Let us read, and let us dance; These two amusements will never do harm to the world.
~ Voltaire
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Author: Craig Constantine
The Structurist
Sometimes I have a “thread of interest” that I simply know I will never have the time to do anything with. Instead of simply ̄\_(ツ)_/ ̄ing and letting it go, I’m sharing this here so I can feel like I did something with it.
The what now? Oh, this periodical…
https://artsandscience.usask.ca/structurist/
…but the links on that page itself are broken. More searching did lead me to find at least some issues in U Sask.’s online store. But they are not cheap. (If they were single-dollars-each, I might just buy them all.)
They are available on ABE Books…
https://www.abebooks.com/book-search/title/structurist/
Open questions I had:
Does anyone within the sound of my voice have any issues?
Anyone have any commentary about the periodical at large?
Does anyone’s closest library have any of them?
Is anyone near the University of Saskatchewan?
…have a contact there?
…or any in-real-life means of getting more information?
And also, why aren’t the contents of these online? They seem to be culturally significant.
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Play with Nick Anastasia
What motivates and shapes the approaches and philosophies of movement practitioners in how they train, coach, and engage with spaces?
Designing obstacles and spaces inspires exploration and unique physical expression.
It’s just a more, sort of complicated way of, hanging out with your friends and playing with blocks when you’re a little kid.
~ Nick Anastasia (21:10)
The conversation explores the philosophy and practice of movement through structured play, improvisation, and coaching. Nick reflects on his evolution from exploring movement instinctively to intentionally designing spaces and challenges that inspire others. By creating unique and engaging setups, he aims to foster creativity and adaptability in movement.
Topics include the contrast between indoor and outdoor training spaces, with built environments offering dense opportunities for creativity and flow, while outdoor environments encourage exploration and adaptability. Improvisation plays a crucial role, with games and unstructured activities helping practitioners engage with their surroundings in new ways. Coaching philosophies emphasize introspection and learning, not just for the student but also for the instructor.
Takeaways
Movement in dense indoor setups — enables continuous exploration with minimal steps between challenges.
Outdoor training spaces — encourage discovery and adaptation to changing environments.
Improvisation in movement — develops adaptability and creativity in both planned and reactionary scenarios.
Coaching methodologies — focus on fostering individual growth and introspection for both students and instructors.
Space design and construction — inspire movement by offering unique challenges and creative opportunities.
Play as a philosophy — serves as a foundation for exploring movement, creativity, and collaboration.
The role of discovery — highlights the evolving nature of how practitioners see and use their environment.
Resources
The Movement Creative — A Parkour organization hosting events like Move NYC, focusing on creative and adaptive movement.
Parkour Generations Boston — A community that trains and coaches Parkour with temporary and permanent setups in Boston.
Harvard Square (Boston) — A location used for varied outdoor Parkour classes and exploration.
American Rendezvous — An annual Parkour event mentioned as an example of discovering changing training spots.
(Written with help from Chat-GPT.)
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Illusion
The self, the place where we live, is a place of illusion. Goodness is connected with the attempt to see the unself… to pierce the veil of selfish consciousness and join the world as it really is.
~ Erwin Schrödinger
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Dopamine
I’ve put forward a physiological hypothesis to explain the psychological Opponent Process theory, which I call the Receptor Control Theory. In essence, our pleasure set point or baseline “happiness” is determined by the density and sensitivity of dopamine receptors in the brain (and elsewhere). In this view, obesity and addiction result from a process of “dopamine resistance”, whereby receptor down-regulation impairs satisfaction and drives cravings. Conversely, high receptor density and sensitivity promote satisfaction and dampen cravings.
~ Todd Becker from, Retraining the limbic brain to overcome obesity and addiction
Phone use might rise to the level of a literal addiction. Its use can certainly cause dopamine release, which is a strong motivator that plays a role in addiction. I used to think that wasn’t true… That my phone didn’t cause dopamine release… That my phone wasn’t causing manipulation of my motivations… then I tried to put my phone down for an entire day.
And then I set about separating using my phone as a tool—which I can do a lot without it being addictive—from my phone’s use of me as a tool.
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MaryBeth Gangemi: Environment, ‘Natural Movement’, and Breathing
What are the key insights into natural movement, breathing, and how they connect to overall well-being?
MaryBeth Gangemi’s experience as a social worker has had a profound affect on how she approaches her movement practice and working with clients. She shares her own movement journey, from city to country side. MaryBeth discusses the importance of environment, breathing, and play on our ability to move well and ‘naturally.’ She unpacks her thoughts on the connections between social work and movement, as well as creating spaces accessible to all.
So you could say, is walking natural movement? […] But what if you’re walking with your head down looking at your phone, with your mouth open breathing heavy, is that? […] If we want to focus on return to nature type of idea […] how about like, really walk with posture up and look where you’re going and look around and see what’s ahead of you? […] Just not letting all of it pass you by.
