Author: Craig Constantine

The real fake-it-til-you-make-it

August 11, 2021 · All posts on Aug 11

The improvements in Eliza’s speech alone do not confer the opportunities. But being able to speak like a duchess puts her in the company of people from whom she can learn the sentiments and sensibilities of the upper class. When she begins to speak like them, they treat her differently, giving her an opening to expand her capabilities.

~ Shane Parrish from, The Pygmalion Effect: Proving Them Right

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I’ve always been unhappy with the phrase, “fake it ’til you make it.” It’s always seemed that there was something missing. (Yes, sure, it’s meant to be short and simple, not long and accurate.) But this bit from Parrish hits it on the head.

By acting as if I already were the thing I want to be, I’m practicing being the thing. That’s obvious. What’s not obvious is that doing so creates a positive feedback loop as other people then treat me as if I really were the thing. I make a change, and then as if by magic, other people offer me new opportunities. I use the work magic because what I might change—for example, how I speak, as in Eliza’s case—should have no bearing on what opportunities I am offered. But it does.

Why? Other. People.

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Deep dive into books

August 10, 2021 · All posts on Aug 10

Today I thought I’d share a thorough explanation of what I do “to” a book these days. This process—which to be honest I don’t follow for every book I read—is the result of combining a few different ideas:

  • I love the physicality of books. The typography, the paper, writing in them, desultory bookmarks, (I add my own ribbon bookmarks,) and numerous sticky-notes poking out the side.
  • I love the peaceful, inertness of books. They literally sit there and do nothing. There are no alerts, and no interaction, (from anyone beyond the author’s original magic spell.)
  • I’ve always wanted to retain more of the knowledge from a book once I’ve read it.
  • I’ve wanted to be free of my self-imposed rule of reading every page.
  • These days I have a slipbox, and I want it to grow.
  • I love to collect quotes.
  • I’ve always wanted a set of crib notes, summary, or something that I could lay hand on after reading a book.

Arrival

Fortunately, books arrive slowly. It took practice, but I learned to do all of the following in a minute or two.

If it’s a new book, I take a few moments to prepare the spine. (Please tell me you know how to do that.) I affix a small, white, circular label on the spine, and I slap a sticky-note on the first face opposite the cover.

I skip over to librarything.com and find the book in “Your Books”—my books, that is. Most arriving books are coming in after already being in my “wishlist” collection; They get moved to the “library” collection. Otherwise they get searched for and added to my collection. Books get tagged as “physical,” (as opposed to those tagged “PDF,” “iBooks”, or “Kindle,” because, yeup, I track those too.) I see what MDS number Library Thing says the librarians of the world have chosen.

On the sticky-note, I write “LT”, (for “this book is entered into Library Thing,) and the MDS number. I write the main, three-digit part of the MDS number on the label on the spine.

Finally, I skip over to bookmooch.com and remove it from my Wishlist over there to ensure I don’t forget about it. (Lest I accidentally “spend” my Book Mooch points requesting a book I now have.) If this is a book that someone sent me because of Book Mooch, I hit the “Received!” button instead.

This book is now “ours.” And some amazing things are now possible just by having spent a couple minutes on each book as it arrives. (Please ignore the entire week I spent bootstrapping ~500 books when I started doing all this. :)

  • Physical bookstores are fun again! What books are on my wishlist? (500+ at the moment) …okay, what wishlist books are tagged, “priority”? (about 250 — yes I have a problem.) Picking up a book… “this looks interesting…” Do I already have it in the house, maybe now is the time to buy it? Did I once have it, and it’s no longer in our collection, (part of my collections in Library Thing is “had but gone now”)?
  • Long-term storage of books doesn’t mean they are lost. A big portion of the books in our house are here because we want to keep them. They sit for years untouched. Those are shelved by MDS number. Ask me for a book, and I can walk directly to it; It’s either laying about somewhere and top of mind, or it’s shelved where it can be found immediately.
  • This is morbid, but if the house burned down I could decide what books to replace.

