Lately, I’ve been back to my regular walking, and I’ve started getting serious listening time in. I was delighted to get a chance to hear from Curtis.
(Yes, yes, I’m way waay behind on the Hansel & Gretel Code.)
Like you, my to-listen-to podcast cup runeth over! I’m regularly adding newly-released episodes. But I also have a way of systematically looking through shows’ entire back-catalog. So I’m also, regularly adding very-old episodes.
Yikes!
…and I heard one of Curtis’s sound-bites as I typed that.
Anyway, if you’re already familiar with Curtis’s work, drop back into ep14 of H&G, just for fun. If you’re going “Curtis who?” … start below. And, you’re welcome!
art is personal and what qualifies or disqualifies something as art is all up to you
Every once in a while, when someone finds out that I’m a writer who dabbles in programming, they’ll ask me: So, is programming hard? And I usually answer the same way. “‘Hard’ is the wrong word,” I’ll say. “It’s not so much that it’s hard. “It’s that it’s frustrating.”
Because Thompson isn’t a professional programmer, there are two more parts to programming which he hasn’t discovered: First, that your mistakes inevitably come back to bite you in the ass. Second, you will forever face the engineering dilemma of having to wrestle with balancing good execution (does the bridge carry the weight over the river, or do people die) with project parameters (the budget is $5, it has to be shiny, and we need it next week.)
The soul–sucking frustration which Thompson rightly identifies is very real. Also real: Shit catching fire (literally and/or figuratively) in the wee hours of the morning requiring one to fix one’s own mistakes made, or shortcuts taken, years earlier. After a decade of that, one grows tired of explaining one’s reasons and process (not that anyone would listen.) And after a few decades of all that, one will understand why I sometimes say, as I approach losing my temper: Please do not meddle in the ways of wizards, for we are quick to anger and you are tasty with ketchup. It’s nothing you did; It’s nothing personal. It’s simply that Programming is terrible and it has broken me.
Good people will do what they find honorable to do, even if it requires hard work; They’ll do it even if it will bring danger. Again, they won’t do what they find base, even if it brings wealth, pleasure, or power. Nothing will deter them from what is honorable, and nothing will lure them into what is base.
Acknowledging our fundamental dignity, recognizing our potential and actively working towards its blossoming with sincerity, patience, and integrity, is what makes a life worth living. There will be challenges, and new gaps will constantly open, but recognizing and closing these gaps will make a difference in absolutely everything we undertake.
Saint-Exupéry extends the invitation to reorient to this particular skyborne machine — and, by a proximate leap of imagination, to technology in general — as something that, rather than alienating us from the rest of nature, could bring us into more intimate and conscientious contact with the world of clouds and creatures.
The Little Prince is one of those books that has been on the to-read pile for so long. And now Wind, Sand and Stars seems to be another. One of these days! So many good books, so little time.
What inspires the integration of movement disciplines, performance art, and endurance challenges to create a meaningful cultural and personal impact?
Is parkour about athleticism, or performance art? To David Banks, it is both at once. He shares his movement journey and inspirations, from martial arts to parkour to drama. David unpacks some of his projects, including the Movement Card and his various charity endurance challenges. He discusses performance art and how it relates to his parkour practice, and reflects on injury and recovery.
What is difficult is that our current urban conditions reject the possibility for a creativity in urban spaces. This is often—in Scotland because of social contracts, as opposed to written law. It’s ‘Get down off that wall.’ ‘You’re not allowed to do this, I’m phoning the police.’ For people that maybe don’t practice parkour that are listening to this, you might think, ‘You just tell him it’s fine, you just wait for the police to come.’ But the amount of times I’ve taken an hour or two out of my training over the years to deal with that, is just very frustrating.
~ David Banks (12:45)
David Banks is an artist and mover from Glasgow, Scotland. As a co-founder of the company Ukemi, he merges his background in art and parkour by creating projects that encourage play, improve health, and make movement accessible in urban areas. David has been a part of various projects through Ukemi, collaborating on Youth Urban Games festival and creating the Ukemi card game.
This conversation explores the multifaceted intersections of movement, performance art, and personal development. The discussion begins with the inspiration behind integrating artistic and athletic disciplines, as exemplified by an enduring fascination with characters like Spider-Man. David explains how this passion evolved into a commitment to parkour, boxing, and mixed martial arts, as well as how these practices contributed to storytelling and artistic expression.
The conversation goes into various projects, including the creation of the Movement Card, which aims to clarify legal rights for movement practitioners in different countries. The conversation also highlights endurance events such as crawling eight miles to raise funds for charity and the ambition to complete a rail marathon. These endeavors underline the speaker’s commitment to using movement as a medium for personal and social change, while emphasizing themes like injury, recovery, and the pursuit of authenticity in artistic expression.
Takeaways
Creative endurance events — Highlighting the significance of pushing personal and physical boundaries to achieve societal and artistic goals.
Parkour’s cultural and personal dimensions — Discussing how parkour combines physicality with storytelling and cultural commentary.
Legal and societal barriers — Examining how societal norms and legal frameworks shape the accessibility and acceptance of movement in urban spaces.
Artistic purity — Reflecting on reducing complex ideas to their rawest, most meaningful expressions through performance art.
Personal growth through movement — Emphasizing movement disciplines as tools for overcoming trauma and building mental resilience.
I often known when a bad joke or a terrible pun is coming. My confession is that I really enjoy that feeling of knowing there’s going to be a terrible groaner in… 3… 2… 1…
Except that in today’s case, I already wrote it.
”2020 vision.” As in, “20/20 vision.”
You’re welcome! Go start beating all your friends over the head with “insightful” comments about having 2020 vision for the coming year.
In other news: 2019 was the year I started using reading glasses. My past track record of prognostication and beginning-of-the-year vision statements, combined with my vision deteriorating… nope, lost it, I feel like I had something clever to say here. But no, it too is decagon.
Neutral is a state where you are not jumping ahead too quickly or moving too slowly. Neutral does not mean being inactive, complacent, or passive. It’s about a calm poise that allows for new information and new possibilities to emerge before taking further action. When in neutral you actually increase your sensitivity and intuitive intelligence. Neutral is fertile ground for new possibilities to grow from.
There comes a point in every man’s life where he must decide if he will strive to be somebody important, or if he will work to do something important. Sometimes these pursuits go hand-in-hand; often they do not.
Research has shown time and time again that kids of our modern age aspire for what’s perceived as a more glamorous life than one of service and lasting legacy. In fact, the top three career aspirations of today’s 5- to 11-year-olds are sports star, music star, and actor. Just 25 years ago, that same survey turned up teacher, doctor, and banker.
Of course, one way to make sure you never sound like an idiot when discussing politics (or have to suffer someone else who does) is to just avoid discussing politics in polite company. That said, sometimes a spirited discussion on current events is fun and informative, and sometimes you have the opportunity to talk to someone with an opinion or background you’d like to benefit from. In this post, we’ll show you how to approach those political conversations from an informed, civil angle, without a conversation with someone you may disagree with devolving into a mouth-frothing mess like you’d see on Sunday Morning talk shows.
