Faith

The first thing you need to know is that individuals have far more power than ever before in history. […] The second thing you need to know is that the only thing holding you back from becoming the kind of person who changes things is this: Lack of faith. Faith that you can do it. Faith that it’s worth doing. Faith that failure won’t destroy you.

~ Seth Godin

slip:4a657.

I continue to enjoy the Movers Mindset project for many reasons. In recent months, I’ve been stepping back from the body of work and I keep having the same thought: I think this is really great, but I feel there should be something more useful as a result of all the work. (Useful specifically for me, I mean.) I’m convinced that there are lessons that I’ve missed, or not managed to hold onto; Insights that can only be seen from a perspective that is not within one particular conversation.

So I’ve been tinkering on creating, well, something. I don’t know what it is yet, or how to describe it either. But I have faith that it’s worth trying to create something which enables something new to be extracted from all the conversations I’ve captured.

Some days, I have far more questions than answers to share.

ɕ

World class or bust

Gillard had a very simple ethos: “If your stuff isn’t world-class, you’re not going to make it”.

~ Hugh MacLeod from, https://www.gapingvoid.com/blog/2021/03/19/world-class-or-bust/

The other day I was in a Zoom break-out room with a few other podcasters. I was talking about how for 2021 I’m focusing on doing in-person interviews. How being a slave to a weekly schedule was (is, would continue to be,) putting pressure on creating podcast episodes. Most podcasters—well, every single one that I know of, but there must be some out there who aren’t, so I’m writing “most”… Most podcasters are willing to (happy to?) record virtually as that enables them to stay on their weekly production schedules.

Aside: Everyone believes that regular production is critical for podcast success. I disagree. “What’s one important truth that most people would disagree with you about?” is a good question, and this is currently the best answer that I have.

There are millions of podcast shows and many more millions of episodes. I don’t want to make a single episode of Movers Mindset unless it has some particular value or is special in some way; The human race doesn’t need simply, “one more podcast episode.” I believe that in-person, with the right guest, and with me doing my best work I can co-create something of value to humanity.

And “do it every week” doesn’t figure into that formula at all.

The idea of trying to do something at a world-class-or-bust level is a fairly new one for me. I have lots of hobbies and mostly I don’t care about being world class. But I do care about the Movers Mindset podcast being world class.

Do you have anything you’re intentionally pushing to that level?

ɕ

Enabling possibility

I feel my title’s use of “enabling” rather than the more common [that I’ve seen] “creating” is important. (Of course, I don’t craft the titles with reckless abandon; There’d be far more, “Wordy werds” and “Completely different” type titles.) But in the past couple weeks I’ve been focused on the distinction between “to create” and “to enable.”

I’ve been sprinkling a Lonely Hearts-inspired call in a few different places as I think it’s time to bring a writer onto the Movers Mindset team. Each time I post it somewhere, it kicks off one or two conversations with someone. Each of those little conversations gives me a chance to refine how I convey my vision for this new role. (As a certain reader would say, how I convey my intention—hi Angie!)

The first thing I realized is that what I am bringing to this potential new relationship is the resources—the raw material that the team has amassed. I don’t in fact know exactly what the new person would be creating. My intention is to enable someone to create something (some things?) from that raw material. I’m not creating the possibility—it’s there already. My hope is to enable that possibility to come to fruition.

ɕ

Microphones and the human voice

This is a well written article about the human voice, and how microphones really work in terms of capturing it. Even if you read this and plan to forget everything—you’ll come out *way* ahead when recording your and your guests’ voices.

https://www.dpamicrophones.com/mic-university/facts-about-speech-intelligibility

It’s full of insightful information, about the human voice:

…the voice changes spectrum in almost any other position than when we approach the speaking person with our ear – or microphone. Each position on the head or the chest has its’ own sound color – or timbre. For instance, the spectrum of speech recorded on the chest of a person normally lacks frequencies in the important range of 2-4 kHz. This results in reduced speech intelligibility. If the microphone does not compensate for this you should make corrections with an equalizer.

Important frequencies:

The important frequencies in non-tonal (Western) languages are illustrated by the diagram below. Here, the frequency band around 2 kHz is the most important frequency range regarding perceived intelligibility. Most consonants are found in this frequency band.

…and about what affects intelligibility in a reproduction of the voice:

A lot of research has been carried out in this area. In general, the results demonstrate that:

1. Optimum speech level is constant when background noise level is lower than 40 dB(A)
2. Optimum speech level appears to be the level that maintains around 15 dB(A) of S/N ratio when the background noise level is more than 40 dB(A)
3. Listening difficulty increases as speech level increases under the condition where S/N ratio is good enough to keep intelligibility near perfect

Furthermore, the 1-4 kHz frequency range should be “kept clear”. When, for instance, adding music as background for narration, a parametric equalizer cutting the music 5-10 dB in this frequency range will improve intelligibility.

ɕ

Nothing Fails Like Success

There are internet companies (like Basecamp, or like Automattic, makers of WordPress.com, where I work) that charge money for their products and services, and use that money to grow their business. I wish more internet companies could follow that model, but it’s hard to retrofit a legitimate business model to a product that started its life as free.

~ Jeffrey Zeldman from, https://alistapart.com/article/nothing-fails-like-success/

ahahahahahahahahhahaahahhaaa! Sometimes I like to share stuff just because it makes me happy. (The stuff; not the sharing of said stuff, I mean.) I regularly talk about how this web site is a vehicle for my reflection—I’m quite often literally thinking through things. Writing, (tappity-tap-tapping on the keyboard here,) and writing, (scratchity-scritch-skratching with a pen on paper,) are two of the ways I figure out if the dross I regularly find in my head actually corresponds to reality.