~ MaryBeth Gangemi (39:34)
MaryBeth Gangemi is a breath, strength, and natural movement coach, in addition to being a wife and mother. She has certifications in many different areas, including MovNat, Kettlebells, Original Strength, and Buteyko Breathing Method. MaryBeth owns and runs Kairos Strong, where she teaches students to develop quality movement to support all areas of their life.
The conversation explores the profound relationship between natural movement, breathing, and overall well-being. Topics include the importance of posture, awareness, and incorporating nature into daily practices to foster mindfulness. Breathing techniques, such as the control pause, are discussed as vital tools for improving health and managing stress.
There’s an emphasis on rediscovering play, curiosity, and sensory experiences, like walking barefoot or engaging with different textures in the environment. The dialogue also examines the role of environment in shaping movement habits and encourages listeners to explore new activities when their current routines become monotonous or unfulfilling.
Takeaways
Breathing awareness — Understanding breathing patterns can improve oxygenation and reduce stress.
Natural movement — Everyday movements like walking and crawling can be made more mindful and enriching.
Environment’s role — The physical and social environment significantly influences movement habits.
Rediscovering play — Adults can benefit from integrating playful and exploratory elements into their routines.
Mindfulness in motion — Focusing on posture and surroundings enriches movement experiences.
Breathing practices — Simple techniques like the control pause provide tangible health benefits.
Flexibility in routines — Movement practices should be adaptable and enjoyable to sustain long-term engagement.
Resources
Original Strength — A movement system mentioned for its effective breathing exercises.
Buteyko Breathing Method — A technique discussed in the context of improving breathing efficiency.
Julie Angel — A person referenced for their work in showcasing diverse movement practices.
(Written with help from Chat-GPT.)
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Sculpting
The sculptor must paint with his chisel: Half his touches are not to realize, but to put power into, the form. They are touches of light and shadow, and raise a ridge, or sink a hollow, not to represent an actual ridge or hollow, but to get a line of ight, or a spot of darkness.
~ John Ruskin
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A tiny commitment
To suddenly “go mindful” and try to be present all the time is about as easy as running a marathon when you’ve never even run around the block. Since most of us are not present the vast majority of the time, occasional stabs at “being in the moment” are quickly overrun by the colossal momentum of a lifetime of being lost in thought.
~ David Cain from, How to Make Mindfulness a Habit With Only a Tiny Commitment
There’s much worth reading on David Cain’s Raptitude website. For example, his How to walk across a parking lot, is one of the greatest things I’ve ever read. But the piece I’ve quoted from above stands out as a terrific “how to…” for working on mindfulness.
I’ve been actively working on first self-awareness, then self-assesment and finally mindfulness, for many years. (And writing about my journey as I’ve done so.) But mindfulness is still something that comes and goes for me.
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Rewriting
Rewriting [is] very painful. You know it’s finished when you can’t do anything more to it, though it’s never exactly the way you want it… The hardest thing in the world is simplicity. And the most fearful thing, too. You have to strip yourself of all your disguises, some of which you didn’t know you had. You want to write a sentence as clean as a bone. That is the goal.
~ James Baldwin
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Not in a vacuum
It can be easy to look at great geniuses like Newton and imagine that their ideas and work came solely out of their minds, that they spun it from their own thoughts—that they were true originals. But that is rarely the case.
~ Shane Parrish from, Standing on the Shoulders of Giants
There’s a perennial discussion around creativity that gets described various ways: “Steal like an artist.” “Repurpose what’s been done before.” “Creating new from the old.” I like Parrish’s point, (in the article but not the quote above,) that “geniuses” first mastered the best that others had to offer. Then they go onward and farther to create something new.
If the only thing someone has ever done is sample and remix others’ work… meh. But if someone has mastered some field—art, math, music, whatever—and then recombines and extends, (or pares down or transmogrifies)… then, ok. My distinction feels very close to the, No true Scotsman, logic fallacy, and yet I think it’s a useful distinction.
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True beauty
Moral beauty is the basis of all true beauty. This foundation is somewhat covered and veiled in Nature. Art brings it out, and gives it more transparent forms.
~ Victor Cousin
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Vignettes
I was chatting with my old friend Arthur over a continental breakfast at the Hotel Palomar.
~ Dave Pell from, The Cell Phone Time Machine
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I’m deeply in lust for vignettes. I’ve quoted the opening of the short piece and I’m saying nothing further about it. Although, I’ll happily arrange a few more bytes about vignettes.
You see, I’m a sucker for cuts; Cuts in the sense where one visual transitions to another exactly in the way that the real world doesn’t. (With a hat tip to Douglas Adams if that last turn of phrase feels familiar.) Movies like Up, or Bicentennial Man—which I love, but most people seem to pan—or check out the “Epilogue” in the movie, Cherry, (on AppleTV. Get AppleTV for a month just to watch this movie.) I’m a sucker for Vignettes that give you just enough information for you to navigate… and leave to your own devices to pull up your own memories, and to yank on your own heart strings.
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The effort is real
If you are going to be a writer there is nothing I can say to stop you; If you’re not going to be a writer nothing I can say will help you. What you really need at the beginning is somebody to let you know that the effort is real.
