I think the “spine” described here makes a really good point:
[REDACTED]
~ from private communication
It’s a shame it’s not somewhere on the open web where people could read it!
I’d totally quote the interesting bit and share it, along with my thoughts, here on the ol’ blog.
Alternatively, you can find some interesting bits by searching for “Holonomic AI and the Charlton Hypothesis”. I’m not sure how correct it is, but it’s interesting.
Just the other day I learned about the 5/4 time of the original theme to Mission: Impossible. And there’s a possibility that Morse Code is involved.
The Morse code for M.I. is two dashes followed by two dots; if a dot is one beat and a dash is one-and-a-half beats, then this gives a bar of five beats, exactly matching the theme’s underlying rhythm.
What happens when you stop trying so hard and learn to find power through subtraction rather than addition?
Wing Chun training in a Hong Kong living room involves hours of standing still with no sparring, forcing practitioners to confront inner demons and abandon Western goal-seeking mentality.
I’ll tell you, Craig, this was the hardest thing at that time that I had to go through, both physically and mentally, because […] it’s just so difficult, you know, standing still there, not moving. It’s just so difficult! All these inner demons start to come up. You start thinking, and you know, there’s nowhere to hide.
~ Nima King (5:17)
Nima King describes his journey from training as a teenaged bouncer in Sydney, to becoming a student of Grandmaster Chu in Hong Kong, where his expectations of intense sparring and rooftop battles were replaced by hours of standing practice in a small living room. The training focused on empty hand forms rather than fighting techniques, creating a physically and mentally challenging experience where inner demons surfaced and there was nowhere to hide. Grandmaster Chu provided hands-on guidance through tactile cues, manipulating posture and stance to help students release tension points gradually rather than through sudden breakthrough moments. The practice required abandoning the Western mindset of conceptualization and goal-seeking in favor of embodied experience, with Nima’s teacher eventually banning him from asking questions to force this transition.
The conversation explores how martial arts principles apply to modern life, including parenting and professional goals. Nima discusses the challenge of not trying too hard despite his natural inclination toward the mentality of pushing through pain and injury. The practice teaches that letting go of control represents a powerful act rather than laziness or apathy, and that vulnerability challenges conventional masculine ideals of strength through aggression. Grandmaster Chu exemplified this power through humility, always bowing lower and greeting students with warmth rather than displays of dominance. The art becomes about subtraction rather than accumulation, finding ways to achieve goals with less effort by allowing things to happen rather than forcing them.
A method for people who feel overwhelmed to start writing more on paper—which makes everything else easier
I’ve written a guide which shows how to use notebooks for clearer thinking: one notebook, simple practices, no elaborate systems. Written to help you stop re-thinking the same things and close open loops.
The problem facing knowledge work in our current moment is not that we’re lacking sufficiently powerful technologies. It’s instead that we’re already distracted by so many digital tools that there’s no time left to really open the throttle on our brains.
This is something I’ve been thinking about for a few months. I recently went back to my lab notebook habit from 30+ years ago. It’s like discovering a bicycle for your mind: It multiplies the power of what my mind is good at. But not too much. (like a car where you’re completely cut off from the world.) Using a notebook I can hold thoughts outside my mind, return to them, and see them.
There’s also the magic that happens when you hold onto a thought long enough to write it down. That’s much longer than we usually hold on to any thought.
I’m a little behind :) this episode of The Creatively Engaging is from 4 years ago, but is worth listening to.
About halfway through Anna and Monika start talking about what it was like to play the specific piece of music. There’s an interesting discussion about staying in the tension of being out of perfect timing… which all struck me as related to doing work as a creative in general.
Me, the other day after hearing a brief mention of a new-to-me-word on a podcast: “Is there a Greek work, something like (sounds like) tem-in-oss, that has to do with a special protected place of healing, particularly out in nature?”
ɕ
You’re likely thinking of temenos (τέμενος), pronounced roughly “TEM-eh-nos.”
In ancient Greek, a temenos was a sacred precinct or sanctuary—a piece of land marked off and dedicated to a god or gods. These were often places of worship and healing, particularly sanctuaries dedicated to Asclepius (the god of medicine), where people would go for ritual healing practices.
The term literally means “a piece of land cut off” (from the verb τέμνω, “to cut”). These sacred spaces were set apart from ordinary use, often located in natural settings like groves or near springs, and served as protected places for religious activities, healing rituals, and refuge.
In Jungian psychology, Carl Jung later adopted “temenos” to describe a protected psychological space for inner work and transformation—which connects nicely to the original sense of a sacred, healing precinct.