Oh, good

I’ve never worked a day in my life! I don’t! These days I get up every morning and say, “Oh good, another day!”

~ Ridley Scott, from https://the-talks.com/interview/ridley-scott/

I hope the key-phrase in there is, “these days.” Because I definitely do not get up every morning thinking that. Presuming I ever reach that point of “oh good”, the challenge for me will be not piling more “should”s onto myself and forcing myself backwards. We shall see.

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I wish

I wish when I was younger I knew what I know today, what I feel like today, a kind of ease with myself. Because when you’re younger you are much more intense and everything’s much more important and you look back and you think, “Oh what was that all about?” Nothing is that important, just live your life because we’re here so briefly.

~ Anthony Hopkins, from Anthony Hopkins

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Oh good, it’s not just me who thinks this. Because, if I could take that knowledge with me, I’d really like to again be the age I was, when I thought I’d surely have my shit together by the time I was the age I am now.

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What will change your mind?

What are you working on? When will you change your mind? What can you learn, what can you challenge?

~ Seth Godin, from https://seths.blog/2024/07/what-are-you-thinking-about/

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As is often the case, Godin asks really good rhetorical questions. Me? In recent weeks I’ve been challenging myself to shift my focus to longer timeframes. I’ve reached a level of sophistication where—give or take—what I do on any given day does not matter; I don’t go off the rails. What I do, is get anxious about “all the things” when I get lost thinking about too many things.

Instead of hyper-focusing on the right-now, I need to zoom out. What I just accomplished moves me towards a goal. Yes, even if I just blew off some scheduled thing to go play outside; That moves my health forward energizing me for another day. And each day making some progress is just exactly the right thing to be doing.

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A way of seeing

As a filmmaker, you have a way of seeing things that is inherent in any telling of a story. You read a book, and images form in your mind, and as a director, you explain those images to the crew members. That’s what directing is, that’s what they mean when they say explaining your vision. So for me, it’s really not about any conscious desire to imprint a style. It’s simply: here’s how I see it. This is my understanding of the material. This is what affected me, here’s when I cried, we need to make sure that this moment is real, we need to make sure that your your heart is broken like I felt when I read the script. It’s about communicating exactly what you feel. And that’s the art of directing.

~ Sam Rami, from https://the-talks.com/interview/sam-raimi

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I find I’m often confused by having too many options. I can get far into the weeds exploring all the possible way to do something. Instead, I truly believe that after enough time practicing some creative endeavor, it’s more important to simply follow your own feeling. Follow your own inspiration. “This is what I feel I want to do,” becomes the correct compass to follow. It’s simply: Here’s how I see it.

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Moments you weren’t expecting

What I’m looking for, in both fiction and documentary, are moments that you weren’t expecting, and which the audience don’t feel prepared for, moments that are candid, like something that just happened in front of the camera, and it’s not going to happen again. Those are the moments you live for as a documentary maker.

~ Kevin Macdonald, from https://the-talks.com/interview/kevin-macdonald/

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I’ve lately been on a bender reading many of these really interesting, really short, interviews with countless people. Most of them don’t particularly interest me. “But wait,” you’re thinking, “those two sentences seem contradictory.” I’m glad you asked about that!

You see, once I know that there’s some large body of work and it’s pretty uniform, then I wonder: Why should I think that the ones I like are the really good ones? Since the work is (pretty) uniform, maybe they’re all really good (or pretty good, at least) and the reason I don’t like most of them… is me. If I sift through the work am I identifying the good ones? …or am I reinforcing, via confirmation bias, my narrow view points? If I wanted to grow—growth often being uncomfortable, especially when it comes to shifting one’s own perspectives—maybe I should intentionally read the ones that I think aren’t that good. Maybe I should be seeking out things which I’m misjudging, and that would by definition be the things I think aren’t that good.

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I do have some rules

One rule is: Anything I find, which ticks two (or more!) boxes from my list of decadent favorite pastimes, I must include herein. For example: Something that bashes on social media platforms and makes me chuckle out loud? Oh, that’s getting included. Another rule, written but almost impossible to enforce, is: Don’t over think it.

The humble knife is a good example. An edged tool for cutting tough materials apart is just as useful to 21st-century home chef as it was to a nomadic hunter a hundred thousand years ago. The long past of the knife suggests it will have a long future. In other words, we’re probably not living in the last few years of an eons-long Knife Era.

By the same token, something that has just become “a thing” is less likely to be a long-lasting thing. If everyone around you is suddenly watching rapid-fire videos on something called TikTok, what are the odds we’re in the first few years of a thousand-year TikTok Era?

~ David Cain from, https://www.raptitude.com/2023/09/this-will-not-always-be-a-thing/

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But unlike Fight Club, this entire online blog/web site I have isn’t built upon self-delusion… waaaaaaaaait a minute.

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Questions

The only question that really matters, the only question whose correct answer can exert a civilizing influence on the future specialist, is the question asked by Buddha and Jesus, by Lao-Tsu and Socrates, by Job and Aeschylus, and Chaucer and Shakespeare and Dostoevsky, by every philosopher, every mystic, every great artist: Who am I and what, if anything, can I do about it?