Books are for reading

Well, technically, one can also build a thing called an anti-library. But eventually, hopefully, or at least this is what I keep telling myself: I start reading the book.

I do tend to read the entire book. But generally I read the table of contents first to see what I’m getting into. If I think the book is going to be a really deep read—something I want to read more than once, refer to, and really ingest—I probably read the Afterword first. The Afterword was written dead-last, after the book was done and the author is a different person at that point. Then maybe the Foreword, or some books have a Summary, or a Preface, whatever.

I’ve no qualms about skipping parts. For example, in books like Trust Yourself by M Wilding I skipped all the anecdotes and skipped all the workbook/exercises stuff. I ended up reading only about one-third of all of the pages. (Still, a good book by the way.)

As I’m reading, if anything quotable jumps out, I’ll capture that on the spot. This leads to me making some marks, allocating a slipbox slip address, and I’ll leave a small post-it sticking out the side. I’ve never met a book worth reading that didn’t have at least one quotable bit awaiting me within.

Slipbox

As soon as the first slip gets created from the book, that slip needs to refer to the book. That means the book itself needs to be in the slipbox. Apparently, I always wanted to be a librarian.

And now I can leave a “(2tu1)” reference on the quote’s slip.

So that’s a bit of detour, but it really only takes me about a minute. You’ll notice—first photo at top—that the sticky-note for this example book has a slipbox reference, “(2tu1)”—the parens mean “this is a reference”. I didn’t put that on the sticky-note when the book arrived. That was added when I put the book into the slipbox by creating slip “2tu1”.

But mostly, I’m just reading the book.

Identify summarizing bits

One day, I’m finished reading.

I find that even if it took me months to finish, the book’s contents remain pretty fresh in my mind. I flip through the book cover-to-cover, just skimming and noticing what I recall from reading. When I see a good, representative bit, I simply stick in a blank card at those spots. This lets me gauge how many slips my “summary” will be; Two is too few, and 20 might be too many.

Each spot has some key point that I want to include in my summary. I don’t write anything at this point. The goal is just to stick the cards into all the places that I want to include in my summary.

(I once tried using a printed template whose layout facilitated taking brief notes and had pre-printed page numbers. Folded, it doubled as a bookmark so I could build some notes as I read. When an idea leapt out, I’d find the page number on the sheet and jot a note. It was a neat idea, but didn’t work out for me.)

Summarization

Finally, I go through all the spots I’ve identified and I do a little underlining. I jot the basics of the idea on a slip and address it. So for this example book, whose slip is addressed “2tu1”, this first of the summary slips goes “below” as “2tu1a.” Next summary slip would be, “2tu1b”, “2tu1c” etc.

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Just create

August 9, 2021 · All posts on Aug 9

But the unintended consequence of, what one might call, total brand and business control, is that it diverts attention away from the most essential part of any creative profession. You know, making great stuff.

It’s hard to do that under ideal circumstances; harder still when you’re tweeting or visualizing your next Instagram story or flying to some industry conference.

~ Ryan Holiday from, Your Work Is the Only Thing That Matters | by Ryan Holiday | Human Parts

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The only thing better than finding something worth sharing is not realizing who the author is until after deciding to share it. Holiday—I’ve just learned—also writes on Medium, and I didn’t recognize the site title, nor his style. But that’s not my main thrust today…

An artist’s job is to create masterpieces. Period.

~ as above

Usually I’m all like: My latest podcast episode isn’t downloaded a million times? “Nobody loves me.” Paltry likes on Instagram? “Nobody loves me.” My LinkedIn post gets ignored? “Nobody loves me.” No new weekly email list signups? “Nobody loves me.” …ahem.

But sometimes I manage to remember to just. do. the. work. And then all’s right as rain.

