There’s a secret that real writers know that wannabe writers don’t, and the secret is this: It’s not the writing that’s hard. What’s hard is sitting down to write. What keeps us from sitting down is resistance.
~ Steven Pressfield
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Steven Pressfield
The Work
After reading the first “book” in Steven Pressfield’s The War of Art, I’m inspired to define, for me specifically: What is “the work?”
In a specific moment, on a specific day, when I feel that odd uneasiness, I will not try to identify the specific form Resistance is taking. Instead as Pressfield mentions on page 12:
[…] We can use this. We can use it as a compass. We can navigate by Resistance, letting it guide us to that calling or action that we must follow before all others.
Rule of thumb: The more important a call or action is to our soul’s evolution, the more Resistance we will feel toward pursuing it.
As a real example of my own experience, Resistance’s compass guides me towards watching sci-fi entertainment (“a harmless relaxation,” I think after working in my yard for hours). So the opposite would be to… organize and streamline my writing environment and processes so tomorrow I can write more easily! No. My hiding in preparation and perfection is just another form of Resistance.
The best way for me is to look at all the possible things I could do, rather than follow Resistance’s compass. Then boil that down to a list of positive, actionable, directions in which I can sit down and work.
In a specific moment, on a specific day, when I feel that odd uneasiness, I can glance at my list and simply do a bit of The Work.
To defeat Resistance I can simply sit down, and do a little bit of any of the following…
- do guest outreach for podcasting
- write the next issue of 7 for Sunday
- write the next Open + Curious article
- write new blog posts
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PS: I’ve listed “do guest outreach” because—for me—once I do that consistently for a few weeks, all the rest of the podcasting process follows automatically.
Overcoming Resistance
How many pages have I produced? I don’t care. Are they any good? I don’t even think about it. All that matters is I’ve put in my time and hit it with all I’ve got. All that counts is that, for this day, for this session, I have overcome Resistance.
~ Steven Pressfield
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Writer’s voice
The writer’s voice casts a spell. The right voice makes the work accessible; it gives us the tone and point of view that best illuminate the material and make it shine. The magic of Hemingway’s prose is that it describes events the way the human eye sees them. He taught himself this technique as a journalist and he used it very consciously and deliberately.
~ Steven Pressfield, from https://stevenpressfield.com/2024/04/the-writers-voice/
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The question I’m left with, not specifically from this piece from Pressfield but just in general, is: Is it better to simply write what one feels drawn to write, and to then literally discover—as in, “oh, surprise, so that’s my writer’s voice”—or intentionally seek it out through planned discovery? Because it sure seems that different writers find their voices in different ways. Unfortunately, all I have here is the question. I’m not even sure if it’s really a dichotomy. Maybe it only seems to me, to be a choice. I’m on the “I dunno I’ll just try writing” discovery path. Maybe the other path wouldn’t work for me… maybe if I tried to be more intentional about finding my voice . . . maybe I’d just end up realizing that’s not actually a path to finding my voice.
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How do you finish with it?
Was the project worthy of us? Was it ours alone, in the sense that we were writing from our own gift … and in the face of our own fears? Did we live up to the goddess’s expectations of us? Did we live up to our own? Did we give it all we had?
There are no spotlights in the writer’s life. There’s no moment of acclamation as we tap in a putt on the 72nd green. Our moment is private. When I wrap a book, a lot of times I won’t even tell anybody.
This is self-evaluation. Self-reinforcement. Self-validation.
~ Steven Pressfield from, https://stevenpressfield.com/2024/04/finishing/
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As usual, Pressfield is talking about writing and writers. But it made me think about how I finish with an episode…
It occurs to me that the very last things I do, are social media posts, and usual a final “hey thanks, it’s published” to the guest. I’m left [after reading pressfield’s post] wondering if I could re-imagine being done to be something I enjoy… some way to put a positive “done!” on the end.
What might that be? …maybe I print a copy of the episode notes and put it on a pile, or in a binder. …or some other way to create a visible “there’s the stuff that’s done!”
