to do with literal maps of the world— I’m not talking about cartography nor driving directions.
On closer examination, it turns out there are many things wrong with it. Thousand True Fans is a hollow philosophy. It is Chicken Soup for the Digital Creator’s Soul, ultimately devoid of any real nutritional value.
~ Dave Karpf from, The Hollow Core of Kevin Kelly’s “Thousand True Fans” Theory
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Kevin Kelly’s 1,000 True Fans is a map, before it there was another map, The Cluetrain Manifesto, and there were others. When you find a new-to-you map it opens your mind to new possibilities. I would assume the first children’s books I encountered were astounding, but wouldn’t have the same effect today. (I’m not denigrating either of those works; I’m not suggesting they are “children’s books”.)
But I do get frustrated. I see a terrific map, and then I want to make a terrific next “move”. That’s not how maps work, Craig. You look at the map, then you take the next small step informed by everything you know, including the new perspective from the new map. You write one sentence (for example, on a page soliciting support for your work) and that’s informed by all the maps you’ve previously seen. Big picture. Little steps.
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Calmness is needed →
There is a time and place for maximum effort—yes, that’s a Deadpool reference—and there’s a time and place for stillness and calm. I’m fascinated by the relationship and interaction between physicality (as movement versus stillness) and mentality (as agitation versus calmness.) I’ve had transformational experiences at both extremes of physicality, with mental calmness. I do get mentally agitated. But I fear that too many people experience calmness far too rarely, possibly never.
This often means working more thoughtfully, and maybe even more slowly. Slow work is not unproductive work. What we lose in speed we more than make up for in deliberateness—as well as in undistracted attention, a critical factor of productivity.
~ Chris Bailey from, The productivity payoffs of a calm mind – Chris Bailey
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Sometimes people ask me about Stoicism, and I suck at explaining it. Thinking and writing about calmness today, I’m struck that I should probably mention eudaimonia (eu̯-dai̯-mon-ía). Eudaimonia is a key value Stoicism advocates striving for.
[…] is a state of being and consciousness that is consistent with the active, effective activity of ideal agency and in general is characterized by the calm (equanimity; tranquility) that comes from the absence of further moral struggle and the absence of retrospective regret or prospective alarm about things outside one’s control, together with the confidence that comes from the effortless persistence of moral purpose.
~ Lawrence Becker from, A New Stoicism p91
2.5 millenia later… calmness, equanimity, tranquility?
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