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Amy Slevin: Flow Motion, pain, and routines →

Published January 27, 2021  ·  All posts on Jan 27  ·  

Amy Slevin: Flow Motion, pain, and routines

How does one integrate diverse movement practices, personal philosophies, and life experiences to create something unique while addressing challenges like pain and injury?

Not quite fitting in can seem negative, but it is what inspired Amy Slevin to create something new. She unpacks the role movement holds in her life, and how she came to create FlowMotion Yoga. Amy discusses her thoughts on pain and injury, particularly within parkour. She shares her personal routines, habits, and what she’s been reading.

I started doing yoga— never connected with it, but I wanted it to help me. I wanted it to help me with my anxiety, with my grieving, and all that kind of stuff, and it just never did. But the physical side of yoga I really connected with, and I found it quite interesting exploring these different ways of moving my body in the yoga capacity, and seeing how that compared with parkour.

~ Amy Slevin (5:58)

Amy Slevin is an osteopath turned yoga instructor who teaches in London, UK. She founded FlowMotion Yoga to help people feel better in their bodies, while sharing her love of movement and playfulness. Amy also teaches workshops about movement, pain, and injury, and is passionate about empowering her students through both movement and mindset.

The discussion explores how movement serves as a tool for self-discovery and overcoming personal challenges. It begins with an exploration of parkour, yoga, and osteopathy, revealing how these disciplines shaped one person’s perspective on movement and pain. Key insights emerge around the struggles of aligning with the philosophical aspects of yoga while embracing its physical benefits. The integration of parkour’s playfulness and osteopathy’s anatomical knowledge into a unique practice highlights a creative approach to healing and personal growth.

The conversation goes into the broader themes of self-regulation and injury prevention within movement disciplines, particularly parkour. There is an emphasis on listening to one’s body and avoiding external pressures that lead to overexertion. Additional reflections address the mental and emotional dimensions of pain, drawing on personal experiences and professional insights. The discussion concludes by addressing how practices like reading, reflection, and adapting routines contribute to mental clarity and resilience.

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Alex Pavlotski: Ethnography, leadership, and trajectory →

Published January 13, 2021  ·  All posts on Jan 13  ·  

Alex Pavlotski: Ethnography, leadership, and trajectory

What are the intersections of movement practices, leadership, and cultural anthropology?

‘A picture is worth a thousand words’ is a statement that Alex Pavlotski lives by as a cartooning ethnographer. He explains ethnography and anthropology, and shares his thoughts on parkour and where it’s headed. Alex discusses leadership and his project Word Magick, as well as his goals for an illustrated thesis. He unpacks his observations on parkour practice, community, and defining our own future.

I think the first thing about movement practice is that it’s deeply humbling. The first time you crawl around on all fours for hours, you understand that you have so much more to learn. And then I guess, I don’t know, at some point, it felt real; weird and real.

~ Alex Pavlotski (4:48)

Alex Pavalotski is an anthropologist, comic artist, blogger, and parkour practitioner based in Melbourne Australia. He is the creator of Parkour Panels, a satirical comic where he discussed relevant issues in the parkour community. Alex earned his PhD in 2016, and traveled extensively while working on his thesis, training with and studying global parkour communities.

The conversation examines how movement practices like parkour intersect with cultural anthropology and leadership. The discussion highlights how parkour’s growth has mirrored historical patterns of other movement practices, blending physicality with philosophy as practitioners age. Leadership is portrayed as a cultural force, shaping movement communities and the way they evolve over time. The influence of space, language, and shared values in defining these communities is explored.

Another focal point is the anthropological study of leadership, where the capacity to shape culture and practice is critical. The conversation also critiques the commodification and institutionalization of movement practices, suggesting that they risk losing their authentic and transformative potential. The potential of comics as a medium to communicate complex ideas, such as movement or leadership, is also emphasized.

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David Banks: Endurance challenges, performance art, and recovery →

Published December 16, 2020  ·  All posts on Dec 16  ·  

David Banks: Endurance challenges, performance art, and recovery

What inspires the integration of movement disciplines, performance art, and endurance challenges to create a meaningful cultural and personal impact?

Is parkour about athleticism, or performance art? To David Banks, it is both at once. He shares his movement journey and inspirations, from martial arts to parkour to drama. David unpacks some of his projects, including the Movement Card and his various charity endurance challenges. He discusses performance art and how it relates to his parkour practice, and reflects on injury and recovery.

