When the Notebook Doesn’t Help

Let’s be honest: this isn’t a magic solution that fixes everything.

Decisions that are actually emotional, not analytical. If you’re stuck because you’re scared or avoiding something, writing about it might help you realize that—but it won’t make the fear go away. Different problem, different solution.

Things you genuinely don’t care about. If you keep writing “should do X” but never do it, maybe you don’t actually want to do X. The notebook will make this obvious, but it won’t make you care.

Situations where you already know what to do. Sometimes you’re not stuck on figuring it out—you’re stuck on doing it. Writing won’t help there. Just do the thing.

Problems that require other people to change. You can think through how to communicate better or what to do about a situation, but the notebook can’t make other people different.

The notebook helps you think more clearly. It doesn’t make hard things easy—it makes confusing things clearer.

There’s a difference.

Knowing when a tool doesn’t apply is part of using it well.

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This is part of a series about Hand-Write. Think Better.—a method for using paper to think more clearly. Get the book →


Two different purposes

There’s two different main purposes for routines, and advice-givers mix them up. They lump these two quite different things under “morning routine” and it causes trouble when you try to design your own.

~ Mckinley Valentine, from The Whippet #185: Shielded and flower-like

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Partly, I include this because The Whippet is a sometimes quirky, often insightful, but always interesting little missive that I enjoy following/reading.

But also, WAIT WAT! …how is it I’ve never heard this idea/distinction before? Scroll down about 2/3 in issue № 185 to find this neat stuff about habits.

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The interlude

On a random rainy day, I sat in seiza on the concrete, barefoot, gazing into our back yard. Everything was uniformly 53 degrees as I sat down with a mug of steaming broth. I sat under cover of the patio, but open otherwise to the sound of light rain, the gurgle of water in the downspouts, and the occasional drafts of cool air. Previous sunny days, and the current inch of rain had create an entire world of verdant green before me. The world looks different when your eyes are closer to the ground. Time passed. Some light came in.

There, in the Zen-like supremacy of the moment, on the road and adrift in this world, the nicotine would enter my bloodstream and with a blissful rush of pure meaning God would declare Himself to me – just as He did to you, Dee, on your balcony, at 21.49, on that rainy evening in Rosario, Argentina. That five minute interlude, puffing on a cigarette, in the deranged chaos of our lives – you on your balcony and me in some alley in some foreign city – was, to paraphrase Leonard Cohen, the crack where the light came in.

~ Nick Cave from, The Red Hand Files | Issue № 37

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For countless eons, all of our kind have wondered about, sought firsthand and then shared, experiences of such interludes. Are they experiences of the divine? Self-hypnosis? Enlightenment? Semi-sleeping states? Spirituality? Meditation? …and does it actually matter what we each call them? I simply hope you have your own occasional interludes.

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Age-old struggle

The world is in a constant conspiracy against the brave. It’s the age-old struggle—the roar of the crowd on one side and the voice of your conscience on the other.

~ Douglas MacArthur

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Advancing

He only is advancing in life whose heart is getting softer, whose blood warmer, whose brain quicker, whose spirit is entering into living peace.

~ John Ruskin

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Words matter

But it isn’t just institutions that are guilty of enervating the gems of our language.

~ Brett McKay from, «https://www.artofmanliness.com/character/habits/143606/»

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A simple piece that makes a clear statement. I find that the less I talk, (and the less I write—for example, by not posting at all on any “social” media,) the less I have the urge to abuse words. So much, maybe even all(?), of my overwrought language was driven by desperate grasping to get people to like me. These days? The grasping is certainly no longer desperate, and my communication has vastly improved because of it.

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Oneself

There is no forest, there is no cave, there is no mountaintop where one can hide from oneself.

~ Wu Hsin

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Melissa Way | Art of Space

On Castbox.fm — Melissa Way | Art of Space

How can art be integrated with Parkour to create spaces that engage both practitioners and the general public?

Designing Parkour spaces with artistic elements can make them appealing to the public while enhancing their functionality for practitioners.