When I read sentences like the ones I quoted above, I leap (sometimes literally) to my feet knocking over my chair in the process. It does my weary—deeply deeply weary it be—heart good just to read sentences like this. And I hope—not in the sense that I little value your ability to think and “hope” you’ll finally get what I’m saying; no. I only hope that sometimes, some of the things I share make you happier.

ɕ

Performing with a safety net

When recording conversations for the Movers Mindset podcast the guests know I’m not going to edit what they say to change their meaning. They know I’m bringing journalistic integrity to the conversation. (I’m not doing strict journalism, but that feature of journalism is present.) I do my best to set up the correct space (physical, emotional and mental,) so that we can co-create the best conversation possible. I’m not digging for dirt, creating tension, nor trying to create any other saccharine artifice. But that doesn’t change the fact that we are performing for an audience. The final necessary piece to facilitating a great conversation is a safety net.

Each conversation… each performance is better if we can reach just a bit farther than we might normally be comfortable doing. That’s why I bring a safety net. I very clearly give the guest a safe word which they can incant at any time to take back what they’ve said.

I don’t include the guest in the post-production process. They’re not invited to review the material, or to give additional thoughts about what to keep or what to cut. In fact, the only people who have time to do that, are wanna-be cooks, who will only mess up the soup if I let them in my kitchen. Instead, I and my team do all the post-production difficult work which is in fact our responsibility. The guest already did the really hard work of being themselves on-mic.

I do also say, “take your time— silence is free and we can easily trim out 30 seconds of you thinking before you speak.” I’ve also a few other little coaching tidbits I share to prep them for being recorded. But it’s the safety net which makes them feel comfortable trying something they might otherwise hesitate about. Part of the magic of a great conversation is how it develops organically, and without the safety net most people dial their caution up a few notches to be safe. With a safety net, most people are delighted to take a leap to see what they can do.

ɕ

Some thoughts on file organization

Within the team that creates the Movers Mindset podcast, we assign numbers to our projects. We use “R42” for our 42nd recording project, then R43, and so on. This enables us to start naming things from day one, in a way that we don’t have to change later. If you’re putting your files in a folder, what would you name it, that you could be sure wouldn’t change?

We also use our podcast’s initials on file names, “MM.” When we see files whose name contains, MM-R42… we know what it belongs too. It’s part of the Recording-42 project for Movers Mindset.

We also exclusively use people’s family names on files. So a raw WAV file from an interview is 20200423-MM-SMITH-TR1.wav … April 23, 2020 recording for Movers Mindset, of someone named “Smith”, and this is track one [a recording from one microphone.] 20200423-MM-SMITH-TR2.wav is track two, and so on. No matter where you toss that file, it’s going to make sense.

Eventually, a recording project might lead to one (or more!) episodes of our podcast. They get assigned episode numbers, EP56, EP57, etc. Then we have filenames like MM-EP57… and it’s always clear what that is.

Sometimes we have a dozen files to keep track of in a podcast episode and we end up with
20200423-MM-SMITH-TR1.wav
20200423-MM-SMITH-TR2.wav
MM-EP56-INTRO.wav (introduction recorded after interview)
MM-EP56-OUTRO.wav (outro recorded in post production)
MM-GCORD.wav (a little music ‘button’ used when joining bits of interview)
…the final episode is then MM-EP56-SMITH.mp3

Since I’ve typed this much, here’s another thing we do: We use consistently numbered folders to store the files. Every project has a folder, 2020.04.23 Bob Smith R42/EP56 — we create 2020.04.23 Bob Smith R42 in our archives when we do the raw recording, and at the very end we add the /EP56 to make it easier to find things. In side each project we create five folders 1 assets, 2 recording, 3 episode, 4 publication, and 5 social — the leading number ensure they sort in nice order in various displays. 1 contains anything the guest gives us (photos, writing) or any photos we take during recording. 2 is the raw original recordings, 3 is everything to make a podcast episode (intro, outro, whatever we have to assemble, AND the finished MP3), 4 is anything we create as part of publishing the episode (transcript, articles, highlights ) and 5 is anything that’s ok for social media and sharing. And then we have a multi-terabyte file server with a “few” files on it:

ɕ

Self-esteem box

Today, two thoughts popped into my head in rapid suggestion: “Self-esteem box,” and “I’ve never pull-quoted Movers Mindset.”

Brandee Laird

Craig: So for me it’s I know if I go for a walk that’s almost, not always, almost always enough to make it so I can go back into the cave of ugliness and get back to work kind of thing. So what are some things that will help you turn that corner, brighten you up or energize you?

Brandee: Yeah, that’s a great question, because I do get very dark moods pretty often actually, because with compassion comes the pain of caring so much about all these people and all this situation, it feels very futile a lot of times, like what can I do to change this. Yeah, I get there and I have a few tactics, I basically build protocols for myself for when I get in those moods. So one of the first things I go to is my self-esteem box.

Craig: This sounds like a good idea.

Brandee: And my self-esteem box is digital, it’s a digital self-esteem box and what I have done, is I have taken screenshots and copy/pasted and just dumped in all kinds of nice things that people have said, either to me or about me over the years.

So I have this file that is just full of gratitude and compliments and just stuff that I have had to read over and over and over in order to actually believe it. So that’s actually more like last resort is the self-esteem box. If nothing else works, open the self-esteem box, look through here.

Craig: In case of emergency, break glass, right?

Brandee: Totally. Totally. So that’s something I think everyone could and should do that. I guess I’ve never really told anyone about that. But it’s a nice thing.