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Escalation

August 8, 2021 · All posts on Aug 8

It’s fine if you didn’t, but last week you may have noticed this weekly missive put on a few extra pounds. (I just love the word, “missive,” don’t you?) This week’s missive is similarly embiggened. And for the foreseeable future, you can expect about 42.9% more puzzlement. What, pray tell, has happened?

Here’s how much care I put into this . . .

I write, and schedule, the it’s-just-a-quote posts as I find new quotes. At this moment, there are a few—202 to be specific—lined up in the wings awaiting their day in the sun. I had been scheduling them every third day. But you nimble-mathing people will realize that means I was scheduling them nearly two years out. (Relax. WordPress makes it easy to do.)

Worse, because I feed the quotes to my Little Box of Quotes podcast-turned-Little_Shop_of_Horrors-monster, I must accumulate at least one new quote every day, (on average.) Not only are the quotes stuck, like an epic fat-berg, in the pipeline of my blog, that ‘berg is quickly growing. What to do?

Well, I really don’t want to turn my blog into a quote-a-day web site. That’s the only real way to fix the pile-up. Instead, I rescheduled them to be every-other-day. (Relax. WordPress doesn’t make it easy, but I’m cuckoo, and fast.) I already felt that I was cheating 33.3% by only writing two blog posts between every-third-day’s quote— But there was no way I could bear to only write a blog post every-other-day. (Don’t misread that as: I couldn’t bear to cheat that much. No, the posts come out of my head faster than that, and I couldn’t bear to ignore them.) Which brings me to…

I’m going back to writing a blog post for every day, and you’re getting 3 or 4 quotes each week. Thus the jump from a regimented 7 items per week to an embiggened 10 or 11 items per week.

So I got that goin’ for me, which is nice.

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Yes, relax

August 7, 2021 · All posts on Aug 7

This is the training. Relax the narrative, loosen your view, and drop into the openness of the present moment. Breathe deeply, and relax your body. Relax the jaw, relax the muscles in your torso. Feel the openness in this moment.

~ Leo Babauta from, Training to Be Relaxed in Stressful Situations – Zen Habits Website

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It took me a long time to understand that the only source of stress in my life is myself.

I’ve been in two car crashes where I’ve instantly gone from automobile operator to roller-coaster rider. I’ve been absolutely wiped out, in countless variations, in martial arts context. I’ve discovered mid-air that I’ve been launched off my mountain bike. I’ve been obliterated while skiing. I’ve had too many—I’m refusing to count—nearly serious automobile accidents where my driving skills, applied consciously with to-the-inch and to-the-split-second accuracy saved the day. I’ve had bones broken. I’ve been fallen upon, by a poor fellow who was saved from an 8-foot, head first, fall onto concrete… by the flex of my rib cage. I’ve been hit in the face with a max-power, line-drive, point-blank soccer ball penalty kick. I’ve been flattened by a skull-to-skull running-speed impact. Sucker-punched in the gut. T-boned into the sticker-bushes at high speed on a bicycle. Beaned by a 2×6 board. I once fell 12 feet from a tree with my head being the first thing to land… on a tree root. I’ve been clipped by a truck, and blown a bicycle tire at high speed, ending up happy to reach the ditch rather than the asphalt. I rear-ended a car at speed (on my bicycle.) I’ve been banged up, flipped over, slammed into, … but also yelled at, and put upon. I had someone angrily invoke the name of my dead father in an attempt to shame my actions. I’ve been laughed at, and picked last in gym class. I’ve run out of money and bummed rides to work. I’ve been chewed out by a boss. I’ve had my credit card declined while in public. I’ve been scammed by street hustlers, lied to by various people, and pre-judged in various dimensions.

…and I can now truthfuly say: The only source of stress in my life is myself.

