When you start something, don’t raise other people’s expectations. What is highly praised seldom measures up to expectations. Reality never catches up to imagination. It is easy to imagine something is perfect, and difficult to achieve it. […] Honorable beginnings should serve to awaken curiosity, not to heighten people’s expectations. We are much better off when reality surpasses our expectations, and something turns out better than we thought it would.
~ Baltasar Gracián
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How can storytelling techniques be used effectively in podcasting to create compelling narratives?
The discussion reveals the power of asking consistent questions to uncover unique stories.
It really depends on the person and their storytelling style— how tangential we get. So some of them, it’s like a chainsaw that you have to go in with— a chainsaw first, and that’s the first edit.
~ Linda McLachlan (6:35)
The conversation explores storytelling as a central element in podcasting, emphasizing its role in creating engaging narratives. Linda discusses using consistent questions to uncover unique stories while following a structured story arc inspired by workshops like Bernadette Jiwa’s Story Skills. She describes how this approach helps craft compelling episodes, balancing predictability and surprise. Editing styles are also addressed, with Linda explaining how some episodes require significant reworking to achieve clarity and impact.
The discussion touches on influences, mentioning podcasts like “On Being” by Krista Tippett and books by Brene Brown as inspirations for exploring human connection and vulnerability. Linda also reflects on the creative freedom podcasting offers, encouraging creators to embrace restrictions as opportunities for innovation while staying true to their personal vision. The conversation concludes with practical advice for aspiring podcasters, underscoring the importance of authenticity and the freedom to experiment.
(more…)It’s a small thing, and it was really really difficult. But I did it.
Instead of sticking to my “publish on Wednesday’s at 10am”… like I did for the first 100 episodes. 101 was published Tuesday around 7pm. I know that sounds dumb—but I’m not being sarcastic or hyperbolic. Over the years I’ve gotten really adamant about that publication day-of-the-week and time-of-the-day. Sure we weren’t able to do one every week… but I kept trying to keep things neat and tidy. “Wednesdays at 10am” was that one little bit of structure.
But really, who cares. Any structure you’re clinging to?
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How do the experiences of deafness, architecture, and parkour intersect to influence design and accessibility?
While it’s not immediately apparent that Jade Amber Ragoshke is unilaterally deaf, it is a defining factor for her life and work. She shares her experiences with deafness, learning about it, and adapting to it. Jade discusses architecture and her ongoing research into the connections between architecture, parkour, and accessibility. She reflects on disability, designing for all people, and creating more inclusive environments in all communities.
I think, after this conversation that we’ve had about art— I think that what art really is, is breaking the boundaries of the standard.
~ Jade Amber Ragoschke (30:14)
Jade Amber Ragoschke is an architect, parkour practitioner, and the vice president of World Deaf Architecture. Her involvement in parkour led to her interest and eventual career in architecture. After finding her place in the Deaf community, she discovered a new perspective and approach to architecture that is more inclusive, empathetic, and accessible to everyone. Jade specializes in accessible design for people with disabilities and provides architectural consultation to parkour communities. She advocates for inclusive play spaces for all ages and is researching the intersections between architecture, parkour, and accessibility.
This conversation explores the unique intersections of parkour, architecture, and accessibility, weaving together personal experiences and professional insights. Discussions highlight how accessible designs often double as ideal spaces for creative physical movement, reflecting an unexpected synergy between inclusivity and play. Jade emphasizes the importance of designing spaces at a human scale, focusing on sensory experiences and personal engagement rather than purely aesthetic considerations.
The dialogue also examines the philosophical and practical roles of architecture and art in memorializing history and shaping societal experiences. By referencing specific examples like the 9/11 Memorial and other landmark designs, the conversation illustrates how architecture can evoke emotions, honor history, and inspire resilience. The shared experiences of adapting to hearing loss further contextualize Jade’s perspectives on design, emphasizing the transformative potential of inclusivity.
(more…)So I went and built a new thing: The Podcaster Community.
If you create podcasts — whether you’re thinking about it, just starting out, or are publishing your 100th episode — we’d love for you to join us. It’s free to create an account. Logging in enables the platform features and you can immediately begin posting/replying in the public categories.
I don’t idle well. I get an idea in my head, and I start thinking about all the ways it could be realized. Recently, I’ve had a few separate conversations with podcasters who were looking for something—what they each wanted was different. And so I set off to build it.
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Nothing but what you get from first impressions. That someone has insulted you for instance. That —but not that it’s done you any harm. The fact that my son is sick —that I can see. But, “that he might die of it,” no. Stick with first impressions. Don’t extrapolate. And nothing can happen to you. Or extrapolate. From a knowledge of all that can happen in the world.
~ Marcus Aurelius
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As usual, I was reading a “this day in…” journal entry of mine, from a too-recent year. I found one of my unfortunately-too-frequent pages of pissed-off scribbling. And just smack-at-the-bottom was this:
If something is important, DO IT NOW,
if not, DO SOMETHING IMPORTANT.
Clearly that’s a kissing-cousin to the Eisenhower “method”. Partly, I like to sprinkle in Wikipedia links to see how easily you are distracted. But more so in this case, because it isn’t even Eisenhower’s idea.
Where might I tattoo this? I was thinking directly on my corneas would be a good place; The first half on one, the second half on the other. It would be like those “floaters” you find in your eye. It would be a true, subliminal message. (Grammar geeks: It would also be a truly subliminal message.)
I can think of no situation where that guidance would fail me, because the sub-text is: What, right now, is actually the important thing to do? Maybe taking a nap, or eating popcorn with a movie, really is important [for my mental health]. Or maybe the important thing is to up-end my day and go all-in helping someone do something.
Maybe the tatoo should be: IS THIS IMPORTANT?
Pop quiz: Grab a writing instrument and write, in cursive, the word, “scribbling.” For an extra 5 points, write in cursive—on the first try, without looking it up—the capitals: H, K, Q and G.
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What is called peace by many is merely the absence of disturbance. True peace cannot be distrubed; It resides beyond the reach of disturbance.
~ Wu Hsin
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Not only do most deliberate practitioners not spend all day at it, they also devote a lot of time to recuperation and recovery. They sleep as much as their bodies need. They nap if necessary. They take frequent, refreshing breaks. Most of us understand that rest is necessary after physical activity. But we can underestimate its importance after mental activity, too. Deliberate practice needs to be sustainable for the long term. How long a person keeps at a skill is often far more important than how many hours a day they spend on it.
~ Shane Parrish from, The Ultimate Deliberate Practice Guide: How to Be the Best
I’m going to trot out a rare: HOLY CRAP! Because that post is a small book on deliberate practice. If you’re only up for some skimming, click through and smash-scroll to the summary and book list at the bottom of that post.
Then I’m going to briefly stride over one of my fave soap boxes: Sleep.
…and settle onto pointing out that I make a deliberate practice out of working on writing these blog posts. I’ve been working, (off-and-on, one break involved some lawn mowing,) for four hours this morning from that one Parrish post. I’ve read it, blogged [this] about it, posted about it in another community, captured a few quotes, learned more about the Oddyssey, and wrote a blog post about a common Homer quote.
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