If you have not known how to make the best use of it, if it was unprofitable to you, what need you care to lose it, to what end would you desire longer to keep it?
~ Michel de Montaigne
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Unprofitable →
This is the last time →
There was, or will be, a last time for everything you do, from climbing a tree to changing a diaper, and living with a practiced awareness of that fact can make even the most routine day feel like it’s bursting with blessings. Of all the lasting takeaways from my periodic dives into Stoicism, this is the one that has enhanced my life the most.
~ David Cain from, The Last Time Always Happens Now
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This is by far the most important thing I’ve learned in my several decades. I’ve written about this previously, try my “perspective” tag for some tastes, but this item bears endless repeating. Do it as if it is the last time. Think of it, in the moment, as if it is the last time. And for a bonus multiplier—but don’t do this too often or you get disappointed too—think about that thing you’re about to do, the same way. Tomorrow, when I ____ , that will be the last time I get to _____ .
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Decisions and outcomes →
Decisions are good even if the outcomes aren’t. The same is true for the process of generous creativity. The process is a smart one even if the particular work doesn’t resonate, even if the art doesn’t sell, even if you aren’t happy with the reaction from the critics. That’s because what we seek and how we create aren’t the same thing.
~ Seth Godin
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The doldrums →
[T]he comfort zone. This is the bane of all athletes, the enemy of all entrepreneurs and creative[s], and the graveyard of dreams.
~ Dan Edwardes from, Risk and Reward
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This is a ubiquitous problem. Perhaps you’ve heard the phrase, “stuck in the doldrums“? It’s a literal place where there isn’t much wind, and thus the bane of old-timey sailors. But the metaphorical doldrums are just as real. You can avoid the literal doldrums. You can at best only try to avoid the metaphorical ones. Whether it’s literal or metaphor though, the way out is the same: Concerted, intentional effort to go somewhere else.
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A tragic history →
But I wish some one would attempt a tragical history of literature, showing how the greatest writers and artists have been treated during their lives by the various nations which have produced them and whose proudest possessions they are. It would show us the endless fight which the good and genuine works of all periods and countries have had to carry on against the perverse and bad.
~ Arthur Schopenhauer
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If only →
The day is actually quite spacious, if we don’t try to overfill it.
~ Leo Babauta from, Unrushed
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It took me far too long to learn this lesson. Or, perhaps I should practice improving my self-talk: I’m so glad I understand this now. For a couple months early in 2022 I had a sticky-note about “urgency?” on my monitor. That had a profound effect on me. Is the house on fire? …okay, then where is the urgency coming from? Hint, Craig: You brought the urgency to the situation.
But, why? Why does the urgency creep in for me? I make long (long loong) arguments out in my mind about how each of the things that I’m doing, represents an intentional choice. At one time, I used to allow other people to choose for me. (I know, right… That’s nuts.) But these days, I’m working out the lesson that just because I choose, that doesn’t mean it’s a good choice. One choice, two choices, three choices, four, five, six… and the day is over-full. Quick! All these things need to be done—I chose them. Hello, urgency.
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Social with Damien Puddle →
What insights can be gained about the culture, practice, and academic study of Parkour?
The conversation explores how Parkour evolved into a subject of academic research and its broader cultural implications.
I just got so interested in Parkour that I tried to spin every single project of any kind that I did, towards Parkour. Because I realized there was no— there’s hardly any research written about it at all.
~ Damien Puddle (3:50)
The conversation covers the cultural and academic dimensions of Parkour, including its growth as a global practice. Parkour’s physical techniques are explored, particularly how they contribute to biomechanical understanding and injury prevention. This ties into broader academic efforts to document and analyze Parkour, positioning it as a boundary object uniting diverse interpretations.
Attention is given to the social and philosophical aspects of Parkour. These include its global adoption, differences in regional practices, and how practitioners perceive and engage with the discipline. The conversation concludes with reflections on the broader significance of Parkour as both a personal journey and a collective cultural phenomenon.