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Quotations are difficult

August 6, 2021 · All posts on Aug 6

Most of my blog posts are either a quotation which I leave to stand on its own, or a usually-longer-length pull-quote with a citation and my commentary. Things around here are very intentional. The freestanding quotations are meant to leave all the context and analysis to you, Dear Reader, without any of my thoughts coloring your thoughts. You may very well try to learn more about me based on my selections, but I’m trying to recreate—for your enjoyment—the experience of discovering the quotation. The pull-quotes both expose the seed of my reflections and try to lure you to something in the world I’d like to highlight.

Fires can’t be made with dead embers, nor can enthusiasm be stirred by spiritless men.

~ Baldwin

But there are the vanishing rare two-fer posts like today. There. Have a quote. And…

I discovered this quote in a book, (p17 of Get Together, 2019 Richardson et al if you must know.) I know this will surprise you, but I have a well-practiced process for “capturing” quotes. In this case, the vague attribution tickled a memory; “I’m pretty sure I have a quote from James Baldwin…” I checked, and I do. “I wonder if this quote is that Baldwin…”

What’s the simplest thing that could possibly work? Just type the quote, in quotes, into a search engine… and Quote Investigator has a page for it. (Going directly to Quote Investigator is step two, by the way, if the search fails. I search generally, first, because it often finds the phrase in the original source material right out of the gate.) It turns out that this quote has a second sentence!

Fires can’t be made with dead embers, nor can enthusiasm be stirred by spiritless men. Enthusiasm in our daily work lightens effort and turns even labor into pleasant tasks.

~ Baldwin

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Oh, nice! I like that even more than the one I stumbled on. But who is this “Baldwin”… and then I read the Quote Investigator page. Their conclusion is ¯\_(ツ)_/¯ . It’s been attributed four different ways for nearly 90 years. And now I’m wondering if my James Baldwin quote— which is #380 in my collection of 700+ so it’s pretty old, although I think I recall where I got it, from Gaping Void . . . but don’t go there! It’s a wonderland rabbit hole of decades of cartoons. I digress. And I’m having images of the book authors doing this same rabbit hole deep dive.

Fine, executive decision: I’ll stick with “Baldwin.” But that makes for this wonky entry in my slipbox index of people… Now I have “Baldwin, James” and “Baldwin.” But you know what? I’m never going to forget about this now, if I ever look at that index slip again.

So now you know: When you see me casually drop a freestanding quote here, it’s not in truth casually.

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Audience with Tyler Williams

August 5, 2021 · All posts on Aug 5

What are the differences and challenges in engaging an audience across live performances, studio recordings, and podcasts?

Crafting a consistent identity for a podcast requires balancing creative freedom and audience expectations.

I started out thinking every episode of my podcast needed three actionable tips, something concrete so that even a stranger would walk away with value. But then I realized I was having so much fun just talking to my musician friends—those natural conversations became the real heart of the show.

~ Tyler Williams (8:07)

The conversation explores the differences between live performances, studio recordings, and podcasting, particularly how they affect the performer’s ability to connect with an audience. Live performances demand real-time adaptability, like responding to unexpected disruptions, while studio recordings offer intimacy and control. Podcasting, on the other hand, presents unique challenges due to the absence of a visible audience, requiring conscious effort to maintain energy and engagement.

Another key topic is podcast structure and identity. The discussion touches on title choices, episode intros, and whether podcasts should always deliver specific value, such as tips or insights. The importance of consistency and balancing creativity with audience expectations is emphasized, particularly as podcast creators experiment with formats, such as solo episodes versus guest interviews.

The conversation also highlights audience surprises, such as unexpected feedback on edited episodes, and the role of accessibility. Strategies for improving audience reach, including artwork and search relevance, are considered, alongside concerns over licensing agreements with platforms like Spotify.

Takeaways

Live performance adaptability — Engaging a live audience requires real-time reactions to unexpected challenges, such as disruptions or mistakes.

Podcast intimacy — Studio recordings and podcasts offer a controlled, intimate setting to connect with the audience.

Audience engagement challenges — Podcasting lacks direct audience feedback, making it harder to gauge and maintain engagement during recording.

