The art of starting a fire

During heating season, each morning begins with my ducking outside for the ash pail and then shoveling out the stove. Then with a selection of kindling and a medium-sized piece or two, I build a small work of art and set a match to it. I’ve done this, easily, a thousand times. I’ve read one book entirely about burning wood, and several about thermodynamics and chemistry. I understand the different types of wood and how to season it, the convection of air, and I know intimately how the house and stove interact. I’ve intentionally experimented with variations of the art, including working with more stoves and fireplaces than I can recall. Usually, I have a roaring fire in 30 minutes—sometimes 20—with not the least hint in the house of the smell of a fire. Occasionally it doesn’t work well. Most of those mediocre attempts or outright failures are immediately attributable to my having cut some corner. But every once in a great while, the art eludes me despite my best efforts.

There’s a large lesson in that.

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Road trip to Dylan’s

This entry is part 3 of 4 in the series The interviews from my perspective

Dylan Johanson / Episode 15

I met Dylan Johanson in 2013. I went to an ADAPT certification course at Kutztown University run by Parkour Generations, and Dylan came down from upstate New York. He hadn’t really had a chance to train with a lot of other people, so this was the first time that he had had a chance to be in a group of roughly 27 candidates for the course, which was enormous. He was just so happy. He was basically running, jumping or laughing the whole time because he had never found such a large group of people with the same passion.

The first day he was sort of playing the, “I’m old,” card because he was in his late 30s at the time, having started parkour after quitting his previous business life. When he eventually bumped into me, it was like, “hey, fellow oldster!” We just sort of clicked, and we wound up walking from the training spots to where lunch was and back and forth. When I started doing the podcast years later, I was always thinking his story was interesting because of—as he talks about in the podcast—his early “days of the ninja”; He would just pick a straight line through Kingston on a Sunday when everything is closed and run over fences, dogs and all that.

He’s over 3 hours by car from me, but I kept trying to find ways to get up and train with him. I made a couple road trips up to his different iterations of the gym. When I finally got a chance to interview him, it was so fun to sit down with no distractions because normally the people that I hang out with, we’re meeting at events, we’re meeting at parkour gyms and things are crazy. For this interview, it was just this chill opportunity for us to sit at his house and relax.

The story of how I got to the actual pressing of record was that I went to a winter retreat that was held in the Catskills. After the event was over, instead of driving the four hours back to where I live, I just drove 45 minutes across the Hudson River. It’s a fond memory for me because I had the quiet drive-time to myself, and I was driving west into a glorious sunset after a deeply introspective, winter immersion retreat.

I drove across the Hudson, and I went directly to the third incarnation of his gym; The gym that I had not yet been to. Everything just came together. There was an adult birthday party happening that evening at the gym, so when I got there, the place was packed with people and all his instructors. I showed up, dropped my bag and went to play on things. It was like the very beginning, “Hey, Dylan, how are you?” “I’m cool.” …and right into showing each other things to try and challenges. It was this perfect, closed loop back to how we met simply jumping and playing.

Eventually the birthday party ended, they closed the gym down, and I went back to Dylan’s to crash for the night. When I travel for podcasting, everything goes with me in one backpack with the rest of my stuff, and normally I just sleep on the floor with my favorite little air mattress. After dinner, I got upgraded to a futon, and it was a great end to terrific day.

In the morning, we sat around his house chatting. His house has some terrific quiet space where you can really recharge. There’s a lot of wood. It’s very much a home. There’s also Tesla, Dylan’s super-sweet love-hound pitpull, and she’s in the podcast too; You don’t hear her, but we talk about her. We sat in his living room with our feet on his coffee table, drinking coffee out of silly-shaped coffee mugs, and just talking about our ADAPT course and other random stuff. I often say that all the episodes are my favorite, but Dylan’s is one of the first where I realized how much having the chance to spend time with the guests before we do the recording changes everything.

The interviews always show the guests’ personality, and you can really get to know them, but it doesn’t work if I literally just walk up and say, “Okay, you ready?” “Yes.” And then press record. It’s priceless to have spent the day before jumping and playing at the gym, dinner at his home, and all night we’re thinking, “what are we going to talk about tomorrow? A leisurely morning with the dog, coffee, and then when we finally did press record, we were just so ready to talk that his interview just clicks. They just fall out like that. There’s little bits here and there that get cut or some do-overs, but it was just so fun.

