Finally, when it comes to your own self-opinion, try to have some ironic distance from it. Make yourself aware of its existence and how it operates within you. Come to terms with the fact that you are not as free and autonomous as you like to believe. You do conform to the opinions of the groups you belong to; You do buy products because of subliminal influence; You can be manipulated. Realize as well that you are not as good as the idealized image of your self-opinion.
Sometimes, our heads won’t stop thinking about something. Our thoughts will spin around and around, not willing to let go, obsessing. It might be about another person, a big event coming up, or about ourselves. It might be overthinking a decision, big or small.
I read this the other day after its being queued for ages. It was eerily apropos of a really bad mood that I was in. Except I read it just after I had deployed Babauta’s “face the fear” strategy that he describes. It definitely works. And for some reason, Yoda’s admonishment that, “named your fear must be, before banish it you can,” sprung to mind.
This is awesome cover-to-cover. About midway, this turns into a masterclass on “doing the work”. If you like—or haven’t yet seen—the movie Miles Ahead, about Miles Davis, this gets into that in the later 1/3.
How do we navigate the balance between starting, sustaining, and stopping creative or personal endeavors?
The conversation examines the tension between perfectionism and the courage to share unfinished work.
It’s such a shame to have all these [things] on the shelves in the back of our minds or folders in our computers, all these things that we’ve kept back because they’re not perfect, or because we think they might not be right— We never know who will be changed by the things we make.
~ Robbie Swale (22:35)
The discussion covers challenges in managing creative processes and personal goals, focusing on a mission to appear on 100 podcasts. The complexities of handling output from such a challenge and the importance of deciding when to stop or persist are examined. This is tied to the broader question of balancing effort with strategic decisions in any endeavor.
Another key topic is overcoming perfectionism and fear of sharing creative work. Using quotes from poets and authors, the conversation emphasizes the importance of releasing work even if it feels incomplete. The necessity of starting projects and creating habits that reduce resistance to action is also highlighted. Tools like activation energy adjustments and reminders are presented as practical aids for staying focused and intentional.
Takeaways
Importance of starting — Even the hardest creative projects begin with the first step.
Navigating perfectionism — Releasing work imperfectly can still provide value to others.
Concept of “above or below the line” — A framework for self-awareness and decision-making.
Activation energy — Raising or lowering activation energy to influence habits effectively.
Sharing work — Withholding creativity can deprive others of valuable insights.
Practical tools for reflection — Using reminders and notifications to stay mindful.
The value of abandoning over-polishing — Deciding when a project is “good enough” to share.
That’s the thing about aggregation: one can understand how it works, and yet be powerless to resist its incentives. It seems foolhardy to think that this might be true for economics and not true for ideas, even — especially! — if we are sure they are correct.
Sometimes I read things on the Internet and I want to throw my keyboard (my title is a reference to 1980s console games where one might get furious, and rage-quit by throwing the game’s controller.) Partly, my urge to rage-quit is from exasperation that Thompson keeps cranking out these great articles (and his podcasts Dithering and Exponent and this other thing he did that is awesome but you wouldn’t understand because I can’t explain it well) while I’m over here plinking away writing snarky blog posts when I should be earning a living.
But also because of the point of the article which is found in my pull-quote of the entire final paragraph.
False ideas which gain currency can easily be recognized by the loud fanfare with which they are accompanied. Real truth does not need any other embellishments.
That’s not because Rudin did a bad job. It’s because there ain’t no way to re-write mathematical analysis as a “list”. When you do write a list, you are promising that you’ve figured out a way to cover the subject in that way without losing essential detail. Provided that you deliver on that promise, it’s a powerful thing.
This article makes several (while the article is a list, it’s unnumbered and I’m too lazy to count, you should just be happy I sometimes check my speling) magnificent points about what lists have going for them. There’s a lot. The only problem with lists (generally, on the Internet, These Days™) is that spammers and search–engine–optimizing mouth-breathers have published an insane amount of crap, in list format. It turns out that if you publish great content as a list it’s even better than long–form prose. It turns out that it looks like chapters, sections and sub-sections!
I recently learned a lot about proper use of the three different types of dashes: hyphen (-), en-dash (–), and em-dash (—). Their relative lengths are pretty clear when you see a family portrait like that previous sentence. It turns out that: Compound words, like en-dash and mouth-breathers, are assembled using hyphens. Compound adjectives, like search–engine–optimizing, are assembled with en-dashes. You can use em-dashes—that’s a hyphen in there—to insert gently–parenthetical commentary.
A case can be made—here, I’m making a case—that my weekly email is my way of turning my blog into a list which makes it easier to… oh, just go read the article.
Building models is a fundamental part of trying to understand the world in any systematic or organized way. The world has too many details and complexities to be taken in all at once. In order to really understand a particular phenomenon, we need to focus on certain essential details while ignoring others.
I often remind myself that all models are wrong, but some models are useful. Maps, metaphors, similes, and even some storytelling are all models.
Two things top of mind: Why oh why!? doesn’t similes pluralize via -ies? (Say the singular and plural forms of smile and simile… wth English?) And second, I use a related-to-models test for what I mean by, “I always tell the truth.” (To tell the truth, I always say the thing which helps the other person build an accurate model of reality.)
We feel something, and reach out for the nearest phrase or hum with which to communicate, but which fails to do justice to what has induced us to do so. We hear Beethoven’s Ninth and hum poum, poum, poum, we see the pyramids at Giza and go, “that’s nice.” These sounds are asked to account for an experience, but their poverty prevents either us or our interlocutors from really understanding what we have lived through. We stay on the outside of our impressions, as if staring at them through a frosted window, superficially related to them, yet estranged from whatever has eluded casual definition.