Podcast identity and structure — Balancing creativity with consistent value, like including tips or key insights, helps define a podcast’s identity.

Episode titles and artwork — Titles and visuals impact whether a potential listener clicks “play” on an episode.

Audience surprises — Listeners often respond unexpectedly to certain episodes, highlighting the subjective nature of audience preferences.

Podcast format flexibility — Mixing guest interviews with solo episodes provides creative freedom without creating separate shows.

Licensing and platform concerns — Understanding the implications of podcast licensing agreements, particularly with platforms like Spotify, is crucial.

Accessibility of older episodes — The longevity of podcast episodes allows them to surprise creators long after publication.

Introductions and summaries — Crafting episode intros or show notes can range from minimal to highly curated, depending on the podcast’s style.

Resources

Hear Me Pod — Tyler’s podcast

Tyler Williams Music

Mac Power Users Podcast — A podcast offering tips and insights on Apple devices and workflows.

The Working Musician Podcast — A podcast discussing the challenges and realities of working musicians.

Anchor by Spotify — A free podcasting platform discussed in relation to its push for advertising and licensing agreements.

(Written with help from Chat-GPT.)

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Journey with Steve Heatherington

August 5, 2021 · All posts on Aug 5

What is the personal and professional journey of someone who engages deeply with podcasting and alpaca farming?

The challenge of helping alpaca owners led to building a community-driven podcast from scratch.

You’re onto a good thing when that happens—the resistance is an indicator and therefore you need to engage with that and find a way through it, round it, over it, whatever to get past it.

~ Steve Heatherington (8:59)

Craig and Steve engage in a conversation that spans podcasting, personal growth, and alpaca husbandry. They reflect on Steve’s podcasting journey, which begins with his intention to help his wife promote her book. Over time, this evolves into a deeper commitment to podcasting, leading to the creation of his show, Alpaca Tribe, and a role as a coach in podcasting workshops. Steve shares his experiences of learning the craft, overcoming challenges like imposter syndrome, and balancing different podcast formats such as solo episodes and interviews. The pair also discuss the significant time and effort required to develop a podcasting practice.

Steve’s passion for alpacas emerges as another key topic. He describes his life as an alpaca shepherd and shares how his podcast aims to help alpaca owners feel confident and fulfilled while caring for their animals. The discussion also delves into broader themes of creativity and growth, with Craig noting the similarities between podcasting and artistic endeavors like painting. They explore how both pursuits involve facing challenges and continuously improving. Steve emphasizes the importance of identifying a compelling problem to address, one that resonates deeply enough to sustain years of exploration and conversation.

Takeaways

Having a clear purpose — Revisiting “why” helps keep the podcast focused and aligned over time.

The power of curiosity — Sustained exploration and willingness to learn drive growth in podcasting.

Different podcast formats — Host-on-mic versus interviews create distinct challenges and require varied skill sets.

Imposter syndrome — Resistance often signals that you’re doing meaningful work worth pursuing.

Balancing storytelling with practicality — Melding stories with helpful information engages a broad audience.

The iterative process — Success comes from continuous refinement and revisiting foundational questions.

Starting small — Big ideas often begin as modest, practical experiments.

Resources

The Alpaca Tribe Podcast — A podcast aimed at helping alpaca owners feel confident and fulfilled.

The Pod Buffet — A curated platform featuring short, impactful podcast episodes.

Akimbo Podcasting Workshop — A workshop designed to teach podcasting skills and foster community collaboration.

Stephen Pressfield’s Blog — Mentioned in the context of overcoming resistance and creative challenges.

(Written with help from Chat-GPT.)

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Tick tock

August 5, 2021 · All posts on Aug 5

Because we can look back and see that the way time has been measured throughout history has changed, it’s reasonable to imagine when looking forward that it will continue to change – our current use of hours, minutes, weeks and months may be as obscure and forgotten as the nundina, the akhet, or the gesh several millennia from now. The day, the year, and the movements of the other planets in our solar system, on the other hand, aren’t at the whim of the powers that be or of passing cultural trends. The 10,000 Year Clock, therefore, keeps track of these robust and durable units of time. The Clock’s main dial keeps track of the Sun, Moon and stars while The Orrery models our solar system.

