Effort isn’t the point, impact is. If you solve the problem in three seconds but have the guts to share it with me, it’s still art. And if you move ten thousand pounds of granite but the result doesn’t connect with me, I’m sorry for your calluses, but you haven’t made art, at least not art for me.
~ Seth Godin
slip:4a1255.
If you have decided that you can’t do art until you quiet the voice of resistance, you will never do art. Art is the act of doing work that matters while dancing with the voice in your head that screams for you to stop. We can befriend the lizard, lull it into stupor, or merely face it down, but it’s there, always. As soon as you embrace the lizard (not merely tolerate it but engage it as a partner in your art), then you are free.
~ Seth Godin
slip:4a1245.
…we see what we believe, not the other way around. Rarely do we see the world as it is. Most of the time we are so busy compartmentalizing, judging, and ignoring what we can’t abide that we see almost nothing. We don’t see opportunities. We fail to see pain. And most of all, we refuse to see the danger in doing nothing. If you can’t see, you will never make art successfully.
~ Seth Godin
slip:4a1235.
When the resistance shows up, I know that I’m winning. Not my fight against it, but my fight to make art. […] The resistance is a symptom that you’re on the right track. The resistance is not something to be avoided; it’s something to seek out.
~ Seth Godin
slip:4a1225.
The secret to doing good research is always to be a little underemployed. You waste years by not being able to waste hours.
~ Amos Tversky
slip:4a1213.
If you want these crazy ideas and these crazy stages, this crazy music, and this crazy way of thinking, there’s a chance it might come from a crazy person.
~ Kayne West
slip:4a1208.
While you can still avoid shame by hiding, you won’t find happiness or even stability that way. The thing is, shame is a choice. It’s worth repeating: Shame can’t be forced on you; it must be accepted. The artist, then, combines courage with a fierce willingness to refuse to accept shame. Blame, sure. Shame, never. Where is the shame in using our best intent to make art for those we care about?
~ Seth Godin
slip:4a1205.
On any project I can quickly get to the doing. Nearly as quickly I start thinking about how to improve whatever it is I’m doing. Sometimes whatever-it-is has a clear end; I can spend many hours (thank you ADHD) laser-focused on an immense number of trivial steps knowing it will mean I can remove something from a to-should list. But with open-ended stuff, like “publish conversations as podcasts”, it doesn’t take long for my urge to fiddle to get the better of me.
I recently went to a Picasso exhibition. What impressed me the most was not any individual piece of art, but rather his remarkably prolific output. Researchers have catalogued 26,075 pieces of art created by Picasso and some people believe the total number is closer to 50,000.
~ James Clear from, https://jamesclear.com/shadow-side
slip:4ujasa1.
I think it comes down to motivation. (And I find reading about others’ huge accomplishments to be crushingly de-motivating.) If I have the intrinsic motivation, then the iteration happens; only by great effort could the iteration not happen! Clear points out that Picasso had a very dark side which presented in his interpersonal relationships. I don’t think that dark side—anyone’s dark side—motivates iteration. And a dark side is not a necessary feature either. I really believe one can be a decent human being and be motivated and get great stuff done.
ɕ
I’m often paused, even paralyzed, by uncertainty. My hope is that this is a sign that I’ve developed some (originally absent, apparently) humility. I swing wildly between feeling confident in simply doing “the work” simply for the sake of experiencing the process, and panicking in the face of self-criticism for wasting my talents and resources. Literally, the only thing which saves me is the knowledge that it takes a significant amount of self-awareness to even think to write a paragraph such as this.
Never play to the gallery… Always remember that the reason that you initially started working is that there was something inside yourself that you felt that if you could manifest in some way, you would understand more about yourself and how you coexist with the rest of society. I think it’s terribly dangerous for an artist to fulfill other people’s expectations — they generally produce their worst work when they do that.
~ David Bowie from, https://www.themarginalian.org/2022/11/24/david-bowie-creativity-advice/
slip:4uteda1.
I’m not sure it’s terribly dangerous. But it’s certain that I get twitchy and restless if I go searching for others’ approval. It feels far better to sit down, shut up, and start. Actually, it’s really a double-negative: It feels far less worse to sit down, shut up, and start than it does to seek others’ approval for whatever it is I have the urge to work on.
ɕ
Artists never stop looking for the disturbing truth behind the facade. When reality arrives, they won’t be surprised, because they saw it coming. Sometimes they even encouraged it to come.
~ Seth Godin
slip:4a1195.
It’s a choice. The choice between being the linchpin (the one people can’t live without) and the cog (who does what she’s told). The choice between doing art (and forging your own path, on your own terms, and owning what happens) and merely doing your job (which pushes all the power and all the responsibility to someone else).
