How things feel

I have written about this before and it is something I wish to emphasize repeatedly: efficiency and clarity are necessary elements, but are not the goal. There needs to be space for how things feel. I wrote this as it relates to cooking and cars and onscreen buttons, and it is still something worth pursuing each and every time we create anything.

~ Nick Heer, from Delicious Wabi-Sabi

Yes, “efficiency and clarity are necessary elements, but are not the goal. There needs to be space for how things feel.” Hear! Hear!

There are at least three reasons to read Heer’s points. Retro-digital photography is really a thing; the Japanese concept of wabi-sabi (appreciating beauty that is imperfect, impermanent, and incomplete); A bit of hist wondering about software.

It’s the wabi-sabi that got me thinking about podcasting. I’m well-known for cutting the corner when it comes to editing the conversations I record. I’ve always looked at that as a necessity: If I tried to raise the level of quality by editing, I’d not be able to put the episodes out (or at least not as many.)

After reading Heer’s thoughts, now I’m wondering if I’m also—perhaps even more so?—drawn to the wabi-sabi of the conversations with all their blemishes, false-starts, uhm-and-ahs in place.

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Boredom

Boredom is just “What’s the use?” in disguise. And, “What’s the use?” is fear, and fear means you are secretly in despair. So put your fears on the page. Put anything on the page. Put three pages of it on the page.

~ Julia Cameron

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Really, this book is worth reading

I mentioned this book previously (in, Driveway Moments). As I read more, it became clear this book is stuffed full of useful information for podcasters. At some point, I’ll get around to organizing some sort of “resources” something-or-other over on the Podcaster Community, and Sound Reporting will definitely go in the “must read” books list for podcasters.

Almost nothing in the book is directly usable… but there’s a ton of stuff—far too much for me to quote—that I found made me think.

To be honest, a lot of it felt like, “yes, I agree” and “yes, I learned that the hard way.” But there was also a lot of “that’s a good idea” and “yikes, now I know I don’t want to do that that way.”

These chapters were particularly fertile ground: Writing for Broadcast, Story Editing, Reading on the Air, Hosting, and Booking. They contains tons of information from the professionals.

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Wait, that’s absolutely backwards

“Do you have any ideas in mind?”

I was talking with someone recently, and they asked me what ideas I had in mind. I described a visual that had recently come to mind for me, and I then, as a followup to that visual, I added a few ideas as single words.

(I’m very intentionally, not being specific here…)

When I finished—it all took but a few moments—it struck me…

Dude, those single words really are the ideas I want to convey…

But that imagery? It’s exactly the opposite of those ideas. That visual is a terrible idea…

Let’s set aside the confusion I may have caused to my friend. (Although, I did point out that I saw the contradiction.)

It seems to me it’s really rare to have a moment of such clarity around something important: If I hadn’t been explaining it to another person, I might have hung onto that visual imagery.

Where are you hanging on to the wrong details?

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Redemption

Because it’s elitist, an initiation into arcana. Because it’s nostalgic, rowing being a skill not much in demand in the industrial world. Because it’s fragile: The boat club is run on a shoestring, and the beat-up old boats held together by spit. Because it’s dangerous, and exercises the wits against the wind and the water. Because it’s a ritual. Because it’s redemption.

~ Barry Strauss

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Where’s the scene?

Where is the space where you hang out with other people doing whatever it is you do? I’ve mentioned this idea before, for example, Setting and scene. This is something I come back to often because it is really important to me.

And by “space” I mean a physical space, like the proverbial 19th century café with writers talking and drinking coffee. Third places are clear candidates for our scene.

What about virtual third places? All of us know each other virtually, including through various video calls over the years. But a virtual space has to be very special to be a true “scene.” In fact, I’m not sure just how special, and I’m not sure what exactly the features it needs to have…

That’s what I’m thinking about this morning:

What are the special feature of a virtual space that make it into a scene?

Here’s a few I’ve come up with so far…

  • People :) obviously. We need to know others are there (I see “likes” or a head-count in the video call).
  • Engagement. We (me, you, the person seeking the scene) need to soak up energy from other people. Yes, even introverts need at least a little bit of interaction, particular in the realm of one’s creative endeavor.
  • Questions. Questions don’t have to be about getting an answer! “Revealing your questions in such a way points to the shape of the knowledge you are seeking.”
  • Mistakes. …not sure about this one. “Mistakes” isn’t quite the right word. I’m trying to point at the idea that seeing other people attempt things, and not succeed, shows that the scene is a space safe for experimentation and challenging ourselves.

What else comes to mind?

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Conduct of life

Silence is the absolute poise or balance of body, mind, and spirit. The man who preserves his selfhood ever calm and unshaken by the storms of existence—not a leaf, as it were, astir on the tree; Not a ripple upon the surface of shining pool—his, in the mind of the unlettered sage, is the ideal attitude and conduct of life.

~ Charles Eastman

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I don’t often laugh out loud

But when I do, it usually because of some deeply nerdy, cutting snark. Like this:

As someone who has read thousands of academic papers, I’ll answer those questions as calmly as possible.

NO.

~ “dynomight“, from https://dynomight.net/digits/

…and then it goes on, CAPSLOCKed, for several paragraphs. The only thing better than math-nerds, is when a math-nerd who is also a reason-nerd stomps on the vanilla-variety math-nerds. This stuff? This stuff makes the world a better place.

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Well, if you’re going to put a fine point on it

Songs arise out of suffering, by which I mean they are predicated upon the complex, internal human struggle of creation and, well, as far as I know, algorithms don’t feel. Data doesn’t suffer. ChatGPT has no inner being, it has been nowhere, it has endured nothing, it has not had the audacity to reach beyond its limitations, and hence it doesn’t have the capacity for a shared transcendent experience, as it has no limitations from which to transcend.

~ Nick Cave, from https://www.theredhandfiles.com/chat-gpt-what-do-you-think/

Sometimes I read things which are so clear, and right, that I nearly weep on my keyboard. (Yes, oldster, keyboard.) And then… I realize, enduring, suffering, audacity to reach beyond limitations— hey, that’s me! And then, still weeping, but I’m doing it right!

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tl;dr: It’s the lack of housing

So let’s go on a journey in which I will examine the validity of six common claims we hear about homelessness and the solution to our homelessness crisis: housing, housing, and more housing.

~ Noah Smith, from https://www.noahpinion.blog/p/everything-you-think-you-know-about

“But wait,” I hear you protest, “it’s more nuanced than that!”

Yes, yes, okay, fine. Again, this time with more nuance:

It’s the lack of affordable housing.

And how might we solve that root cause?

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