Congratulations Mrs. Strohl!

My mom got married today—on her birthday, November 11th. She does read these emails, and so I hope she gets a little thrill when she comes back from her honeymoon.

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Rich with Danny van Leeuwen

What strategies and processes can be employed to create meaningful and impactful content across multiple mediums like audio, written material, and personal storytelling?

Transforming audio transcripts into coherent written materials bridges the gap for diverse audiences.

Each episode could be about twenty different things; well that’s just too much for listeners. What are the 2 or 3 that are really important?

~ Danny van Leeuwen (8:23)

The discussion highlights the transformative power of audio storytelling and podcasting, emphasizing how it blends personal experiences and creative expression. Danny shares how podcasting, rooted in a meaningful first episode, has evolved into a robust medium for engaging with diverse audiences. Topics include the emotional depth of storytelling, the challenges of starting with basic tools, and the gradual introduction of elements like music to enhance the audio experience.

The conversation also focuses on the interplay between audio and written mediums. Editing and transcribing episodes into readable formats are described as tools for refining ideas and engaging non-listening audiences. These efforts create reusable content for various purposes while accommodating different learning styles. Reflecting on audience diversity, Danny shares strategies for making episodes resonate across multiple perspectives, from caregivers to healthcare professionals.

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Writing with Annie Parnell

What unique experiences and challenges have shaped the transition of an indie author into podcasting?

An author navigates the intersection of creativity, technology, and self-promotion through podcasting.

What I realized was I needed to choose myself. Because there wasn’t anybody out there who was going to take a chance on me.

~ Annie Parnell (20:20)

The conversation focuses on the journey of an indie author who specializes in historical romantic suspense with a feminist perspective, as she ventures into podcasting. Annie shares the challenges of creating audiobooks independently and how those obstacles motivated her to adapt her storytelling into a podcast format. Her process is shaped by creative choices, such as incorporating Foley sound effects and dramatizing her narratives while recording.

A significant theme is the balance between self-reliance and community support. Annie discusses her reliance on feedback from a launch team and her willingness to share imperfections in her work. Additionally, she touches on broader cultural topics, such as fostering sisterhood and challenging adversarial narratives through her novels. These values influence both her writing and her decision to make her work more accessible through audio formats.

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Only one !

Writing is hard. (I hear you besmirching my intelligence.) One thing I constantly struggle with is exaggeration and hyperbole. There’s an ancient Bill Cosby skit about Noah trying to collect the animals after building The Ark—”Two mosquitos… male? female?!” and an endless fight with the rabbits, “only two. ONLY TWO!” But this post is about my recent efforts to use only one ‘!’ per post. And you thought that was a stray space there in the title. In this post, I’ve only used one ‘!’ in my punctuation. (Quoted ‘!’ characters I’m accounting to the speaker’s quota. It’s my blog and I’ll make up the rules as I go along, thank-you-very-much.)

One dimension of writing which I find hard is getting the range of expression wide. Quiet in parts, so to speak… err… to write— middle-volume mostly, and just a wee dash of shouting like a Scotsman at level 11. Over on that shouting end, I find that when I’m shift-reaching-for-the-1-key more than once, it’s time to reign that high end in tad. All of which speaks to that old tip about awareness: That which gets measured, gets improved.

Another dimension of writing I struggle with is vocabulary: I get lost reading my dictionary. I get curious about pronunciation—don’t get me started about how dictionaries used to be prescriptive and now are simply lazily being descriptive—and I end up learning for the umpteenth time that hyperbole does not ever rhyme with the little mammal known as a vole. It’s always hyperbole like Brenda-Lee… And, somehow, I thought that the rhymes-with-Brenda-lee pronunciation was a different word that was something like some kind of poetry. Possibly because hyperbole actually does rhyme with poetry? And anyway, on my w-a-y to h-y-, with m-y magnifying glass, I stopped at “Hilbert space” when it caught my e-y-e at the top of another page, as it was said page’s final entry. (What? “n. [David Hilbert] (1911) : a vector space for which a scalar product is defined and in which every Cauchy sequence composed of elements in the space converges to a limit in the space.”) Rats! I forgot what I was talking about.

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Richard Feynman

I hesitated. “I’m sad because you’re going to die.”

“Yeah,” he sighed, “that bugs me sometimes too. But not so much as you think.” And after a few more steps, “When you get as old as I am, you start to realize that you’ve told most of the good stuff you know to other people anyway.”