~ Aldous Huxley

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Downstream

Here’s a hack for improving your life: When you have a significant decision, ask yourself which of these options would Future You most appreciate? For example, “Should I watch this Sci-fi series, or write?” Future Me gets the rewards from good decisions, (the result of small sessions of writing.)

All success is a lagging indicator…all the good stuff (and bad stuff) is downstream from choices made long before.

~ Ryan Holiday from, https://ryanholiday.net/36-lessons-on-the-way-to-36-years-old/

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I was tempted to write my own 52 Lessons On the Way to 52 Years Old, but decided that would not be a gift to my 3-hours later, still only part-way done, self.

The challenge for me, is that the significant decisions go past unnoticed. It doesn’t even occur to me that my automatic urge to begin the next thing that I can imagine as being useful, is actually a choice. If I was able to reign that in, then perhaps I’d do only 11 things, and then relax with that Sci-fi. It doesn’t occur to me in the moments of the day, that better balance would be the choice that’s the real gift to my future self.

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Knowing when to stick and when to walk away

Among the vast options every day, how does one choose well? Should I observe guardrails and steer down the center of the easy path? If I can see guardrails which are clearly “that would be, or create, a true problem” and “that would be a quagmire of ongoing struggle”, why would I ever want to not steer down the middle of that path?

And finally, some problems get better if we’re willing to talk about them. Some situations, on the other hand, simply get worse when we focus our energy and community on them.

~ Seth Godin from, https://seths.blog/2023/11/working-with-problems/

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Any time I choose to walk away, I can also choose to widen my perspective. From a wider perspective, any time I walk away is simply the next step in my path.

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Happy. Generous. Contributing.

For years now I’ve been fascinated by groups of three.

These perspectives are not just useful literary devices. They are core practical perspectives that we adopt toward the world and our place in it. As we pursue our projects and pleasures, interact with others, and share public institutions and meanings, we are constantly shifting back and forth among these three practical perspectives, each bringing different elements of a situation to salience and highlighting different features of the world and our place in it as good or bad.

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Am I happy? Am I generous? Am I contributing to the world? The moral struggle we face is finding a way to honestly and accurately answer ‘Yes’ to all three of these questions at once, over the course of a life that presents us with many obstacles to doing so.

~ Irene McMullin from, https://aeon.co/essays/how-should-you-choose-the-right-right-thing-to-do

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Just yesterday, in a conversation for a podcast, I was responding to a guest who asked my opinion… I don’t think I’ve ever expressed what I said so clearly, when I suggested balancing the first-person and second-person points of view. And here I am one day later staring at something I originally read months ago, crafting a blog post… and *POW* this quite philosophical essay is talking about balancing the three perspectives of the first-, second-, and third-person. But, sorry, now I’ve buried the lead.

Am I happy? Am I generous? Am I contributing to the world? This group of 3 questions is clearly yet another guiding principle straight from the How to Be a Human manual. (Which I feel compelled to point out I’m certain exists despite my never having received a copy upon arrival in this human form.)

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This right here is just fine

There are only two things which seem to work for me: Plain old discipline, and regular, high-intensity exercise. Make a plan. Work the plan. Follow through. I don’t have to finish it all. (That used to be a huge problem too.) Each day, make a plan. And yes, some days the plan is, “today there’s no plan just follow your nose.” Where the mental freedom to believe that’s a good plan is banked during the days with a more plan-looking plan. The exercise acts as a baseline reset.

The result? An inevitable sense of disappointment. A sense that other people are doing better than us. We feel guilt. We feel pressure. We think “Oh, if only I had more money, or a better job, or lived in France where the child care benefits were different, if I had more custody, then things would be good…”

~ Ryan Holiday from, https://ryanholiday.net/all-time-is-quality-time/

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Slowly, daily, my false sense of urgency ratchets up. It’s not healthy, but going out and doing something high intensity resets my personal brand of insanity. Every time I’m in the worst of moods, all I have to do is head out and just start running like I hate myself. (This is rare, but frequent enough that it’s useful to have a strategy ready.) I can go just a couple minutes running like I stole something, and then my crazy-brain starts bargaining… okay, uh, if we can just slow down a bit, I promise to stop acting crazy. I’m pretty sure that’s not the best way to deal with things, but it’s definitely a coping strategy that works well. And the side effects are awesome.

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We close our eyes

My journey of growth has been ascending levels of perspective shifts. Some of us don’t get to go on that journey because of external and evil forces or because of the random, initial conditions they drew at the beginning of their lives. While I don’t understand what my self even is, I do understand that hiding—ignoring reality—is not going to move me further along on my journey of self-discovery.

“Daytime” is us closing our eyes and pretending it makes infinity go away.

~ Randall Munroe from, https://xkcd.com/2849/

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Munroe has gone on quite a journey. I think everyone far enough along on their needs-satisfaction curve (anyone who’s ever watched entertainment or played a video game is far enough along) would be moved, inspired, made to laugh and cry, by reading all of Munroe’s cartoons.

This cartoon is number 2,849. He publishes a cartoon Mondays, Wednesdays, and Fridays. So, he’s published cartoons for about 950 weeks. About 18 years.

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