Craig: I think that’s a really good tactic. People talk about doing gratitude journaling, but the gratitude journaling. I mean, I know that you know what it is, but gratitude journaling is a process which you have to execute on the spot when you feel like you’re having a bad mood. But the idea of having a self-esteem box is a clever one.

Brandee: Why, thank you.

~ Brandee Laird from 46’30”, https://moversmindset.com/72

I think these two thoughts popped into my head as the photo-frame on my wall changed. One of the smartest things I’ve ever done is set up a digital photo-frame. I email it photos of things—you know, all those digital photos you never do anything with. :)

Anyway. I love love LOVE my photo-frame. It’s chock full of hundreds of great photos. It’s not quite a self-esteem box. But it generally has the same effect. Every single time I glance at it it makes me smile.

Meanwhile, ever since I had that conversation with Brandee, (in September 2019,) I’ve been toying with the idea of creating a self-esteem box. I’m not quite sure where to put it [digitally] though; Also, I really do not need to make up yet another system for myself for organizing and storing things.

But the idea keeps calling to me.

ɕ

The process of reflection

Much of the power of the Movers Mindset podcast’s signature question, “three words to describe your practice?” comes from thinking about one’s personal understanding of the word practice. In the podcast episodes, sometimes the guest’s discussion of that understanding is a profound part of their interview. Sometimes their surgical statement of three words is its sublime culmination.

In 2019, we posed the three-words question of the project itself. This turned out to be a surprisingly fruitful exercise. We came up with three words to describe our practice, and I subsequently adopted them as the three words to describe my practice:

Discovery. Reflection. Efficacy.

If those three words describe my practice—the journey of my whole life—then what is the purpose of this web site? Why go through all this work? It’s taken me 9 years and the previous 2,499 posts to understand:

It’s a vehicle for my process of reflection.

I used to think I wrote because there was something I wanted to say. Then I thought, “I will continue to write because I have not yet said what I wanted to say”; but I know now I continue to write because I have not yet heard what I have been listening to.

~ Mary Rueflé from, Madness, Rack, and Honey

ɕ

Tension

I’ve been thinking about ways to create more opportunity for engagement among the people who are following the work of the Movers Mindset project. We’ve reached a point where we’re creating plenty of content and sharing ideas—but currently almost entirely in the broadcast direction. We’ve a considerable collection of people who are passively consuming.

Meanwhile, every time I manage to engage with someone [in this context of Movers Mindset], it’s an energizing exchange of ideas about movement, movement’s place in society, and sometimes even philosophy in general.

The whole project is intentionally aimed at people who are becoming, or already are, reflective. Such people tend to have made the growth step beyond low-value interaction and engagement and are increasingly aware of how they engage and expend their time especially online. I suppose the key is to simply engage with them one by one, until that becomes untenable for me.

ɕ

On podcasting

The short version of this story is simply: I’m simply curious. I try things. I make mistakes. I ask questions.

My podcasting journey began with the Movers Mindset project, which grew from conversations I started having as part of my personal journey rediscovering movement. Started in 2015, at first it was just a web site that shared others’ writing. But as I travelled, I kept finding myself in cool conversations until one day someone said, “you should have recorded that. I’d listen to that podcast.” Excited, but with no clue how much work it would be, I kicked off the Movers Mindset podcast at the start of 2017. For the first dozen episodes I did far too much of the work myself, until I wised up and started finding a few incredible people to share my new passion.

By this point I was devouring anything I could about interviewing. I smashed through thousands of podcast episodes in the process of wondering, “how does everyone else do it?” Podcasts, books, online courses… Everywhere I turned I found something new to work on in my own journey.

In the fall of 2018 I had about 30 interviews published on the podcast. I was getting comfortable travelling by plane, train and automobile, being invited into people’s lives to capture the Movers Mindset interviews. I was invited to the North American Art of Retreat, a Parkour leadership retreat, in the Cascade mountains outside of Seattle. There I did a series of interviews with the event’s presenters and organizers, and handed those recordings off for Art of Retreat to create their own podcast.

When 2019 rolled around, on a whim, I jumped into an Akimbo course called The Podcast Fellowship. I wanted to search for unknown-unknowns, to rethink everything I had done so far, and much about the Movers Mindset podcast changed in this period. To my surprise, I was invited back to be part of a small group of alumni who assist the coaches for the 4th, (and then the 5th, and 6th) running of the course. It’s mind-bogglingly inspiring and energizing to hang out daily with hundreds of people who share your passion. I even tried to summarize the fun of it in The Journey.

Meanwhile, the Movers Mindset episode numbers kept climbing and I’ve been branching out to interview more challenging guests; challenging for me as I’m forced to converse and discuss topics I know less and less about, but which none the less intrigue me endlessly. In the fall of 2019, this time with help from some of the Movers Mindset team, I was invited back to Art of Retreat. There, we did a second series of interviews for Art of Retreat’s podcast.

If you want to see a more up-to-date listing of what I’ve done in the podcasting space, see my Podchaser creator page.

ɕ

Big changes for 2020

For the past 5 years, I’ve been passionately working on a project called Movers Mindset. I’ve been particular about keeping it separate from “me”—in the sense that I would think, “is this idea something I want to put into Movers Mindset or on my blog?” (It sounds weird, I know—why didn’t you tell me years ago?) This led me to wind up with multiple “outlets”; this blog, public Movers Mindset web site and the Forum. As part of my continued efforts to simplify, we’ve taken down the Movers Mindset public web site.

* We didnt literally turn it off, but it’s just a static page about the project, and it powers the technology to make the podcast work. There’ll be nothing new posted there, and everything that was there will slowly appear in the Forum.