~ Danny Hillis and Richard Feynman from, Richard Feynman and The Connection Machine – Long Now

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When I’m reading, pull-quotes leap out. It hard to catch the actual process, but what I think happens is that my mind free-associates to something that resonates. I think it’s the strength of the resonance that slams my attention onto the particular bit I’m reading. My mind races off along connections. It is rare that I read something through, and then think: “I should share this,” or, “I should write about this.” It is rare that I have to hunt around for something to quote; Rather it’s the usually metaphorical blinding flash, but sometimes visceral embodied flash, of the pull-quote that tells me I should share it.

After the third blinding flash of, “that’s a pull-quote I have to share,” I stopped counting. I spent an hour with this short read—it’s only a few minutes of reading. Over and over I was struck by some bit, and my mind raced off. Each time, delighted to see where I was going, and with no intention of reigning in my train of thought.

…but this bit that I pull-quoted — I really hesitated. It’s almost a bit of spoiler. I certainly hope you don’t feel like it’s a spoiler. I certainly hope you do go over and read it.

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Opportunities with Heat Dziczek

How can pursuing multiple creative passions and approaches shape personal growth and productivity in podcasting and beyond?

Balancing creative chaos with focus highlights the challenges and rewards of pursuing diverse passions.

[At] first I was like, ‘Oh, you know, I have these ninety seven ideas for a podcast.’ Okay, now I’ve got a whittled down to twelve, now I’ve got it whittled down to seven, now I’ve got four. I’ve got four ideas for a podcast and I was talking to a mastermind group that I have from a a workshop and they’re like, ‘Why don’t you just do all of them?

~ Heat Dziczek (3:01)

The conversation discusses the creative and practical aspects of podcasting, emphasizing the freedom to experiment with diverse ideas. Heat reflects on the challenge of narrowing down topics and deciding to integrate multiple themes into a single podcast. She shares the liberating realization that she can design her work in a way that aligns with personal goals rather than external expectations.

Another focus is personal growth, including learning to express positivity and overcoming negativity. Heat explains how this shift has influenced her creative pursuits and interactions. She also touches on balancing the pursuit of creative endeavors with financial sustainability, sharing insights into the complexities of monetizing passion projects without compromising their intrinsic value.

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Potential with Boston Blake

What drives the unique satisfaction and challenges of creating and hosting a podcast focused on storytelling and community building?

Exploring myths and conversations showcases the depth of storytelling’s impact.

[S]o many people have incredible stories and incredible wisdom to share, and they just need a platform. But they’re scared to stand on the platform for whatever reason.

~ Boston Blake (12:01)

The conversation explores Boston’s experience with podcasting, emphasizing its rewards and challenges. Topics include the art of storytelling, the technical tools like Descript that streamline the editing process, and the fulfillment derived from creating platforms for diverse voices. Podcasting’s ability to provide meaningful connections during the isolation of the COVID-19 pandemic is also discussed, highlighting its unique role as a social outlet.

Additionally, the discussion dips into the difficulties of building and sustaining online communities, particularly for niche topics such as mythology. Boston shares insights on how podcasting acts as both a medium for personal growth and a means to empower others, while grappling with the challenges of audience engagement and creating dialogues beyond the episodes.

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Recent work

I had a cool conversation with Susanne Mueller for her podcast, Take it from the Ironwoman. She published part one as, Cool to Collaborate for Change in the Chaos of the World. 5 new episodes of the Podcaster Community’s companion show are published, and 2 more for Movers Mindset.

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That escalated quickly

The answer from computer science is precise.

~ Stewart Brand from, Brian Christian, “Solving Hard Decisions” – Long Now

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‘When to stop’ is an insidiously difficult problem. Which has been solved. Whether or not you want to read that and learn some crazy heuristics, you already know the power of heuristics. They’re great when they work, until they don’t. So many Americans—whose heuristic is to glance left then step off the curb and then glance right—get wacked by cars in parts of London, they paint, “Look right,” in the street.

…which is great. Unless you’re Craig and your heuristic goes: Look left, look right, look left, and then step off. I look left, notice the words on the street, and look right. Then I go to look left, notice the words again… and look right, instead of left… then my brain screams OMGBECKY look left! Then I go to look left, notice the words again… and look right.

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The TV in the other room

It may surprise you that the words keep coming even if you’re not entertaining them, just as a TV program keeps showing itself to an empty room. You can always hear it carrying on, but it’s up to you whether to go in and sit on the couch.

~ David Cain from, How to Get out of Your Own Head

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Funny, but I don’t ever recall the TV being on in the other room. I certainly have spent a lot of time—that’s a vast understatement—directly sat before the TV. But somewhere somehow somewhen I must have developed the habit of turning it off when I left the room. Which strikes me as very odd.

No great epiphany here. Just: That strikes me as very odd.

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