Mandy Brown

Publishing while maintaining perspective

November 3

This is perhaps the greatest conundrum of our current technological era: the desperate need to connect with one another, because it is our only hope of survival; combined with the fact that nearly all the means of connection available to us are deeply—possibly irredeemably—fucked. Syndication, as I am currently experimenting with it, is then an effort to try and navigate that terrain, to find some productive way to play in the outskirts, to let the work out into the world while (hopefully) minimizing the misery that is reflected back.

~ Mandy Brown, from https://aworkinglibrary.com/writing/peasant-woodland

Yes, to everything from Brown (and not just this particular piece.) Beautiful thoughts therein around why one should “publish own site, syndicate elsewhere (POSSE)”—my methodology since the beginning.

Unfortunately, the Internet went from “publishing your own stuff is difficult”, straight to “it’s easy to publish on platforms other people control.” To this day, it is still quite difficult to get your own domain name and begin publishing in a way that you control your own content. Worse, we went from people discovered and read your stuff (back in the “publishing your own stuff is difficult” era) to the now where no one can find or read your stuff regardless where you publish it (unless you pay money to the platform brunch-lords.)

Fortunately, if you have a little bit of time and a little bit of curiosity, you can still find everything that people are publishing.

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Move at the speed of trust

June 20

One of the principles I come back to over and over is adrienne maree brown’s invitation to move at the speed of trust. That is, whenever attempting any effort with other people, prioritize building trust and respect for each other over and above any other goal. The trust forms the foundation from which the work can grow.

~ Mandy Brown from, https://aworkinglibrary.com/writing/move-at-the-speed-of-trust

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I bump against this in podcasting often: How do I get to the “good” part of this conversation as quickly as possible? And I sometimes focus on the “quickly” part, when in reality the best way is to focus on the trust part. The “good” part of the conversation just falls out after that.

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We create the decision

April 26

The following is a very short blog post. The idea that struck me is that how true it is (!) that we create the decision. Each decision (the root of the word, but also clearly what happens when we decide) represents our choosing to cut off—to amputate—some thing or things as we create new or renewed focus on some other thing.

This is especially true of the most difficult decisions—the ones where you are taking a risk and simply can’t predict the many ways in which it will play out. A useful perspective for the anxiety-ridden late night hours those decisions tend to inspire.

~ Mandy Brown from, https://aworkinglibrary.com/writing/making-decisions

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Truly, I’ve only had to make a handful of actual decisions. And they were really stressful. Right up until the moment when I actually, finally, made a decision. I can’t recall a single time where the post-decision stress or worry was anything at all like the pre-decision stress or worry. It’s almost as if I am the one creating all the stress and worry within myself.

And to be clear: That’s snark. Obviously, I’m the once creating the stress and worry. How about you? Anything you should be deciding so you can relax and move forward?

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Obliged to respond

March 24

I recently heard a conversation between Brian Koppelman and Steven Pressfield (circa 2019 in Koppelman’s podcast, The Moment) where Pressfield mentioned a few great things for creatives to remember: Being a professional has nothing to do with getting paid. Resistance is real, it’s myself, and is waiting for me to invite it to stop me. The Muse is real.

The muse really does reward me for being found working. I’ve learned, no matter the work, the muse approves when finding me ready with pen and paper close. But if the muse taps me and I fail to treat the gift appropriately—if I think, “I’ll remember that. I don’t need to write that down.”—then I hear the muse scoff, “we shall see.” We shall see if I remember. And we shall see if the muse waits a bit longer before checking on me again.

That, of course, was the reason for the pen all along: it’s a physical reminder that you are not reading merely to consume the words of others passively, but that you have an obligation to respond.

~ Mandy Brown from, https://aworkinglibrary.com/writing/ways-of-writing

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I’m realizing that books themselves also need room to sprawl. If I keep them shelved upright, or even more simply stacked flat, they still seem to be squished into submission. When I am able to lay a few of them out, with some room for them to wave their invisible tendrils, they seem to taunt me: go ahead, pick me up! If there’s a tablet or some writing scraps at hand, or garish sticky notes for flagging pages, then it begins to feel like its own room with unfolding conversations. In the end, it’s almost a composition just having the books lying about.

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What’s in your way?

January 31

I’m fond of saying that the first 90 percent of something is vastly easier than the second 90 percent. There’s so much wisdom packed into that, and it’s funny—if you know how to tell a joke. Gee Willikers! I’m almost done! When in fact, I’ve only just scratched the surface.

In practice, this means you need to limit distractions to the full extent possible. Pull quotes, so effective near the top of an article, become a nuisance further down; many readers will find themselves unconsciously drawn to them, even when they want to focus on the text. Attention to the basic typographic details, line length, a readable typeface, the right balance between font size and line height, appropriate contrast between the text and background, can make the difference between a reader who makes it to the end of the article versus one who tires and gives up.

~ Mandy Brown from, https://aworkinglibrary.com/writing/in-defense-of-readers

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I can say, without exaggeration, that I’ve tortured myself over every single tiny detail of what you are looking at. That includes the fact that 7 for Sunday looks slightly different in email. (It looks great in email; but what you see isn’t quite as controllable as a web site.) It would probably be good enough if I hadn’t tortured myself about the details, even though I think craftsmanship matters.

But of course readers matter most.

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Reading

October 17, 2023

Reading must occur every day, but it is not just any daily reading that will do. The day’s reading must include at minimum a few lines whose principal intent is to be beautiful—words composed as much for the sake of their composition as for the meaning they convey.

~ Mandy Brown

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