The entire Movers Mindset project grew from conversations I started having as part of my personal journey rediscovering movement. The project started late in 2015, under a different name, and it was initially simply a web site that shared others’ writing. The project grew, and in 2017 I started a companion podcast involving a team of people. In 2019 I created the Movers Mindset Forum. I’ve worked extremely hard, but none of this would have been possible without so much help from so many people.

The Movers Mindset Forum

Everything Movers Mindset does, everything we create, all the people who work on the project for fair pay—  Everything is made possible by people who value what we create and support our work by joining the Forum.

If you’re already a Forum member, thank you for your support.

If you do join the forum, you instantly gain access to everything. I hope you will consider supporting our work. To learn more, see  Welcome! Join the Movers Mindset Forum .

A note about “access to everything”: I’ve a tremendous amount of stuff to repost into the Forum. I’ll be chipping away at it, but it will take months as I work through it. If there’s something in particular you’re looking for, let me know.

Podcast

The Movers Mindset podcast is available wherever you normally listen to podcasts. Just search for movers mindset and you should be set. You can also find a listing of the podcast episodes in the Movers Mindset Forum. See the topics tagged “podcast “.

The public topics for each episode have only the show summary. Forum members can see the members-only Podcasts category where everything else is actually posted.

Thank you!

I hope you find my blog, the Forum, or the podcast interesting. Please consider sharing if you do.

ɕ

Nobody cares

Nobody cares. Do it yourself.

~ Hugh MacLeod

slip:4a288.

This is a terrific splash of cold water. I interpret this not as a pessimistic, “people suck.” But rather, a catalyst to, “simply start.”

Nobody cares in the same way one cares about one’s own projects and ideas. Obviously nobody cares like that! But why do we—ok fine yes I’m projecting my behavior onto you… Why do we look outward for the external validation? Certainly, the real world is the ultimate arbiter of truth. (As opposed to one’s thoughts.) But no amount of external data is going to create or destroy your true passion. If you have a project that you cannot put down because you’re passionate about it to the extent that it consumes your life, then whether or not you have external validation is irrelevant.

Do the thing. Make the art. It doesn’t matter that nobody cares. Do it yourself.

ɕ

No smiles

We left feeling sorry for the whole thing. The people who worked at the theater weren’t trained to know how to deal with the problem. They probably weren’t empowered to do anything about it anyway. The technical staff apparently doesn’t work on the premises. The guy at the box office wanted to help, but wasn’t granted the power to do anything. And the manager, who was last in the line of misery, to have to manually, and slowly, process dozens of refunds on his own. No smiles entered the picture.

~ Jason Fried from, https://m.signalvnoise.com/i-went-to-see-a-movie-and-instead-i-saw-the-future/

This is a delightful anecdote which highlights a key element of what we are doing in the Movers Mindset project. We are trying to stay closely engaged with the people we are serving. In order to do that, we can’t use fractured communications mediums (like Instagram direct-messaging, Facebook messenger, and so on) — there’s simply no way I would be able to interact with a meaningful number of people if I had to check a dozen different communication mediums every day. Generally, this is referred to as the Network Effect; the value of the network increases dramatically (non-linearly that is) as the number of people in it increases. So my maintaining (I don’t do this, but if I did…) my participation in many different networks would be needed to reach people.

Instead, I have focused on creating a functioning space where people of like mind can gather and communicate. The challenge is not that the network needs to reach a certain size to be “useful.” No, already one person there can interact with another person and get the full value out of that interaction.

ɕ

The Movers Mindset Forum

What is the Forum?

The goal of the forum is to facilitate self-improvement. In the forum we focus on movement as a mastery practice and highlight the processes of discovery and reflection. The forum provides the opportunity to interact with and learn from podcast guests, athletes, experts, and like-minded others.

https://forum.moversmindset.com/

Why the change?

We used to call it “the Movers Mindset community” site. There are some key reasons why we feel “forum” is a better word choice:

It removes confusion

While it’s not confusing to us on the team, there was a lot of confusion from everyone else who encountered Movers Mindset. I had to really pay attention before I realized this. People heard us say, “the movers mindset community,” and they were thinking, “the collection of people who are interested in Movers Mindset.” They were thinking community as in: The skate-boarding community. The parkour community.

When we said, “join the Movers Mindset community,” people’s first instinct was that we meant for them to become  interested in Movers Mindset, follow us on Instagram, or start listening to the podcast. None of that entices people to join a for-pay, members-only thing. Oops.

The word “forum” does not carry the same context as “community”; when people hear, “the Movers Mindset Forum,” or, “join the Movers Mindset Forum,” it stands out. Even if it stands out only because they don’t know what it is, that’s better than them thinking they know what it is, and having the wrong idea.

Forums are old-school

If by “old-school” you mean more considered, slower paced, and higher information density, then we’ll take that baggage because that’s exactly what the Movers Mindset Forum is meant to be. The work before us now is marketing the forum as interesting and useful, rather than a dusty old forum not worthy of attention. We think by stating a clear goal for the Forum and by stating what the Forum provides people, that it creates a meaningful opportunity that people will consider.

It’s simply shorter

I know this seems trivial, but it adds up over time. “Forum” is just that much shorter to have to include in URLs, and it’s two syllables shorter to say.

ɕ

Someone has to be the first guinea pig

(Part 4 of 4 in series, The interviews from my perspective)

Adam McClellan / Episode 1

The story behind episode one is challenging. How much do we want to know? How much do we want to share about the birth of the podcast? That all plays into Episode One. I picked Adam as the first guest because I wanted a guinea pig. I had bought a Zoom recorder and some microphones and cables. There’s a guy who did our audio editing for the first two years, and I had sent him some test audio files just to verify that when I press “Record” it does what we think it does.

