Don’t let the weight of fear weigh down the joy of curiosity. Fear is really false evidence appearing real.
~ Peter Guber
slip:4a719.
Fear →
Slip addresses with a “/” in them →
Sometimes some small little niggling piece-of-sand-in-my-oyster gets resolved, and all is right in the world. This is one of those cases. This is a tiny, but irrelevant if you don’t have a slipbox, little thing that was bothering me…
Crash-course/reminder:
- Every “slip” (which for my slipbox is a 3×5 card, but one could use anything) has a single address.
- If a slip’s address is “address31” (that is NOT actually an address) it must be unique, because I’m going to note that address on other slips, as a way of saying “see also the slip at address31”.
- There are two competing needs: The need to be able to infinitely insert slips between existing slips, and the fact that one cannot know the structure of the final assembly of slips. (Both because the assembly is never technically finished, and because you don’t know what you’ll assemble.)
- The solution is a hierarchic address system. The address of my first slip is, literally, “1” then “2” then “3”. When I need a slip between 2 and 3, I go “down” a level: The address “2a” is between 2 and 3. I have slips with address like 4a800 — literally the 800th slip between 4a and 4b. I also have addresses like 4c1fi.
“4c1fi” is interesting. “4” is my commonplace book. “4c” is for slipbox indices. “4c1” is for people. (There’s a 4c2 for themes, like “farming” — I just stuck my finger in there now, and was surprised to find “farming”.) But what is going on with that “fi” part?
I mentioned above that “4a800” is the 800th slip under “4a”. Does that mean “4c1fy” is the fy-th slip between “4c1” and “4c2”? Yes, sort of.
Sorry, did I lose you with “counting with letters?” On the slip addresses, I’m alternating letters and numbers as the addresses go down in layers. So in the letter-based levels of an address, I’m using: a, b, c, d, e … y, z, aa, ab, ac, ad, … fg, fh, and finally fi. This is counting in base-26, using roman letters as the glyphs. “fi” is 159 in the more common base-10. So is “4c1fi” the 159th slip between “4c1” and “4c2”? Yes, sort of. It’s actually about the 20th slip between “4c1” and “4c2”.
There’s no reason I have to use all the addresses. Sometimes I want to pack some meaning into the address itself. That’s what’s going on with the slips under “4c1”. That “fi” in the address tells me the card contains {people whose name,} (that much I know, because I know “4c1” is an index of people,) starts with an “F” and whose next vowel is an “i”. That sounds nuts, I know. Let it go for today, because I’m about to get to the point of my title about the “/” in addresses.
Suppose I want to have the address on a slip tell me something, like a date?
Slips have a date on them— the date I created the slip and put it in the box. But what if I want to see, on the slip for farming (!) a reference to another slip… and I want to know something interesting about that referenced slip? What if I wanted to put the date in the slip address? October 4, 2021, for example, could be written as “211004”. (I’ll be long dead before 991231 rolls over to 000101 in the year 2100.)
One day, I decided to keep a slip for every recorded conversation I’ve done. That’s another blog post. That happened to be slip “3”. The slips under “3”—the ones for each recording—would then be “3a”, “3b”, “3c” and so on. But I wanted to somehow put “211004” in the address. :(
That’s what the slash if for.
Farming has a reference to “3/211004b” because “3211004b” would suggest I have 3+ million top-level slips. The slash makes it clear the address is “3”, then down a level to “211004”. (Then down a level to “b”, because this was the second recording on that day.)
So, I randomly grabbed “4c2fa”, which I discovered has “farming” on it, and which mentions the {second audio recording I made on Oct 4, 2021} (I can see that from “3/211004b”. flip flip flip Ah, yes, I now remember this conversation with Kate…
Apertif: Here’s one way the slipbox grows. I was looking at the “4c2fa” card with “farming” on it, and another conversation popped into my head… with Chris Moran. There’s a slip for that recording — flip flip flip find Moran, who I can tell would be on “4c1mo” just based on his name, that mentions “3/181125a”, and I can see without even looking at that slip, that’s a recording from November 2018. And I just added “3/181125a” to the slip with “farming.”
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Music with Orlando Bishop →
How does podcasting provide creative freedom and personal fulfillment?
Music transforms podcasts into immersive experiences, creating a distinct emotional resonance.
Music completely changed my vision for the project.
~ Orlando Bishop (10:45)
The conversation explores how podcasting offers freedom from traditional creative constraints. It highlights the ability to bypass industry gatekeepers, enabling creators to connect directly with their audience. Orlando describes how podcasting serves as an avenue to express creativity and experiment with different formats and themes, including producing unique audio experiences.
The role of music in podcasting is discussed in depth, with insights into its transformative impact on storytelling and emotional connection. The conversation also touches on broader lessons about podcasting as a learning process, embracing imperfection, and aligning podcasting with broader personal or professional goals. Themes of persistence, adaptability, and audience connection are emphasized.
Takeaways
Freedom in podcasting — It allows creators to bypass gatekeepers and take direct control of content.
Experimentation with format — Podcasting supports diverse approaches to storytelling and audience engagement.
Role of music — Music enhances the emotional depth of episodes, serving as a defining feature of the podcast.
Learning through iteration — Imperfection and adaptability are integral to the creative journey.
Audience connection — Identifying and serving a specific audience creates meaningful engagement.
