Reaching the end isn’t the point

Much better is to rebuild the skill entirely with a different approach, one that directly addresses your perennial snags. Instead of slowly getting better at your familiar, limited way, you embrace the awkwardness of learning an unfamiliar but stronger method, as though you’ve never done the thing before at all.

~ David Cain from, How to Level Up

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In the article Cain mentions spending as much as 10 minutes in reading one page as part of his larger anecdote from which he’s drawing this lesson. Sometimes it takes me a long time to find enough tranquility in my mind just to feel ready to read. I always have so many thing on the to-do and should-do lists. By the time I get enough of the urgent items beat back into the shadows, often, another days has passed with too little reading. I should do something about that…

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Authentic with Viktor Andersson

How does photography, particularly portraiture and movement photography, influence people’s self-perception and their ability to express authenticity?

Movement photography captures authenticity in ways still photography often cannot.

The idea of a portrait is to crack this mask and get into the persona, so I actually have a genuine persona, rather than their predefined version of how they think they should look.

~ Viktor Andersson (12:07)

The conversation focuses on the intersections of photography, movement, and self-expression. Viktor describes how portraiture aims to break through individuals’ preconceived notions of how they appear, to uncover a more authentic representation of their persona. He explores the idea of “masks” people create based on societal and personal expectations, contrasting this with the rawness of movement photography, where authenticity often shines through physical action.

A key theme is the importance of making subjects comfortable, whether in photography or coaching. Techniques such as relatability and creating a safe environment are highlighted as ways to help individuals overcome the discomfort of being photographed or performing challenging movements. Viktor also shares a personal philosophy tying their movement practice to their photography, emphasizing the values of strength and usefulness in their work.

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The second time

This one’s for Mike, who’s been waiting very patiently after reading about the first time.

At any golf course there are people known as the greenskeepers. There are different roles, and it’s a massive undertaking. There’s one superintendent who oversees everything, with different people working on specialized tasks. There’s one person—or I suppose a team at a really important course—who is responsible for the pins.

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How you play

If life is a game, how do you play it? The answer will have a huge impact on your choices, your satisfaction, and how you achieve success.

~ Shane Parrish from, Finite and Infinite Games: Two Ways to Play the Game of Life

There are of course some games simply not worth playing. (For example, Global Thermonucler War, which is, “[a] strange game. The only winning move is not to play.“) For most of my life I’ve thought of games as something I first decided to do—”let’s play a game!”—and then sorted out what sort of game—board games, tag, charades, etc.. Even sports games worked this way; “I feel like playing baseball…” and then round up my friends, or “I feel like getting good at baseball and playing a lot…” and then join a league. In all the cases, the game itself was the point.

Then, back around 40 when I was busy rediscovering movement, I realized that one could start by having a goal, or an idea one wanted to explore, and then one could deploy games as the vehicle for accomplishing that. On the one hand, it’s still fun to simply play for play’s sake, but it’s empowering to have fun playing while intentionally accomplishing something of your own choosing.

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The future

I already made the case in 2020’s The End of the Beginning that tech history was best understood as consisting not of multiple eras — mainframes, PCs, mobile, etc. — but rather as a multi-decade transformation from a computer-as-destination to computing-as-background.

~ Ben Thompson from, Sequoia Productive Capital

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I love the little aphorism that sufficiently advanced technology is indistinguishable from magic. Magic isn’t unreal! You will believe a magic “trick” if the magician is willing to spend more time, money, or both than any sane person would, (to paraphrase Penn Jillette.)

There is no super-natural magic. But today, there is an amazing amount of the real kind of magic. …it’s just not evenly distributed, (to paraphrase William Gibson.)

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The library

If you think of your mind as a library, three things should concern you. […] There is no point having a repository of knowledge in your mind if you can’t find and apply its contents (see multiplicative systems).

~ Shane Parrish from, The Pot-Belly of Ignorance

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Don’t panic it’s not simply a catalog of library metaphors. There are great points about being intentional about what you choose to put into your brain, what your brain is good at doing, the utility and danger—which I humorously typo’d as “dander”—of filters, and more. I’m going to go in a different direction here however: Rather than trying to figure out how to assess the library of my mind, I’ve been trying to more often let people see what it’s doing. As I’ve said many times, this blog itself is a form of me working “with the garage door up.” …and I regularly reread these blog posts myself to make sure the thoughts still look reasonable after some time sitting on the digital shelf.

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Words matter

But it isn’t just institutions that are guilty of enervating the gems of our language.

~ Brett McKay from, «https://www.artofmanliness.com/character/habits/143606/»

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A simple piece that makes a clear statement. I find that the less I talk, (and the less I write—for example, by not posting at all on any “social” media,) the less I have the urge to abuse words. So much, maybe even all(?), of my overwrought language was driven by desperate grasping to get people to like me. These days? The grasping is certainly no longer desperate, and my communication has vastly improved because of it.

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What’s in a name

A challenge arises when we make something over a long period of time. As we evolve — as we add experiences, impressions, memories, deepening knowledge and self-knowledge to the combinatorial pool from which all creative work springs — what we make evolves accordingly; it must, if we are living widely and wisely enough. Eventually, the name we once chose for it begins to feel not like a choice but like a constraint, an ill-fitting corset ribbed with the ossified sensibility of a former self.

~ Maria Popova from, Becoming the Marginalian: After 15 Years, Brain Pickings Reborn

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Popova changed the name of her project a while back, and this is a nice unpacking of her thinking. I’ve a lot of projects, and they have various names; Names that are public and names for them in my own mind.

With each project, I continuously struggle to balance the desire for concision and the desire for clarity. I drive myself mercilessly to find the simplest phrase that is something memorable and meaningful. And then I drive myself mercilessly to be ready and able to explain things as iterative layers of unpacking. That name. A few sentences. A few minutes of explanation. And so on, expanding to a fully dynamic conversation about the thing. On one hand, I know that this zooming in, (towards a concise name,) and zooming out, (toward a coherent and thorough explanation,) improves my thinking and understanding. But on the other hand. It’s really exhausting.

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Create a space

Today I’d like to share an idea for getting things in order: just as I recommend for decluttering your house, create a place for everything that matters to you.

~ Leo Babauta from, Create a Place for Everything That Matters

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When you first hear this idea—for physical things and for the things “in” your life—it sounds insanely hard. If you manage to push through that initial resistance you find out that the problem isn’t the things in, or “in”, your life. The problem is that you let them in. And then you realize, that you didn’t actually let them in, you invited them in.

For me, solving the problem is not about my ruthlessly removing things. (And to be clear, thoughts this post I’m talking about physical things that are around me, people around me, ideas around me… everything.) Solving the problem is not about my ruthlessly trying to keep things away. No. The real problem is to identify and then resolve the urge. The urge to want more. The urge to collect. The urge to—I think—try to fill some sense of need.

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Standing desk

Long story short: I was given a very nice standing desk. I’ve been a long-time ignorer of these things. After a few weeks now, I am officially converting to team standing-desks. Yes, all the reasons you hear are true about them, but there’s one reason I’ve never heard mentioned which is the real reason I’m on board: Convenience.

From a chair, with my obviously finite reach, I am forever rearranging what is within reach. …now I simply half-step to the right—and all my books are at hand. …half-step left—all that office-supply and notes and note-taking stuff is in reach. Start writing—walk to something—walk back and finish writing my paragraph. Walk up, pick off a small task (answer an email)—walk back to mowing my lawn. I never realized how often I was sitting down and standing up, and how often I sat down only to get up to get something.

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