I had been training with Adam for years, so I approached him and said, “Hey, I’m thinking about starting a podcast. You want to sit down and have a conversation?” In hindsight, I now realize it takes a lot of chutzpah to actually say, “Okay, I’ll sit down with microphones,” but he was totally up for it. I said, “I need a guinea pig. I’m going to screw it up, and I want you to just be game for a radical F-up.” And, sure enough, now I realize the zeroth rule of podcasting is always press “Record” and then double-check that you’ve actually pressed “Record.” These days we actually have a system, because sometimes it still happens. The person who sits in and listens actually takes notes and uses the time codes from the recorder. So you have to actually look at the recorder, and if the timer isn’t running, we know that I haven’t pressed “Record.”

So, of course, when I sat down to record the podcase with Adam, we started right into it. I had looked at my watch and noted the time when we started, but 13 minutes into it I looked at the recorder and realized the recorder wasn’t recording. I said, “Hey, Adam, remember when I asked if you’d be a guinea pig because I’m going to mess it up? I messed it up. We’re not recording.” So then I pressed “Record” and we started over.

In hindsight, I’m really glad I fell on the sword on the first episode, because it taught me to be humble about when I screw up in a recording. If we’ve gone down the wrong path or I ask a dumb question, I immediately own up to it, like, “Whoa, we screwed this up,” or “You know what, that fire engine went by and screwed up your answer.” It taught me a lesson right out of the gate about being humble about the physical craft part of podcasting, because we really only get one chance. If the take that we get isn’t the greatest … It’s our responsibility to present the guest in their best light, and if there’s something wrong with the take, we need to own up to that. So that was the technical side of the first episode.

Tracy was helping at the time and doing some guest research. We had done a bunch of research on Adam and I had even written out some questions. Looking back now, I realized that writing out all your questions is the right thing to do, although I don’t do it now. But what I should’ve then done is crumpled up the list and thrown it away and gone into the interview with nothing between me and the guest. I had a piece of paper—actually, I think I had my computer. I realize now that, yes, you want to think of the questions, but then you also want to just try and forget them.

I stuck to the script with Adam and it worked out well. Adam is very good at talking and finding a thread, but I really wasn’t helping him very much by providing him with a conversation. That’s one of the things that I realize now is really important for guests, especially some guests who are a little more reticent to talk—not just to have the recording equipment and be able to create the physical space, but to create a conversation between myself and the guest where the guest is interested in continuing to talk.

With Adam, I served him these individual questions tennis-style and then asked a follow-up question or made a comment while he was answering. I pretty much just let him run on his train of thought and then I would present him with the next question. The episode is interesting though. The material is good; it still holds up three years later. But I can hear that it’s just me serving him simple questions. I love listening to it occasionally, because it reminds me of how the way that I craft the story that the narrative in each episode is vastly different, which is just a result of me listening to other people’s podcasts and listening to how people structure them, how the craft works, taking courses, and things like that. So that’s a bit of the technical and a little bit of in front of the mic.

There is a moment in that episode pretty early on where I mention an essay that Adam wrote. I don’t know how we found it, but we had come across this essay on the internet that was actually from Adam’s entrance application for college. I said, “Elsewhere you’ve written about … ” and named a couple of things that were in the essay, and it really made him do a double-take. He said something like, “Wow, you really, really dug at me. I kind of wrote that satirically. I don’t know how you ever found that. I need to go look at my social media to see where I had that online that I had forgotten about.” It was a fun moment where I had caught him off guard and at the time I thought, “Oh, that was interesting.” It took me a while to learn this lesson, but, looking back, I realized that just because I have information that’s interesting or even something a little bit controversial about a guest doesn’t mean I actually want to use that.

I’ve found that it can be hard sometimes if I know too much. You can’t forget something, it’s always going to be in the coloring of your questions. But if I know too much and I say, “Hey, I know about this,” that can really change the tone of the conversation. It can be too big of a gun to bring into the conversation. A lot of times it’s more fun to just know all these things about the guest and then to ask them a leading question to give them the opportunity to bring it up if they want. And then if they choose not to, the conversation just flows where they want.

Sometimes I feel more like I’m trying to create rapids in a river and then see how they whitewater raft down what I’ve created. It’s more like creating opportunities. “Hey, I have a couple of these obstacles and we’d like to roll them into the path. You want to go over this one or do you want to go over that one? Or you can go through the open field.” It took me a long time – maybe 50 interviews – to really figure out what I need to bring in, in terms of knowledge about the guest. 

Sometimes there are things that the audience needs to know about because they’re just so awesome and the guest is just going to be too humble and, I’m like, “I’m sorry we have to talk about this because it’s awesome.” But a lot of the time, the things I know about the guests don’t really need to be brought in. It’s just background that helps me color what we’re talking about. So that first interview really went amazingly well considering how I just leapt into it like, “What could possibly go wrong?” There’s a lot that can go wrong, but it really, really well.

I would say the greatest lesson I learned was having nothing between me and the guest. It took me a while to really learn the lesson to literally not put things between me and the guests because I continued doing that for several episodes, but that was the only interview where I showed up with a script or list of questions. I had an idea about how the whole interview should go and that, in my opinion, does not work. It certainly doesn’t work for the way that I do interviews and the way the podcast works.

