The world, for all its failings, is an extraordinary experiment in rampant human imagination. At its best, it exists because there were people who had the courage to follow through on an idea – who resisted the inner voice that said, “You are worthless. Why bother?”
~ Nick Cave, from Did you ever want to give up?
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This small piece by Cave demonstrates such a broad view; awareness of abysmal darkness and blinding brightness held at once in one mind.
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The best arguments in the world won’t change a single person’s mind. The only thing that can do that is a good story.
~ Richard Powers
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The writer’s voice casts a spell. The right voice makes the work accessible; it gives us the tone and point of view that best illuminate the material and make it shine. The magic of Hemingway’s prose is that it describes events the way the human eye sees them. He taught himself this technique as a journalist and he used it very consciously and deliberately.
~ Steven Pressfield, from Writing Wednesdays: The Writer’s Voice
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The question I’m left with, not specifically from this piece from Pressfield but just in general, is: Is it better to simply write what one feels drawn to write, and to then literally discover—as in, “oh, surprise, so that’s my writer’s voice”—or intentionally seek it out through planned discovery? Because it sure seems that different writers find their voices in different ways. Unfortunately, all I have here is the question. I’m not even sure if it’s really a dichotomy. Maybe it only seems to me, to be a choice. I’m on the “I dunno I’ll just try writing” discovery path. Maybe the other path wouldn’t work for me… maybe if I tried to be more intentional about finding my voice . . . maybe I’d just end up realizing that’s not actually a path to finding my voice.
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My definition of wisdom is knowing the long-term consequences of your actions.
~ Naval Ravikant
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As a filmmaker, you have a way of seeing things that is inherent in any telling of a story. You read a book, and images form in your mind, and as a director, you explain those images to the crew members. That’s what directing is, that’s what they mean when they say explaining your vision. So for me, it’s really not about any conscious desire to imprint a style. It’s simply: here’s how I see it. This is my understanding of the material. This is what affected me, here’s when I cried, we need to make sure that this moment is real, we need to make sure that your your heart is broken like I felt when I read the script. It’s about communicating exactly what you feel. And that’s the art of directing.
~ Sam Rami, from Sam Raimi – The Talks
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I find I’m often confused by having too many options. I can get far into the weeds exploring all the possible way to do something. Instead, I truly believe that after enough time practicing some creative endeavor, it’s more important to simply follow your own feeling. Follow your own inspiration. “This is what I feel I want to do,” becomes the correct compass to follow. It’s simply: Here’s how I see it.
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A point of view can be a dangerous luxury when substituted for insight and understanding.
~ Marshall McLuhan
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A period of time set aside to practice mindfulness like this is called meditation. It is the work that gives you access to the Other Incredible Deal and its benefits. The minimum effective dose is perhaps ten minutes daily. More time is better, but the good deal starts about there.
~ David Cain, from The Ancient Art of Turning Walls into Doorsdoors/
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I spent many years studying Aikido. If I had to pick one thing which most helped me—one thing which led to the biggest changes in my life—it would be meditation. Nearly every day we sat on the floor and practice a very specific breathing method; it was literally mindfulness training. To this day, I do the same seated, mindfulness practice. (Only sometimes do I do the specific breathing, as the breathing and the mindfulness are easily separated after enough practice.)
There are many other gifts (not sarcasm) which I received, but there’s no way I can ever fully repay the debt I owe for the gift of becoming at least a bit more mindful, and learning how to intentionally work on it. Forever.
I do not recommend studying a martial art (for decades) but don’t do that just to get the mindfulness gift.
I do wholeheartedly recommend seeking the mindfulness gift through meditation of some sort.
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When I was a child I wanted to be an architect, and now that I am an architect I would sometimes like to be a child again.
~ Federico Babina
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What I’m looking for, in both fiction and documentary, are moments that you weren’t expecting, and which the audience don’t feel prepared for, moments that are candid, like something that just happened in front of the camera, and it’s not going to happen again. Those are the moments you live for as a documentary maker.
~ Kevin Macdonald, from Kevin MacDonald – The Talks
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I’ve lately been on a bender reading many of these really interesting, really short, interviews with countless people. Most of them don’t particularly interest me. “But wait,” you’re thinking, “those two sentences seem contradictory.” I’m glad you asked about that!
You see, once I know that there’s some large body of work and it’s pretty uniform, then I wonder: Why should I think that the ones I like are the really good ones? Since the work is (pretty) uniform, maybe they’re all really good (or pretty good, at least) and the reason I don’t like most of them… is me. If I sift through the work am I identifying the good ones? …or am I reinforcing, via confirmation bias, my narrow view points? If I wanted to grow—growth often being uncomfortable, especially when it comes to shifting one’s own perspectives—maybe I should intentionally read the ones that I think aren’t that good. Maybe I should be seeking out things which I’m misjudging, and that would by definition be the things I think aren’t that good.
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The boldness of asking deep questions may require unforeseen flexibility if we are to accept the answers.
~ Brian Greene
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