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Resistance
Opinions are strongly divided about Pressfield’s concept of Resistance. And yes, some days I do find myself over in the Resistance-is-bullshit encampment thinking: No, Resistance is not real. It is important and meaningful for me to be spending my time rearranging these deck chairs, polishing this silverware, sorting these shelved books, getting the edge of my lawn just so, tagging and organizing all these blog posts… And then, “Curse you, Resistance!!“
For myself, I was years into the act of having a practice before I even thought about its efficacy as a strategy to overcome my own Resistance. Resistance was (and is) a given for me. It wakes up with me. I know I will have to face it every day, and I know it will never diminish or relent or go away.
~ Steven Pressfield from, https://stevenpressfield.com/2024/02/a-practice-and-resistance/
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I’ve been looking for a word to replace “professional” in my regular usage. (Please hit reply if you’ve got one.) I’ve given up on changing how others perceive the words I say; People take professional to first refer to getting paid for one’s efforts. But by professional I mean—and this is the way Pressfield uses the word—competent, skilled, assured, and approaching mastery. Steve Martin is talking about that sort of professionalism, not about money, when he says, “be so good they can’t ignore you.”
Why do I care? Because with the concept of getting paid pushed aside, then professionalism can be used as a razor for cutting through resistance. I simply consider my practices (left for another day is the discussion of whether or not it works to have more than one practice) and ask the question: Would a professional do this?
Yes, a professional would take time off for this restorative activity. No, a professional would just ignore these deck chairs. Yes, a professional would spend 3 days writing software tooling so 10 years from now this stuff is still organized and useful. No, a professional would not stoop to that level. Yes, a professional would totally get this part pitch perfect.
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Onward
Be sure that you’ve first fully assimilated the idea of ‘no’, above. For if you don’t, you risk the mistake I make of reflexively saying ‘yes’ to the next thing that comes up.
We do it because to stop (or pause) after Project number-1 means we are one-hit wonders. We are dabbling. We are amateurs.
To continue, on the other hand, means we are pursuing our calling as a practice.
~ Steven Pressfield from, https://stevenpressfield.com/2023/12/having-a-practice/
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We do, in fact, want to—we must—say ‘yes’ to some next thing.
First, master the wonderful, short, complete sentence: No. Second, immediately say yes to the correct, next thing.
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Always be starting
Am I too often seeking the sense of safety or control? (And it is indeed only a sense-of. It is only an illusion.) What happened to the simple feeling of joy in being?
What this means, as I understand it, is that when we let go of all attachment to the outcome of our novel publication/album release/opening of our Thai Fusion restaurant … we shift the locus of our enterprise from the ego to the Self (or the soul if you prefer.)
The Muse likes this. Heaven likes this.
We are now operating on the plane of the soul, not the plane of the ego.
~ Steven Pressfield from, https://stevenpressfield.com/2023/12/start-the-next-one-today/
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Sometimes an outcome is important; the measurements, the color, the specific dimensions. When the idea began with the intention of trading the outcome with another. But not every waking moment. Too much of that is obviously an imbalance.
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Honka! Honka!
Godin’s writing frequently—it might be fair to say always—attempts to inspire. But from some quarters he is criticized for being too trite; that he speaks in platitudes.
No need to be part of the circus. If you can find a problem and solve it, you can skip the clown car.
~ Seth Godin from, https://seths.blog/2023/11/turtleneck-confusion/
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Two points: First, the problem with platitudes lies with the listener; if I’ve heard it so often, that it feels like a platitude, then why have I still not yet embodied the lesson? Second, Godin doesn’t get enough credit for his efforts to teach professionalism; and professionalism has nothing to do with getting paid (c.f. Steven Pressfield.)
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It’s resistance
In the most recent months I’ve been waking up with this strange sensation. In the Fall I started deleting things; I started changing projects to require less input, simplifying where I could, and in some cases outright eliminating. Whereas in recent years I’ve generally awakened with a sense of “should”—I should do this, I should have yesterday done that—in the most recent months I’ve awakened with this strange sensation. It’s not optimism per se, but it’s close. What do I want to do today? …do that.