You can totally think about how you want it to go, but don’t bring that plan to the actual interview. Don’t attempt to lead the guest to a particular place that you have in mind. That was the takeaway. I didn’t learn it immediately after Episode One, but that lesson is there in that first episode. I would say it’s probably in the first six episodes, because there’s some things that changed with seven – it became a lot more nimble at seven and beyond. I think that’s the biggest takeaway: Don’t go in with a preconceived idea of where the conversation is going to go.

ɕ

Is movement an integral part of my life?

It certainly is an integral part of life, in general. But the vast majority of my life does not involve movement. I probably move more than the average American my age. I certainly moved a lot more in my 20s when I had a job that involved doing things. (Make this, move that, go over there, etc.) But today, movement is something that—I don’t quite have to make time for it, but I definitely have to be mindful of it. I generally plan to do something every day. Usually that’s a multi-mile walk, a leisurely bike ride, an hour wrestling with firewood, etc..

ɕ

Road trip to Dylan’s

(Part 3 of 4 in series, The interviews from my perspective)

Dylan Johanson / Episode 15

I met Dylan Johanson in 2013. I went to an ADAPT certification course at Kutztown University run by Parkour Generations, and Dylan came down from upstate New York. He hadn’t really had a chance to train with a lot of other people, so this was the first time that he had had a chance to be in a group of roughly 27 candidates for the course, which was enormous. He was just so happy. He was basically running, jumping or laughing the whole time because he had never found such a large group of people with the same passion.

The first day he was sort of playing the, “I’m old,” card because he was in his late 30s at the time, having started parkour after quitting his previous business life. When he eventually bumped into me, it was like, “hey, fellow oldster!” We just sort of clicked, and we wound up walking from the training spots to where lunch was and back and forth. When I started doing the podcast years later, I was always thinking his story was interesting because of—as he talks about in the podcast—his early “days of the ninja”; He would just pick a straight line through Kingston on a Sunday when everything is closed and run over fences, dogs and all that.

He’s over 3 hours by car from me, but I kept trying to find ways to get up and train with him. I made a couple road trips up to his different iterations of the gym. When I finally got a chance to interview him, it was so fun to sit down with no distractions because normally the people that I hang out with, we’re meeting at events, we’re meeting at parkour gyms and things are crazy. For this interview, it was just this chill opportunity for us to sit at his house and relax.

The story of how I got to the actual pressing of record was that I went to a winter retreat that was held in the Catskills. After the event was over, instead of driving the four hours back to where I live, I just drove 45 minutes across the Hudson River. It’s a fond memory for me because I had the quiet drive-time to myself, and I was driving west into a glorious sunset after a deeply introspective, winter immersion retreat.

I drove across the Hudson, and I went directly to the third incarnation of his gym; The gym that I had not yet been to. Everything just came together. There was an adult birthday party happening that evening at the gym, so when I got there, the place was packed with people and all his instructors. I showed up, dropped my bag and went to play on things. It was like the very beginning, “Hey, Dylan, how are you?” “I’m cool.” …and right into showing each other things to try and challenges. It was this perfect, closed loop back to how we met simply jumping and playing.

Eventually the birthday party ended, they closed the gym down, and I went back to Dylan’s to crash for the night. When I travel for podcasting, everything goes with me in one backpack with the rest of my stuff, and normally I just sleep on the floor with my favorite little air mattress. After dinner, I got upgraded to a futon, and it was a great end to terrific day.

In the morning, we sat around his house chatting. His house has some terrific quiet space where you can really recharge. There’s a lot of wood. It’s very much a home. There’s also Tesla, Dylan’s super-sweet love-hound pitpull, and she’s in the podcast too; You don’t hear her, but we talk about her. We sat in his living room with our feet on his coffee table, drinking coffee out of silly-shaped coffee mugs, and just talking about our ADAPT course and other random stuff. I often say that all the episodes are my favorite, but Dylan’s is one of the first where I realized how much having the chance to spend time with the guests before we do the recording changes everything.

The interviews always show the guests’ personality, and you can really get to know them, but it doesn’t work if I literally just walk up and say, “Okay, you ready?” “Yes.” And then press record. It’s priceless to have spent the day before jumping and playing at the gym, dinner at his home, and all night we’re thinking, “what are we going to talk about tomorrow? A leisurely morning with the dog, coffee, and then when we finally did press record, we were just so ready to talk that his interview just clicks. They just fall out like that. There’s little bits here and there that get cut or some do-overs, but it was just so fun.

His story that he tells in the podcast about making ninja lines through quiet, downtown Kingston… that’s literally who Dylan is. Not that he does that every day, but he is literally the person who runs and jumps and plays. In the episode, he talks about some of his favorite spots in Kingston. After the recording, we threw down the recording gear and drove down to Kingston. We went to some of his favorite spots, just randomly jumped on stuff, playing and enjoying ourselves for hours.

It was a fun session for me because it was just the two of us, and we’re both a little older. Now, he’s way better than me athletically, but to get a chance to once again move with this guy that I enjoy training with so much, and in the spots that are his places where he just kept going, “Oh, you got to try this. Oh, you got to try this.” I never had a moment to get bored, he always had the next place in mind. He’s super energetic and fun to follow around.

I didn’t know Dylan when he had his day job. I only met him after he had quit and started working on parkour as a full-time, “how am I going to turn this into an actual project?” job. Simply put, he was trying to create a community. It was in that timeframe when I met him at the ADAPT course. I started running into him at other events, and when he created his first gym I went up. I made another visit when he opened the second incarnation of his gym. I didn’t go up and train with him when he first started his community, but I’ve known him for that whole time.  Eventually he had created the third gym, and that’s when the random confluence of events created the chance to go up for an interview. As I was driving up I was thinking, “I don’t know anybody who’s opened three gyms.” Like three iterations of the same community gym, and that was why that kind of became a thing in the episode; It was me coming to him at the point where he had now done the third one. That’s why when I ask him for advice, he’s very much like, “Yeah, don’t do it. Don’t open three gyms.”

