Grandiose fantasies are a symptom of Resistance. They’re the sign of an amateur. The professional has learned that success, like happiness, comes as a by-product of work. The professional concentrates on the work and allows rewards to come or not com, whatever they like.
~ Steven Pressfield
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Individuals who are realized in their own lives almost never criticize others. If they speak at all, it is to offer encouragement. Watch yourself. Of all the manifestations of Resistance, most only harm ourselves. Criticism and cruelty harm others as well.
~ Steven Pressfield
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Procrastination is the most common manifestation of Resistance because it’s the easiest to rationalize. We don’t tell ourselves, “I’m never going to write my symphony.” Instead we say, “I’m going to write my symphony; I’m just going to start tomorrow.”
~ Steven Pressfield
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[…] fear doesn’t go away. The warrior and the artist live by the same code of necessity, which dictates that the battle must be fought anew every day.
~ Steven Pressfield
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Resistance cannot be seen, touched, heard, or smelled. But it can be felt. We experience it as an energy field radiating from a work-in-potential. It’s a repelling force. It’s negative. Its aim is to shove us away, distract us, prevent us from doing our work.
~ Steven Pressfield
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There’s a secret that real writers know that wannabe writers don’t, and the secret is this: It’s not the writing that’s hard. What’s hard is sitting down to write. What keeps us from sitting down is resistance.
~ Steven Pressfield
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After reading the first “book” in Steven Pressfield’s The War of Art, I’m inspired to define, for me specifically: What is “the work?”
In a specific moment, on a specific day, when I feel that odd uneasiness, I will not try to identify the specific form Resistance is taking. Instead as Pressfield mentions on page 12:
[…] We can use this. We can use it as a compass. We can navigate by Resistance, letting it guide us to that calling or action that we must follow before all others.
Rule of thumb: The more important a call or action is to our soul’s evolution, the more Resistance we will feel toward pursuing it.
As a real example of my own experience, Resistance’s compass guides me towards watching sci-fi entertainment (“a harmless relaxation,” I think after working in my yard for hours). So the opposite would be to… organize and streamline my writing environment and processes so tomorrow I can write more easily! No. My hiding in preparation and perfection is just another form of Resistance.
The best way for me is to look at all the possible things I could do, rather than follow Resistance’s compass. Then boil that down to a list of positive, actionable, directions in which I can sit down and work.
In a specific moment, on a specific day, when I feel that odd uneasiness, I can glance at my list and simply do a bit of The Work.
To defeat Resistance I can simply sit down, and do a little bit of any of the following…
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PS: I’ve listed “do guest outreach” because—for me—once I do that consistently for a few weeks, all the rest of the podcasting process follows automatically.
How many pages have I produced? I don’t care. Are they any good? I don’t even think about it. All that matters is I’ve put in my time and hit it with all I’ve got. All that counts is that, for this day, for this session, I have overcome Resistance.
~ Steven Pressfield
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The writer’s voice casts a spell. The right voice makes the work accessible; it gives us the tone and point of view that best illuminate the material and make it shine. The magic of Hemingway’s prose is that it describes events the way the human eye sees them. He taught himself this technique as a journalist and he used it very consciously and deliberately.
~ Steven Pressfield, from https://stevenpressfield.com/2024/04/the-writers-voice/
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The question I’m left with, not specifically from this piece from Pressfield but just in general, is: Is it better to simply write what one feels drawn to write, and to then literally discover—as in, “oh, surprise, so that’s my writer’s voice”—or intentionally seek it out through planned discovery? Because it sure seems that different writers find their voices in different ways. Unfortunately, all I have here is the question. I’m not even sure if it’s really a dichotomy. Maybe it only seems to me, to be a choice. I’m on the “I dunno I’ll just try writing” discovery path. Maybe the other path wouldn’t work for me… maybe if I tried to be more intentional about finding my voice . . . maybe I’d just end up realizing that’s not actually a path to finding my voice.
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Was the project worthy of us? Was it ours alone, in the sense that we were writing from our own gift … and in the face of our own fears? Did we live up to the goddess’s expectations of us? Did we live up to our own? Did we give it all we had?
There are no spotlights in the writer’s life. There’s no moment of acclamation as we tap in a putt on the 72nd green. Our moment is private. When I wrap a book, a lot of times I won’t even tell anybody.
This is self-evaluation. Self-reinforcement. Self-validation.