Hovering before me as I wake is the work I know I need to do that day. Inevitably, that labor is daunting. Inescapably, it brings up fear. I don’t want to do it. This fear and this avoidance combine to create the witch’s brew that boils and bubbles in the cauldron of my brain.
~ Steven Pressfield from, https://stevenpressfield.com/2023/10/my-head-in-the-morning-2/
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In the Age of Fire I continuously expanded what I wanted to do, beyond the bounds of possibility and reason. Lately, having realized that nothing I do actually matters, I’m free—I’ve always been free—to pick a few nice things upon which to apply myself.
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Part two
It’s time to accept that I’m definitely in part two of my life. I’m done pretending that living to 100 is realistic. (Although, I’m open to being surprised.)
Now on my Artist’s Journey I barely drive to the grocery store.
~ Steven Pressfield from, https://stevenpressfield.com/2023/03/after-the-wilderness/
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The thought rattling around in my head is: What are the differences between parts one and two? And I think the central thematic difference is activity versus passivity. In part one the hero expended tremendous effort bashing their way towards the objective. In part two the hero has realized it’s time to play a supporting role.
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Human collaborators
And so we did the math, and it was really at the same time that I had lost [my idea] that she had gotten [her idea]. And we like to think that the idea jumped from my mind to hers during our little kiss that we had when we met. That’s our magical thinking around it. But it’s — there is no explanation for that other than the one that I’ve always abided by, which is that ideas are conscious and living, and they have will, and they have great desire to be made, and they spin through the cosmos, looking for human collaborators.
~ Elizabeth Gilbert from, https://stevenpressfield.com/2022/09/the-muse-strikes-again/
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Obviously that’s not how any of it really works. But it is a sublime, inspiring idea! I know that if I focus (or worse, fixate) on where some idea came from it’s easy to lose the delight of the overall thing. This cosmic perspective from Gilbert reminds me to simply take things and run with them. If I can. If this isn’t nice, I don’t know what is.
If I can’t run with it, well, that’s okay too. It is simply okay. But, if I still need some self-convincing, that cosmic perspective gives me the comfort I need to let go.
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Talent is bullshit
Marty is a death camp survivor. He’s got the tattoo. He never speaks about the experience directly (I only know through my friend Pablo, who originally introduced me to Marty) but he’ll make remarks from time to time whose gist is, “Appreciate life. Never complain. Work hard and do your best.”
Marty has one other mantra: “Talent is bullshit.”
~ Steven Pressfield from, https://stevenpressfield.com/2022/07/talent-is-b-s/
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It’s worth reading simply because Pressfield wrote it; He doesn’t write that much on his blog and so I make time to read it all. Marty (who is a fictionalized version of a real person Pressfield knew) consuls a tidy, four points. I was gut-punched to realize that while I excel at the last two, “Work hard and do your best,” and I suck at the first two, “Appreciate life. Never complain.” The complaining bit I have made reasonable progress on. These days I don’t often complain, and when I do complain I am able to see it’s ridiculous indignation at its core. But that first one, “Appreciate life,”… yikes! I seriously suck at that.
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An impression
The passage that follows is from a book I’m working on right now. I’m not sure the passage works for a Writing Wednesdays post, but what the hell, I like it and my instinct tells me to put it out there.
~ Steven Pressfield from, https://stevenpressfield.com/2022/07/the-river/
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I do have certain distinctly imprinted “passages” from my own story. No, it’s not story-time today. Upon reading Pressfield’s comment (and the passage) I was left wondering what was the critical feature (or features) of my own passages which made them indelible. It certainly wasn’t receipt of accolades or actual accomplishment. It certainly wasn’t that a passage began with a grand vision or even a coherent plan.
I hope you weren’t expecting me to have an answer… this blog is, after all, just me working with the garage door up.
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Depth of commitment
If someone were to ask me to identify the single primary quality that an artist or entrepreneur should cultivate in himself, I would say depth of commitment. Because depth of commitment either embodies all the other virtues or establishes the fertile field in which they can take root and grow. Depth of commitment presupposes courage, passion, recklessness, capacity for self-discipline, and the ability to have fun. It implies perseverance.
