It’s easy to spot a purist. They’re the ones without any skin in the game.
~ Hugh MacLeod
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It’s easy to spot a purist. They’re the ones without any skin in the game.
~ Hugh MacLeod
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What makes the DC metro Parkour community unique, and how does it integrate diverse philosophies and populations to sustain and grow the practice of Parkour?
Victor Crittenden digs into the DC Metro Parkour community, explaining what it is, who is involved, and why it is unique. He discusses the various definitions, ethos, and approaches to parkour, and how each shows an important piece of the parkour puzzle. Vic shares his thoughts around the governance of parkour, and finishes with the importance of collecting and analyzing data and statistics about parkour to help promote its future and growth.
It’s important to distinguish between public and private spaces for the future of Parkour.
~ Victor Crittenden (41:04)
The conversation explores the structure and ethos of the DC Metro Parkour community, highlighting its diversity and the collaborative effort to unify various Parkour groups across Maryland, Virginia, and DC. Key components include established gyms like Urban Evolution and American Parkour, university groups at George Mason and College Park, and nonprofit organizations such as PK Move, which focuses on adaptive Parkour for underserved populations. Victor outlines the geographic and organizational complexities, emphasizing the role of jams and meetups in sustaining the community.
The discussion shifts to examining different Parkour philosophies in the area. Some gyms emphasize structured training and family engagement, while others focus on purist, outdoor approaches aligned with altruism and self-reclamation. The value of public engagement and forming connections with city officials emerges as a theme for promoting Parkour. Broader initiatives, such as the formation of USPK (United States Parkour Association) and youth leagues, aim to create a sustainable framework for Parkour development at a national level.
(more…)Be happy while you’re living, for you’re a long time dead.
~ Scottish proverb
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The parents’ duty to their children is not to cram as many social advantages as possible into their first eighteen years. The parents’ duty is to make sure that when it comes time for the child to pull himself up by his bootstraps, he actually has the bootstraps to pull up.
~ Hugh MacLeod
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What experiences and practices shape the transition from structured movement disciplines to embodied, intuitive forms of movement and healing?
Weena Pauly-Tarr shares her history of dance, her brief encounter with parkour, and how those experiences have led to where she is now. She unpacks her work with somatic therapy, and the profound changes motherhood has brought to her life and practice. Weena reflects on her current interests in embodiment and impulse, and discusses her search for what is next.
The only thing I’ve ever wanted in my life—clearly and said out loud—was to be a mom. not to be a dancer, or not to move to New York… none of that was the thing. It was to be a mom. […] And so when I became pregnant, it was like the biggest gift I’ve ever been given. It was like getting the one thing you’ve always wanted, your whole life. It’s terrifying. Because what if it gets taken away, all that starts to come up. So I think what happened is, I had to grapple with receiving the thing I’ve always wanted.
~ Weena Pauly-Tarr (30:31)
The conversation covers how personal experiences with dance, Parkour, and somatic therapy intersect in a lifelong exploration of movement and healing. Weena’s dance background, including work with impactful movement styles like Streb’s Pop Action, shaped her understanding of strength, fear, and embodiment. Parkour later emerged as a natural extension of this interest, allowing for further exploration of dynamic movement in unconventional settings.
Motherhood significantly shifted her perspective, introducing new layers of vulnerability and embodiment. This experience influenced her shift from performance-based movement to therapeutic and somatic practices. She discusses her evolving approach to working with clients, focusing on impulse, somatic healing, and authentic movement. Her exploration of trauma through somatic experiencing highlighted the connections between past injuries and subconscious movement patterns.
(more…)I myself have been building a list of things that I want out of my practice. I want it to open options for me, to keep myself curious, deepen my understanding and push my boundaries. I want it to allow me to live more authentic experiences and ultimately fill me with gratitude for being on this Earth.
~ Marcello Palozzo from, No reasons to practice
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I find myself at a strange place. “Wants” and “goals” seem to be less interesting for me. Sometimes, I can simply sit for an hour. There’s no sense of accomplishment, and no sense of, “I should be doing …”
Sometimes.
Often though, I’m still driven to line up a tremendous amounts of work, to crush myself trying, to feel I’ve failed when I only manage to accomplish a large portion of the insane goal.
For several years I’ve been writing up a key thought to focus on through the year. 2019’s is, “no.” Coming up on halfway through the year, and I’m beginning to make some progress on shifting my default behavior to listening, sharing, and waiting. Less doing. Less trying. Fewer goals. No reasons.
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Our soul is sometimes a king, and sometimes a tyrant. A king, by attending to what is honorable, protects the good health of the body in its care, and gives it no base or sordid command. But an uncontrolled, desire-fueled, over-indulged soul is turned from a king into that most feared and detested thing — a tyrant.
~ Seneca
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What role does competition play in shaping the growth and community of Parkour?
Michael ‘Frosti Fresh’ Zernow discusses his career, passion for community building, and his experiences with the Red Bull Art of Motion competition. He shares his views on competition in general, his unique perspective on how parkour has grown, and the potential it has as it continues to grow. Frosti explains his involvement in the United States Parkour association, his love of collaboration, and how he’s found and followed his passions throughout his journey.
I think competitions can help create an understandable way for the outside world to connect with this amazing community that we’re building and if we can be involved in it in a way where our voices are heard and where our presence is known then we can build something really beautiful.
~ Michael Zernow (38:23)
The conversation explores the evolving relationship between Parkour and competition, focusing on how competitions, such as Red Bull’s Art of Motion, have shaped the sport. The discussion reveals how Frosti navigates being an athlete, host, and entrepreneur, balancing personal growth with the desire to grow the Parkour community. His experiences shed light on the importance of community building and outreach, as well as the role of organizations like the United States Parkour Association (USPK).
Frosti reflects on his career trajectory, highlighting how competitions and collaborations have allowed him to stay involved in the Parkour scene beyond just being a performer. The conversation touches on the philosophical divide within Parkour about whether competition enhances or detracts from the sport’s core values. Frosti’s perspective emphasizes the need for competition to inspire and provide opportunities for young athletes, while maintaining respect for those who choose to pursue non-competitive avenues.
(more…)22. Nobody cares. Do it for yourself.
Everybody is too busy with their own lives to give a damn about your book, painting, screenplay etc, especially if you haven’t sold it yet. And the ones that aren’t, you don’t want in your life anyway.
~ Jason Korman