Dividing cake

What’s a system for fairly dividing— actually… What does “fair” even mean? If we’re dividing up cake, is fair equal size shares? …or shares proportional to each person’s daily caloric requirements? …or their average recent caloric deficit (so starving people get the cake)? And that’s just cake. What if you want to divide up something important, like say, geographically divide a State into voting districts?

In the first step, one party draws districts on the map. However, unlike regular redistricting, in which they draw the exact number of districts needed, our process requires the first party to draw twice that number of half- or sub-districts. Like full electoral districts, these half-districts must have equal populations and be physically contiguous. Many states also have requirements for district compactness, which would apply to this first stage of map drawing too. We also don’t allow “doughnut” districts – where one district is entirely surrounded by another district.

In the second step, the other party chooses how to pair neighboring half-districts into full-size districts.

Even if each party acts entirely in its own interest, attempting to maximize its own chances of winning the most districts, the fact that the process is split into these two stages holds each party’s ambitions somewhat in check.

~ Benjamin Schneer, Kevin DeLuca and Maxwell Palmer from, https://theconversation.com/how-politicians-can-draw-fairer-election-districts-the-same-way-parents-make-kids-fairly-split-a-piece-of-cake-222859

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Like my examples for possible meanings of “fair” for dividing cake, there are many possibilities for what would be “fair” for voting district maps. To date, every solution has been to have some third party (a commission whose composition itself is contentious) draw the maps and then have judicial review (with the judges themselves also being contentious). The system laid out above is brilliant. One side draws up a map, and the other side chooses how to assemble the map into voting districts.

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Do not hoard ideas

Holding on to a lot of ideas takes a great deal of time and energy. If, like me, you’re a systems person you can make things much worse. I can build personal knowledge systems, slipboxes, databases, custom software and bend all sorts of technology into new shapes. It turns out—as I hope you’ve already guessed—that if you have too many ideas, and then build and deploy a bunch of clever tools and systems, you just end up with even more ideas. (There isn’t quite an XKCD for that, but number 927 is close.)

One of the few things I know about writing is this: spend it all, shoot it, play it, lose it, all, right away, every time. Do not hoard what seems good for a later place in the book, or for another book; give it, give it all, give it now. The impulse to save something good for a better place later is the signal to spend it now. Something more will arise for later, something better. These things fill from behind, from beneath, like well water.

~ Annie Dillard from, https://austinkleon.substack.com/p/spend-it-all-every-time

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Building tools and systems is also a terrific way to hide. It’s a variation of the old idea that I cannot start on the real work until I get all this other stuff organized and cleaned up and set up and just so.

Instead, I’m so much happier if I simply take something that brings me joy, and share it.

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A package deal

I often find myself drawn into looking at what other creatives are looking at; I find interest in that second degree of separation. I may be interested in a particular creative person, but only if I’m interested in their specific work. But nearly every creative person I encounter, I’m always asking (literally, or in my internal dialog): Where did they get that idea? What were the inspirations that led to that composition. I suppose that’s right next to being interested in the creative process itself—but that’s not quite it. I don’t really want to know how they do what they do. I want to know who they are, and why they do what they do.

The key thing is that unique minds have to be accepted as a full package, because the things they do well and that we admire cannot be separated from the things we wouldn’t want for ourselves or look down upon.

~ Morgan Housel from, https://collabfund.com/blog/wild-minds/

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I think it was Homer (Simpson, I mean) who said, just because you are unique, doesn’t mean you are useful. That too harsh by half. It’s not necessary that one be useful (but it’s nice if you want to be able to say, buy food or put a roof over your head.) I want to push back against ‘ol Homer there and amend that to be: Just because you are unique, doesn’t mean people will understand you.

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Conversation

Good conversation mixes opinions, feelings, facts and ideas in an improvisational exchange with one or more individuals in an atmosphere of good will. It inspires mutual insight, respect and, most of all joy. It is a way of relaxing the mind, opening the heart and connecting, authentically, with others To converse well is surprising, humanizing and fun.

~ Paula Marantz Cohen

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Connecting and respecting

The idea of narrowing the number of people we’re intending to serve with our creative efforts is freeing. Kevin Kelly‘s 1000 True Fans is liberating in the sense that it frees us from having to imagine: How am I supposed to create something that excites and engages with millions of people. But even “just” those 1,000 fans is a daunting group to imagine.

It turns out that finding, connecting and respecting a small group of supporters and customers always outperforms the hustle for more. And that if you can create a remarkable story that’s worth spreading, it’ll spread. Not because you need it to, but because your customers do.

~ Seth Godin from, https://seths.blog/2023/11/the-reluctant-spammer/

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Unfortunately, I’ve not yet found my people. Yes, certainly, people tell me they love what I create—but I’ve not yet found something that goes beyond being interesting to people. I’ve not yet found something that solves a problem for them… Excites them to action… Enables them to create something of their own…

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Embodied

I could do a lot worse than sitting staring at trees. We know they’re alive, and yet they’re so still.

Trees are the longest-living life form we know, and manifest their temporal and geographic histories within their very bodies. In both form and function, trees tell the stories of their individual past, which is intimately connected to the history of their microenvironments as well as that of the planet. This distinctive and intimate relation between trees and their temporal and geographic histories is what we call the ‘embodied history of trees’.