A pattern interrupt is something that kind of catches your attention and messes with that in some way. So that could be, visually, just seeing something interesting that you want to explore further. Or this happens with movement people all the time, where we just see opportunity everywhere.

~ Melissa Way (3:34)

The conversation explores the intersection of art and Parkour, emphasizing how integrating artistic elements into Parkour spaces can make them more appealing to the general public. By designing environments that engage non-practitioners visually and physically, communities can foster interest in movement and create inclusive spaces. The idea of “pattern interrupts” is highlighted as a method for drawing attention to spaces and encouraging playful interaction with the environment.

A key point discussed is the challenge of proposing Parkour-specific spaces to communities and city officials unfamiliar with the discipline. By presenting these spaces as art installations or public works, the likelihood of approval increases due to the existing support and funding for public art projects. The conversation reflects on the importance of approaching design from a broader perspective, making spaces accessible and aesthetically engaging for all, not just Parkour practitioners.

Takeaways

Pattern Interrupt — Parkour and art can disrupt routine thought patterns, encouraging curiosity and play in public spaces.

Art-Parkour Synergy — Integrating art into Parkour spaces can attract broader community interest, bridging the gap between practitioners and the general public.

Designing for Accessibility — Public Parkour spaces should be visually and physically inviting to everyone, not just experienced movers.

City Engagement — Framing Parkour spaces as public art projects can increase support from city officials and community leaders.

Community Feedback — Involving the public in the design process can enhance the relevance and appeal of movement spaces.

Public Perception — Shifting societal norms about who moves in public and how they interact with art is crucial for expanding Parkour’s accessibility.

Collaboration — Engaging artists and designers outside the Parkour community can bring fresh perspectives and increase the success of proposed spaces.

Presentation Value — Presenting ideas at community retreats or events, even without being a definitive expert, fosters valuable dialogue and generates new ideas.

Resources

Melissa Way — Artist. Mover. Explorer.

Melissa Way @melzika_03

Parkour Generations Lehigh Valley — Melissa Way’s affiliated Parkour coaching organization in Pennsylvania.

Art of Retreat — A Parkour leadership and education retreat focused on advancing movement and community-building initiatives.

(Written with help from Chat-GPT.)

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40 knots in the freezing Atlantic

The point is, you’re basically this walking, lumbering habit machine. And these habits — a.k.a. your identity — have been built up over the course of decades of living and breathing, laughing and loving, succeeding and failing, and through the years, they have built up a cruising speed of 40 knots or so in the freezing Atlantic. And if you want to change them — that is, change your identity, how you perceive yourself or how you adapt to the world — well you better slam that steering wheel to the side and be ready to hit a couple icebergs, because ships this big don’t turn so well.

~ Mark Manson from, Shut Up and Be Patient

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I’ve been saying, “big ship, little rudder,” for a long time about my own attempts to change course. I’m certain I’m right about myself, but it’s reassuring to hear other people say they see this about themselves too. Wether or not Manson is your cup ‘o tea, it’s nice to hear things that confirm your assessment. “That looks like a shark, right? That’s a shark; we should get out of the water, right?”

The reason—not “one of the reasons”, but the actual, single, I’m-not-kidding, this is really why, reason—I tell the truth is that it helps other people form a good model of their world. Sound bonkers? …try this:

You know what it looks like, and/or sounds like, when a car is approaching along a roadway. You have a model of your world that, I hope, predicts that being struck by said car would be Very Bad. So you instinctively adjust your actions—get out of the way that is—when you see or hear a car approaching. That’s you using a model of reality; in this case a really good model that almost always works. Your model isn’t perfect: The driver could swerve to avoid you, and end up hitting you. In which case your model of the world has failed; you should have stood stationary, in the street to avoid being hit.

Where did you get that model?

What if I had arranged it so that every car you encountered as a child was driven by a confidant of mine. I had them all swerve to avoid you, and I taught you that cars will avoid you. You’d have a very different model! …and you’d agree I had done some SERIOUS lying to you!