His story that he tells in the podcast about making ninja lines through quiet, downtown Kingston… that’s literally who Dylan is. Not that he does that every day, but he is literally the person who runs and jumps and plays. In the episode, he talks about some of his favorite spots in Kingston. After the recording, we threw down the recording gear and drove down to Kingston. We went to some of his favorite spots, just randomly jumped on stuff, playing and enjoying ourselves for hours.

It was a fun session for me because it was just the two of us, and we’re both a little older. Now, he’s way better than me athletically, but to get a chance to once again move with this guy that I enjoy training with so much, and in the spots that are his places where he just kept going, “Oh, you got to try this. Oh, you got to try this.” I never had a moment to get bored, he always had the next place in mind. He’s super energetic and fun to follow around.

I didn’t know Dylan when he had his day job. I only met him after he had quit and started working on parkour as a full-time, “how am I going to turn this into an actual project?” job. Simply put, he was trying to create a community. It was in that timeframe when I met him at the ADAPT course. I started running into him at other events, and when he created his first gym I went up. I made another visit when he opened the second incarnation of his gym. I didn’t go up and train with him when he first started his community, but I’ve known him for that whole time.  Eventually he had created the third gym, and that’s when the random confluence of events created the chance to go up for an interview. As I was driving up I was thinking, “I don’t know anybody who’s opened three gyms.” Like three iterations of the same community gym, and that was why that kind of became a thing in the episode; It was me coming to him at the point where he had now done the third one. That’s why when I ask him for advice, he’s very much like, “Yeah, don’t do it. Don’t open three gyms.”

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Sedimentation and erosion

I have this image of our home as a bunch of related-rates problems: There’s inflow and outflow. Energy: In through my electric meter, out through lighting, waste heat and heating/cooling, water heater, etc.. Climate control: Heat flow in from heating/cooling system, the wood stove, the sun, versus losses through the attic, windows, doors, etc.. Mass: The balance of the rates of the flow of all the stuff.

Ever stop to think of that? Think of your home as a sealed balloon which has two, (or more of course,) doors, (garage doors count,) through which everything passes. Everything—no exceptions—passes in first, and then out second. Everything–every single thing, including the people–is only inside temporarily. The people come and go most frequently, (some pets might exceed some people I suppose,) and some things might remain inside for decades. But still, inside only temporarily.

You know that at some point you, (and everyone else if you share your home,) will go out for the last time. You might carry some things with you on your last exit, or you might arrange for someone else to come in, (and go out and in and out and in and out one last time,) to remove things after you go out for the last time. And of course eventually the entire structure will be removed and certainly at that point, everything you brought in—everything that was temporarily still inside—will go out at that point.

Where does everything you carry in from the market and grocery store go? Where does the furniture go? The books? The nick-naks? The packages and packing material from purchases? The clothes? The postal mail? The firewood you carry in is vastly more massive than the ashes you carry out; where does all that mass go?

Based on how the things around me make me feel, I know I have too much stuff. When I think of our stuff this way—as just a mass of stuff that’s temporarily inside our home—it’s much easier to keep my life under control. Too much stuff? …all I need to do is make sure more goes out than comes in, on average, and the problem will subside.

…and I can have fun with it. If something breaks, is worn out, or I’m done with it, that’s the outbound mass for today! Can I recycle this random thing? Can I FreeCycle this random thing? I no longer feel bad about sending things out, (wether that means landfill, recycle, giveaway, whatever… as appropriate.) Instead, I now find I feel bad about bringing things in. Each time I consider buying something, I think: Do I want to bring that into my life?


Tree from Badger Pass

Photo circa 2008 from the actual pass above Badger Pass Ski Area in California.


Did I mention I gave up coffee?

They even offered some decent life strategies: look at everything, pick up anything you can, avoid wizards, and always haggle for jetpacks.

~ Peter Welch from, Coffee is Hard

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The quote has nothing to do with what I’m writing today. The only relation is the word coffee. That said, you should totally go read Welch’s piece. You should totally go read everything he’s written; it’s generally awesome and often downright alarming. I digress.

