Moral beauty is the basis of all true beauty. This foundation is somewhat covered and veiled in Nature. Art brings it out, and gives it more transparent forms.
~ Victor Cousin
slip:4a889.
Moral beauty is the basis of all true beauty. This foundation is somewhat covered and veiled in Nature. Art brings it out, and gives it more transparent forms.
~ Victor Cousin
slip:4a889.
I was chatting with my old friend Arthur over a continental breakfast at the Hotel Palomar.
~ Dave Pell from, The Cell Phone Time Machine
slip:4unete1.
I’m deeply in lust for vignettes. I’ve quoted the opening of the short piece and I’m saying nothing further about it. Although, I’ll happily arrange a few more bytes about vignettes.
You see, I’m a sucker for cuts; Cuts in the sense where one visual transitions to another exactly in the way that the real world doesn’t. (With a hat tip to Douglas Adams if that last turn of phrase feels familiar.) Movies like Up, or Bicentennial Man—which I love, but most people seem to pan—or check out the “Epilogue” in the movie, Cherry, (on AppleTV. Get AppleTV for a month just to watch this movie.) I’m a sucker for Vignettes that give you just enough information for you to navigate… and leave to your own devices to pull up your own memories, and to yank on your own heart strings.
ɕ
If you are going to be a writer there is nothing I can say to stop you; If you’re not going to be a writer nothing I can say will help you. What you really need at the beginning is somebody to let you know that the effort is real.
~ James Baldwin
slip:4a887.
Life is about tradeoffs. When we know what to say no to, and we know why, we can say yes with comfort and confidence to the things that matter. To the things that last. Work, family, scene. You can have two if you say no to one. If you can’t, you’ll have none.
~ Ryan Holiday from, Work, Family, Scene: You Can Only Pick Two
slip:4urywo1.
The words “work”, “family”, and “scene” are of course maleable. I’d argue there’s a fourth—”self” or “health” would be the word I’d choose—and the admonition should be expanded to, “choose any three.” None the less, there something that feels to me very true about it being necessary, in the way the gravity is necessary to obey, about picking two of those three. There was a time when I chose work and scene. It was interesting, for a while. It wasn’t what it was cracked up to be. What’s your list, and which are you choosing?
ɕ
It is no measure of health to be well adjusted to a profoundly sick society.
~ Jiddu Krishnamurti
slip:4a885.
I grew up with maps showing how cities would be obliterated by a nuke. They’re back.
~ Clive Thompson from, The Return of 1980s-Era Nuclear-Strike Maps
slip:4umete1.
As did I. And, The Day After, for those who don’t know what that is, … well to be candid, I’m not sure how to describe it. Absolutely, scientifically and viscerally real. I know what it looks like when civilization collapses; and it’s not some kitschy zombie scenario. Disease disables, maims and kills. But nuclear war would return us to Medieval times. I would have been 12 or so when The Day After aired on TV, and I’m confident we watched it. I know I’ve also seen it several times on VHS, (and possibly on Beta as we had one of those for a while too.) There’s an interesting, unresolved question about why don’t we see signs of other intelligent beings… and one legit thought is that, quite possibly, all but vanishingly few races obliterate themselves in a sort of technology limiting event.
ɕ
The idea of the painter and the sculptor is undoubtedly that perfect and excellent example of the mind, by imitation of which imagined form all things are represented which fall under human sight.
~ John Dryden
slip:4a884.
Normally, we think of these difficulties and frustrations as something wrong with us, the other person, or the world. With this kind of view, every failure is another reason to feel bad about ourselves. Every frustration with someone else is a reason to shut down to them or lash out at them. Everything wrong with the world is another reason to feel discouraged.
~ Leo Babauta from, Everything is a Practice
slip:4uzepa2.
I recently read a discription of one’s mindset that used the term “expansive.” Having a “growth mindset,” or a “positive attitude,” are other turns of phrase in the same vein. Thinking expansively leads you to find opportunities. For 6+ years I’ve been tinkering on the Movers Mindset project, and a legitimate question comes up: What is the mindset of a mover?
ɕ
What inspires and informs the practice and teaching of movement, particularly focusing on softness and adaptability, in Parkour?
Training barefoot and the choice of footwear reveal unexpected connections to movement fluidity.
I was always a very power hungry— Very, how far can I jump? How big of a movement can I do? Because that was always what caught the attention. But then […] I watched one of [Minh Vu Ngok’s] videos. And he was just such a beautiful mover, doing everything so elegantly, doing his flips, doing his other tricks. But you know, his video— the audio was just him moving. And it was just so quiet.
~ Josh Nierer (2:19)
The conversation explores the concept of softness in movement and its relevance to Parkour. Josh shares how his initial focus on power transitioned into a fascination with softness after observing a skilled practitioner’s quiet and elegant movements. He discusses biomechanics and how force dissipation through techniques like rolling contributes to more efficient and safer movement. Insights into ground reaction time and muscle memory highlight the technical precision required to master these movements.
Footwear and training methodologies are also discussed, emphasizing the benefits of barefoot training for sensory feedback and movement accuracy. Josh highlights the connection between repetition, strength, and mindfulness in achieving fluidity and quietness in movement. Additionally, he reflects on designing Parkour obstacles and how engineering principles enhance their functionality and versatility.
Takeaways
Repetition in training — crucial for building muscle memory and improving ground reaction time.
Softness in movement — achieved by managing force distribution and avoiding hard landings.
Biomechanics in Parkour — understanding force dissipation through rolling and other techniques.
Mindful practice — combining awareness and technical refinement to improve movement quality.
Importance of footwear — thinner soles can enhance sensory feedback and reduce injury risk.
Versatility in design — designing Parkour obstacles to maximize multiple uses and durability.
Resources
The Movement Creative — organizers of the Move NYC event.
Minh Vu Ngok @minh_vn — Practitioner from Germany known for his elegant and quiet movements.
Parkour Generations Lehigh Valley — organization offering gym design services for Parkour spaces.
Move NYC event — a Parkour community gathering featuring workshops and sessions.
Bethlehem Steel — historical reference for carpentry inspiration shared by Josh.
(Written with help from Chat-GPT.)
ɕ
Something that irritates you. That’s the anguish of it. Do this book, or die. You have to go through that. Talent is insignificant. I know a lot of talented ruins. Beyond talent lie all the usual words: Discipline, love, luck, but most of all, endurance.
~ James Baldwin
slip:4a882.