~ Austin Brown from, Long Now’s Orrery Prototype For The 10,000 Year Clock – Long Now

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Immediately before reading the above article, I read something about the eastern Sahara Desert. About a researcher who managed to extract a 50-foot core-sample from a lake bed spanning 11,000 years of seasons. What is now a desert was once a lush paradise.

The projects and updates from the Long Now Foundation always fill me with awe and wonder. They always make me try to imagine 10,000 years from now. And that makes me feel like a slightly better person for having spent some time trying to think bigger-than-myself. But that core sample? …it covered still more. 10,000 years is but a blink in geologic time.

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Selene Yeager: Menopause, health, and writing

August 4, 2021 · All posts on Aug 4

Selene Yeager: Menopause, health, and writing

What challenges and insights arise from navigating menopause, maintaining health, and balancing creative pursuits?

Selene Yeager doesn’t shy away from topics other might avoid; in fact, she is leading the conversation around menopause. She shares her journey into creating a podcast about menopause, and her own experiences with menopause. Selene explains her thoughts on diet, nutrition, health tracking, and cycling. She discusses her relationship with writing, and what she’s currently reading.

Women drop out at the other end of the spectrum just as much, because they’re alone, their bodies are changing, and it’s worse; you feel like Carrie. It’s almost like Carrie. Remember that Stephen King book? No one is telling you these changes that are going to happen.

~ Selene Yeager (8:30)

Selene Yeager is a professional health and fitness writer, cycling and nutrition coach, personal trainer, athlete, and podcast host. She has written articles for many publications, including Bicycling Magazine, Runner’s World, and Men’s and Women’s Health, in addition to authoring, co-authoring, and contributing to over 2 dozen books. Beyond writing, Selene is the host of Hit Play Not Pause, a podcast focusing on menopause for athletes.

The conversation explores the complexities of menopause, emphasizing the intersection of physical changes, societal stigmas, and personal identity. Selene discusses her journey of embracing menopause as both a challenge and an opportunity, using her experiences to inspire and educate others. Topics such as hormonal fluctuations, their effects on mental and physical health, and the lack of open discourse surrounding menopause are examined.

In addition to menopause, the conversation highlights the speaker’s multi-faceted career as a writer, athlete, and podcaster. She shares insights into maintaining creative energy, managing time, and balancing professional and personal responsibilities. Discussions also touch on broader health themes like intermittent fasting, its specific impact on women, and the importance of listening to one’s body for optimal well-being.

Takeaways

The transformational journey of menopause — Women can navigate menopause as an empowering phase of self-discovery and growth despite societal stigma.

The interplay of science and storytelling — Communicating complex health information in relatable ways fosters understanding and action.

Challenges of aging athletes — Physical changes can lead to disconnection from familiar identities, but adaptation and support networks are crucial.

The pitfalls of intermittent fasting for women — Unlike men, women often experience adverse effects due to physiological differences.

Balancing creative and physical pursuits — Structuring time around energy rhythms can help sustain productivity and joy.

Supportive communities for menopausal women — Finding a network of peers can significantly ease the challenges of life transitions.

Resources

Hit Play Not Pause — Selene’s podcast focused on menopause for athletes, hosted by the speaker.

Feisty Menopause Community — Menopause guidance for active women.

Roar by Stacy Sims and Selene Yeager — A book addressing the unique needs of female athletes.

North American Menopause Society — Offers resources and certifications for professionals specializing in menopause care.

(Written with help from Chat-GPT.)

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Zoomed way, way out

August 4, 2021 · All posts on Aug 4

It’s true that such adaptations are now anachronistic; they have lost their relevance. But the trees have been slow to catch on; a natural consequence of the pace of evolution. For a tree that lives, say, 250 years, 13,000 years represents only 52 generations. In an evolutionary sense, the trees don’t yet realize that the megafauna are gone.

