Festina lente

Festina lenta is a phrase I once used as my touchstone for a year. It means, to make haste s l o w l y. It’s inherently ridiculous, but also points to the very old and very excellent point about taking one’s time. It’s an antidote to the venoms busy and hurry. “These days” things are not simply faster, they are glossed over. The super-power I need to cultivate more is discrimination: What experiences are valuable? What pursuits are valuable? There’s [almost] always a faster way… but which is the better way?

In that spirit, consider the two paradigms that follow, not as you would two spirited debaters but rather two paintings hanging at opposite ends of a gallery. You are in the middle, bathed in natural light, forced by history to judge their color and attraction.

~ Mark Helprin from, http://ayjay.org/helprin.html

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“You are a director of a firm that supplies algorithms…” Egads, no.

“In the two days it has taken to reach your destination…” You have my attention.

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The time for action

Books? How, or to what end? For is not reading a kind of preparation for living, but living itself made up of things other than books? It is as if an athlete, when he enters the stadium, should break down and weep because he is not exercising outside. This is what you were exercising for; this is what the jumping-weights, and the sand, and your young partners were all for. So are you now seeking for these, when it is the time for action?

~ Epictetus

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Persistent, but not lonely

To create anything of beauty, daring, and substance that makes the world see itself afresh — be it a revolutionary law of planetary motion or the Starry Night — is the work of lonely persistence against the tides of convention and conformity, often at the cost of the visionary’s aching ostracism from the status quo they are challenging with their vision.

~ Maria Popova from, https://www.brainpickings.org/2021/07/06/john-coltrane-creative-urge/

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To be clear, I don’t feel I’m out to make the world see itself afresh. I am out to create better conversations to spread understanding and compassion. And while I understand, now having read a bit more about John Coltrane, how a certain type of genius might need a certain type of loneliness to do their work. That’s not me and my work.

I’m finding that I’m thriving on podcasting. It is a stupid amount of work; Yes, I’ve chosen to set things up, and to set challenges and goals, to create that amount of work. It’s even physically challenging, for example, I’m on a road-trip this week with multiple +4-hour driving days. But I know what I’m in for, and I know what’s going to happen once I press record. Magic. Obviously, a big part of that comes from me, but a critical part of it comes from the other people. I’ve always heard talk of how “creative types” can get lonely. I’ve come around to accepting the label of “creative type.” I recharge in alone time. But I think I thrive when creating in concert with others.

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On a mission

When I arrived at the atelier, the canvas was blank and I simply began poking at making little pin-points of color. Poking just to see each little point. Sure, I avoided some entire areas of the canvas. That top-left corner didn’t interest me, but that area above the center caught my focus. Then my gaze wandered a few inches and I found I was putting points down in another, new-to-me, blank area. Day by week by month by year by decade I wandered up to the canvas. Curiously, I now realize I never looked each day at the canvas as I walked up—or walked away or simply past. I just headed to this atelier and— Although, come to think of it, I’m pretty sure I thought it was a video game Arcade at one point, and it looked like a snowy ski slope too for a while, and I recall breaking waves and some sea smells. That’s… interesting. When exactly did I realize that this place is a true Atelier? Sure sure yes yes, the particular dots are still very [very!] interesting; the minutia seems fractal and the more closely I peer, the more interested I become.

But just the other day—although, it quickly became a couple weeks ago, soon to be a couple months, a couple years, a couple decades…

But just the other day I peered over my glasses and looked at the whole canvas for what might have been the first time ever. Holy shit, it’s a Georges Seurat painting of some afternoon on some island! I mean: The overall composition is so blindingly freakin’ obvious and banal that I’m tempted to chuck the whole thing as trivial— …until I pear closely and see all the infinitely intricately interconnected dots and—bam!— VERTIGO!

My vision is a world where everyone can flourish.

My mission is creating better conversations that spread understanding and compasion.

Will you join me?

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The only resource more precious than time

Unlike money, everyone is ultimately on a level playing field when it comes to time. We all get the same allowance of twenty-four hours a day. Just as there are ineffective ways of investing your money, there are ineffective ways of investing your time.

If we all have the same amount of this essential resource, why do some people achieve so much, and others so little? Where we start from — in terms of economic class, skills and education — certainly has something to do with it, but there are just as many riches-to-rags stories as there are rags-to-riches stories, so obviously there is another factor at play here.

~ David Cain from, https://www.raptitude.com/2009/03/the-only-resource-more-precious-than-time/

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I found the realization that it’s really my attention that is my limiiting resource to be both liberating and scary. Liberating because it means that all I need to do is focus my attention and long-term success is within my grasp. Applying my attention, even in short stretches, inevitably leads to progress on my favorite projects. And scary because every time I’m tired, run-down, don’t want to do something– every time, food or the Movie-monster call my name, entertainment or distraction– there are so many opportunities for me to turn my attention away from the things I find valuable.

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Point “B”; the me of tomorrow

(Part 13 of 37 in series, Study inspired by Pakour & Art du Déplacement by V. Thibault)

Over the last few years it seems I have — finally! — learned some key lesson about pace; the idea of enjoying the journey. The idea of focusing on what I can control. The truth that some of these projects I will not finish, some places I will not see, and some people I will not manage to spend enough time with. These ideas are patently obvious and unequivocal, but learning the Lesson, and deeply and truly making it part of your work-a-day life and personal philosophy takes effort.

When once you have tasted flight, you will forever walk the earth with your eyes turned skyward, for there you have been, and there you will always long to return.

~ Leonardo de Vinci

Years ago I started journaling as a form of self-reflection. It enables me to look back. Sometimes it’s a travel log, but mostly it’s a “this is what I was thinking” log, a glimpse at what I was working on, inspired by, or frustrated by. After a large amount of writing and thinking I gained enough perspective to start removing some things, and changing others. I learned to say ‘no’ to some things I would have taken on in the past, and learned how to rearrange other things to make more space.

I always wonder why birds stay in the same place when they can fly anywhere on Earth. Then I ask myself the same question.

~ Harun Yahya ( https://en.wikipedia.org/wiki/Adnan_Oktar )

But only recently have I found myself turning more often to look forward, rather than back.

What would the best possible version of myself do?
Walk the Earth with eyes turned skyward.
Point A to point B, efficiently.

Close the gap.

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