Takeaways
Parkour as a boundary object — It unites various interpretations and perspectives across cultural and personal practices.
Regional Parkour variations — Different communities shape the practice in unique ways.
Intersection with academia — The conversation highlights how Parkour has become a legitimate subject for academic research.
Biomechanics and movement — Parkour’s techniques provide insights into safe and efficient movement practices.
Philosophical underpinnings — The practice offers opportunities for self-reflection and personal growth.
Globalization of Parkour — The spread of Parkour highlights its adaptability and universal appeal.
Community engagement — Volunteering and contributing to organizations enrich the practice beyond physical training.
Resources
Boundary Object Theory — A sociological framework discussed as a lens for understanding Parkour’s diversity.
Vincent Thibault’s Books — Works referenced for their cultural perspective on Parkour.
Miami University in Oxford, Ohio — Mentioned as a connection for exchange programs involving Parkour lectures and workshops.
David Belle Videos — Videos of the Parkour founder used in academic presentations to illustrate the discipline.
(Written with help from Chat-GPT.)
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Authenticity with Aaradhya Tiwari →
How do personal approaches to podcasting, storytelling, and authenticity evolve over time and influence podcast production?
A storyteller shares insights on transitioning from solo episodes to engaging interviews.
If it’s not the real me— If it’s not something I love to do, then it won’t be authentic enough to actually go forward with it.
~ Aaradhya Tiwari (8:46)
The conversation explores the evolution of podcasting as a personal and creative medium. Aaradhya reflects on the transition from solo episodes to guest interviews, emphasizing the challenge of overcoming initial fears of rejection and the perfectionist tendencies that often accompany such projects. The importance of authenticity in podcasting is a recurring theme, with a focus on how genuine connections and natural conversations enhance the listening experience.
A mindfulness approach to creativity also features prominently. Observing daily life and being present in the moment are identified as essential practices for sparking creativity and storytelling. The discussion also touches on navigating differences in perspectives during interviews and how such exchanges can enrich a podcaster’s understanding and production quality.
Takeaways
Mindset shifts — Moving past the fear of rejection is a key step in starting and maintaining a podcast.
Perfectionism in podcasting — Striving for authenticity can help overcome the paralysis of perfection.
Storytelling as a foundation — Stories serve as a universal element that bridges differences and enriches content.
Mindfulness practices — Observing surroundings with intent enhances creativity and inspiration.
Adaptability in interviews — Acknowledging and respecting differing perspectives can lead to richer, more meaningful conversations.
Authenticity and passion — Staying true to oneself ensures the podcast remains genuine and engaging.
Resources
This is Marketing — Seth Godin’s book exploring authentic approaches to marketing and storytelling.
(Written with help from Chat-GPT.)
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Belonging →
The second meaning of the word belong has to do with being an owner: Something belongs to me. To belong to a community is to act as a creator and co-owner of that community. What I consider mine I will build and nurture. The work, then, is to seek in our communities a wider and deeper sense of emotional ownership and communal ownership. It means fostering among all of a community’s citizens a sense of ownership and accountability, both in their relationship and in what they actually control.
~ Peter Block
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Rhyming →
There comes a moment in doing your reading where new work begins to rhyme. When you start to see the connections. When you understand who influenced the person you’re engaging with right now.
~ Seth Godin from, On doing the reading
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I find it difficult to figure out when to shift from empty-cup, learn-everything mode into the mastery mode. Godin’s insight about “rhyming” strikes me as a great test. In the beginning of some new learning adventure, everything is new and everything is surprising. The idea of noticing when a lot of things start to rhyme… of noticing when you can tell who or what influenced this thing you’re currently studying… that is when you notice that you have shifted into the mastery level of practice. Mastery does not—not by a long shot!—mean you are done. It’s more like the point where the airplane pivots and leaps into the sky: Now I am ready to begin my own journey.
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