What is difficult is that our current urban conditions reject the possibility for a creativity in urban spaces. This is often—in Scotland because of social contracts, as opposed to written law. It’s ‘Get down off that wall.’ ‘You’re not allowed to do this, I’m phoning the police.’ For people that maybe don’t practice parkour that are listening to this, you might think, ‘You just tell him it’s fine, you just wait for the police to come.’ But the amount of times I’ve taken an hour or two out of my training over the years to deal with that, is just very frustrating.

~ David Banks (12:45)

David Banks is an artist and mover from Glasgow, Scotland. As a co-founder of the company Ukemi, he merges his background in art and parkour by creating projects that encourage play, improve health, and make movement accessible in urban areas. David has been a part of various projects through Ukemi, collaborating on Youth Urban Games festival and creating the Ukemi card game.

This conversation explores the multifaceted intersections of movement, performance art, and personal development. The discussion begins with the inspiration behind integrating artistic and athletic disciplines, as exemplified by an enduring fascination with characters like Spider-Man. David explains how this passion evolved into a commitment to parkour, boxing, and mixed martial arts, as well as how these practices contributed to storytelling and artistic expression.

The conversation goes into various projects, including the creation of the Movement Card, which aims to clarify legal rights for movement practitioners in different countries. The conversation also highlights endurance events such as crawling eight miles to raise funds for charity and the ambition to complete a rail marathon. These endeavors underline the speaker’s commitment to using movement as a medium for personal and social change, while emphasizing themes like injury, recovery, and the pursuit of authenticity in artistic expression.

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Adam Echa: Training, travel, and mindfulness →

Published December 9, 2020  ·  All posts on Dec 9  ·  

Adam Echa: Training, travel, and mindfulness

How do personal practices in movement, mindfulness, and creativity interconnect and influence an individual’s approach to life and challenges?

At first glance, Adam Echa is a jack of all trades, but all of his practices and interests are connected. He shares the role of music in his life, his interest in photography, and his experiences riding bicycle deliveries in New York City. Adam discusses his parkour training, flips, cross training, and filming. He unpacks his personal mindfulness practices, and reflects on where and why he wants to travel.

I love the filming aspect of Parkour, like by yourself, just filming the line. […] I think I have more fun figuring out how I fit in the frame doing movement than like going from point A to point B.

~ Adam Echa (19:00)

Adam Echa is an athlete, musician, videographer, and overall creative human. As an athlete and a coach, he works to balance his training and develop in both areas. In addition to parkour, Adam plays guitar, writes music, and occasionally performs.

The conversation examines how the interplay of physical movement, creativity, and mindfulness shapes personal growth and perspective. Key topics include the nuances of Parkour and its mental and physical demands, the relationship between personal art forms like music or photography, and the grounding influence of mindfulness practices. These pursuits reveal how discipline in one area can inform and complement another.

Adam reflects on experiences of minimalism, personal transitions, and the importance of authenticity in creative and physical practices. Discussions touch on concepts like control—whether in movement, artistic expression, or life decisions—and how moments of vulnerability can lead to breakthroughs in both performance and personal understanding. The emphasis is on finding one’s path and defining success in ways that align with internal values rather than external pressures.

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Discipline →

Published December 4, 2020  ·  All posts on Dec 4  ·  

Motivation will get you out the door, but it fades over time. A good book or podcast might give you the momentary impulse to take your first steps along a path, but when the road gets tough only discipline will keep you moving forward.

~ Dan Edwardes from, Motivation is Temporary

slip:4udamo1.

Edwardes is a well-known figure in the world of Parkour. He’s someone I’m proud to call a friend. A little over a year ago, I had a quiet, private, late-evening conversation about businesses and movement and Parkour and I’m pretty sure we touched on motivation. …or at least, I know motivation was something bouncing around in my head. Specifically: lack thereof. I’m not even sure that I realized that at the time, but it’s clear to me now.

At the time though, I definitely experienced a sort of ground-shifting sensation. I don’t generally fan-boy on Parkour people, and I’m pretty sure I never did that with respect to Edwardes. No, it was more like—something I’ve experienced on several occasions with Parkour luminaries—I was suddenly aware that I hadn’t been fawning [for years] over this person. No, here I was, once again, in a cool conversation with a fellow human. Being.

These days, I’m doubling-down on discipline and that quoted blog post and that conversation conspired to inspire me to make a fresh post.

Anyway. Dan Edwardes is someone you should hear of, and now you have. Check out his blog, or the best—call me biased—podcast interview of him, Dan Edwardes: Motivation, efficacy, and storytelling.

Oh— and no, that linked podcast is not the conversation I mentioned up top.

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Jessi Stensland: Feet, reflection, and nature →

Published December 2, 2020  ·  All posts on Dec 2  ·  

Jessi Stensland: Feet, reflection, and nature

How can we incorporate nature and movement into our lives to foster health, reflection, and personal growth?