On a Sunday morning–June 23, 2019 to be exact–with a congratulatory high-five, I gave up my morning coffee. I’d been thinking about doing so for months. Truth be told, the catalyst that day was to support a particular lady’s efforts wrestling with migraine headaches. With a brave, “huzzah!” my fate was sealed.

There’s a song by Frank Sinatra, “Hallelujah, I lover her so,” which begins with a telling verse:

Let me tell ’bout a gal I know
She’s my baby and she lives next door
Every morning ‘fore the sun comes up
She brings my coffee in my favorite cup
That’s why I know, yes, I know
Hallelujah, I just love her so

Setting aside the completely wacked concept of your girlfriend living next door and bringing you coffee before dawn. (1969 America. amiright?) I want to just draw attention to the coffee being how he knows he loves her. That’s just wrooong.

Over a few decades we had settled into a morning routine that started with the coffee maker. As anyone everywhere will tell you, if you drink coffee every morning it just becomes the neutral baseline, and without it, things aren’t happy-land. Occasionally, obtaining the morning drug hit would be a challenge leading to un-happy-land.

But mostly, it just meant getting out of the freakin’ bed was rough. …and like the addict I was, I went to the drug quickly.

Is it easier to get up now? Absolutely.

Do I spring out of bed like a happy rabbit? Absolutely NOT. But it’s better. I still need a bit of time to wake up fully–which I do via some morning stretching and movement.

Do I still drink it? Absolutely. Anytime I go anywhere, and I find myself near a real coffee shop . . . hello darkness my old friend, I’ve come to talk with you again.

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I am not my work

“I am not my work,” is one of those aphorisms that I need to have etched into my cornea. Have you seen watermarks on images? I need this phrase watermarked directly onto my vision.

Long ago–if memory serves–I was motivated by extrinsics. Doing something well resulted in external confirmation; so generating that external confirmation was easy for me. But–as everyone knows–it’s a vicious cycle of saccharine sweetness. Eventually, that lesson was learned. The obviously better option is to be intrinsically motivated. Check. Got it.

Unfortunately for me, there’s another onion-skin layer to peal away below, “be intrinsically motivated,” which is to not take criticism of work done as criticism of myself. The immediate hack is that I’ve inserted a mandatory, “thank you,” in response to criticism. This doesn’t fix the problem of identifying myself with my work. But it does buy me a few moments. By the time I’ve said thank you and acknowledged the critic, it’s become possible to see the criticism as being ‘of the work.’ Crucial moments indeed.

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Colin MacDonald: Parkour design, dream builds, and inspiration

How can public spaces be designed to integrate parkour features while balancing community needs and architectural aesthetics?

Colin MacDonald discusses his experience designing parkour parks, and what he’s learned from the process. He shares thoughts on his creative process and inspirations before explaining more about Landscape Architecture and the program he is in. Colin unpacks some of his personal design and build dreams, along with the realities that affect them, and explores the connection between sculpture and parkour design.

I think that a well-designed parkour park—compared to something like a well-designed skate park—has the potential to serve a lot of populations.

~ Colin MacDonald (11:05)

Colin McDonald leaps into the creative and logistical aspects of designing parkour parks, exploring their potential to serve communities beyond the parkour practitioners themselves. He reflects on projects like Rose Park in Boise and Penzer Park in Langley, highlighting the balance between making a space inviting for movement and considering broader urban challenges. Colin also discusses the aesthetic and functional aspects of his work, emphasizing the importance of materiality and community integration.

Colin explores his influences, from urban sculptures to conversations with other parkour architects like Mikkel Rugaard. His interest in creating multi-use spaces reflects his vision for inclusivity and accessibility in public design. Beyond this, Colin shares insights on evolving parkour spaces from purely functional sites to places that are inspiring and aesthetically pleasing, contributing to a more dynamic urban environment.

Takeaways

Integrating parkour into public spaces — Colin emphasizes the balance between creating functional parkour features and ensuring spaces are welcoming to all.

Materiality in design — He reflects on the tactile and aesthetic importance of materials like wood and metal.

Community impact — Colin considers how spaces influence community behavior and activate underutilized areas.

Influence of public sculpture — He draws inspiration from large-scale public sculptures for parkour park designs.