ɕ

Nice things or echo chamber?

Every once in awhile, someone steps up and makes something better. Much better. When it happens, it’s up to us to stand up and notice it. Which means buying it and consuming it with the very same care that it was created with.

~ Seth Godin from, https://seths.blog/2018/01/why-we-dont-have-nice-things/

I love the sentiment. But I believe it’s actually a Catch-22.

If I create something better—as I believe I have with Movers Mindset—and no one is interested in buying it with the same care, that also means that—by definition—no one else values it the way I do. This leads to Seth’s often talked about “dip,” where one needs to push through the suck from the initial peak of the thrill of the great work, to the second peak of success.

Anyone care to guide me on navigating the dip? How long should I spend in the dip creating work which I think is great, but which no one else values? Face-to-face, people love the project, but yet, no one is interested. No one is buying in.

Constant struggle. Endless frustration. If I was able to stop doing the work, I’d have stopped long ago.

ɕ

Movers Mindset Three Words

This essay is also presented as episode Craig Constantine: Discovery, reflection, and efficacy of the Movers Mindset podcast.

In each of the Movers Mindset podcast episodes, I ask guests to pick three words to describe their practice. Each guest’s choice has turned out to be a much more interesting and intriguing part of the conversation than we had initially anticipated.

The word practice goes beyond movement and often evokes broader images and ideas that reflect an approach to life. The idea that parkour and movement techniques in general are more than just physical has always been behind Movers Mindset. This is why I focus on ideas and reflection, for example, rather than on flashy videos of daring movement. The deeper dive into the mindset of movers is where the real magic happens.

That’s why I decided to do some introspection and pick three words that describe my practice. It was a challenge because reducing your practice to three words can seem like you are saying that the practice is nothing more than these three words, so you try to pick broad, powerful words to make sure you cover everything. Really, however, when you pick words that are too broad and too sweeping, you wind up not really saying anything specific that is unique to you. On the other hand, if you try to pick overly specific words, they may describe only one tiny part of your practice and give the impression that the scope of your focus is too narrow.

Picking three words is a challenge that I give to our guests, so it’s fair that I do it too. I found that capturing the essence of my practice in three words required a lot of introspection, and the act of choosing three words wound up being empowering. By going through the process, I now understand my practice more explicitly and am better prepared to describe it to other people. It’s not that I did not know the path I was following before, but now the path is clearer. It is easier to determine if a new project is consistent with my practice and vision, and this helps guide my choices in the overall direction of Movers Mindset. In general, I found the exercise to be challenging and highly worthwhile.  If you want the extra boost yourself, picking three words to describe your own practice is a good way to get started. It is a great way to discover things about yourself and about your relationship to the world.

This leads me to the first word: discovery. I wanted a word that involved starting with reality, with what we know about the world and about ourselves. I rejected observation because it is not active enough.  It has connotations of just sitting back and watching, listening, and taking the world in through your senses, but in a passive way. I also did not want a word like imagination or invention as my starting point, because these involve creating things. 

Generations ago when Benjamin Franklin confronted that fearsomely powerful storm driven on by his even more powerful desire to know—a desire that pushed him beyond the limits of anything humans had ever done—he was driven by the urge to discover, the urge to take action to learn what it was and what made it work. Franklin discovered that lightning was a form of electricity, but Edison invented the lightbulb. Discovery always comes first. Franklin pushed past the millennia of fear, the millennia of cowering primitive people who saw lightning as the tool and province of the gods—never to be understood, grasped, or controlled by humans. He uncovered or discovered its secret. By learning what it was, he took the tool of the gods and made it his own. He was not the first to discover facts about electricity, but his actions symbolize the process and the principle: boldly looking at reality, uncovering its secrets, and moving them from the realm of mystery and superstition to our realm of understanding and science.

Discovery is an active process involving interacting or experimenting with reality. You may not discover that you are great at painting, cooking, or singing until you try and observe the results. Often you will discover that you need more practice or that you need to master specific skills and techniques. However, without action, you cannot discover your strengths to move you forward or discover any weaknesses to be overcome. Discovery involves the honest looking at reality and the identification and understanding of what reality tells you. Your opinions, wishes, feelings, do not matter at this stage.  What matters is that you observe to the best of your ability, that you experiment, and that you see—with as much honesty and focus as you can muster—all that reality has to offer.

Discovery is not the end of the game; it is only the beginning. The second step in the process leads me to my second word: reflection. Discovery means you have learned something about reality and yourself. What should you do with that information? What does it mean? What do you do next? The answer is that you must think about what you learned. Why didn’t I pick the word thinking instead of reflection? Thinking is too broad in meaning for this context. While I am a big advocate of thinking in general and recognize it as the key to every successful human endeavor—without exception, my practice involves a particular type of thinking that is tied directly to reality and the facts I have uncovered about it. Reflection captures this meaning. A clear reflection in a mirror involves the accurate reproduction of reality.

As we think about things, we want to be careful that we do not go off course, that we do not imagine things that are not real or ignore things that are. We want to make sure that our thinking accurately reflects those facts about reality that we have discovered. Reflection is a type of careful thinking that takes each idea and connects it specifically to some fact about reality that we have discovered. There is nothing in your head to automatically guarantee that your thinking is correct. It is easy to go off course. It is easy to deceive yourself. It is easy to make the mistake that an early failure at a complex movement means that you will never master it. Reflection can protect you from such errors. If you fail in your first attempt, that is a fact, a part of reality that you cannot deny. So, the idea that you failed is valid; it corresponds to a fact you discovered. However, the idea that you will be bad at this every time you try is imaginary; you made it up. There is no discovery in reality, no fact in reality that corresponds to the notion that you will always fail. There is no reason to believe or to accept your imagined ideas when they do not reflect reality.