~ Steven Pressfield from, https://stevenpressfield.com/2024/04/finishing/
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As usual, Pressfield is talking about writing and writers. But it made me think about how I finish with an episode…
It occurs to me that the very last things I do, are social media posts, and usual a final “hey thanks, it’s published” to the guest. I’m left [after reading pressfield’s post] wondering if I could re-imagine being done to be something I enjoy… some way to put a positive “done!” on the end.
What might that be? …maybe I print a copy of the episode notes and put it on a pile, or in a binder. …or some other way to create a visible “there’s the stuff that’s done!”
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Opinions are strongly divided about Pressfield’s concept of Resistance. And yes, some days I do find myself over in the Resistance-is-bullshit encampment thinking: No, Resistance is not real. It is important and meaningful for me to be spending my time rearranging these deck chairs, polishing this silverware, sorting these shelved books, getting the edge of my lawn just so, tagging and organizing all these blog posts… And then, “Curse you, Resistance!!“
For myself, I was years into the act of having a practice before I even thought about its efficacy as a strategy to overcome my own Resistance. Resistance was (and is) a given for me. It wakes up with me. I know I will have to face it every day, and I know it will never diminish or relent or go away.
~ Steven Pressfield from, https://stevenpressfield.com/2024/02/a-practice-and-resistance/
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I’ve been looking for a word to replace “professional” in my regular usage. (Please hit reply if you’ve got one.) I’ve given up on changing how others perceive the words I say; People take professional to first refer to getting paid for one’s efforts. But by professional I mean—and this is the way Pressfield uses the word—competent, skilled, assured, and approaching mastery. Steve Martin is talking about that sort of professionalism, not about money, when he says, “be so good they can’t ignore you.”
Why do I care? Because with the concept of getting paid pushed aside, then professionalism can be used as a razor for cutting through resistance. I simply consider my practices (left for another day is the discussion of whether or not it works to have more than one practice) and ask the question: Would a professional do this?
Yes, a professional would take time off for this restorative activity. No, a professional would just ignore these deck chairs. Yes, a professional would spend 3 days writing software tooling so 10 years from now this stuff is still organized and useful. No, a professional would not stoop to that level. Yes, a professional would totally get this part pitch perfect.
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Be sure that you’ve first fully assimilated the idea of ‘no’, above. For if you don’t, you risk the mistake I make of reflexively saying ‘yes’ to the next thing that comes up.
We do it because to stop (or pause) after Project number-1 means we are one-hit wonders. We are dabbling. We are amateurs.
To continue, on the other hand, means we are pursuing our calling as a practice.
~ Steven Pressfield from, https://stevenpressfield.com/2023/12/having-a-practice/
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We do, in fact, want to—we must—say ‘yes’ to some next thing.
First, master the wonderful, short, complete sentence: No. Second, immediately say yes to the correct, next thing.
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Am I too often seeking the sense of safety or control? (And it is indeed only a sense-of. It is only an illusion.) What happened to the simple feeling of joy in being?
What this means, as I understand it, is that when we let go of all attachment to the outcome of our novel publication/album release/opening of our Thai Fusion restaurant … we shift the locus of our enterprise from the ego to the Self (or the soul if you prefer.)
The Muse likes this. Heaven likes this.
We are now operating on the plane of the soul, not the plane of the ego.
~ Steven Pressfield from, https://stevenpressfield.com/2023/12/start-the-next-one-today/
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Sometimes an outcome is important; the measurements, the color, the specific dimensions. When the idea began with the intention of trading the outcome with another. But not every waking moment. Too much of that is obviously an imbalance.
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Godin’s writing frequently—it might be fair to say always—attempts to inspire. But from some quarters he is criticized for being too trite; that he speaks in platitudes.
No need to be part of the circus. If you can find a problem and solve it, you can skip the clown car.
~ Seth Godin from, https://seths.blog/2023/11/turtleneck-confusion/
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Two points: First, the problem with platitudes lies with the listener; if I’ve heard it so often, that it feels like a platitude, then why have I still not yet embodied the lesson? Second, Godin doesn’t get enough credit for his efforts to teach professionalism; and professionalism has nothing to do with getting paid (c.f. Steven Pressfield.)