Alignment with personal goals — Podcasting can complement broader ambitions and professional objectives.
Creative autonomy — The medium enables creators to shape their projects authentically.
Resources
Akimbo Podcasting WorkshopA — A program that encourages creativity and skill development in podcasting.
Unstuck AF Podcast — Orlando’s podcast integrating music and personal coaching insights to inspire listeners.
Chilpreneur — by Denise Duffield-Thomas offerings business advice with a focus on balance and simplicity.
We Align Community — Orlando’s platform associated with strategies for alignment and community building.
Dinner for Two Film — A film directed by Orlando, emphasizing storytelling through music.
(Written with help from Chat-GPT.)
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Busy →
Of the many, many excuses people use to rationalize why they can’t do something, the excuse, “I am too busy,” is not only the most inauthentic, it is also the laziest. I don’t believe in, “too busy.” Busy is a decision. We do things we want to do, period. If we say we are too busy, it is shorthand for, “not important enough.” It means you would rather be doing something else that you consider more important.
~ Debbie Millman
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Knowledge of oneself →
To resist the influence of others, knowledge of oneself is most important.
~ Teal’c, in Stargate SG-1 (“Stronghold”), (s9e14, 2006 TV series)
slip:4a717.
Brain-slipbox alignment →
A faithful reader hit reply recently and asked…
How do you get your brain to be consistent with your slipbox? I’m thinking it would be an excellent thing to do/have, but I also know that if I was filing thoughts under a tab where I thought it should go, there’s a good chance that when I look for it later, a different tab is where I’m going to think it should be.
The short answer is: I don’t get them consistent; I don’t actually want them to be consistent. That’s not what the slipbox is for.
And then a two-part longer answer:
First: It is vastly better than my brain at keeping track of things. For example, if I have a name, I can find entry points into the slipbox by using the index of people. That’s at “4c1”. “4” is the common place book. “4c” is slipbox indices. “4c1” is for people. It’s a visually easy to spot section of the cards though. I use 3×5 tabbed dividers to find the main letters. Grabbing a random card— “4c1lo” (that’s four-C-one-L-O) has people whose last name starts with “L” then first vowel of “O”. The card has “London, John”, “London, Jack”, “Lombardi, Vince”, “Loomis, Carol”. In this case names that actually start “LO…” but that is not usually the situation. Next to “Low, Steven” is a reference “3/211027a” … and I know what the “3” section of the slipbox is: recorded conversations. So that’s a conversation I had with the person on 21-10-07. To summarize: Given any name, I can find them in the slipbox; or I can tell they’re not in the slipbox. In other situations, I can go into the box: “what were my notes on that book?” I can find books (digital, physical, essays and papers too) are in the “2” section of the slipbox.
Second: The slipbox is not meant ONLY to be a card catalog system. It’s not ONLY a giant index of things. It’s primary goal is to have a conversation with the entire collection [whatever I’ve put in the slipbox so far] of my thinking. It’s not a database of bits of information (“Harrisburd is the capital of Pennsylvania”) but rather a database of thoughts about things.
I admit it’s all very obtuse. After a year of fiddling with it, I’m convinced that it’s adding value to my life, but I still find it very hard to explain. One parting thought from a book about note taking is that one needs a context and system within which to think. Not a strict plan for how to think. The context and the system need to be as UNstructured as possible to enable the flexible thinking.
Finally, there’s a tag for all the slipbox posts, that might yield additional breadcrumbs if you flip through them, https://constantine.name/tag/slipbox/
Hope that helps :)
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Reality →
[…] enter the real world as soon as you can. […] I mean for you to get off of social media, to get out of the big cities, and to re-connect with what’s real: Nature, your soul, your inner child. Respect yourself. Most of the world is asleep today, playing a small role in a gigantic illusion. You don’t have to be. You can choose a different life. It’s all within. You will know the answer when you take the time to find yourself and trust yourself.
~ Jérôme Jarre
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Failure →
If you set your goals ridiculously high and it’s a failure, you will fail above everyone else’s success.
~ James Cameron
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Simplify →
Never use a long word where a diminutive one would suffice. When you want to keep a story moving don’t spend a lot of time going on circuitous side trips when you could instead proceed directly to the most interesting, active parts. Like that time I was in the Antarctic with Ernie and we had to abandon the Endurance to the ice, it’s important to use good visuals to make your point in as few word as possible. Also, there are clear rules for writing, such as: One should only write authoritatively about that which one actually knows. Other rules include: Don’t overuse colons; It’s important to know how to use a semi-colon.
Not sure how I got on that train of thought. It simply struck me to try writing a paragraph which was maximally incorrect. I should probably exercise more restraint. But what started this post— What prompted my title selection was:
I’ve decided to stop tracking my waist measurement. It simplifies my crazy list of things I try to do every day, sure. It also eliminates the number of times I go to weigh/measure and have to double-back for reading glasses to see the tailor’s tape. I had started tracking it so that I could calculate my waist to weight ratio. After a few years I’ve learned that the ratio is telling. Not in a depressing way, but it’s a very interesting number—I can tell my level of fitness, how I’ll feel if I try to do something (say, go run, or boulder,) and it’s a great indicator. But having the data didn’t enable to do anything. ¯\_(ツ)_/¯ So, lest I go ever onward adding processes and things and systems and numbers— ahem. Dropped it.
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