The good news is that it’s your choice, no one else’s.
~ Seth Godin
slip:4a1185.
Our vanity, our passions, our spirit of imitation, our abstract intelligence, our habits have long been at work, and it is the task of art to undo this work of theirs, making us travel back in the direction from which we have come to the depths where what has really existed lies unknown within us.
~ Marcel Proust
slip:4a1130.
To create a meaningful work of art or to make a discovery or invention requires great discipline, self-control, and emotional stability. It requires mastering the forms of your field. […] When you look at the exceptionally creative work of Masters, you must not ignore the years of practice, the endless routines, the hours of doubt, and the tenacious overcoming of obstacles these people endured.
~ Robert Greene
slip:4a1142.
What makes the difference between an outstandingly creative person and a less creative one is not any special power, but greater knowledge (in the form of practiced expertise) and the motivation to acquire and use it. This motivation endures for long periods, perhaps shaping and inspiring a whole lifetime.
~ Margaret A. Boden
slip:4a1140.
What focus means is saying no to something that you, with every bone in your body, you think is a phenomenal idea and you wake up thinking about it, but you say no to it because you’re focusing on something else.
~ Jonny Ive from, https://fs.blog/focus-to-win/
slip:4ufofo2.
I have a lot of ideas. (Perhaps your experience is similar?) For most of my life I thought all of my ideas where good ones. Sure, there were some insane bicycle accidents and spectacular snow-tubing disasters, but in the minutes following an incident, I still thought it was a good idea. Poorly planned, poorly executed, or both, sure. But life seemed to be an endless parade of good ideas each affording an opportunity to grab life by the choose-your-own-metaphor. In hindsight, I think it was all simply poor—or, if I’m honest, a complete absence of—impulse control.
In recent years it has become apparent my time on Earth is limited. (Perhaps your experience is similar?) These days that stream of ideas continues. What if I installed a motion-activated auto-targeting water sprinkler filled with Capsaicin-laced water to keep the squirrels away? (Yes, really.) …and okay, well, the ideas don’t all seem like good ideas anymore. Fine. I’m cool with having limited time, limited resources, and possibly some added social awareness.
But every once in a while, I have an idea which is blindingly awesome. Even if I have one such idea only once in a while, that still means I have more than I can try, and then I have to choose. I have to choose some, and say no to others.
ɕ
In fact, now I’m wondering if that’s one way you know something is great? When you say: “How does this even exist?”
~ Austin Kleon from, https://austinkleon.com/2023/04/04/the-making-of-lilo-stitch/
slip:4uaute1.
Yes, that’s definitely one way.
In about ten weeks I’m making my annual journey to Boston and neighboring Somerville for a parkour event. Much has changed over the years I’ve been going. It’s moved from Septembers to Junes. The size has waxed and waned. A few of the same people are usually there, and there is an endless banquet of new forever-friends.
If you get into doing this thing, and you start going to play and train with others, you soon have a very unusual problem: The more you run into a particular someone, the more it happens in different places. You start to have this precious view of who this person is separated from where that person normally is. Sometimes you know someone well, but have no idea where you know them from. It’s weird. It’s awesome. How does this even exist?
ɕ
Creating something that can be turned down takes discipline and courage, so there’s reason to feel pride for each rejection.
~ Rhaina Cohen
slip:4a1101.
Learn the rules like a pro, so you can break them like an artist.
~ Pablo Picasso
slip:4a1097.
A great deal of talent is lost in this world for the want of a little courage.
~ Sydney Smith
slip:4a1088.
Marty is a death camp survivor. He’s got the tattoo. He never speaks about the experience directly (I only know through my friend Pablo, who originally introduced me to Marty) but he’ll make remarks from time to time whose gist is, “Appreciate life. Never complain. Work hard and do your best.”
Marty has one other mantra: “Talent is bullshit.”
~ Steven Pressfield from, https://stevenpressfield.com/2022/07/talent-is-b-s/
slip:4useta1.
It’s worth reading simply because Pressfield wrote it; He doesn’t write that much on his blog and so I make time to read it all. Marty (who is a fictionalized version of a real person Pressfield knew) consuls a tidy, four points. I was gut-punched to realize that while I excel at the last two, “Work hard and do your best,” and I suck at the first two, “Appreciate life. Never complain.” The complaining bit I have made reasonable progress on. These days I don’t often complain, and when I do complain I am able to see it’s ridiculous indignation at its core. But that first one, “Appreciate life,”… yikes! I seriously suck at that.
ɕ