~ James Baldwin
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Choose two
Life is about tradeoffs. When we know what to say no to, and we know why, we can say yes with comfort and confidence to the things that matter. To the things that last. Work, family, scene. You can have two if you say no to one. If you can’t, you’ll have none.
~ Ryan Holiday from, Work, Family, Scene: You Can Only Pick Two
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The words “work”, “family”, and “scene” are of course maleable. I’d argue there’s a fourth—”self” or “health” would be the word I’d choose—and the admonition should be expanded to, “choose any three.” None the less, there something that feels to me very true about it being necessary, in the way the gravity is necessary to obey, about picking two of those three. There was a time when I chose work and scene. It was interesting, for a while. It wasn’t what it was cracked up to be. What’s your list, and which are you choosing?
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Well adjusted
It is no measure of health to be well adjusted to a profoundly sick society.
~ Jiddu Krishnamurti
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This is not amusing
I grew up with maps showing how cities would be obliterated by a nuke. They’re back.
~ Clive Thompson from, The Return of 1980s-Era Nuclear-Strike Maps
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As did I. And, The Day After, for those who don’t know what that is, … well to be candid, I’m not sure how to describe it. Absolutely, scientifically and viscerally real. I know what it looks like when civilization collapses; and it’s not some kitschy zombie scenario. Disease disables, maims and kills. But nuclear war would return us to Medieval times. I would have been 12 or so when The Day After aired on TV, and I’m confident we watched it. I know I’ve also seen it several times on VHS, (and possibly on Beta as we had one of those for a while too.) There’s an interesting, unresolved question about why don’t we see signs of other intelligent beings… and one legit thought is that, quite possibly, all but vanishingly few races obliterate themselves in a sort of technology limiting event.
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Example of the mind
The idea of the painter and the sculptor is undoubtedly that perfect and excellent example of the mind, by imitation of which imagined form all things are represented which fall under human sight.
~ John Dryden
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Expansive
Normally, we think of these difficulties and frustrations as something wrong with us, the other person, or the world. With this kind of view, every failure is another reason to feel bad about ourselves. Every frustration with someone else is a reason to shut down to them or lash out at them. Everything wrong with the world is another reason to feel discouraged.
~ Leo Babauta from, Everything is a Practice
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I recently read a discription of one’s mindset that used the term “expansive.” Having a “growth mindset,” or a “positive attitude,” are other turns of phrase in the same vein. Thinking expansively leads you to find opportunities. For 6+ years I’ve been tinkering on the Movers Mindset project, and a legitimate question comes up: What is the mindset of a mover?
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Softness with Josh Nierer
What inspires and informs the practice and teaching of movement, particularly focusing on softness and adaptability, in Parkour?
Training barefoot and the choice of footwear reveal unexpected connections to movement fluidity.
I was always a very power hungry— Very, how far can I jump? How big of a movement can I do? Because that was always what caught the attention. But then […] I watched one of [Minh Vu Ngok’s] videos. And he was just such a beautiful mover, doing everything so elegantly, doing his flips, doing his other tricks. But you know, his video— the audio was just him moving. And it was just so quiet.
~ Josh Nierer (2:19)
The conversation explores the concept of softness in movement and its relevance to Parkour. Josh shares how his initial focus on power transitioned into a fascination with softness after observing a skilled practitioner’s quiet and elegant movements. He discusses biomechanics and how force dissipation through techniques like rolling contributes to more efficient and safer movement. Insights into ground reaction time and muscle memory highlight the technical precision required to master these movements.
Footwear and training methodologies are also discussed, emphasizing the benefits of barefoot training for sensory feedback and movement accuracy. Josh highlights the connection between repetition, strength, and mindfulness in achieving fluidity and quietness in movement. Additionally, he reflects on designing Parkour obstacles and how engineering principles enhance their functionality and versatility.
Takeaways
Repetition in training — crucial for building muscle memory and improving ground reaction time.
Softness in movement — achieved by managing force distribution and avoiding hard landings.
Biomechanics in Parkour — understanding force dissipation through rolling and other techniques.
Mindful practice — combining awareness and technical refinement to improve movement quality.
Importance of footwear — thinner soles can enhance sensory feedback and reduce injury risk.
Versatility in design — designing Parkour obstacles to maximize multiple uses and durability.
Resources
The Movement Creative — organizers of the Move NYC event.
Minh Vu Ngok @minh_vn — Practitioner from Germany known for his elegant and quiet movements.
Parkour Generations Lehigh Valley — organization offering gym design services for Parkour spaces.
Move NYC event — a Parkour community gathering featuring workshops and sessions.
Bethlehem Steel — historical reference for carpentry inspiration shared by Josh.
(Written with help from Chat-GPT.)
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Endurance
Something that irritates you. That’s the anguish of it. Do this book, or die. You have to go through that. Talent is insignificant. I know a lot of talented ruins. Beyond talent lie all the usual words: Discipline, love, luck, but most of all, endurance.
~ James Baldwin
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