Does my definition of True make sense now? I’ll say something if it will help you build a better model of the world. One can try this test on everything; it always works perfectly to tell you what is morally correct [in the context of speaking]. Anyway, I digress.

So I’ve been saying to myself, “big ship, small rudder,” and here I have an external bit of evidence from Manson that my model is correct. *shrugs* Sorry, this is what happens when you peek into my head.

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Being a great guest

This entry is part 5 of 5 in the series Parkour Travel

This post is entirely rules, tips, and ideas about how to be an insanely great guest in someone’s home. It’s organized into three sections. The first two sections are meant to get you thinking about how your host, and other guests, perceive you. The third section is focused on the day-to-day details of living in an unusual space. It’s meant to get you thinking about solutions to problems, and ways to make travel more enjoyable.

tl;dr: Empathy.

For my purposes here, empathy is the psychological identification with the feelings, thoughts, or attitudes of another person. I’m not suggesting that you must continuously empathize with everyone. I’m suggesting that empathy is a tool that can be used to inform your plans and behavior. Simply put, artfully using the soft skill of empathy will transform you into a great guest.

(more…)

Origin story

“I should lose weight. Specifically, I should lose some of this fat. …actually, a lot of this fat.”

Since I began my health tracking grids I had been regularly tracking my weight, building the habit of stepping on the scale every day. I’ve read several opinions that this is a bad idea. Because one’s weight can fluctuate significantly day-to-day, daily weighing can lead to “fear of the scale” and stress. I disagree. After stepping on the scale every day for about 10 years, it is now simply something I do. The scale shows me a number and I write it down.

One day I started reading more about physiology. How your body composition changes. How a strength building session increases muscle mass (duh) and that can make your weight increase in the short term. Suddenly, the scale going up can be a good thing.

…and then I wondered, “how much should I optimally weigh?”

http://healthcorrelator.blogspot.com/2016/10/virtual-paleo-summit-video-what-is-your.html

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At the time I began this “waist/weight ratio project,” I weighed about 230 pounds and the “male, 5 feet 11 inches tall” medical guideline is . . . 175 pounds. What?! I would be ecstatic if I weighted 220. I’m not sure what I would do if I weighed even 215— I’d probably fall down in a stiff breeze.

So how exactly should one “optimize” weight? Why should I select any specific weight target? Why 175 (as medically recommended,) or 220 (college body!). What if my weight isn’t changing as I make healthy improvements– how do I track that? I began to think perhaps I should optimize health markers: Blood sugar regulation, inflammation markers, and triglycerides, and that is far more complicated than “step on the scale.”

Waist-to-weight ratio

One day, I read the following article. It’s deceptively short, but quite complicated and subtle. You should go read this very carefully before continuing.

http://healthcorrelator.blogspot.com/search/label/waist-to-weight%20ratio

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Clearing to Neutral

A lot of times we procrastinate because we have to jump through a lot of hurdles before we can do the thing we actually want to do. For example, let’s say you need to prepare dinner. So you need your dishes, cutlery, pots and pans. But what if they are still in the sink from the time you used them for lunch? That means before you can actually start cooking, you need to wash them first.

~ Thanh Pham, from How To Stop Procrastinating By Learning One Simple Habit

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§9 – Commit to the move

This entry is part 21 of 37 in the series Study inspired by Pakour & Art du Déplacement by V. Thibault

No this. No that. No delay.

~ Sensei Wirth

If you want to go east, go east. If you want to go west, go west.

~ Koichi Tohei Sensei

If there’s somewhere you need to be, you need to start walking.

~ uncertain; possibly Lao-Tzu

Each of those quotes expresses a certain commitment to beginning; to taking action; to moving in a direct way. But what really is commitment? I thought I knew what commitment was, until I started to think deeply about it. Now, I’m uncertain.