How does a professional tri-athlete become a barefoot nomad? The path has never been clearer to Jessi Stensland. She discusses the role of movement in her life, before diving into her passion: feet. Jessi unpacks her own journey of foot discovery, and shares foot recommendations for others. She describes her personal reflective practices, and her focus of prioritizing nature in her life.

In other words, if people come up to me on the trail and they say, ‘Do you run barefoot?’ And I said, ‘I don’t run barefoot. I run. You run in shoes. And why?’ Because we have a shoe company called Vivo Barefoot, ‘live barefoot.’ The first time someone asked me, ‘What does barefoot mean to you, Jessi?’, I was like whoa! If someone has to ask me—very, very wholeheartedly ask me—what I think the word barefoot means… Something’s wrong with that word in our day and age now, unfortunately.

~ Jessi Stensland (14:05)

Jessi Stensland is a Nature-based, movement-inspired, wild and free human currently in living in Oaxaca, Mexico. She has a background in human performance, was a college swimmer, professional triathlete and mountain sport athlete who more recently began exploring parkour and dance. Jessi is working on a concept designed to inspire a rerooting of our collective core values within Nature. She is passionate about living with Nature, moving in Nature, and about permaculture, foraging, growing food, floor sleeping and, as always: free feet.

The conversation explores how reconnecting with nature and understanding our bodies can inspire profound personal growth and reflection. Jessi shares how her journey into barefoot living transformed her approach to movement and life. She discusses the physical and sensory benefits of engaging with natural environments, emphasizing the importance of texture, variability, and sensory stimulation for healthy feet and overall well-being. Her self-discovery highlights how societal norms, like reliance on shoes, can obscure our connection to natural movement.

Another central theme is the mental and emotional clarity derived from living in harmony with nature. Jessi explains how daily exposure to natural elements and reflective practices, such as mindful interaction with the environment, allow her to process her thoughts and recharge. The discussion also touches on broader topics, including the importance of childhood freedom, permaculture, and foraging, as ways to deepen our relationship with nature and enrich our lives.

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Kyle ‘Just Sole’ and Dinita ‘Queen Di’ Clark: Street Dance, culture, and community →

Published November 18, 2020  ·  All posts on Nov 18  ·  

Kyle ‘Just Sole’ and Dinita ‘Queen Di’ Clark: Street Dance, culture, and community

What roles do culture, community, and personal experience play in shaping the art and teaching of street dance?

Some things go beyond a passion to become a way of life… For Kyle ‘Just Sole’ and Dinita ‘Queen Di’ Clark that way of life is street dance. They share their story; how they started dancing, their backgrounds, and their work as choreographers and professors. Just Sole and Queen Di describe their experiences with dance, from clubbing to teaching, and explain the culture  and community of street dance. They discuss family, home and travel, and how dance weaves through everything in their lives.

It’s actually a surrendering to music. That’s what dance says, it’s a surrendering, it’s a commitment, it’s a letting go of your preconceived notion to accept it, to express your conceived notion with it.

~ Kyle ‘Just Sole’ Clark (45:40)

Kyle ‘Just Sole’ and Dinita ‘Queen Di’ Clark are dancers, choreographers, educators, and parents. Currently college professors, they have competed, taught, traveled, and performed together around the world for the last decade. Just Sole and Queen Di founded the “Just Sole! Street Dance Theater” company, and educational program “Funky Sole Fundamentals” to preserve the culture and styles of hip hop, funk, and house dance.

The beautiful thing about hip hop and street dance culture is, you are allowed to be yourself within the culture.

~ Dinita ‘Queen Di’ Clark (36:00)

The conversation centers on the deep cultural, spiritual, and personal significance of street dance. Kyle and Dinita discuss how street dance is more than movement; it’s a form of expression and a way of life, intricately tied to music, history, and community. They highlight the role of personal upbringing and exposure to music and movement in shaping their artistic journeys, describing dance as a universal language that everyone can connect with, but only those who actively participate truly understand.

Queen Di and Just Sole also emphasize the responsibility of teaching street dance, including preserving its cultural roots and passing on its history. They address misconceptions about the art form, such as the lack of perceived technique, and stress the importance of engaging directly with the culture through clubs, ciphers, and shared experiences. The discussion also touches on themes of appropriation, education, and the universal appeal of dance as a means of connection and spiritual release.