~ Whit Bronaugh from, Ecological Anachronisms – Long Now

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There’s an effect in film making which you’ve seen but may not have realized exactly what you were seeing: The dolly zoom shot. “The dolly zoom is a famous technique invented by Alfred Hitchcock for his 1958 film Vertigo. The shot is achieved by simultaneously tracking backwards or forwards while zooming in or out.”

The narrator is too breathless for my tastes, but still, take a few minutes to watch this explanation of the dolly-zoom. You can thank me later: https://nofilmschool.com/2017/05/watch-what-dolly-zoom-can-do-you

Ahem. Now, back to my top-quote and what I wanted to say in the first place…

Text-based, disorienting dolly-zoom!

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Who has authority?

August 3, 2021 · All posts on Aug 3

Suppose he had passed his judgement upon a hypothetical proposition, and declared, ‘I judge the proposition, “if it be day, there is light,” to be false,’ what would have happened to the proposition? Who is being judged here? Who has been condemned? The proposition, or he who is utterly mistaken about it? So who on Earth is this man who has authority to pass such judgement on you?

~ Epictetus

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Community creation as art

August 3, 2021 · All posts on Aug 3

We make art with everything we are, the doom and the glory of it. We make art to know ourselves, to locate ourselves in the web of being, to make ourselves more alive. We make art that, at its best, helps other people locate themselves and live.

~ Maria Papova from, Keith Haring on Creativity, Empathy, and What Makes Us Who We Are – The Marginalian

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I think that art is, among other things, a physical something which exists separately from the artist. Art can be ephemeral—chalk work that disappears, a dance performance—but it exists in reality. (As a counterpoint: Art cannot exist solely in one’s imagination.) We even acknowledge that property of art being something-which-exists within the word artifact. (As in art-i-fact, and facts are concrete things which can be known about reality.)

Artists. Art. Artifacts.

Until just reading Popova’s comment, I hadn’t thought of creating a community as art; But now I am wondering.

I’m certainly a creative person, and creativity is required to create—hey, look at that—a community. Clearly a community isn’t summarily disqualified from being art simply because it is ephemeral, both in the sense of its appearance changing over time, and that it will one day cease to exist. But is it art?

Because a community sure looks like something that fits within what Popova is saying up there.

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Connections with David Reynolds

August 2, 2021 · All posts on Aug 2

How does podcasting facilitate unexpected connections and personal growth?

Podcasting leads to unexpected relationships, including connections with Holocaust survivors and international collaborators.

You had to really interact with people and get information and learn and ask questions and be kind of vulnerable too… ‘This might sound dumb, but I’m going to ask it anyway because I don’t know the answer.’ And everybody is really gracious and generous.

~ David Reynolds (6:53)

The conversation explores how podcasting has created unexpected connections and opportunities for personal and professional growth. David describes how chance interactions, such as a humorous online mix-up with a stranger, transformed into valuable conversations. Notably, the podcasting journey led to memorable interviews, emphasizing how meaningful stories emerge from unexpected connections.

Additionally, podcasting has introduced David to new tools, workflows, and skills they hadn’t previously encountered. The technical demands of podcast production, such as using multiple software tools, highlighted the complexities behind creating polished episodes. Beyond the technical aspects, the experience also influenced his personal life, fostering deeper reflections on relationships and ideas, including interactions with his spouse and interviewing his own parents.

Takeaways

Unexpected connections — Podcasting opens doors to surprising relationships, such as meeting international collaborators and interviewing Holocaust survivors.

Personal reflection — Hosting conversations helps clarify personal ideas and deepen understanding of relationships.

Skill development — Podcasting requires learning new tools, workflows, and technical processes to create professional episodes.

Community engagement — Creating a podcast necessitates vulnerability, curiosity, and active participation in a supportive learning community.