Reflection, then, is a type of self-check, a way of making sure that your ideas are validated by reality. Imagination can give you ideas about what you want to validate through discovery and reflection, but it leads to useful information only when the idea is tested. If you imagine you will always be bad at something, start testing your idea. Practice. Practice again and again. Discover if you get better or if you continue to be bad at it. Reflect on your progress honestly. If after a period of regular practice, you find that you still are no good at it, there is at least a possibility that you are right. Your conclusion has some support. But if you are much better now than you were when you started, that improvement supports the idea that you will eventually—with continued practice and diligence—get good at it.

Reflection also means holding a mirror up to yourself. Why do you like certain things? What makes you feel happy, successful, powerful or disappointed and sad? Why do you think you are good at something? How did you develop those skills? Reflecting on your strengths and understanding what worked for you previously helps you grow. Reflecting on the things that scare you and hold you back helps you develop the strengths you need to overcome those worries. When you reflect on your emotions, you discover ideas or premises that are the foundation of those emotions. This means you have the opportunity to reflect on those ideas and premises and test them against reality. Are they true or false? Do they correspond to reality or contradict it?

These two questions–Are your ideas true or false? Do your ideas correspond to reality or contradict it?–ask the same thing. Reality is the standard of right and wrong, of true and false. By actively reflecting about your ideas, your discoveries, your thoughts, and your feelings, you will eventually eliminate all contradictions from your entire life. You will reach a state where you see reality, and yourself in it, with full clarity and full understanding. The world has rules by which it behaves. Things act in a particular way. If you drop something, it falls. If you touch a fire, it hurts. If you act according to these rules, you will be successful. If you ignore the rules either by failing to discover them or by evasion, you fail. Acting in accordance with the rules of reality gives you a sense of self-confidence in your own ability. This leads me to my last word that captures this self-confidence: efficacy.

After practicing discovery and reflection again and again, you realize through experience that the world is knowable. You learn that you can discover it, learn its rules, and apply them successfully. You know that you have the power to validate your results along the way and correct any errors. Reflection gives you confidence that what you have discovered, is correct; your knowledge and conclusions are valid. Given enough time and effort, you know that you can reach any rational goal, understand any process, and check and refine your results thoroughly until you have the confidence of certainty. This mental state, where you know you can meet any challenge, learn anything, develop any skill, solve any problem is efficacy.

Efficacy is the power to produce a desired effect. Recognition of your own efficacy means that you have recognized your own potential for continued success and growth. Your choices of actions at this point are not based on concerns about current limits of your ability or understanding. Instead, your choices are guided by what skills, practices, and accomplishments will give you the most enjoyment, make your life better, increase your skills, or broaden your knowledge. Your experience in life changes from asking “What can I do?” to asking “What should I do to make my life the best it can be?”

The ancient Greeks had a word for this process of reaching your full potential: eudaimonia. I did not pick that as one of my three words, in part because it is even more obscure than efficacy, but eudaimonia was in the running. Aristotle wrote most extensively about eudaimonia, but it was important to many Greek philosophers. It is difficult to translate, because the concepts leading up to it are not widely understood in our culture. Few people today recognize that by understanding the rules of reality, validating them, and putting them into practice consistently, success is almost guaranteed—barring error or misfortune. Eudaimonia integrates these ideas into a process of living your best life. It is a continuous process of self-actualization where all the best conditions are in place: happiness, morality, meaning, purpose, the fulfilling of our special, unique potentials as humans. Efficacy is necessary to have the confidence to work toward eudaimonia.

Eudaimonia is more than just a final condition. It is the process of human flourishing. It is the process of doing those things that best help you function well as a human being at the highest level. My other two words, discovery and reflection, are both active processes, and I want to focus on the active process of developing and recognizing efficacy. Efficacy includes both being effective and recognizing that you are effective; it describes a self-aware competence in action. Eudaimonia is the goal, but recognizing and developing your own efficacy is how you get there and stay there.

Finally, I wanted three words that reflect my practice in terms of its essentials, but which could also help others find their personal path to success. The words had to capture the ideas of action and thinking, doing and learning–the Mover and the Mindset. They had to wrap up my process and philosophy in a way that captures who I am and provides value to the Movers Mindset audience. I think that discovery and reflection applied iteratively, building on previous knowledge and success leads to continued growth. Repeated experience with success and growth leads to a recognition of efficacy where you understand that you have potential to be successful in almost anything.

Activities that involve continuous improvements are often described as mastery practices. Mastery practices involve continuous improvement through discovery, reflection, and active practice with full recognition of efficacy. While mastery practices range from focused practices like law, medicine, martial arts, plumbing or carpentry, the most important mastery practice is living your own life to the fullest–reaching your full potential–eudaimonia. Since your full potential requires continuous improvement, it is important to develop the mindset–the set of ideas–that allows for this unceasing movement toward greater success and well-being. Discovery of this process, reflection to hone its accuracy, and development of efficacy are the steps that each individual must undertake independently.

Although your own path is unique, the principles involved are universal and can be learned from others. A goal of Movers Mindset is to bring these principles to light in an accessible way that encourages discovery and reflection while demonstrating and promoting efficacy in each individual. While you still have to walk the path on your own, under your own power and by your own effort, Movers Mindset hopes to make the path a little clearer.

ɕ