~ Steven Pressfield
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Villians and a new word
If you do not know the cinema-history relevance of the movie, Rashomon—no, not Rushmore—please check out the Wikipedia article. I’m not suggesting you watch the movie; You will not like it. (If you are the sort of person who would enjoy the movie, then you have already seen it!)
The villain in Rashomon is humanity’s craven need to present itself in a positive light, even if it must perjure itself shamelessly to achieve this.
~ Steven Pressfield from, https://stevenpressfield.com/2019/01/kurosawa-on-villains/
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That is the greatest one sentence summary of Rashomon I have ever seen.
Unrelated, that piece by Pressfield talks about how villains may have evolved in the past to become who they are, but that they certainly are no longer changing.
Question: Does that make me a villain if I am no longer changing?
Also, new word [to me], “helpmeet”— No, there is not a missing space there.
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but- ima- gah- werds-
Let’s consider another story, this time a tale of science fiction.
~ Stephen Pressfield from, https://stevenpressfield.com/2018/08/ins-and-outs-part-two/
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“Ins and Outs.” That piece is short. It’s insightful. …and it’s about two movies that would definitely make my top 100, so there’s that.
Two things: The more I read from Pressfield, the more I want to open a bottle of scotch and weep that I will never write anything good.
And also, the more I read from Pressfield, the more hopeful I become that maybe something will absorb through my thick skull and mabye one day, just maybe, I’ll write something good.
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You learn who is invested
You learn who is invested.
~ Steven Pressfield from, https://stevenpressfield.com/2018/05/mistakes-are-opportunities/
You learn what they want.
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Recently I’ve been trying to do some fresh self-evaluation. I happened to be thinking about, and talking to others about, how I handle mistakes. I was thinking about it from the obvious point of view of self-perception. What is my behavior? Is that good? Can I make a change that would be better? How does my behavior affect others? (All in the context of when I make mistakes.)
…and then I fell over this great post by Pressfield from 2018. (My “website serialize” tool is the second-most useful piece of software I have ever written. It is an endless source for me of terrific things.)
Woa. I hadn’t thought about using my own mistakes as a way to gather information about other people. “How do others react?” is a pretty clear line of investigation. But the idea that who notices a mistake, and how they react, tells you that they are in some way invested in whatever it is… ok, that’s pretty light-bulb. Who’s invested? Why are they invested? What’s their interest? …and so on.
Exercise for the reader: All of the above, plus, what types of mistakes does one make?
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The dots
This is what great artists do. But in order to connect the magnificent great big idea dots, they have to have boatloads of smaller idea dots.
~ Steven Pressfield from, https://stevenpressfield.com/2017/06/the-professor-the-artist-the-writer-and-the-dots/
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Sometimes I don’t have a single, specific take-away to share. Sometimes there are one, or two, things which strike me as being related; I just toss these posts up as a, “Hey, did you see…” for the world.
But in the case of this little missive from Pressfield, I lost count of the things this is related to in my personal thinking. It’s apropos of a personal conversation I had the other day about feeling a general malaise around doing things. It’s apropos of trying to find a mission. …of trying to get bored enough, to do random, deep-enough work, to create space for one’s brain to have fresh insights. However the final straw was stumbling upon something written in 2017 which has a frickin’ Sarat reference, after I was just recently using Pointillism as a metaphor.
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Professional
This, in one sentence, is the difference between the laborer-for-hire and the entrepreneur. This is the Professional Mindset.
~ Steven Pressfield from, https://stevenpressfield.com/2017/02/tk-ths-job-n-shove-it/
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Pressfield’s example—I’m always assuming you’ve clicked-thru and read—is oversimple: the factory worker. But that laborer-for-hire mindset is real. The shift required is real, and really difficult. Hard like: This is the air I’ve always breathed. …and I want to be a fish, so I need to grow gills, get in the water and learn how to swim in water without seeing the water—in the same way I used to be oblivious to the air. That is to say: Impossible.
Morning friends! How’s the air?!
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