Completion mindset — Publishing episodes regularly encourages a mindset of finishing creative projects, including books and podcasts.

Interconnected growth — The lessons learned through podcasting ripple into other areas, such as writing, work habits, and personal conversations.

Serendipity in action — Being open to seemingly random events, such as a LinkedIn message, can lead to meaningful outcomes.

Resources

Lead. Learn. Change podcast — David’s podcast focused on impactful conversations about education and leadership.

Seth Godin’s creative insights — Ideas about embracing failure, publishing consistently, and fostering creativity.

Airtable — A database and organization tool used to streamline podcast production.

(Written with help from Chat-GPT.)

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When in doubt

August 2, 2021 · All posts on Aug 2

We once spent 7 years remodeling our house while living in it. *shudder* Note to self: Don’t ever do that again. In such a journey, you must learn to navigate a precarious balance between perfection, and omgbecky just get it done! Reflooring the entire house? …maybe lean toward the former. Gutting the only bathroom to subfloor and bare stud walls? …maybe lean toward the later. (Ask me in person and I’ll tell you some stories.) But there is a huge swath of work that falls in the middle area.

“When in doubt, rip it out,” became my matra in those years. Yes, we could fix, cover, repair, patch, shift, or ignore whatever-it-was. And we’d then forever live with the fixed, covered, repaired, patched, shifted, or… well, you can’t ignore it forever. So any time there was doubt, we ripped it out. Dug it up. Tore it down. And then—as time, energy, and money—were available we did it the right way. Or at least, the way we wanted it.

This principle works spendidly too for things other than one’s physical domicile. “What would be the right way, or at least the way I’d want it to be?” will lead you on a journey of exploration.

What’s the right way to repair the crown wash atop our chimney?

How should I convey all these features, benefits and doo-dads to new community members?

How should I organize this book I’m writing?

What would whatever-this-is be like if I did it the Right Way(tm)? …why is that the Right Way(tm) and what if I did it differently?

…but this is actually a post about my slipbox. I’ve not posted recently about it, and it continues to grow. Mostly I continue collecting quotes. But the main part of the slipbox is growing slowly as well. The topmost-level numbers are major divisions, conceptually. “4” is a hierarchy of analects. (I’ll pause while you search.) And “2” is for books.

Any time I want to refer to a book, I add a reference like, “(2b2)” on a card. I had setup the 2nd-level-letters to be MDS leading digits. So that’s a reference to the 2nd book in the 2b section. The point isn’t to understand the structure, when I see a reference… I can just go find the slip. I’m simpy explaining how it was setup. When I set it up, I thought a structural organization would be the way I’d like it.

I was thinking I’d put notes about the books elsewhere in the slipbox. Turns out I’d rather keep a few notes directly “under” the slip for the book itself. But that means I can’t easily find Tomorrow and Tomorrow and Tomorrow—great book by the way. I have to go find its MDS number and then go into that slipbox section. So yesterday I pulled all the slips out of the “2” section and redesigned the entire thing.

“When in doubt, rip it out.”

The section is now simply organized by title. That book is now under “2to1″ —”to” from the title, first book under “to”. But the first rule of a slipbox is that you cannot change the address of a card. Other cards likely refer to it. And my blog posts have slip addresses on them. And I have digital documents with slip addresses in the names.

So I spent hours hunting and searching through everything, updating blog posts, updating filenames of digital files, updating notations on slips, … hunting down the physical books and updating the notes I keep in the books. It was a big undertaking.

If you’ve been following along with my slipbox journey, you’ve seen me write about how the slipbox enables having a conversation… with the ideas in the slipbox. It sounds wacky, I know. But my experience yesterday showed me it’s true. Every idea, every slip, were mine originally—I put them all in there. But I had an entire day’s worth of new ideas, connections, rereading parts of books, making new notes, … it was totally worth every minute, (yesterday and to date creating the slipbox.)

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