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Barely noticeable →

Published November 7, 2020  ·  All posts on Nov 7  ·  

The authors note that a core resource of the digital economy is the data produced by users of services like Facebook and Google, which can then be used to train machine learning algorithms to do valuable things like precisely targeting advertisements or more accurately processing natural language. The current market treats data as capital: the “natural exhaust from consumption to be collected by firms” for use in training their AI-driven golden gooses. Lanier and company suggest an alternative: data as labor. Put simply, if a major platform monopoly wants your data to help build a multi-billion dollar empire, they must pay you for it. Offering a free service in return is not enough.

~ Cal Newport from, On Seriously Rethinking the Digital Economy – Cal Newport

slip:4ucabo30.

Well, that would change everything.

Imagine I changed the sidewalk in front of my house to have plates that moved slightly as one walks across it. I’ve rigged the plates to absorb some of the motion created during walking to generate electricity to offset my electric bill. Let’s assume further that the movement of the plates is barely noticeable. Perhaps something seems a bit “off” when you walk past my house, but nothing bad happens to you; you don’t fall and you don’t get tired, but you do work just a little harder when walking past my house.

What happens when we scale up that “harmless” little modification to include everyone, walking everywhere?

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Thomas Droge and Brenda Kahn: Story, history, and self-perception →

Published September 23, 2020  ·  All posts on Sep 23  ·  

Thomas Droge and Brenda Kahn: Story, history, and self-perception

What are the ways in which personal narratives, self-perception, and mentorship influence an individual’s path to growth and transformation?

If you want to know someone, have a conversation with them. But if you want to know who they really are, have a conversation with their partner. Thomas Droge and Brenda Kahn share their story and how they’ve changed over the years. They explore the idea of our internal narratives and self-perceptions, finding your own way, and the human experience of time. Brenda and Thomas discuss ways to change the world and the importance of investigating your history.

I’ve been writing a memoir. And I had a really fascinating experience with it, because I got all the way through it, and realize that everything that I told myself about myself was totally not true. […] the stories we tell ourselves, literally, inform our lives in a way that have real consequences in the real world. And when you take a step back and look at yourself and decide, wait a second, you know, they actually did a lot of really cool things, you know— this was kind of amazing. So then I had to start the whole thing over again from this whole different slant.

~ Brenda Kan (38:24)

This conversation explores how personal stories and perceptions shape our lives and how reevaluating them can unlock growth. Brenda reflects on writing a memoir and discovering that her past achievements were much more significant than she initially believed, illustrating the transformative power of storytelling. Thomas complements this idea by discussing mentorship and the value of learning from both older and younger generations to stay connected with evolving perspectives.

And he said, for me, one of the things that I think people always miss in mentorship is that you need mentors who are younger than you, to share with you what’s changing in the world, and keep you connected to what’s happening. And mentorship is really a two way street, of the younger generation, connecting you with the world and what’s happening and showing you what’s changing from their point of view. To teach you so that you don’t get stuck in your static view of the world.

~ Thomas Droge (33:17)

The discussion also touches on movement practices, mindfulness, and self-discovery, connecting these to larger themes like time perception and narrative transformation. By examining personal experiences, they highlight the importance of self-awareness and adaptability in personal and professional contexts, as well as the role of mentors and shared knowledge in shaping these journeys.

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Cara-Michele Nether: Aikido, wellness, and honesty →

Published July 22, 2020  ·  All posts on Jul 22  ·  

Cara-Michele Nether: Aikido, wellness, and honesty

How can personal experiences with Aikido and wellness practices be used to help others improve their lives through self-awareness, physical health, and personal growth?

Unexpectedly inheriting an Aikido school may sound overwhelming, but Cara-Michele Nether took it in stride. She sits down to share her journey in Aikido and acupuncture, and what she’s learned from both. Cara-Michele unpacks her views on overall health, and how she helps people improve their lives by focusing on their ‘why.’ She discusses her grandmother, the importance of self-awareness, and her thoughts on Aikido’s usefulness.

Nobody wants to do something that they feel awful about. So you have to make it easy and smooth for them and give them small reasons to celebrate and have a good time and feel like they want to come back.

~ Cara-Michele Nether (38:42)

The discussion focuses on personal growth and the impact of martial arts, particularly Aikido, on physical and emotional health. Aikido serves as a tool for self-awareness and developing resilience, as Cara-Michele shares her journey from discovering the practice to inheriting and leading a dojo. The themes of humility, connection, and navigating challenges in teaching and practice are explored in depth.

Health and wellness are central topics, as Cara-Michele integrates practices like acupuncture, nutrition, and functional movement into their work. She emphasize the importance of understanding personal motivations, or “why,” to make meaningful changes in health and lifestyle. Stories of overcoming challenges and helping others through tailored approaches highlight the transformative power of these practices.

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