Wow. Here’s the 1,000th quote added to my collection:
The world is like a ride at an amusement park. And when you choose to go on it, you think that it’s real because that’s how powerful our minds are. And the ride goes up and down and round and round. It has thrills and chills, and it’s very brightly coloured, and it’s very loud and it’s fun, for a while. Some people have been on the ride for a long time, and they begin to question – is this real, or is this just a ride? And other people have remembered, and they come back to us. They say ‘Hey! Don’t worry, don’t be afraid, ever, because, this is just a ride.’ And we… kill those people.
I don’t “use” the numbers in simple 1, 2, 3, … order. Often I find several quotes from one person at the same time. I don’t want 20 quotes in a row from Leo Tolstoy in the daily quotes podcast. I space them out and end up with a smattering of numbers used out of order. So I keep a little list:
Each time I find a quote, I look to find the next number. When I used 999 for a proverb I thought, “I wonder what quote will be next?” And promptly forgot all about the milestone.
Today I bounced on my take-me-to-a-random-post link (see About this site) and landed on a very old post from 2013. It was a very large block of text, much longer than what I usually quote. I trimmed it down to what’s show above and copied it into my collection. I looked up the number and …surprise! 1,000.
False science and false religion express their dogmas in highly elevated language to make simple people think that they are mysterious, important, and attractive. But this mysterious language is not a sign of wisdom. The wiser a person is, the simpler the language he uses to express his thoughts.
We all have a duty to look after our physical health. The body is your vehicle through which your mind and spirit travel in and act through, throughout your life. We’re lucky to have abundant information, resources, and teachers to help us for caring for our body, but without personal responsibility and action, progress is left to chance. Ancient medicine taught us to be active participants of our own health, modern medicine encourages us to be passive recipients of health. We can make the best of both by placing more attention and energy on observing our body, environment, and taking daily action to create energetic surplus through moderating stress, practicing movement, good nutrition and quality rest.
I suspect that a lot of people reading my musings are already steeped in the wisdom of movement generally. It’s simply nice to find things like this on the big ‘ol Internet; A large article written by someone who’s clearly thought a lot, moved a lot, and thought a lot about moving. There’s a wonderful quote that feels parallel to this article’s sentiments:
No citizen has a right to be an amateur in the matter of physical training … what a disgrace it is for a man to grow old without ever seeing the beauty and strength of which is body is capable.
With every government initiative in education there are unforeseen consequences. The current drive to build character through sport (and other activities) is having, in my opinion, an unforeseen negative impact on curriculum PE. Staffing, finances, facilities and time are being redistributed from PE provision to school sport provision. Now this might not necessarily be a bad thing, but it has to be provision beyond the current narrowness of school sport which tends to be traditional team games focused on winning competitions for the purpose of bringing prestige to the school. This reduction in PE which focuses on movement for all in favour of school sport which focuses on competition for some worries me.
It’s always nice to see someone else talking about sport as a subset of movement. “PE” is so entrenched as a thing; does anyone still wonder what should physical education even be? Apparently, fortunately, the answer is “yes.”
Pleasure, luxury—these things you call happiness, but I think that to wish nothing is the happiness of god, and when you wish to have only small things, then you make yourself closer to this divine and high happiness.
Nous abordons toutes les dimensions de la pratique depuis l’histoire jusqu’au flow, en passant par les entrainements physiques, la technique, le mental, les valeurs … Tout ce qui vous permettra de mieux comprendre et ressentir le mouvement pour pouvoir aller plus loin.
I’m really excited about this. Two friends of mine, after very much work over several years, have finished a book. It’s in French (there’s discussion of doing an English version next) and available as a digital file if you’re not in France. Two things…
What are the challenges and strategies for managing the technical, creative, and promotional aspects of podcasting effectively?
Audio engineers are adapting traditional skills to modern tools like Descript, reshaping collaboration in podcasting.
There’s a value in the creative work, there’s a value in the hard work, there’s a value in story, there’s all these values about doing the thing, but what do you think having it be published would add for you?
~ Mark Tweddle (17:57)
The conversation covers challenges in podcast production, focusing on integrating traditional audio engineering with modern collaborative tools like Descript. Descript’s transcription and editing features facilitated collaboration for a multi-host podcast, enabling efficient feedback and editing processes. The discussion also explored the creative synergy between music, storytelling, and podcasting, particularly through the unique production dynamics of live recordings and audience interactions.
Another major topic is the difficulty of balancing creative work with the practicalities of podcast promotion. Despite producing compelling content, finding the right audience and ensuring the podcast reaches them is a persistent challenge. Mark reflects on how personal values and satisfaction drive creative efforts, questioning what publishing adds to the creator’s sense of accomplishment.
Takeaways
Evolving role of tools — Collaborative podcast production and tools can streamline feedback and editing processes.
The challenges of transitioning from virtual to live podcast recordings — live shows demand different preparation and adaptability.
The importance of storytelling in various mediums — storytelling connects creators and audiences through shared narratives.
The intersection of music and podcasting — creative integration of music can enhance storytelling and audience engagement.
The difficulty of podcast discovery and audience targeting — even high-quality content may struggle to find its ideal listeners.
Balancing creative and technical demands — creators need to manage their time and energy effectively.
The role of pre-planning in podcasting — effective preparation ensures smoother production, particularly for live events.
Resources
Descript — A transcription and editing tool for podcasts and audio production.
Sauce Productions — Neil Harrington’s audio production company, specializing in podcasts and advertising.
Intimate Fame Podcast — A dramatized podcast focusing on historical figures; upcoming episodes explore Marilyn Monroe and Wallace Simpson.
Hindenburg Pro — Audio editing software for podcast production.
Edinburgh Festival — Venue for live podcast recordings discussed in the conversation.