~ Dalia Nassar from, https://aeon.co/essays/what-can-an-embodied-history-of-trees-teach-us-about-life

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“You must understand, young Hobbit, it takes a long time to say anything in Old Entish. And we never say anything unless it is worth taking a long time to say.” ~ JRR Tolkien

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Why not?

Because it’s crazy. It’s insane. It will never work. You’ll hear this a lot if you have a lot of far-out ideas. “Moonshots” is the term I prefer for such ideas, or a really big swing.

And then in an instant he realised that rather than building a cable through the wildernesses of Newfoundland and Nova Scotia in the hope of saving a couple of days’ transmission time for the telegraph, one could build a cable directly from Newfoundland to Ireland, under the narrowest point of the entire Atlantic Ocean. If he was able to do that, it would reduce the time for a message to pass between the two greatest cities in the nineteenth-century world from a matter of days to just a few seconds.

~ from, https://www.slow-journalism.com/app-issues/the-death-of-slow-news

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Why not, indeed. Because what if your idea actually worked?

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Listening

I’ve now done a lot of recorded conversations for podcasts. I’ve spent a lot of money, and I’ve spent a vast amount of time. I’ve had every imaginable problem. I’ve been stressed out. I’ve literally worked myself to exhaustion and illness.

The line from Zeno was that we were given two ears and one mouth for a reason. That reason? To listen more than we talk.

To learn from people who can teach us. To find something that makes us better.

~ Ryan Holiday from, https://ryanholiday.net/27-things-ive-learned-from-150-million-podcast-downloads/

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The rewards I’ve gotten—the things I’ve learned and the people I’ve met and the experiences I’ve had—have been worth every penny and every moment and every hardship.

The opportunity to speak with hundreds of people (most of whom I’d never have crossed paths with, let alone had a good conversation with) is priceless.

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It never gets easier

Very early in my rediscovery of movement, someone said: What was once your workout, will one day be your warmup. It’s both motivating (simply do what you can, today, and the changes will come) and inspiring (it implies that the people far ahead, at one time, were here, where I am today). I can now see in hindsight that it is an expansive perspective: One will expand their capabilities as one expands one’s practice to bigger and better things.

Years later I realised that the answer to this question is: everything. There can be more articulation of the toes; rotation can be made more extreme; even that ineffable quality of artistry can be developed. It’s often thought that the greater your prowess, the easier your performance becomes. However, as I progressed upward through the ranks of the ballet world, I saw that this wasn’t the case.

~ Barbara Gail Montero from, https://aeon.co/essays/the-true-expert-does-not-perform-in-a-state-of-effortless-flow

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Years into my rediscovery of movement, I realized it was truly a mastery practice. Something which can be done, forever, just for the process.

And just now, it’s occurred to me that this is also true: What was once my warmup, will always contain enough challenge to also be my workout.

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From scratch

Clear cut and plant. Clear cut and plant. I’m not sure, but this doesn’t feel like a great idea. I started reading this article thinking it wasn’t going to be that interesting. I was wrong. I’ve moved through forest where there are no trails: doing boundary monitoring and corridor maintenance for the Appalachian Trail Council, and bush–whacking towards rock climbing. It’s type-2 fun. But reading about what these super-humans do to move through clear-cut “blocks”… *shudders* that’s definitely type-3 fun.

Up in the sparsely populated wildernesses of the north, meanwhile, logging companies work 24/7 to fell trees for lumber, leaving behind ‘cut blocks’ – bleak fields of stumps, mulch, roots and detritus covering thousands of hectares. Following in their wake come hordes of seasonal tree planters, who drive for miles up dangerous roads to enter these remote areas. Staying in basic bush camps, off the grid and armed only with shovels and bags of saplings, they set about creating new forests from scratch.

~ uncredited, from https://www.slow-journalism.com/app-issues/the-tree-musketeers

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“Fun” comes in 3 types: Type-1 fun is fun in the moment. Type-2 fun isn’t fun now, but we’re really going to enjoy this once we get past this sucky part, even more so as soon as we’re done, and especially years from now when we retell this story. Type-3 fun isn’t fun now, mistakes have been made, life choices need reconsidering and this is actually going to be a cautionary tale when retold.

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148 lines

Preparation—getting everything just so, the right desk, the right software and computer, the right room, the right beverage, the right time, the right mindset—is really simply a form of hiding. Sometimes it’s only a few moments, sometimes it’s days, but I always hide before writing every single one of these blog posts. I definitely don’t enjoy the hiding. I mildly enjoy the writing. I love the reading and thinking parts that this 13-year labor of insanity requires. But some people are not only good at the writing, they absolutely love the craft of writing itself.

While you or I may respond with a counter-argument, Tolkien went home and wrote 148 lines of heroic couplet […]

~ Brenton Dickieson from, https://apilgriminnarnia.com/2013/05/21/mythopoiea/

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This seemed insane. Who would take an idea for a counter-argument, from a conversation, and rush off to go write for what must have been hours? And then I realized that I do that sort of thing all the time. I run with an idea down some rabbit hole, forming it into something real in the world. It’s only that I don’t it with writing.

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