So in a nutshell, Gömböc is cool, Hungarians are proud of it greatly. So naturally, they made a 4.5-ton statue replica of the shape.~ Atlas Obscura from, https://www.atlasobscura.com/places/gomboc
I could probably write a blog post about other interesting math-related puzzles and shapes that come from Hungary… or about the number of Hungarian mathematicians… but instead, I’ll just point you towards this particularly interesting thing.
The plaza’s terrazzo floor is actually a celestial map that marks the time of the dam’s creation based on the 25,772-year axial precession of the earth.~ Alexander Rose from, https://longnow.org/ideas/02019/01/29/the-26000-year-astronomical-monument-hidden-in-plain-sight/
These weren’t on my mind when we planned our visit, but it was a rare moment of delightful recognition when I spotted them. So often I find interesting places, and then never get there.
And sometimes I go places specifically after finding them on the Internet.
Anicet Desrochers slips the small, crowbar-like tool underneath the lid of the beehive and cracks the propolis seal, a glue that bees make from resin. He puffs a smoker over the box as he pulls and examines the honeycomb frames with bare hands. The smoke, he says, disrupts the bees’ alarm pheromones, making them groggy, while also causing them to gorge on honey and nectar, a possible response to believing there is a fire. When they’re full, they’re less likely to sting.~ Shaun Pett from, https://www.atlasobscura.com/articles/breeding-queen-bees
Let me think about that… NO. But it’s a great article that explains the bee keepers’ extreme efforts to breed the Queens. Fascinating stuff.
…but I’m not putting my bare hands in no bee hives.
The algific talus slopes where relic species persist are steep, built atop limestone—itself a relic from a time, half a billion years ago, when a shallow tropical sea covered what’s now the Driftless. The porous limestone is easily eroded by even slightly acidic water, including rain. As a result it holds numerous caves, sinkholes, cracks, and fissures. These networks of open spaces deep in the hillside were never compromised by glacial steamrollers, and are crucial for the “breathing”—slopes’ respiration.~ Gemma Tarlach from, https://www.atlasobscura.com/articles/ice-age-midwest-driftless-geology
There seems to be something special about Iowa. Pockets of Ice Age biodiversity, and Vonnegut, must somehow mean something. Atlas Obscura started as an ecclectic collection of interesting points scattered about the Earth. It’s grown to—in my opinion—rival Wikipedia in the context of places. And then it started producing these place-specific, in-depth articles.
In the endless sea of click-baity, bullet-listed, double-spaced individual sentence fragments posing as a “post” on some social network… because, honestly, a paragraph block of text just scares the shit out of too many people, so we’ll just
space out the phrases
so our feeble minds understand
what the bite-sized thoughts are supposed to be.
I digress. Over decades, I’ve found sources on the Internet that are continual fonts of wonder and joy. I follow them using RSS, and I’m better off for it.
In 1784, before Tennessee’s slender shape had ever been imagined and drawn on a map, there were rumblings of discontent in three counties in western North Carolina : Washington, Sullivan, and Greene. These small counties were isolated from the rest of North Carolina and their governing representatives, separated by the formidable Southern Appalachian mountain range. Residents were all too aware of how the mountains they lived in and around disenfranchised their lives.~ Madelyn Brown from, https://www.atlasobscura.com/articles/americas-lost-state-franklin
Today, from the wait-wat?! department: There was almost-sort-of a fourteenth original state—except the Continental Congress never recognized it. Oh, geo-politics are complicated. *wry smile*
More seriously, Atlas Obscura is a terrific web site ticking off an endless list of amazing, surprising or simply interesting places on this magnificent marble we call home.
Another finding suggests that Geminiani was onto something. All of the violins included in the study displayed some sonic overlap with the sung vowels. But in the 1570 Amati and the 1560 da Salo, “every violin note appears to carry some degree of human vowel character,” Tai et. al. write in the paper. “This may have been one of the … goals implemented by Amati” when he was inventing and perfecting his design: to make the violin literally sing.~ Cara Giaimo from, https://www.atlasobscura.com/articles/violin-human-voice-study
I don’t know why this struck me as amazing. I mean, sure, violins sound amazing, and playing them is subtly difficult. But the idea that someone sat down — in the 1500 — and said, “How do I make an instrument that sounds like a human voice singing.” Mind blown.