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In the most recent months I’ve been waking up with this strange sensation. In the Fall I started deleting things; I started changing projects to require less input, simplifying where I could, and in some cases outright eliminating. Whereas in recent years I’ve generally awakened with a sense of “should”—I should do this, I should have yesterday done that—in the most recent months I’ve awakened with this strange sensation. It’s not optimism per se, but it’s close. What do I want to do today? …do that.
Hovering before me as I wake is the work I know I need to do that day. Inevitably, that labor is daunting. Inescapably, it brings up fear. I don’t want to do it. This fear and this avoidance combine to create the witch’s brew that boils and bubbles in the cauldron of my brain.
~ Steven Pressfield from, https://stevenpressfield.com/2023/10/my-head-in-the-morning-2/
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In the Age of Fire I continuously expanded what I wanted to do, beyond the bounds of possibility and reason. Lately, having realized that nothing I do actually matters, I’m free—I’ve always been free—to pick a few nice things upon which to apply myself.
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It’s time to accept that I’m definitely in part two of my life. I’m done pretending that living to 100 is realistic. (Although, I’m open to being surprised.)
Now on my Artist’s Journey I barely drive to the grocery store.
~ Steven Pressfield from, https://stevenpressfield.com/2023/03/after-the-wilderness/
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The thought rattling around in my head is: What are the differences between parts one and two? And I think the central thematic difference is activity versus passivity. In part one the hero expended tremendous effort bashing their way towards the objective. In part two the hero has realized it’s time to play a supporting role.
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And so we did the math, and it was really at the same time that I had lost [my idea] that she had gotten [her idea]. And we like to think that the idea jumped from my mind to hers during our little kiss that we had when we met. That’s our magical thinking around it. But it’s — there is no explanation for that other than the one that I’ve always abided by, which is that ideas are conscious and living, and they have will, and they have great desire to be made, and they spin through the cosmos, looking for human collaborators.
~ Elizabeth Gilbert from, https://stevenpressfield.com/2022/09/the-muse-strikes-again/
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Obviously that’s not how any of it really works. But it is a sublime, inspiring idea! I know that if I focus (or worse, fixate) on where some idea came from it’s easy to lose the delight of the overall thing. This cosmic perspective from Gilbert reminds me to simply take things and run with them. If I can. If this isn’t nice, I don’t know what is.
If I can’t run with it, well, that’s okay too. It is simply okay. But, if I still need some self-convincing, that cosmic perspective gives me the comfort I need to let go.
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Marty is a death camp survivor. He’s got the tattoo. He never speaks about the experience directly (I only know through my friend Pablo, who originally introduced me to Marty) but he’ll make remarks from time to time whose gist is, “Appreciate life. Never complain. Work hard and do your best.”
Marty has one other mantra: “Talent is bullshit.”
~ Steven Pressfield from, https://stevenpressfield.com/2022/07/talent-is-b-s/
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It’s worth reading simply because Pressfield wrote it; He doesn’t write that much on his blog and so I make time to read it all. Marty (who is a fictionalized version of a real person Pressfield knew) consuls a tidy, four points. I was gut-punched to realize that while I excel at the last two, “Work hard and do your best,” and I suck at the first two, “Appreciate life. Never complain.” The complaining bit I have made reasonable progress on. These days I don’t often complain, and when I do complain I am able to see it’s ridiculous indignation at its core. But that first one, “Appreciate life,”… yikes! I seriously suck at that.
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The passage that follows is from a book I’m working on right now. I’m not sure the passage works for a Writing Wednesdays post, but what the hell, I like it and my instinct tells me to put it out there.
~ Steven Pressfield from, https://stevenpressfield.com/2022/07/the-river/
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I do have certain distinctly imprinted “passages” from my own story. No, it’s not story-time today. Upon reading Pressfield’s comment (and the passage) I was left wondering what was the critical feature (or features) of my own passages which made them indelible. It certainly wasn’t receipt of accolades or actual accomplishment. It certainly wasn’t that a passage began with a grand vision or even a coherent plan.
I hope you weren’t expecting me to have an answer… this blog is, after all, just me working with the garage door up.
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If someone were to ask me to identify the single primary quality that an artist or entrepreneur should cultivate in himself, I would say depth of commitment. Because depth of commitment either embodies all the other virtues or establishes the fertile field in which they can take root and grow. Depth of commitment presupposes courage, passion, recklessness, capacity for self-discipline, and the ability to have fun. It implies perseverance.
~ Steven Pressfield
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