Evolving creative process — Colin shares how conversations and collaborations have shaped his approach to designing movement spaces.

Resources

Parkour Visions — A non-profit organization focused on creating parkour parks and educational programs.

Street Movement — A design firm known for innovative parkour park concepts.

TraceSpace — A German firm creating distinctive parkour spaces using mixed materials like brick and timber.

(Written with help from Chat-GPT.)

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§23 – Learning a new language

This entry is part 35 of 37 in the series Study inspired by Pakour & Art du Déplacement by V. Thibault

Chapter 23 is one of the longest in the book… it’s all of 2 pages, overflowing to begin a third. In it, Thibault presents the stages of learning and mastery of parkour/ADD via a metaphor about learning a new language.

Meanwhile, the local parkour community where I train, not nearly as often as I should, continues to grow and change. Long story omitted. These days, I find myself dropping in for an adults, beginners class once a week. A class, as it were, of the A-B-C’s, basic grammar and some short, simple words.

I’m old enough, and wise enough, to know that I can empty my tea cup, go to just about anything and find something useful to take away. And so I find myself faced with one of those kindergarten pencils and those sheets of paper with the widely spaced lines—they don’t want you to miss getting in between the lines and start crying. It’s the perfect opportunity to review so many lessons. To tinker with nuance, to fiddle with symmetry, to doodle without consequence.

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Sunday, fireside

Learning to create spaces is one of those super-power life skills that they don’t—or at least, they didn’t, I don’t know about now—teach in school. But I’m not sure you could have taught this to me in school. Probably best that they didn’t even try. I had to discover for myself how much it matters to have a space, a context, and a set of expectations in which to do… well… everything that matters.

The things I use to create a space certainly don’t need to be expensive. They do need to be purposeful. My particular chair that I use for reading. My gel pens that have served faithfully for years. (A parade of clones, not one super-pen.) The keyboard and large screen for programming. The physical-paper books I generally prefer.

…and then comes the intention. Why am I reading? Why am I writing? Why am I having this conversation, or that experience?

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Decisions decisions decisions

Over and over, throughout the day, we make the Hundred Little Decisions: to work on this, to check email, to go to this website, to respond to messages, to grab a bite to eat, to meditate or exercise or do yoga or have tea or watch a video or push into deep purpose.

~ Leo Babauta from, Hundred Little Decisions: Training Ourselves at the Decision Point

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As usual, Leo has this boiled down to its essence. I certainly make plenty of bad, in-the-moment decisions. These generally relate to food or entertainment, as escapes from stress and workload—both are entirely self-imposed and positively feedback into each other. I’m convinced that no amount of good intentions, nor mantras, nor little sticky notes, etc. can save me.

My mistakes are made much farther back in time. The mistake is not what I do when I feel frustrated; the mistake was starting the 42nd task during which I became frustrated. The mistake was putting 47 things on my todo list—not literally on paper, but in my set of expectations of myself. When I get to item 41, there’s absolutely not way I’m not going to start on number 42 when I have my eyes on the goal of 47.

I am completely on board with the idea that what one can accomplish in a lifetime is astounding, and that I can get there by simply doing a little bit, (of whatever it is,) each day. I understand that idea, but it appears in action too rarely in my life. I have a nice, sparse, morning routine and each day—more than two hours after I’ve awakened—I get to the point where I “surface.” Where I open up all the communication tools, project management system, notes, everything… and I plan my day.

This is where I fail; around 7:30am. Every day I grab life by the short hair and set out to tackle All The Things allocated for today. Every self-cursed day, I get to the 42nd item and get frustrated, tired, hungry, discouraged or whatever.

This problem is not solved with sticky notes at the spots where decisions are made in real time. This problem is solved in my first two hours in the morning… where I should be thinking:

What would a good day look like today?

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P.S.: I’m adamantly opposed to planning “tomorrow” before going to sleep. The last thing I want to do, at the end of my day, is wade into what tomorrow holds, in the end-of-day, wound down, ready for restorative rest, mode. That’s crazy. It’s also presumptuous about there being a tomorrow into which I will awaken—the last thing I ever want to do is have someone find me dead, and see the stupid crap I was planning to do the next day. The only sane course of action is to wake up, begin the day with a fresh start and see what it holds in store.