There are some things to which I am deeply, unshakably, committed; Take breathing for example. At first glance this seems trivial since it’s a physiological imperative managed by the body. But if I imagine a scenario where someone is trying to prevent me from breathing, I can easily imagine myself consciously acting — wildly, vigorously, berserk even — to achieve the goal.

What would it mean to be that committed to something of my own conscious choosing?

What does it mean to “be committed to” a new habit?

Sure! I’m committed! I like this new idea — this new habit. I’m going to really stick to it! I have goals, and a plan. Let’s do this!

…and a month later the habit is nowhere to be seen. Does that failure mean I was actually not committed when I thought I was? Did my commitment evaporate over time? Are there degrees of commitment? Is there some minimum level of commitment necessary at the beginning to achieve certain goals? Does commitment need occasional inputs of energy to keep it going, like a spinning top? Or is commitment a simple binary — yes, or no?

Perhaps understanding commitment would be easier if I tried to untangle a simpler type of commitment. What does it mean to “commit to” a physical action in the very near future?

This jump scares me. But I know I can make it; I’ve definitely jumped this distance successfully many times. I know there’s value in doing this jump. I should do this. I want to do this! Okay, I’m committed! I’m ready! Here I go! abort! ABORT!!

What happened? I thought I was committed? Was I lying to myself when I said, “Okay, I’m committed”? What would it mean if it was possible to lie to myself– to truly believe myself when I was lying? Did my commitment somehow evaporate in the moment just before I aborted? Did my body — my physical corpus separate from my mind — somehow, literally, physically refuse my mind’s directions? Is that even be possible?

Here’s another experiment I’ve performed countless times: I get set up for a jump which pushes my limits. There are some consequences to missing, some real bit of danger is present, but it’s a good jump, something I know I can do. I’ve checked my surfaces, and I’ve explored and thought out everything to look for unknown-unknowns. I’m ready. The thinking-me-brain commits — really commits — we (the me-brain and the body) are ready to do this! And then I notice that my palms are sweating. Wait- What? Who called for sweating palms?!

Therefore I’m forced to wonder: Does my body have a mind of its own? In fact, I believe this is the case. We know the brain — the entire central nervous system — is an amalgam of layers. The thinking me’s consciousness is just the topmost layer, and there are deeper layers, sometimes called the “lizard brain”, performing fully autonomous functions. Performing many autonomous functions.

After all of that thinking and experimenting, I’m starting to believe that commitment is actually easy. The thinking-me-brain is good at committing to something after a bit of reasoned consideration. Committing may be one of its greatest skills, in stark contrast to the body’s short-sighted visceral behaviors.

So what then is hard?

Learning what level of control I am in fact able to exercise over the rest of my body is hard!

My commitment evaporates when my body rebels; When it literally, physically refuses my thinking-me-brain’s commands. My commitment evaporates when unconscious triggers, and reward/feedback loops, guide my actions when the thinking-me-brain isn’t actively paying attention. The teacher leaves the classroom and the students start throwing paper airplanes. “I thought we were committed to reading our studies! …why all this fooling around?!” I thought we were committed to this jump! Why have we not jumped?! Why are our palms sweating and heart racing?!

The more I examine this situation, the more it feels like the thinking-me-brain is a tiny little prisoner who has very little control over almost nothing.

“Commit to the move,” the book says. The tiny, weak, thinking-me-brain would love to practice talking the body into doing things it doesn’t want to do. So let’s — thinking-me and the body — let’s go out and see what we can agree to commit to!

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What makes it great

Of course it’s hard, it’s supposed to be hard.
If it was easy, everyone would do it.
HARD is what makes it GREAT.

~ unknown

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Get busy

Get busy living, or get busy dying.

~ Red, in The Shawshank Redemption, (1994 film)

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Scheme Relative URLs

//example.com/img.png is a perfectly valid URI syntax as per RFC 3986: Section 4.2. It is relative to the current scheme, and … it can be very useful when switching between http and https, because you won’t need to explicitly specify the scheme.

~ Daniel Vassallo from, Network-Path Reference URI / Scheme relative URLs

How is it possible I’ve never learned this?

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